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Color name
RGB 111 214 128

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 214 128 it is the complementary color RGB 144 41 127. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 214 128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 214 128 shade: RGB 116 214 123, RGB 133 232 142, RGB 150 250 161, RGB 167 255 180 and RGB 184 255 199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 214 128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 94 196 109, RGB 77 178 90, RGB 60 160 71 and RGB 43 142 52

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 122 214 111, RGB 150 214 111, RGB 178 214 111 and RGB 205 214 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 111 214 156, RGB 111 214 184, RGB 111 214 211 and RGB 111 189 214

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 214 128 shade matches the following richer shades: RGB 111 214 128, RGB 96 229 118 and RGB 82 244 108

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 126 199 138, RGB 141 184 148, RGB 156 170 158 and RGB 171 155 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 214 128 shade: RGB 151 214 111, RGB 123 214 111, RGB 111 214 127, RGB 111 214 154 and RGB 111 214 182

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 214 128 shade: RGB 53 190 76, RGB 79 205 100, RGB 111 214 128, RGB 143 223 157 and RGB 176 232 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 111 178 214 and RGB 214 111 137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 127 111 214 and RGB 214 127 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 111 178 214, RGB 214 111 199 and RGB 214 147 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 214 128 shade: RGB 111 214 128, RGB 111 147 214, RGB 214 111 199 and RGB 214 178 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

Complementary color

CMYK 0 / 72 / 12 / 44

HEX #90297F

RGB 144 41 127

HSL 309.9, 0.56%, 0.36%

LAB 36.08, 52.33, -25.72

 

CMYK 46 / 0 / 43 / 16

HEX #74D67B

RGB 116 214 123

HSL 124.29, 0.54%, 0.65%

LAB 78.01, -47.45, 36.17

 

CMYK 43 / 0 / 39 / 9

HEX #85E88E

RGB 133 232 142

HSL 125.45, 0.68%, 0.72%

LAB 84.3, -47.29, 34.92

 

CMYK 40 / 0 / 36 / 2

HEX #96FAA1

RGB 150 250 161

HSL 126.6, 0.91%, 0.78%

LAB 90.52, -47.08, 33.73

 

CMYK 35 / 0 / 29 / 0

HEX #A7FFB4

RGB 167 255 180

HSL 128.86, 1%, 0.83%

LAB 93.03, -41.19, 27.69

 

CMYK 28 / 0 / 22 / 0

HEX #B8FFC7

RGB 184 255 199

HSL 132.68, 1%, 0.86%

LAB 94.24, -32.78, 19.85

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 52 / 0 / 44 / 23

HEX #5EC46D

RGB 94 196 109

HSL 128.82, 0.46%, 0.57%

LAB 71.53, -48.13, 34.76

 

CMYK 57 / 0 / 49 / 30

HEX #4DB25A

RGB 77 178 90

HSL 127.72, 0.4%, 0.5%

LAB 65.09, -48.08, 36.13

 

CMYK 63 / 0 / 56 / 37

HEX #3CA047

RGB 60 160 71

HSL 126.6, 0.45%, 0.43%

LAB 58.56, -47.8, 37.53

 

CMYK 70 / 0 / 63 / 44

HEX #2B8E34

RGB 43 142 52

HSL 125.45, 0.54%, 0.36%

LAB 51.96, -47.15, 38.86

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 43 / 0 / 48 / 16

HEX #7AD66F

RGB 122 214 111

HSL 113.59, 0.56%, 0.64%

LAB 78.1, -47.41, 42.27

 

CMYK 30 / 0 / 48 / 16

HEX #96D66F

RGB 150 214 111

HSL 97.28, 0.56%, 0.64%

LAB 79.46, -38.35, 44.25

 

CMYK 17 / 0 / 48 / 16

HEX #B2D66F

RGB 178 214 111

HSL 80.97, 0.56%, 0.64%

LAB 81.13, -28.17, 46.68

 

CMYK 4 / 0 / 48 / 16

HEX #CDD66F

RGB 205 214 111

HSL 65.24, 0.56%, 0.64%

LAB 83.03, -17.67, 49.42

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 48 / 0 / 27 / 16

HEX #6FD69C

RGB 111 214 156

HSL 146.21, 0.56%, 0.64%

LAB 78.39, -43.07, 19.59

 

CMYK 48 / 0 / 14 / 16

HEX #6FD6B8

RGB 111 214 184

HSL 162.52, 0.56%, 0.64%

LAB 79, -37.15, 5.6

 

CMYK 48 / 0 / 1 / 16

HEX #6FD6D3

RGB 111 214 211

HSL 178.25, 0.56%, 0.64%

LAB 79.71, -30.64, -7.79

 

CMYK 48 / 12 / 0 / 16

HEX #6FBDD6

RGB 111 189 214

HSL 194.56, 0.56%, 0.64%

LAB 72.65, -17.38, -20.01

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 58 / 0 / 48 / 10

HEX #60E576

RGB 96 229 118

HSL 129.92, 0.72%, 0.64%

LAB 81.75, -59.18, 43.21

 

CMYK 66 / 0 / 56 / 4

HEX #52F46C

RGB 82 244 108

HSL 129.63, 0.88%, 0.64%

LAB 85.79, -68.7, 52.71

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 37 / 0 / 31 / 22

HEX #7EC78A

RGB 126 199 138

HSL 129.86, 0.39%, 0.64%

LAB 74.26, -35.48, 23.54

 

CMYK 23 / 0 / 20 / 28

HEX #8DB894

RGB 141 184 148

HSL 129.77, 0.23%, 0.64%

LAB 70.93, -21.6, 13.69

 

CMYK 8 / 0 / 7 / 33

HEX #9CAA9E

RGB 156 170 158

HSL 128.57, 0.08%, 0.64%

LAB 68.23, -7.24, 4.5

 

CMYK 0 / 9 / 2 / 33

HEX #AB9BA8

RGB 171 155 168

HSL 311.25, 0.09%, 0.64%

LAB 65.69, 8.24, -4.64

 

CMYK 29 / 0 / 48 / 16

HEX #97D66F

RGB 151 214 111

HSL 96.7, 0.56%, 0.64%

LAB 79.51, -38, 44.33

 

CMYK 43 / 0 / 48 / 16

HEX #7BD66F

RGB 123 214 111

HSL 113.01, 0.56%, 0.64%

LAB 78.14, -47.11, 42.33

 

CMYK 48 / 0 / 41 / 16

HEX #6FD67F

RGB 111 214 127

HSL 129.32, 0.56%, 0.64%

LAB 77.88, -48.21, 33.93

 

CMYK 48 / 0 / 28 / 16

HEX #6FD69A

RGB 111 214 154

HSL 145.05, 0.56%, 0.64%

LAB 78.35, -43.46, 20.59

 

CMYK 48 / 0 / 15 / 16

HEX #6FD6B6

RGB 111 214 182

HSL 161.36, 0.56%, 0.64%

LAB 78.95, -37.6, 6.6

 

CMYK 72 / 0 / 60 / 25

HEX #35BE4C

RGB 53 190 76

HSL 130.07, 0.56%, 0.48%

LAB 68.1, -59.33, 46.32

 

CMYK 61 / 0 / 51 / 20

HEX #4FCD64

RGB 79 205 100

HSL 130, 0.56%, 0.56%

LAB 73.7, -56.53, 41.85

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 36 / 0 / 30 / 13

HEX #8FDF9D

RGB 143 223 157

HSL 130.5, 0.56%, 0.72%

LAB 82.41, -37.95, 24.8

 

CMYK 24 / 0 / 20 / 9

HEX #B0E8B9

RGB 176 232 185

HSL 129.64, 0.55%, 0.8%

LAB 87.22, -26.93, 17.17

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 48 / 17 / 0 / 16

HEX #6FB2D6

RGB 111 178 214

HSL 200.97, 0.56%, 0.64%

LAB 69.52, -11.58, -24.77

 

CMYK 0 / 48 / 36 / 16

HEX #D66F89

RGB 214 111 137

HSL 344.85, 0.56%, 0.64%

LAB 59.41, 43.09, 4.41

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 41 / 48 / 0 / 16

HEX #7F6FD6

RGB 127 111 214

HSL 249.32, 0.56%, 0.64%

LAB 52.66, 31, -51.07

 

CMYK 0 / 41 / 48 / 16

HEX #D67F6F

RGB 214 127 111

HSL 9.32, 0.56%, 0.64%

LAB 62.19, 31.94, 23.17

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 48 / 17 / 0 / 16

HEX #6FB2D6

RGB 111 178 214

HSL 200.97, 0.56%, 0.64%

LAB 69.52, -11.58, -24.77

 

CMYK 0 / 48 / 7 / 16

HEX #D66FC7

RGB 214 111 199

HSL 308.74, 0.56%, 0.64%

LAB 61.47, 52.05, -28.07

 

CMYK 0 / 31 / 48 / 16

HEX #D6936F

RGB 214 147 111

HSL 20.97, 0.56%, 0.64%

LAB 66.76, 21.19, 29.21

 

CMYK 48 / 0 / 40 / 16

HEX #6FD680

RGB 111 214 128

HSL 129.9, 0.56%, 0.64%

LAB 77.89, -48.05, 33.44

 

CMYK 48 / 31 / 0 / 16

HEX #6F93D6

RGB 111 147 214

HSL 219.03, 0.56%, 0.64%

LAB 60.87, 5.75, -38.17

 

CMYK 0 / 48 / 7 / 16

HEX #D66FC7

RGB 214 111 199

HSL 308.74, 0.56%, 0.64%

LAB 61.47, 52.05, -28.07

 

CMYK 0 / 17 / 48 / 16

HEX #D6B26F

RGB 214 178 111

HSL 39.03, 0.56%, 0.64%

LAB 74.37, 4.51, 38.96

 

Description

Color code: RGB 111 214 128 | qconv.com Color code: RGB 111 214 128 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 214 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 214 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 40 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 40% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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