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Color name
RGB 111 115 214

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 115 214 it is the complementary color RGB 144 140 41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 115 214. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 115 214 shade: RGB 116 115 209, RGB 133 133 228, RGB 150 151 247, RGB 167 169 255 and RGB 184 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 115 214. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 94 97 195, RGB 77 79 176, RGB 60 61 157 and RGB 43 43 138

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 135 111 214, RGB 163 111 214, RGB 190 111 214 and RGB 214 111 210

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 115 214 shade: RGB 111 115 214 and RGB 111 111 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 115 214 shade matches the following richer shades: RGB 111 115 214, RGB 96 102 229 and RGB 82 88 244

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 126 129 199, RGB 141 143 184, RGB 156 156 170 and RGB 171 170 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 115 214 shade: RGB 111 171 214, RGB 111 144 214, RGB 111 116 214, RGB 134 111 214 and RGB 161 111 214

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 115 214 shade: RGB 53 58 190, RGB 79 84 205, RGB 111 115 214, RGB 143 147 223 and RGB 176 178 232

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 214 111 199 and RGB 158 214 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 214 111 116 and RGB 116 214 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 214 111 199, RGB 214 209 111 and RGB 111 214 127

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 115 214 shade: RGB 111 115 214, RGB 214 111 168, RGB 214 209 111 and RGB 111 214 158

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

Complementary color

CMYK 0 / 3 / 72 / 44

HEX #908C29

RGB 144 140 41

HSL 57.67, 0.56%, 0.36%

LAB 56.92, -10.72, 50.6

 

CMYK 44 / 45 / 0 / 18

HEX #7473D1

RGB 116 115 209

HSL 240.64, 0.51%, 0.64%

LAB 52.48, 24.49, -48.57

 

CMYK 42 / 42 / 0 / 11

HEX #8585E4

RGB 133 133 228

HSL 240, 0.64%, 0.71%

LAB 59.31, 23.46, -48.34

 

CMYK 39 / 39 / 0 / 3

HEX #9697F7

RGB 150 151 247

HSL 239.38, 0.86%, 0.78%

LAB 66.01, 22.56, -48.15

 

CMYK 35 / 34 / 0 / 0

HEX #A7A9FF

RGB 167 169 255

HSL 238.64, 1%, 0.83%

LAB 72.1, 18.9, -42.85

 

CMYK 28 / 27 / 0 / 0

HEX #B8BBFF

RGB 184 187 255

HSL 237.46, 1%, 0.86%

LAB 77.85, 13.63, -33.83

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 52 / 50 / 0 / 24

HEX #5E61C3

RGB 94 97 195

HSL 238.22, 0.46%, 0.57%

LAB 45.45, 26.13, -51.88

 

CMYK 56 / 55 / 0 / 31

HEX #4D4FB0

RGB 77 79 176

HSL 238.79, 0.39%, 0.5%

LAB 38.38, 27.7, -52.22

 

CMYK 62 / 61 / 0 / 38

HEX #3C3D9D

RGB 60 61 157

HSL 239.38, 0.45%, 0.43%

LAB 31.19, 29.59, -52.56

 

CMYK 69 / 69 / 0 / 46

HEX #2B2B8A

RGB 43 43 138

HSL 240, 0.52%, 0.35%

LAB 23.92, 31.84, -52.8

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 37 / 48 / 0 / 16

HEX #876FD6

RGB 135 111 214

HSL 253.98, 0.56%, 0.64%

LAB 53.36, 33, -49.92

 

CMYK 24 / 48 / 0 / 16

HEX #A36FD6

RGB 163 111 214

HSL 270.29, 0.56%, 0.64%

LAB 56.1, 40.39, -45.4

 

CMYK 11 / 48 / 0 / 16

HEX #BE6FD6

RGB 190 111 214

HSL 286.02, 0.56%, 0.64%

LAB 59.13, 47.88, -40.41

 

CMYK 0 / 48 / 2 / 16

HEX #D66FD2

RGB 214 111 210

HSL 302.33, 0.56%, 0.64%

LAB 61.93, 53.94, -33.57

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 48 / 48 / 0 / 16

HEX #6F6FD6

RGB 111 111 214

HSL 240, 0.56%, 0.64%

LAB 51.39, 27.22, -53.18

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 58 / 55 / 0 / 10

HEX #6066E5

RGB 96 102 229

HSL 237.29, 0.72%, 0.64%

LAB 49.06, 34.34, -65.45

 

CMYK 66 / 64 / 0 / 4

HEX #5258F4

RGB 82 88 244

HSL 237.78, 0.88%, 0.64%

LAB 46.05, 45.47, -78.83

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 37 / 35 / 0 / 22

HEX #7E81C7

RGB 126 129 199

HSL 237.53, 0.39%, 0.64%

LAB 56.35, 15.88, -36.74

 

CMYK 23 / 22 / 0 / 28

HEX #8D8FB8

RGB 141 143 184

HSL 237.21, 0.23%, 0.64%

LAB 60.58, 8.3, -21.6

 

CMYK 8 / 8 / 0 / 33

HEX #9C9CAA

RGB 156 156 170

HSL 240, 0.08%, 0.64%

LAB 64.76, 2.79, -7.28

 

CMYK 0 / 1 / 9 / 33

HEX #ABAA9B

RGB 171 170 155

HSL 56.25, 0.09%, 0.64%

LAB 69.31, -2.34, 7.85

 

CMYK 48 / 20 / 0 / 16

HEX #6FABD6

RGB 111 171 214

HSL 205.05, 0.56%, 0.64%

LAB 67.55, -7.79, -27.81

 

CMYK 48 / 33 / 0 / 16

HEX #6F90D6

RGB 111 144 214

HSL 220.78, 0.56%, 0.64%

LAB 60.05, 7.5, -39.45

 

CMYK 48 / 46 / 0 / 16

HEX #6F74D6

RGB 111 116 214

HSL 237.09, 0.56%, 0.64%

LAB 52.65, 24.2, -51.16

 

CMYK 37 / 48 / 0 / 16

HEX #866FD6

RGB 134 111 214

HSL 253.4, 0.56%, 0.64%

LAB 53.27, 32.75, -50.07

 

CMYK 25 / 48 / 0 / 16

HEX #A16FD6

RGB 161 111 214

HSL 269.13, 0.56%, 0.64%

LAB 55.89, 39.85, -45.74

 

CMYK 72 / 69 / 0 / 25

HEX #353ABE

RGB 53 58 190

HSL 237.81, 0.56%, 0.48%

LAB 32.92, 41.87, -69.45

 

CMYK 61 / 59 / 0 / 20

HEX #4F54CD

RGB 79 84 205

HSL 237.62, 0.56%, 0.56%

LAB 41.86, 34.58, -63.51

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 36 / 34 / 0 / 13

HEX #8F93DF

RGB 143 147 223

HSL 237, 0.56%, 0.72%

LAB 63.37, 16.54, -39.11

 

CMYK 24 / 23 / 0 / 9

HEX #B0B2E8

RGB 176 178 232

HSL 237.86, 0.55%, 0.8%

LAB 74.12, 10.78, -27.2

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 0 / 48 / 7 / 16

HEX #D66FC7

RGB 214 111 199

HSL 308.74, 0.56%, 0.64%

LAB 61.47, 52.05, -28.07

 

CMYK 26 / 0 / 48 / 16

HEX #9ED66F

RGB 158 214 111

HSL 92.62, 0.56%, 0.64%

LAB 79.9, -35.53, 44.9

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 0 / 48 / 46 / 16

HEX #D66F74

RGB 214 111 116

HSL 357.09, 0.56%, 0.64%

LAB 58.91, 40.79, 15.85

 

CMYK 46 / 0 / 48 / 16

HEX #74D66F

RGB 116 214 111

HSL 117.09, 0.56%, 0.64%

LAB 77.85, -49.17, 41.9

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 0 / 48 / 7 / 16

HEX #D66FC7

RGB 214 111 199

HSL 308.74, 0.56%, 0.64%

LAB 61.47, 52.05, -28.07

 

CMYK 0 / 2 / 48 / 16

HEX #D6D16F

RGB 214 209 111

HSL 57.09, 0.56%, 0.64%

LAB 82.4, -11.57, 48.83

 

CMYK 48 / 0 / 41 / 16

HEX #6FD67F

RGB 111 214 127

HSL 129.32, 0.56%, 0.64%

LAB 77.88, -48.21, 33.93

 

CMYK 48 / 46 / 0 / 16

HEX #6F73D6

RGB 111 115 214

HSL 237.67, 0.56%, 0.64%

LAB 52.39, 24.81, -51.57

 

CMYK 0 / 48 / 21 / 16

HEX #D66FA8

RGB 214 111 168

HSL 326.8, 0.56%, 0.64%

LAB 60.33, 47.19, -12.12

 

CMYK 0 / 2 / 48 / 16

HEX #D6D16F

RGB 214 209 111

HSL 57.09, 0.56%, 0.64%

LAB 82.4, -11.57, 48.83

 

CMYK 48 / 0 / 26 / 16

HEX #6FD69E

RGB 111 214 158

HSL 147.38, 0.56%, 0.64%

LAB 78.43, -42.68, 18.59

 

Description

Color code: RGB 111 115 214 | qconv.com Color code: RGB 111 115 214 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 115 green and 214 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 115 214 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, 46 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 46% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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