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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 145 220 it is the complementary color RGB 144 110 35. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 145 220. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 145 220 shade: RGB 116 145 215, RGB 133 163 234, RGB 150 181 253, RGB 167 199 255 and RGB 184 217 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 145 220. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 94 127 201, RGB 77 109 182, RGB 60 91 163 and RGB 43 73 144

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 111 115 220, RGB 136 111 220, RGB 165 111 220 and RGB 194 111 220

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 111 115 220 and RGB 111 111 220

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 145 220 shade matches the following richer shades: RGB 111 145 220, RGB 96 139 234 and RGB 82 134 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 125 150 205, RGB 140 156 191, RGB 154 161 176 and RGB 169 166 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 145 220 shade: RGB 111 203 220, RGB 111 174 220, RGB 111 145 220, RGB 111 116 220 and RGB 134 111 220

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 145 220 shade: RGB 48 95 200, RGB 78 119 212, RGB 111 145 220, RGB 144 170 228 and RGB 177 196 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 207 111 220 and RGB 189 220 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 220 111 145 and RGB 145 220 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 207 111 220, RGB 220 185 111 and RGB 124 220 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 145 220 shade: RGB 111 145 220, RGB 220 111 200, RGB 220 185 111 and RGB 111 220 131

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

Complementary color

CMYK 0 / 24 / 76 / 44

HEX #906E23

RGB 144 110 35

HSL 41.28, 0.61%, 0.35%

LAB 48.51, 5.72, 44.78

 

CMYK 46 / 33 / 0 / 16

HEX #7491D7

RGB 116 145 215

HSL 222.42, 0.55%, 0.65%

LAB 60.67, 8.43, -39.02

 

CMYK 43 / 30 / 0 / 8

HEX #85A3EA

RGB 133 163 234

HSL 222.18, 0.71%, 0.72%

LAB 67.37, 7.77, -38.98

 

CMYK 41 / 28 / 0 / 1

HEX #96B5FD

RGB 150 181 253

HSL 221.94, 0.96%, 0.79%

LAB 73.95, 7.21, -38.97

 

CMYK 35 / 22 / 0 / 0

HEX #A7C7FF

RGB 167 199 255

HSL 218.18, 1%, 0.83%

LAB 79.77, 2.34, -30.95

 

CMYK 28 / 15 / 0 / 0

HEX #B8D9FF

RGB 184 217 255

HSL 212.11, 1%, 0.86%

LAB 85.52, -2.5, -22.08

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 53 / 37 / 0 / 21

HEX #5E7FC9

RGB 94 127 201

HSL 221.5, 0.5%, 0.58%

LAB 53.79, 9.63, -42.05

 

CMYK 58 / 40 / 0 / 29

HEX #4D6DB6

RGB 77 109 182

HSL 221.71, 0.42%, 0.51%

LAB 46.83, 10.73, -42.2

 

CMYK 63 / 44 / 0 / 36

HEX #3C5BA3

RGB 60 91 163

HSL 221.94, 0.46%, 0.44%

LAB 39.73, 12.12, -42.4

 

CMYK 70 / 49 / 0 / 44

HEX #2B4990

RGB 43 73 144

HSL 222.18, 0.54%, 0.37%

LAB 32.46, 13.94, -42.63

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 50 / 48 / 0 / 14

HEX #6F73DC

RGB 111 115 220

HSL 237.8, 0.61%, 0.65%

LAB 52.74, 26.63, -54.41

 

CMYK 38 / 50 / 0 / 14

HEX #886FDC

RGB 136 111 220

HSL 253.76, 0.61%, 0.65%

LAB 53.78, 34.87, -52.62

 

CMYK 25 / 50 / 0 / 14

HEX #A56FDC

RGB 165 111 220

HSL 269.72, 0.61%, 0.65%

LAB 56.62, 42.33, -47.94

 

CMYK 12 / 50 / 0 / 14

HEX #C26FDC

RGB 194 111 220

HSL 285.69, 0.61%, 0.65%

LAB 59.89, 50.2, -42.55

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 50 / 48 / 0 / 14

HEX #6F73DC

RGB 111 115 220

HSL 237.8, 0.61%, 0.65%

LAB 52.74, 26.63, -54.41

 

CMYK 50 / 50 / 0 / 14

HEX #6F6FDC

RGB 111 111 220

HSL 240, 0.61%, 0.65%

LAB 51.74, 29.04, -56.01

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 59 / 41 / 0 / 8

HEX #608BEA

RGB 96 139 234

HSL 221.3, 0.77%, 0.65%

LAB 58.87, 13.51, -52.5

 

CMYK 67 / 46 / 0 / 2

HEX #5286F9

RGB 82 134 249

HSL 221.32, 0.93%, 0.65%

LAB 57.74, 19.18, -62.66

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 39 / 27 / 0 / 20

HEX #7D96CD

RGB 125 150 205

HSL 221.25, 0.44%, 0.65%

LAB 62.15, 5.01, -31.08

 

CMYK 27 / 18 / 0 / 25

HEX #8C9CBF

RGB 140 156 191

HSL 221.18, 0.28%, 0.65%

LAB 64.25, 2.31, -19.93

 

CMYK 13 / 9 / 0 / 31

HEX #9AA1B0

RGB 154 161 176

HSL 220.91, 0.12%, 0.65%

LAB 66.13, 0.6, -8.61

 

CMYK 0 / 2 / 4 / 34

HEX #A9A6A2

RGB 169 166 162

HSL 34.29, 0.04%, 0.65%

LAB 68.25, 0.34, 2.44

 

CMYK 50 / 8 / 0 / 14

HEX #6FCBDC

RGB 111 203 220

HSL 189.36, 0.61%, 0.65%

LAB 76.84, -22.89, -16.92

 

CMYK 50 / 21 / 0 / 14

HEX #6FAEDC

RGB 111 174 220

HSL 205.32, 0.61%, 0.65%

LAB 68.62, -7.7, -29.45

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 50 / 47 / 0 / 14

HEX #6F74DC

RGB 111 116 220

HSL 237.25, 0.61%, 0.65%

LAB 52.99, 26.03, -54.01

 

CMYK 39 / 50 / 0 / 14

HEX #866FDC

RGB 134 111 220

HSL 252.66, 0.61%, 0.65%

LAB 53.6, 34.38, -52.92

 

CMYK 76 / 53 / 0 / 22

HEX #305FC8

RGB 48 95 200

HSL 221.45, 0.61%, 0.49%

LAB 42.74, 21.37, -59.27

 

CMYK 63 / 44 / 0 / 17

HEX #4E77D4

RGB 78 119 212

HSL 221.64, 0.61%, 0.57%

LAB 51.34, 14.95, -52.23

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 37 / 25 / 0 / 11

HEX #90AAE4

RGB 144 170 228

HSL 221.43, 0.61%, 0.73%

LAB 69.67, 5.06, -32.07

 

CMYK 25 / 17 / 0 / 7

HEX #B1C4EC

RGB 177 196 236

HSL 220.68, 0.61%, 0.81%

LAB 78.97, 2.2, -21.95

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 6 / 50 / 0 / 14

HEX #CF6FDC

RGB 207 111 220

HSL 292.84, 0.61%, 0.65%

LAB 61.48, 53.79, -39.94

 

CMYK 14 / 0 / 50 / 14

HEX #BDDC6F

RGB 189 220 111

HSL 77.06, 0.61%, 0.65%

LAB 83.52, -26.84, 49.74

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 0 / 50 / 34 / 14

HEX #DC6F91

RGB 220 111 145

HSL 341.28, 0.61%, 0.65%

LAB 60.45, 46.12, 1.4

 

CMYK 34 / 0 / 50 / 14

HEX #91DC6F

RGB 145 220 111

HSL 101.28, 0.61%, 0.65%

LAB 80.94, -42.69, 46

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 6 / 50 / 0 / 14

HEX #CF6FDC

RGB 207 111 220

HSL 292.84, 0.61%, 0.65%

LAB 61.48, 53.79, -39.94

 

CMYK 0 / 16 / 50 / 14

HEX #DCB96F

RGB 220 185 111

HSL 40.73, 0.61%, 0.65%

LAB 76.72, 3.27, 42.01

 

CMYK 44 / 0 / 50 / 14

HEX #7CDC6F

RGB 124 220 111

HSL 112.84, 0.61%, 0.65%

LAB 79.96, -49.3, 44.59

 

CMYK 50 / 34 / 0 / 14

HEX #6F91DC

RGB 111 145 220

HSL 221.28, 0.61%, 0.65%

LAB 60.6, 8.73, -41.93

 

CMYK 0 / 50 / 9 / 14

HEX #DC6FC8

RGB 220 111 200

HSL 311.01, 0.61%, 0.65%

LAB 62.3, 53.99, -27.29

 

CMYK 0 / 16 / 50 / 14

HEX #DCB96F

RGB 220 185 111

HSL 40.73, 0.61%, 0.65%

LAB 76.72, 3.27, 42.01

 

CMYK 50 / 0 / 40 / 14

HEX #6FDC83

RGB 111 220 131

HSL 131.01, 0.61%, 0.65%

LAB 79.73, -50.05, 34.32

 

Description

Color code: RGB 111 145 220 | qconv.com Color code: RGB 111 145 220 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 145 green and 220 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 145 220 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, 34 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 34% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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