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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 148 4 it is the complementary color RGB 143 107 251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 148 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 148 4 shade: RGB 117 148 0, RGB 134 166 18, RGB 151 184 37, RGB 168 202 56 and RGB 185 220 75

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 148 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 148 4 shade: RGB 112 148 4, RGB 95 130 0, RGB 78 112 0, RGB 61 94 0 and RGB 44 76 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 148 4 shade: RGB 112 149 3, RGB 149 146 3, RGB 149 107 3, RGB 149 67 3 and RGB 149 28 3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 148 4 shade: RGB 112 149 3, RGB 73 149 3, RGB 34 149 3, RGB 3 149 12 and RGB 3 149 51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 148 4 shade matches the following richer shades: RGB 112 149 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 148 4 shade: RGB 112 149 3, RGB 106 136 16, RGB 100 124 28, RGB 94 112 40 and RGB 88 99 53

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 148 4 shade: RGB 149 107 3, RGB 149 146 3, RGB 112 149 3, RGB 74 149 3 and RGB 35 149 3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 148 4 shade: RGB 51 68 1, RGB 82 108 2, RGB 112 149 3, RGB 143 189 4 and RGB 173 229 5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 148 4 shade: RGB 112 148 4, RGB 3 149 69 and RGB 127 3 149

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 148 4 shade: RGB 112 148 4, RGB 3 112 149 and RGB 149 3 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 148 4 shade: RGB 112 148 4, RGB 3 149 69, RGB 40 3 149 and RGB 149 3 83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 148 4 shade: RGB 112 148 4, RGB 3 149 112, RGB 40 3 149 and RGB 149 3 40

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

Complementary color

CMYK 43 / 57 / 0 / 2

HEX #8F6BFB

RGB 143 107 251

HSL 255, 0.95%, 0.7%

LAB 55.4, 47.17, -67.32

 

CMYK 21 / 0 / 100 / 42

HEX #759400

RGB 117 148 0

HSL 72.57, 1%, 0.29%

LAB 57.04, -28.08, 60.15

 

CMYK 19 / 0 / 89 / 35

HEX #86A612

RGB 134 166 18

HSL 72.97, 0.8%, 0.36%

LAB 63.66, -29.2, 63.05

 

CMYK 18 / 0 / 80 / 28

HEX #97B825

RGB 151 184 37

HSL 73.47, 0.67%, 0.43%

LAB 70.17, -30.1, 64.56

 

CMYK 17 / 0 / 72 / 21

HEX #A8CA38

RGB 168 202 56

HSL 73.97, 0.58%, 0.51%

LAB 76.59, -30.8, 64.95

 

CMYK 16 / 0 / 66 / 14

HEX #B9DC4B

RGB 185 220 75

HSL 74.48, 0.67%, 0.58%

LAB 82.92, -31.35, 64.67

 

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

CMYK 27 / 0 / 100 / 49

HEX #5F8200

RGB 95 130 0

HSL 76.15, 1%, 0.25%

LAB 49.98, -28.75, 54.15

 

CMYK 30 / 0 / 100 / 56

HEX #4E7000

RGB 78 112 0

HSL 78.21, 1%, 0.22%

LAB 43.08, -27.28, 48.4

 

CMYK 35 / 0 / 100 / 63

HEX #3D5E00

RGB 61 94 0

HSL 81.06, 1%, 0.18%

LAB 35.98, -25.77, 42.5

 

CMYK 42 / 0 / 100 / 70

HEX #2C4C00

RGB 44 76 0

HSL 85.26, 1%, 0.15%

LAB 28.65, -24.2, 36.39

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 0 / 2 / 98 / 42

HEX #959203

RGB 149 146 3

HSL 58.77, 0.96%, 0.3%

LAB 58.93, -12.81, 62.2

 

CMYK 0 / 28 / 98 / 42

HEX #956B03

RGB 149 107 3

HSL 42.74, 0.96%, 0.3%

LAB 48.15, 8.86, 54.38

 

CMYK 0 / 55 / 98 / 42

HEX #954303

RGB 149 67 3

HSL 26.3, 0.96%, 0.3%

LAB 38.57, 31.45, 47.96

 

CMYK 0 / 81 / 98 / 42

HEX #951C03

RGB 149 28 3

HSL 10.27, 0.96%, 0.3%

LAB 32.32, 48.2, 44.21

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 51 / 0 / 98 / 42

HEX #499503

RGB 73 149 3

HSL 91.23, 0.96%, 0.3%

LAB 54.99, -45.03, 57.05

 

CMYK 77 / 0 / 98 / 42

HEX #229503

RGB 34 149 3

HSL 107.26, 0.96%, 0.3%

LAB 53.86, -54.36, 55.67

 

CMYK 98 / 0 / 92 / 42

HEX #03950C

RGB 3 149 12

HSL 123.7, 0.96%, 0.3%

LAB 53.54, -57.17, 53.77

 

CMYK 98 / 0 / 66 / 42

HEX #039533

RGB 3 149 51

HSL 139.73, 0.96%, 0.3%

LAB 53.76, -54.25, 41.2

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 22 / 0 / 88 / 47

HEX #6A8810

RGB 106 136 16

HSL 75, 0.79%, 0.3%

LAB 52.63, -26.57, 53.52

 

CMYK 19 / 0 / 77 / 51

HEX #647C1C

RGB 100 124 28

HSL 75, 0.63%, 0.3%

LAB 48.52, -22.68, 46.16

 

CMYK 16 / 0 / 64 / 56

HEX #5E7028

RGB 94 112 40

HSL 75, 0.47%, 0.3%

LAB 44.41, -18.25, 36.76

 

CMYK 11 / 0 / 46 / 61

HEX #586335

RGB 88 99 53

HSL 74.35, 0.3%, 0.3%

LAB 40.01, -12.43, 24.66

 

CMYK 0 / 28 / 98 / 42

HEX #956B03

RGB 149 107 3

HSL 42.74, 0.96%, 0.3%

LAB 48.15, 8.86, 54.38

 

CMYK 0 / 2 / 98 / 42

HEX #959203

RGB 149 146 3

HSL 58.77, 0.96%, 0.3%

LAB 58.93, -12.81, 62.2

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 50 / 0 / 98 / 42

HEX #4A9503

RGB 74 149 3

HSL 90.82, 0.96%, 0.3%

LAB 55.03, -44.71, 57.1

 

CMYK 77 / 0 / 98 / 42

HEX #239503

RGB 35 149 3

HSL 106.85, 0.96%, 0.3%

LAB 53.88, -54.2, 55.69

 

CMYK 25 / 0 / 99 / 73

HEX #334401

RGB 51 68 1

HSL 75.22, 0.97%, 0.14%

LAB 26.27, -16.86, 34.12

 

CMYK 24 / 0 / 98 / 58

HEX #526C02

RGB 82 108 2

HSL 74.72, 0.96%, 0.22%

LAB 42.04, -23.5, 47.22

 

CMYK 25 / 0 / 98 / 42

HEX #709503

RGB 112 149 3

HSL 75.21, 0.96%, 0.3%

LAB 57.02, -30.6, 59.52

 

CMYK 24 / 0 / 98 / 26

HEX #8FBD04

RGB 143 189 4

HSL 74.92, 0.96%, 0.38%

LAB 71.04, -36.46, 71.06

 

CMYK 24 / 0 / 98 / 10

HEX #ADE505

RGB 173 229 5

HSL 75, 0.96%, 0.46%

LAB 84.45, -42.47, 82.09

 

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

CMYK 98 / 0 / 54 / 42

HEX #039545

RGB 3 149 69

HSL 147.12, 0.96%, 0.3%

LAB 53.97, -51.74, 32.74

 

CMYK 15 / 98 / 0 / 42

HEX #7F0395

RGB 127 3 149

HSL 290.96, 0.96%, 0.3%

LAB 31.22, 61.82, -47.24

 

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

CMYK 98 / 25 / 0 / 42

HEX #037095

RGB 3 112 149

HSL 195.21, 0.96%, 0.3%

LAB 43.91, -12.7, -27.56

 

CMYK 0 / 98 / 25 / 42

HEX #950370

RGB 149 3 112

HSL 315.21, 0.96%, 0.3%

LAB 33.19, 60.28, -20.71

 

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

CMYK 98 / 0 / 54 / 42

HEX #039545

RGB 3 149 69

HSL 147.12, 0.96%, 0.3%

LAB 53.97, -51.74, 32.74

 

CMYK 73 / 98 / 0 / 42

HEX #280395

RGB 40 3 149

HSL 255.21, 0.96%, 0.3%

LAB 18.74, 52.95, -68.22

 

CMYK 0 / 98 / 44 / 42

HEX #950353

RGB 149 3 83

HSL 327.12, 0.96%, 0.3%

LAB 31.99, 57.15, -3.78

 

CMYK 24 / 0 / 97 / 42

HEX #709404

RGB 112 148 4

HSL 75, 0.95%, 0.3%

LAB 56.72, -30.11, 59.12

 

CMYK 98 / 0 / 25 / 42

HEX #039570

RGB 3 149 112

HSL 164.79, 0.96%, 0.3%

LAB 54.75, -42.72, 10.24

 

CMYK 73 / 98 / 0 / 42

HEX #280395

RGB 40 3 149

HSL 255.21, 0.96%, 0.3%

LAB 18.74, 52.95, -68.22

 

CMYK 0 / 98 / 73 / 42

HEX #950328

RGB 149 3 40

HSL 344.79, 0.96%, 0.3%

LAB 30.9, 54.21, 23.21

 

Description

Color code: RGB 112 148 4 | qconv.com Color code: RGB 112 148 4 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 148 green and 4 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 148 4 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 97 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 97% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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