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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 112 91 it is the complementary color RGB 143 143 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 112 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 112 91 shade: RGB 117 112 86, RGB 134 130 105, RGB 151 148 124, RGB 168 166 143 and RGB 185 184 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 112 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 95 94 72, RGB 78 76 53, RGB 61 58 34 and RGB 44 40 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 112 106 91, RGB 112 101 91, RGB 112 95 91 and RGB 112 91 91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 106 112 91, RGB 101 112 91, RGB 95 112 91 and RGB 91 112 93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 112 91 shade matches the following richer shades: RGB 112 112 91, RGB 128 128 75, RGB 145 145 58, RGB 161 161 42 and RGB 178 178 25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 95 95 108, RGB 79 79 124, RGB 62 62 141 and RGB 46 46 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 112 91 shade: RGB 112 101 91, RGB 112 106 91, RGB 112 112 91, RGB 106 112 91 and RGB 101 112 91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 112 91 shade: RGB 66 66 54, RGB 89 89 73, RGB 112 112 91, RGB 134 134 110 and RGB 154 154 132

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 91 112 95 and RGB 104 91 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 91 112 112 and RGB 112 91 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 91 112 95, RGB 91 91 112 and RGB 112 91 108

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 112 91 shade: RGB 112 112 91, RGB 91 112 102, RGB 91 91 112 and RGB 112 91 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

Complementary color

CMYK 13 / 13 / 0 / 36

HEX #8F8FA4

RGB 143 143 164

HSL 240, 0.1%, 0.6%

LAB 60.04, 4.35, -11.05

 

CMYK 0 / 4 / 26 / 54

HEX #757056

RGB 117 112 86

HSL 50.32, 0.15%, 0.4%

LAB 47.03, -2.62, 15.19

 

CMYK 0 / 3 / 22 / 47

HEX #868269

RGB 134 130 105

HSL 51.72, 0.12%, 0.47%

LAB 54.08, -2.9, 14.1

 

CMYK 0 / 2 / 18 / 41

HEX #97947C

RGB 151 148 124

HSL 53.33, 0.11%, 0.54%

LAB 60.97, -3.12, 13.11

 

CMYK 0 / 1 / 15 / 34

HEX #A8A68F

RGB 168 166 143

HSL 55.2, 0.13%, 0.61%

LAB 67.71, -3.32, 12.18

 

CMYK 0 / 1 / 12 / 27

HEX #B9B8A2

RGB 185 184 162

HSL 57.39, 0.14%, 0.68%

LAB 74.32, -3.49, 11.31

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 0 / 1 / 24 / 63

HEX #5F5E48

RGB 95 94 72

HSL 57.39, 0.14%, 0.33%

LAB 39.42, -3.7, 12.8

 

CMYK 0 / 3 / 32 / 69

HEX #4E4C35

RGB 78 76 53

HSL 55.2, 0.19%, 0.26%

LAB 31.91, -3.43, 14.01

 

CMYK 0 / 5 / 44 / 76

HEX #3D3A22

RGB 61 58 34

HSL 53.33, 0.28%, 0.19%

LAB 24.11, -3.03, 15.39

 

CMYK 0 / 9 / 66 / 83

HEX #2C280F

RGB 44 40 15

HSL 51.72, 0.49%, 0.12%

LAB 15.94, -2.36, 16.68

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 0 / 5 / 19 / 56

HEX #706A5B

RGB 112 106 91

HSL 42.86, 0.1%, 0.4%

LAB 44.95, -0.41, 9.27

 

CMYK 0 / 10 / 19 / 56

HEX #70655B

RGB 112 101 91

HSL 28.57, 0.1%, 0.4%

LAB 43.52, 2.54, 7.24

 

CMYK 0 / 15 / 19 / 56

HEX #705F5B

RGB 112 95 91

HSL 11.43, 0.1%, 0.4%

LAB 41.82, 6.14, 4.82

 

CMYK 0 / 19 / 19 / 56

HEX #705B5B

RGB 112 91 91

HSL 0, 0.1%, 0.4%

LAB 40.71, 8.56, 3.22

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 5 / 0 / 19 / 56

HEX #6A705B

RGB 106 112 91

HSL 77.14, 0.1%, 0.4%

LAB 46.19, -6.36, 10.92

 

CMYK 10 / 0 / 19 / 56

HEX #65705B

RGB 101 112 91

HSL 91.43, 0.1%, 0.4%

LAB 45.79, -8.37, 10.3

 

CMYK 15 / 0 / 19 / 56

HEX #5F705B

RGB 95 112 91

HSL 108.57, 0.1%, 0.4%

LAB 45.33, -10.74, 9.59

 

CMYK 19 / 0 / 17 / 56

HEX #5B705D

RGB 91 112 93

HSL 125.71, 0.1%, 0.4%

LAB 45.09, -11.88, 8.02

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 0 / 0 / 41 / 50

HEX #80804B

RGB 128 128 75

HSL 60, 0.26%, 0.4%

LAB 52.44, -8.44, 28.74

 

CMYK 0 / 0 / 60 / 43

HEX #91913A

RGB 145 145 58

HSL 60, 0.43%, 0.4%

LAB 58.58, -11.86, 45.02

 

CMYK 0 / 0 / 74 / 37

HEX #A1A12A

RGB 161 161 42

HSL 60, 0.59%, 0.4%

LAB 64.35, -14.2, 57.9

 

CMYK 0 / 0 / 86 / 30

HEX #B2B219

RGB 178 178 25

HSL 60, 0.75%, 0.4%

LAB 70.44, -16.06, 68.57

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 12 / 12 / 0 / 58

HEX #5F5F6C

RGB 95 95 108

HSL 240, 0.06%, 0.4%

LAB 40.74, 2.88, -7.36

 

CMYK 36 / 36 / 0 / 51

HEX #4F4F7C

RGB 79 79 124

HSL 240, 0.22%, 0.4%

LAB 35.42, 11.69, -25.49

 

CMYK 56 / 56 / 0 / 45

HEX #3E3E8D

RGB 62 62 141

HSL 240, 0.39%, 0.4%

LAB 30.38, 23.82, -44.09

 

CMYK 71 / 71 / 0 / 38

HEX #2E2E9D

RGB 46 46 157

HSL 240, 0.55%, 0.4%

LAB 26.65, 37.02, -60.03

 

CMYK 0 / 10 / 19 / 56

HEX #70655B

RGB 112 101 91

HSL 28.57, 0.1%, 0.4%

LAB 43.52, 2.54, 7.24

 

CMYK 0 / 5 / 19 / 56

HEX #706A5B

RGB 112 106 91

HSL 42.86, 0.1%, 0.4%

LAB 44.95, -0.41, 9.27

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 5 / 0 / 19 / 56

HEX #6A705B

RGB 106 112 91

HSL 77.14, 0.1%, 0.4%

LAB 46.19, -6.36, 10.92

 

CMYK 10 / 0 / 19 / 56

HEX #65705B

RGB 101 112 91

HSL 91.43, 0.1%, 0.4%

LAB 45.79, -8.37, 10.3

 

CMYK 0 / 0 / 18 / 74

HEX #424236

RGB 66 66 54

HSL 60, 0.1%, 0.24%

LAB 27.63, -2.47, 7.32

 

CMYK 0 / 0 / 18 / 65

HEX #595949

RGB 89 89 73

HSL 60, 0.1%, 0.32%

LAB 37.39, -3.12, 9.29

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 0 / 0 / 18 / 47

HEX #86866E

RGB 134 134 110

HSL 60, 0.1%, 0.48%

LAB 55.32, -4.34, 12.96

 

CMYK 0 / 0 / 14 / 40

HEX #9A9A84

RGB 154 154 132

HSL 60, 0.1%, 0.56%

LAB 63.05, -3.95, 11.57

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 19 / 0 / 15 / 56

HEX #5B705F

RGB 91 112 95

HSL 131.43, 0.1%, 0.4%

LAB 45.14, -11.47, 6.9

 

CMYK 7 / 19 / 0 / 56

HEX #685B70

RGB 104 91 112

HSL 277.14, 0.1%, 0.4%

LAB 40.57, 9.6, -9.99

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 19 / 0 / 0 / 56

HEX #5B7070

RGB 91 112 112

HSL 180, 0.1%, 0.4%

LAB 45.61, -7.73, -2.59

 

CMYK 0 / 19 / 0 / 56

HEX #705B70

RGB 112 91 112

HSL 300, 0.1%, 0.4%

LAB 41.37, 12.61, -8.7

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 19 / 0 / 15 / 56

HEX #5B705F

RGB 91 112 95

HSL 131.43, 0.1%, 0.4%

LAB 45.14, -11.47, 6.9

 

CMYK 19 / 19 / 0 / 56

HEX #5B5B70

RGB 91 91 112

HSL 240, 0.1%, 0.4%

LAB 39.37, 4.85, -11.91

 

CMYK 0 / 19 / 4 / 56

HEX #705B6C

RGB 112 91 108

HSL 311.43, 0.1%, 0.4%

LAB 41.23, 11.78, -6.45

 

CMYK 0 / 0 / 19 / 56

HEX #70705B

RGB 112 112 91

HSL 60, 0.1%, 0.4%

LAB 46.7, -3.91, 11.71

 

CMYK 19 / 0 / 9 / 56

HEX #5B7066

RGB 91 112 102

HSL 151.43, 0.1%, 0.4%

LAB 45.32, -9.99, 2.98

 

CMYK 19 / 19 / 0 / 56

HEX #5B5B70

RGB 91 91 112

HSL 240, 0.1%, 0.4%

LAB 39.37, 4.85, -11.91

 

CMYK 0 / 19 / 9 / 56

HEX #705B66

RGB 112 91 102

HSL 328.57, 0.1%, 0.4%

LAB 41.03, 10.59, -3.06

 

Description

Color code: RGB 112 112 91 | qconv.com Color code: RGB 112 112 91 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 112 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 112 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 19 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 19% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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