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Color name
RGB 111 90 1

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 111 90 1 it is the complementary color RGB 144 165 254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 111 90 1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 111 90 1 shade: RGB 116 90 0, RGB 133 108 15, RGB 150 126 34, RGB 167 144 53 and RGB 184 162 72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 111 90 1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 94 72 0, RGB 77 54 0, RGB 60 36 0 and RGB 43 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 111 60 1, RGB 111 30 1, RGB 111 1 1 and RGB 111 1 1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 102 111 1, RGB 72 111 1, RGB 43 111 1 and RGB 13 111 1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 111 90 1 shade matches the following richer shades: RGB 111 90 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 102 84 10, RGB 92 78 19, RGB 83 73 28 and RGB 74 67 37

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 111 90 1 shade: RGB 111 30 1, RGB 111 59 1, RGB 111 89 1, RGB 103 111 1 and RGB 74 111 1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 111 90 1 shade: RGB 29 23 0, RGB 70 56 0, RGB 111 90 1, RGB 151 123 1 and RGB 192 156 1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 1 111 1 and RGB 45 1 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 1 111 89 and RGB 89 1 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 1 111 1, RGB 1 23 111 and RGB 111 1 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 111 90 1 shade: RGB 111 90 1, RGB 1 111 34, RGB 1 23 111 and RGB 111 1 78

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

Complementary color

CMYK 43 / 35 / 0 / 0

HEX #90A5FE

RGB 144 165 254

HSL 228.55, 0.98%, 0.78%

LAB 69.47, 14.99, -46.55

 

CMYK 0 / 22 / 100 / 55

HEX #745A00

RGB 116 90 0

HSL 46.55, 1%, 0.23%

LAB 39.62, 2.86, 47.37

 

CMYK 0 / 19 / 89 / 48

HEX #856C0F

RGB 133 108 15

HSL 47.29, 0.8%, 0.29%

LAB 46.64, 0.93, 49.72

 

CMYK 0 / 16 / 77 / 41

HEX #967E22

RGB 150 126 34

HSL 47.59, 0.63%, 0.36%

LAB 53.52, -0.63, 50.22

 

CMYK 0 / 14 / 68 / 35

HEX #A79035

RGB 167 144 53

HSL 47.89, 0.52%, 0.43%

LAB 60.27, -1.87, 49.68

 

CMYK 0 / 12 / 61 / 28

HEX #B8A248

RGB 184 162 72

HSL 48.21, 0.44%, 0.5%

LAB 66.9, -2.89, 48.69

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 0 / 23 / 100 / 63

HEX #5E4800

RGB 94 72 0

HSL 45.96, 1%, 0.18%

LAB 31.84, 2.71, 40.76

 

CMYK 0 / 30 / 100 / 70

HEX #4D3600

RGB 77 54 0

HSL 42.08, 1%, 0.15%

LAB 24.37, 5.23, 33.68

 

CMYK 0 / 40 / 100 / 76

HEX #3C2400

RGB 60 36 0

HSL 36, 1%, 0.12%

LAB 16.61, 8.01, 24.39

 

CMYK 0 / 58 / 100 / 83

HEX #2B1200

RGB 43 18 0

HSL 25.12, 1%, 0.08%

LAB 8.54, 11.08, 13.02

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 0 / 46 / 99 / 56

HEX #6F3C01

RGB 111 60 1

HSL 32.18, 0.98%, 0.22%

LAB 30.91, 18.53, 40.79

 

CMYK 0 / 73 / 99 / 56

HEX #6F1E01

RGB 111 30 1

HSL 15.82, 0.98%, 0.22%

LAB 24.67, 34.53, 35.52

 

CMYK 0 / 99 / 99 / 56

HEX #6F0101

RGB 111 1 1

HSL 0, 0.98%, 0.22%

LAB 21.59, 43.19, 32.38

 

CMYK 0 / 99 / 99 / 56

HEX #6F0101

RGB 111 1 1

HSL 0, 0.98%, 0.22%

LAB 21.59, 43.19, 32.38

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 8 / 0 / 99 / 56

HEX #666F01

RGB 102 111 1

HSL 64.91, 0.98%, 0.22%

LAB 44.51, -15.92, 50.02

 

CMYK 35 / 0 / 99 / 56

HEX #486F01

RGB 72 111 1

HSL 81.27, 0.98%, 0.22%

LAB 42.38, -29.27, 47.46

 

CMYK 61 / 0 / 99 / 56

HEX #2B6F01

RGB 43 111 1

HSL 97.09, 0.98%, 0.22%

LAB 41.03, -39.43, 45.82

 

CMYK 88 / 0 / 99 / 56

HEX #0D6F01

RGB 13 111 1

HSL 113.45, 0.98%, 0.22%

LAB 40.34, -45.36, 44.98

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 0 / 18 / 90 / 60

HEX #66540A

RGB 102 84 10

HSL 48.26, 0.82%, 0.22%

LAB 36.34, -0.24, 41.24

 

CMYK 0 / 15 / 79 / 64

HEX #5C4E13

RGB 92 78 19

HSL 48.49, 0.66%, 0.22%

LAB 33.5, -1.27, 35.03

 

CMYK 0 / 12 / 66 / 67

HEX #53491C

RGB 83 73 28

HSL 49.09, 0.5%, 0.22%

LAB 31.09, -2.12, 27.85

 

CMYK 0 / 9 / 50 / 71

HEX #4A4325

RGB 74 67 37

HSL 48.65, 0.33%, 0.22%

LAB 28.39, -1.95, 19.24

 

CMYK 0 / 73 / 99 / 56

HEX #6F1E01

RGB 111 30 1

HSL 15.82, 0.98%, 0.22%

LAB 24.67, 34.53, 35.52

 

CMYK 0 / 47 / 99 / 56

HEX #6F3B01

RGB 111 59 1

HSL 31.64, 0.98%, 0.22%

LAB 30.66, 19.12, 40.61

 

CMYK 0 / 20 / 99 / 56

HEX #6F5901

RGB 111 89 1

HSL 48, 0.98%, 0.22%

LAB 38.77, 1.01, 46.21

 

CMYK 7 / 0 / 99 / 56

HEX #676F01

RGB 103 111 1

HSL 64.36, 0.98%, 0.22%

LAB 44.6, -15.45, 50.12

 

CMYK 33 / 0 / 99 / 56

HEX #4A6F01

RGB 74 111 1

HSL 80.18, 0.98%, 0.22%

LAB 42.5, -28.44, 47.61

 

CMYK 0 / 21 / 100 / 89

HEX #1D1700

RGB 29 23 0

HSL 47.59, 1%, 0.06%

LAB 7.89, -0.72, 11.81

 

CMYK 0 / 20 / 100 / 73

HEX #463800

RGB 70 56 0

HSL 48, 1%, 0.14%

LAB 24.1, 0.21, 33.12

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 0 / 19 / 99 / 41

HEX #977B01

RGB 151 123 1

HSL 48.8, 0.99%, 0.3%

LAB 52.67, 0.65, 58.08

 

CMYK 0 / 19 / 99 / 25

HEX #C09C01

RGB 192 156 1

HSL 48.69, 0.99%, 0.38%

LAB 65.74, 1.33, 69.26

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 99 / 0 / 99 / 56

HEX #016F01

RGB 1 111 1

HSL 120, 0.98%, 0.22%

LAB 40.21, -46.54, 44.82

 

CMYK 59 / 99 / 0 / 56

HEX #2D016F

RGB 45 1 111

HSL 264, 0.98%, 0.22%

LAB 13.99, 44.12, -51.97

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 99 / 0 / 20 / 56

HEX #016F59

RGB 1 111 89

HSL 168, 0.98%, 0.22%

LAB 41.37, -32.82, 4.67

 

CMYK 20 / 99 / 0 / 56

HEX #59016F

RGB 89 1 111

HSL 288, 0.98%, 0.22%

LAB 21.18, 49.32, -39.88

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 99 / 0 / 99 / 56

HEX #016F01

RGB 1 111 1

HSL 120, 0.98%, 0.22%

LAB 40.21, -46.54, 44.82

 

CMYK 99 / 79 / 0 / 56

HEX #01176F

RGB 1 23 111

HSL 228, 0.98%, 0.22%

LAB 14.21, 31.02, -51.69

 

CMYK 0 / 99 / 0 / 56

HEX #6F016F

RGB 111 1 111

HSL 300, 0.98%, 0.22%

LAB 25.41, 53.03, -32.85

 

CMYK 0 / 19 / 99 / 56

HEX #6F5A01

RGB 111 90 1

HSL 48.55, 0.98%, 0.22%

LAB 39.06, 0.41, 46.41

 

CMYK 99 / 0 / 69 / 56

HEX #016F22

RGB 1 111 34

HSL 138, 0.98%, 0.22%

LAB 40.4, -44.15, 34.16

 

CMYK 99 / 79 / 0 / 56

HEX #01176F

RGB 1 23 111

HSL 228, 0.98%, 0.22%

LAB 14.21, 31.02, -51.69

 

CMYK 0 / 99 / 30 / 56

HEX #6F014E

RGB 111 1 78

HSL 318, 0.98%, 0.22%

LAB 23.51, 48.29, -14.05

 

Description

Color code: RGB 111 90 1 | qconv.com Color code: RGB 111 90 1 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 111 red, 90 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
111 90 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 99 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 99% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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