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Color name
RGB 111 230 111

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 230 111 it is the complementary color RGB 144 25 144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 230 111. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 230 111 shade: RGB 116 230 106, RGB 133 248 125, RGB 150 255 144, RGB 167 255 163 and RGB 184 255 182

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 230 111. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 230 111 shade: RGB 111 230 111, RGB 94 212 92, RGB 77 194 73, RGB 60 176 54 and RGB 43 158 35

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 230 111 shade: RGB 111 229 111, RGB 143 229 111, RGB 175 229 111, RGB 207 229 111 and RGB 229 220 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 230 111 shade: RGB 111 229 111, RGB 111 229 143, RGB 111 229 175, RGB 111 229 207 and RGB 111 220 229

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 230 111 shade matches the following richer shades: RGB 111 229 111 and RGB 98 243 98

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 230 111 shade: RGB 111 229 111, RGB 125 216 125, RGB 139 202 139, RGB 152 188 152 and RGB 166 175 166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 230 111 shade: RGB 174 229 111, RGB 143 229 111, RGB 111 229 111, RGB 111 229 143 and RGB 111 229 174

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 230 111 shade: RGB 41 217 41, RGB 76 223 76, RGB 111 229 111, RGB 147 235 147 and RGB 182 242 182

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 230 111 shade: RGB 111 230 111, RGB 111 206 229 and RGB 229 111 159

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 230 111 shade: RGB 111 230 111, RGB 111 111 229 and RGB 229 111 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 230 111 shade: RGB 111 230 111, RGB 111 206 229, RGB 229 111 229 and RGB 229 135 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 230 111 shade: RGB 111 230 111, RGB 111 170 229, RGB 229 111 229 and RGB 229 170 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

Complementary color

CMYK 0 / 83 / 0 / 44

HEX #901990

RGB 144 25 144

HSL 300, 0.7%, 0.33%

LAB 35.28, 60.04, -37.49

 

CMYK 50 / 0 / 54 / 10

HEX #74E66A

RGB 116 230 106

HSL 115.16, 0.71%, 0.66%

LAB 82.57, -56.18, 50.02

 

CMYK 46 / 0 / 50 / 3

HEX #85F87D

RGB 133 248 125

HSL 116.1, 0.9%, 0.73%

LAB 88.73, -56.22, 48.81

 

CMYK 41 / 0 / 44 / 0

HEX #96FF90

RGB 150 255 144

HSL 116.76, 1%, 0.78%

LAB 91.69, -51.69, 43.62

 

CMYK 35 / 0 / 36 / 0

HEX #A7FFA3

RGB 167 255 163

HSL 117.39, 1%, 0.82%

LAB 92.74, -43.87, 35.83

 

CMYK 28 / 0 / 29 / 0

HEX #B8FFB6

RGB 184 255 182

HSL 118.36, 1%, 0.86%

LAB 93.92, -35.62, 28.04

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 56 / 0 / 57 / 17

HEX #5ED45C

RGB 94 212 92

HSL 119, 0.58%, 0.6%

LAB 76.22, -56.7, 48.75

 

CMYK 60 / 0 / 62 / 24

HEX #4DC249

RGB 77 194 73

HSL 118.02, 0.5%, 0.52%

LAB 69.92, -56.3, 49.9

 

CMYK 66 / 0 / 69 / 31

HEX #3CB036

RGB 60 176 54

HSL 117.05, 0.53%, 0.45%

LAB 63.57, -55.56, 50.82

 

CMYK 73 / 0 / 78 / 38

HEX #2B9E23

RGB 43 158 35

HSL 116.1, 0.64%, 0.38%

LAB 57.16, -54.31, 51.24

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 38 / 0 / 52 / 10

HEX #8FE56F

RGB 143 229 111

HSL 103.73, 0.69%, 0.67%

LAB 83.46, -47.2, 49.04

 

CMYK 24 / 0 / 52 / 10

HEX #AFE56F

RGB 175 229 111

HSL 87.46, 0.69%, 0.67%

LAB 85.15, -36.25, 51.48

 

CMYK 10 / 0 / 52 / 10

HEX #CFE56F

RGB 207 229 111

HSL 71.19, 0.69%, 0.67%

LAB 87.22, -24.2, 54.44

 

CMYK 0 / 4 / 52 / 10

HEX #E5DC6F

RGB 229 220 111

HSL 55.42, 0.69%, 0.67%

LAB 86.5, -11.05, 54.01

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58F

RGB 111 229 143

HSL 136.27, 0.69%, 0.67%

LAB 82.59, -51.74, 32.01

 

CMYK 52 / 0 / 24 / 10

HEX #6FE5AF

RGB 111 229 175

HSL 152.54, 0.69%, 0.67%

LAB 83.19, -45.74, 16.31

 

CMYK 52 / 0 / 10 / 10

HEX #6FE5CF

RGB 111 229 207

HSL 168.81, 0.69%, 0.67%

LAB 83.93, -38.61, 0.54

 

CMYK 52 / 4 / 0 / 10

HEX #6FDCE5

RGB 111 220 229

HSL 184.58, 0.69%, 0.67%

LAB 81.96, -28.85, -14.03

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 60 / 0 / 60 / 5

HEX #62F362

RGB 98 243 98

HSL 120, 0.86%, 0.67%

LAB 85.8, -66.3, 57.22

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 42 / 0 / 42 / 15

HEX #7DD87D

RGB 125 216 125

HSL 120, 0.54%, 0.67%

LAB 79.01, -45.4, 36.52

 

CMYK 31 / 0 / 31 / 21

HEX #8BCA8B

RGB 139 202 139

HSL 120, 0.37%, 0.67%

LAB 75.82, -32.58, 25.23

 

CMYK 19 / 0 / 19 / 26

HEX #98BC98

RGB 152 188 152

HSL 120, 0.21%, 0.67%

LAB 72.83, -19.13, 14.29

 

CMYK 5 / 0 / 5 / 31

HEX #A6AFA6

RGB 166 175 166

HSL 120, 0.05%, 0.67%

LAB 70.54, -4.87, 3.51

 

CMYK 24 / 0 / 52 / 10

HEX #AEE56F

RGB 174 229 111

HSL 87.97, 0.69%, 0.67%

LAB 85.09, -36.61, 51.39

 

CMYK 38 / 0 / 52 / 10

HEX #8FE56F

RGB 143 229 111

HSL 103.73, 0.69%, 0.67%

LAB 83.46, -47.2, 49.04

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 52 / 0 / 38 / 10

HEX #6FE58F

RGB 111 229 143

HSL 136.27, 0.69%, 0.67%

LAB 82.59, -51.74, 32.01

 

CMYK 52 / 0 / 24 / 10

HEX #6FE5AE

RGB 111 229 174

HSL 152.03, 0.69%, 0.67%

LAB 83.16, -45.95, 16.8

 

CMYK 81 / 0 / 81 / 15

HEX #29D929

RGB 41 217 41

HSL 120, 0.7%, 0.51%

LAB 76.23, -72.42, 67.53

 

CMYK 66 / 0 / 66 / 13

HEX #4CDF4C

RGB 76 223 76

HSL 120, 0.7%, 0.59%

LAB 78.95, -66.29, 58.59

 

CMYK 52 / 0 / 52 / 10

HEX #6FE56F

RGB 111 229 111

HSL 120, 0.69%, 0.67%

LAB 82.14, -56.5, 47.15

 

CMYK 37 / 0 / 37 / 8

HEX #93EB93

RGB 147 235 147

HSL 120, 0.69%, 0.75%

LAB 85.87, -43.68, 34.58

 

CMYK 25 / 0 / 25 / 5

HEX #B6F2B6

RGB 182 242 182

HSL 120, 0.7%, 0.83%

LAB 90.24, -30.25, 22.98

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 52 / 10 / 0 / 10

HEX #6FCEE5

RGB 111 206 229

HSL 191.69, 0.69%, 0.67%

LAB 77.98, -21.94, -20.03

 

CMYK 0 / 52 / 31 / 10

HEX #E56F9F

RGB 229 111 159

HSL 335.59, 0.69%, 0.67%

LAB 62.11, 50.86, -4.09

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 52 / 52 / 0 / 10

HEX #6F6FE5

RGB 111 111 229

HSL 240, 0.69%, 0.67%

LAB 52.29, 31.8, -60.19

 

CMYK 0 / 52 / 52 / 10

HEX #E56F6F

RGB 229 111 111

HSL 0, 0.69%, 0.67%

LAB 60.94, 45.76, 21.84

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 52 / 10 / 0 / 10

HEX #6FCEE5

RGB 111 206 229

HSL 191.69, 0.69%, 0.67%

LAB 77.98, -21.94, -20.03

 

CMYK 0 / 52 / 0 / 10

HEX #E56FE5

RGB 229 111 229

HSL 300, 0.69%, 0.67%

LAB 64.71, 61.41, -39.71

 

CMYK 0 / 41 / 52 / 10

HEX #E5876F

RGB 229 135 111

HSL 12.2, 0.69%, 0.67%

LAB 65.85, 33.53, 28.37

 

CMYK 52 / 0 / 52 / 10

HEX #6FE66F

RGB 111 230 111

HSL 120, 0.7%, 0.67%

LAB 82.44, -56.89, 47.51

 

CMYK 52 / 26 / 0 / 10

HEX #6FAAE5

RGB 111 170 229

HSL 210, 0.69%, 0.67%

LAB 67.86, -2.85, -35.56

 

CMYK 0 / 52 / 0 / 10

HEX #E56FE5

RGB 229 111 229

HSL 300, 0.69%, 0.67%

LAB 64.71, 61.41, -39.71

 

CMYK 0 / 26 / 52 / 10

HEX #E5AA6F

RGB 229 170 111

HSL 30, 0.69%, 0.67%

LAB 73.9, 14.91, 38.7

 

Description

Color code: RGB 111 230 111 | qconv.com Color code: RGB 111 230 111 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 230 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 230 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, none magenta, 52 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 0% 52% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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