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Color name
RGB 112 125 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 125 72 it is the complementary color RGB 143 130 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 125 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 125 72 shade: RGB 117 125 67, RGB 134 143 86, RGB 151 161 105, RGB 168 179 124 and RGB 185 197 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 125 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 125 72 shade: RGB 112 125 72, RGB 95 107 53, RGB 78 89 34, RGB 61 71 15 and RGB 44 53 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 125 72 shade: RGB 113 126 72, RGB 126 124 72, RGB 126 110 72, RGB 126 96 72 and RGB 126 81 72

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 125 72 shade: RGB 113 126 72, RGB 98 126 72, RGB 84 126 72, RGB 72 126 75 and RGB 72 126 89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 125 72 shade matches the following richer shades: RGB 113 126 72, RGB 121 142 56, RGB 129 158 40, RGB 137 174 24 and RGB 145 190 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 125 72 shade: RGB 113 126 72, RGB 104 110 88, RGB 96 94 104, RGB 88 78 120 and RGB 80 61 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 125 72 shade: RGB 126 110 72, RGB 126 124 72, RGB 113 126 72, RGB 99 126 72 and RGB 85 126 72

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 125 72 shade: RGB 66 73 42, RGB 89 100 57, RGB 113 126 72, RGB 136 152 87 and RGB 156 171 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 125 72 shade: RGB 112 125 72, RGB 72 126 95 and RGB 117 72 126

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 125 72 shade: RGB 112 125 72, RGB 72 113 126 and RGB 126 72 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 125 72 shade: RGB 112 125 72, RGB 72 126 95, RGB 85 72 126 and RGB 126 72 103

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 125 72 shade: RGB 112 125 72, RGB 72 126 111, RGB 85 72 126 and RGB 126 72 86

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

Complementary color

CMYK 22 / 29 / 0 / 28

HEX #8F82B7

RGB 143 130 183

HSL 254.72, 0.27%, 0.61%

LAB 57.29, 16.21, -26.06

 

CMYK 6 / 0 / 46 / 51

HEX #757D43

RGB 117 125 67

HSL 68.28, 0.3%, 0.38%

LAB 50.52, -12.47, 30.49

 

CMYK 6 / 0 / 40 / 44

HEX #868F56

RGB 134 143 86

HSL 69.47, 0.25%, 0.45%

LAB 57.45, -12.73, 29.23

 

CMYK 6 / 0 / 35 / 37

HEX #97A169

RGB 151 161 105

HSL 70.71, 0.23%, 0.52%

LAB 64.23, -12.91, 28.02

 

CMYK 6 / 0 / 31 / 30

HEX #A8B37C

RGB 168 179 124

HSL 72, 0.27%, 0.59%

LAB 70.88, -13.05, 26.87

 

CMYK 6 / 0 / 27 / 23

HEX #B9C58F

RGB 185 197 143

HSL 73.33, 0.32%, 0.67%

LAB 77.42, -13.16, 25.78

 

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

CMYK 11 / 0 / 50 / 58

HEX #5F6B35

RGB 95 107 53

HSL 73.33, 0.34%, 0.31%

LAB 43.07, -13.8, 28.56

 

CMYK 12 / 0 / 62 / 65

HEX #4E5922

RGB 78 89 34

HSL 72, 0.45%, 0.24%

LAB 35.75, -13.46, 29.79

 

CMYK 14 / 0 / 79 / 72

HEX #3D470F

RGB 61 71 15

HSL 70.71, 0.65%, 0.17%

LAB 28.2, -12.87, 30.56

 

CMYK 17 / 0 / 100 / 79

HEX #2C3500

RGB 44 53 0

HSL 70.19, 1%, 0.1%

LAB 20.37, -11.89, 28.35

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 0 / 2 / 43 / 51

HEX #7E7C48

RGB 126 124 72

HSL 57.78, 0.27%, 0.39%

LAB 51.06, -7.43, 28.61

 

CMYK 0 / 13 / 43 / 51

HEX #7E6E48

RGB 126 110 72

HSL 42.22, 0.27%, 0.39%

LAB 47.05, 0.53, 23.49

 

CMYK 0 / 24 / 43 / 51

HEX #7E6048

RGB 126 96 72

HSL 26.67, 0.27%, 0.39%

LAB 43.17, 8.76, 18.4

 

CMYK 0 / 36 / 43 / 51

HEX #7E5148

RGB 126 81 72

HSL 10, 0.27%, 0.39%

LAB 39.22, 17.7, 13.07

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 22 / 0 / 43 / 51

HEX #627E48

RGB 98 126 72

HSL 91.11, 0.27%, 0.39%

LAB 49.48, -20.29, 26.16

 

CMYK 33 / 0 / 43 / 51

HEX #547E48

RGB 84 126 72

HSL 106.67, 0.27%, 0.39%

LAB 48.6, -25.65, 24.86

 

CMYK 43 / 0 / 40 / 51

HEX #487E4B

RGB 72 126 75

HSL 123.33, 0.27%, 0.39%

LAB 48.02, -29.33, 22.3

 

CMYK 43 / 0 / 29 / 51

HEX #487E59

RGB 72 126 89

HSL 138.89, 0.27%, 0.39%

LAB 48.29, -26.71, 14.66

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 15 / 0 / 61 / 44

HEX #798E38

RGB 121 142 56

HSL 74.65, 0.43%, 0.39%

LAB 55.78, -20.84, 42.32

 

CMYK 18 / 0 / 75 / 38

HEX #819E28

RGB 129 158 40

HSL 74.75, 0.6%, 0.39%

LAB 61.02, -26.57, 54.57

 

CMYK 21 / 0 / 86 / 32

HEX #89AE18

RGB 137 174 24

HSL 74.8, 0.76%, 0.39%

LAB 66.26, -31.58, 64.07

 

CMYK 24 / 0 / 96 / 25

HEX #91BE08

RGB 145 190 8

HSL 74.84, 0.92%, 0.39%

LAB 71.46, -36.05, 71

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 5 / 0 / 20 / 57

HEX #686E58

RGB 104 110 88

HSL 76.36, 0.11%, 0.39%

LAB 45.36, -6.55, 11.52

 

CMYK 8 / 10 / 0 / 59

HEX #605E68

RGB 96 94 104

HSL 252, 0.05%, 0.39%

LAB 40.4, 2.95, -5.41

 

CMYK 27 / 35 / 0 / 53

HEX #584E78

RGB 88 78 120

HSL 254.29, 0.21%, 0.39%

LAB 35.75, 14.07, -22.44

 

CMYK 41 / 55 / 0 / 47

HEX #503D88

RGB 80 61 136

HSL 255.2, 0.38%, 0.39%

LAB 31.39, 27.11, -39.29

 

CMYK 0 / 13 / 43 / 51

HEX #7E6E48

RGB 126 110 72

HSL 42.22, 0.27%, 0.39%

LAB 47.05, 0.53, 23.49

 

CMYK 0 / 2 / 43 / 51

HEX #7E7C48

RGB 126 124 72

HSL 57.78, 0.27%, 0.39%

LAB 51.06, -7.43, 28.61

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 21 / 0 / 43 / 51

HEX #637E48

RGB 99 126 72

HSL 90, 0.27%, 0.39%

LAB 49.55, -19.89, 26.26

 

CMYK 33 / 0 / 43 / 51

HEX #557E48

RGB 85 126 72

HSL 105.56, 0.27%, 0.39%

LAB 48.66, -25.28, 24.94

 

CMYK 10 / 0 / 42 / 71

HEX #42492A

RGB 66 73 42

HSL 73.55, 0.27%, 0.23%

LAB 29.64, -8.79, 17.62

 

CMYK 11 / 0 / 43 / 61

HEX #596439

RGB 89 100 57

HSL 75.35, 0.27%, 0.31%

LAB 40.47, -12.03, 22.97

 

CMYK 10 / 0 / 43 / 51

HEX #717E48

RGB 113 126 72

HSL 74.44, 0.27%, 0.39%

LAB 50.57, -14.12, 27.77

 

CMYK 11 / 0 / 43 / 40

HEX #889857

RGB 136 152 87

HSL 74.77, 0.27%, 0.47%

LAB 60.23, -16.54, 32.25

 

CMYK 9 / 0 / 36 / 33

HEX #9CAB6D

RGB 156 171 109

HSL 74.52, 0.27%, 0.55%

LAB 67.5, -15.62, 30.22

 

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

CMYK 43 / 0 / 25 / 51

HEX #487E5F

RGB 72 126 95

HSL 145.56, 0.27%, 0.39%

LAB 48.42, -25.45, 11.36

 

CMYK 7 / 43 / 0 / 51

HEX #75487E

RGB 117 72 126

HSL 290, 0.27%, 0.39%

LAB 37.7, 28.87, -22.86

 

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

CMYK 43 / 10 / 0 / 51

HEX #48717E

RGB 72 113 126

HSL 194.44, 0.27%, 0.39%

LAB 45.21, -10.64, -11.69

 

CMYK 0 / 43 / 10 / 51

HEX #7E4871

RGB 126 72 113

HSL 314.44, 0.27%, 0.39%

LAB 38.31, 29.35, -13.78

 

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

CMYK 43 / 0 / 25 / 51

HEX #487E5F

RGB 72 126 95

HSL 145.56, 0.27%, 0.39%

LAB 48.42, -25.45, 11.36

 

CMYK 33 / 43 / 0 / 51

HEX #55487E

RGB 85 72 126

HSL 254.44, 0.27%, 0.39%

LAB 34.13, 18.6, -28.71

 

CMYK 0 / 43 / 18 / 51

HEX #7E4867

RGB 126 72 103

HSL 325.56, 0.27%, 0.39%

LAB 37.93, 27.57, -8.12

 

CMYK 10 / 0 / 42 / 51

HEX #707D48

RGB 112 125 72

HSL 74.72, 0.27%, 0.39%

LAB 50.19, -14, 27.27

 

CMYK 43 / 0 / 12 / 51

HEX #487E6F

RGB 72 126 111

HSL 163.33, 0.27%, 0.39%

LAB 48.82, -21.76, 2.56

 

CMYK 33 / 43 / 0 / 51

HEX #55487E

RGB 85 72 126

HSL 254.44, 0.27%, 0.39%

LAB 34.13, 18.6, -28.71

 

CMYK 0 / 43 / 32 / 51

HEX #7E4856

RGB 126 72 86

HSL 344.44, 0.27%, 0.39%

LAB 37.38, 24.89, 1.73

 

Description

Color code: RGB 112 125 72 | qconv.com Color code: RGB 112 125 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 125 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 125 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 42 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 42% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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