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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 161 120 it is the complementary color RGB 143 94 135. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 161 120. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 161 120 shade: RGB 117 161 115, RGB 134 179 134, RGB 151 197 153, RGB 168 215 172 and RGB 185 233 191

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 161 120. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 161 120 shade: RGB 112 161 120, RGB 95 143 101, RGB 78 125 82, RGB 61 107 63 and RGB 44 89 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 161 120 shade: RGB 113 162 121, RGB 118 162 113, RGB 131 162 113, RGB 144 162 113 and RGB 158 162 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 161 120 shade: RGB 113 162 121, RGB 113 162 134, RGB 113 162 147, RGB 113 162 160 and RGB 113 150 162

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 161 120 shade matches the following richer shades: RGB 113 162 121, RGB 94 181 108, RGB 75 200 95, RGB 56 219 82 and RGB 37 238 69

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 161 120 shade: RGB 113 162 121, RGB 132 143 133, RGB 151 124 146, RGB 170 105 159 and RGB 188 86 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 161 120 shade: RGB 131 162 113, RGB 118 162 113, RGB 113 162 120, RGB 113 162 133 and RGB 113 162 146

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 161 120 shade: RGB 76 116 82, RGB 92 141 100, RGB 113 162 121, RGB 138 178 144 and RGB 162 194 168

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 161 120 shade: RGB 112 161 120, RGB 113 145 162 and RGB 162 113 125

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 161 120 shade: RGB 112 161 120, RGB 120 113 162 and RGB 162 120 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 161 120 shade: RGB 112 161 120, RGB 113 145 162, RGB 162 113 154 and RGB 162 130 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 161 120 shade: RGB 112 161 120, RGB 113 130 162, RGB 162 113 154 and RGB 162 145 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

Complementary color

CMYK 0 / 34 / 6 / 44

HEX #8F5E87

RGB 143 94 135

HSL 309.8, 0.21%, 0.46%

LAB 46.44, 26.79, -14.64

 

CMYK 27 / 0 / 29 / 37

HEX #75A173

RGB 117 161 115

HSL 117.39, 0.2%, 0.54%

LAB 62.09, -24.23, 19.29

 

CMYK 25 / 0 / 25 / 30

HEX #86B386

RGB 134 179 134

HSL 120, 0.23%, 0.61%

LAB 68.77, -24.01, 18.23

 

CMYK 23 / 0 / 22 / 23

HEX #97C599

RGB 151 197 153

HSL 122.61, 0.28%, 0.68%

LAB 75.33, -23.8, 17.24

 

CMYK 22 / 0 / 20 / 16

HEX #A8D7AC

RGB 168 215 172

HSL 125.11, 0.37%, 0.75%

LAB 81.79, -23.61, 16.31

 

CMYK 21 / 0 / 18 / 9

HEX #B9E9BF

RGB 185 233 191

HSL 127.5, 0.52%, 0.82%

LAB 88.14, -23.44, 15.43

 

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

CMYK 34 / 0 / 29 / 44

HEX #5F8F65

RGB 95 143 101

HSL 127.5, 0.2%, 0.47%

LAB 55.09, -25.32, 17.33

 

CMYK 38 / 0 / 34 / 51

HEX #4E7D52

RGB 78 125 82

HSL 125.11, 0.23%, 0.4%

LAB 48.13, -25.6, 18.53

 

CMYK 43 / 0 / 41 / 58

HEX #3D6B3F

RGB 61 107 63

HSL 122.61, 0.27%, 0.33%

LAB 41, -25.86, 19.85

 

CMYK 51 / 0 / 51 / 65

HEX #2C592C

RGB 44 89 44

HSL 120, 0.34%, 0.26%

LAB 33.69, -26.03, 21.29

 

CMYK 30 / 0 / 25 / 36

HEX #71A279

RGB 113 162 121

HSL 129.8, 0.21%, 0.54%

LAB 62.28, -25.02, 16.2

 

CMYK 27 / 0 / 30 / 36

HEX #76A271

RGB 118 162 113

HSL 113.88, 0.21%, 0.54%

LAB 62.41, -24.72, 20.84

 

CMYK 19 / 0 / 30 / 36

HEX #83A271

RGB 131 162 113

HSL 97.96, 0.21%, 0.54%

LAB 63.23, -20.02, 22.08

 

CMYK 11 / 0 / 30 / 36

HEX #90A271

RGB 144 162 113

HSL 82.04, 0.21%, 0.54%

LAB 64.13, -15.08, 23.45

 

CMYK 2 / 0 / 30 / 36

HEX #9EA271

RGB 158 162 113

HSL 64.9, 0.21%, 0.54%

LAB 65.2, -9.57, 25.07

 

CMYK 30 / 0 / 25 / 36

HEX #71A279

RGB 113 162 121

HSL 129.8, 0.21%, 0.54%

LAB 62.28, -25.02, 16.2

 

CMYK 30 / 0 / 17 / 36

HEX #71A286

RGB 113 162 134

HSL 145.71, 0.21%, 0.54%

LAB 62.57, -22.48, 9.37

 

CMYK 30 / 0 / 9 / 36

HEX #71A293

RGB 113 162 147

HSL 161.63, 0.21%, 0.54%

LAB 62.89, -19.71, 2.55

 

CMYK 30 / 0 / 1 / 36

HEX #71A2A0

RGB 113 162 160

HSL 177.55, 0.21%, 0.54%

LAB 63.25, -16.71, -4.22

 

CMYK 30 / 7 / 0 / 36

HEX #7196A2

RGB 113 150 162

HSL 194.69, 0.21%, 0.54%

LAB 59.83, -9.77, -10.44

 

CMYK 30 / 0 / 25 / 36

HEX #71A279

RGB 113 162 121

HSL 129.8, 0.21%, 0.54%

LAB 62.28, -25.02, 16.2

 

CMYK 48 / 0 / 40 / 29

HEX #5EB56C

RGB 94 181 108

HSL 129.66, 0.37%, 0.54%

LAB 66.91, -42.01, 29.3

 

CMYK 63 / 0 / 53 / 22

HEX #4BC85F

RGB 75 200 95

HSL 129.6, 0.53%, 0.54%

LAB 71.98, -56.24, 42.13

 

CMYK 74 / 0 / 63 / 14

HEX #38DB52

RGB 56 219 82

HSL 129.57, 0.69%, 0.54%

LAB 77.35, -67.76, 54.23

 

CMYK 84 / 0 / 71 / 7

HEX #25EE45

RGB 37 238 69

HSL 129.55, 0.86%, 0.54%

LAB 82.9, -76.97, 65.23

 

CMYK 30 / 0 / 25 / 36

HEX #71A279

RGB 113 162 121

HSL 129.8, 0.21%, 0.54%

LAB 62.28, -25.02, 16.2

 

CMYK 8 / 0 / 7 / 44

HEX #848F85

RGB 132 143 133

HSL 125.45, 0.05%, 0.54%

LAB 58.27, -5.98, 3.95

 

CMYK 0 / 18 / 3 / 41

HEX #977C92

RGB 151 124 146

HSL 311.11, 0.11%, 0.54%

LAB 55.14, 14.38, -7.94

 

CMYK 0 / 38 / 6 / 33

HEX #AA699F

RGB 170 105 159

HSL 310.15, 0.28%, 0.54%

LAB 53.12, 34.33, -18.38

 

CMYK 0 / 54 / 9 / 26

HEX #BC56AC

RGB 188 86 172

HSL 309.41, 0.43%, 0.54%

LAB 52.2, 52.08, -27.17

 

CMYK 19 / 0 / 30 / 36

HEX #83A271

RGB 131 162 113

HSL 97.96, 0.21%, 0.54%

LAB 63.23, -20.02, 22.08

 

CMYK 27 / 0 / 30 / 36

HEX #76A271

RGB 118 162 113

HSL 113.88, 0.21%, 0.54%

LAB 62.41, -24.72, 20.84

 

CMYK 30 / 0 / 26 / 36

HEX #71A278

RGB 113 162 120

HSL 128.57, 0.21%, 0.54%

LAB 62.26, -25.21, 16.73

 

CMYK 30 / 0 / 18 / 36

HEX #71A285

RGB 113 162 133

HSL 144.49, 0.21%, 0.54%

LAB 62.55, -22.69, 9.9

 

CMYK 30 / 0 / 10 / 36

HEX #71A292

RGB 113 162 146

HSL 160.41, 0.21%, 0.54%

LAB 62.87, -19.93, 3.08

 

CMYK 34 / 0 / 29 / 55

HEX #4C7452

RGB 76 116 82

HSL 129, 0.21%, 0.38%

LAB 45.13, -21.71, 14.45

 

CMYK 35 / 0 / 29 / 45

HEX #5C8D64

RGB 92 141 100

HSL 129.8, 0.21%, 0.46%

LAB 54.29, -25.51, 16.77

 

CMYK 30 / 0 / 25 / 36

HEX #71A279

RGB 113 162 121

HSL 129.8, 0.21%, 0.54%

LAB 62.28, -25.02, 16.2

 

CMYK 22 / 0 / 19 / 30

HEX #8AB290

RGB 138 178 144

HSL 129, 0.21%, 0.62%

LAB 68.94, -20.33, 13.05

 

CMYK 16 / 0 / 13 / 24

HEX #A2C2A8

RGB 162 194 168

HSL 131.25, 0.21%, 0.7%

LAB 75.51, -15.85, 9.52

 

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

CMYK 30 / 10 / 0 / 36

HEX #7191A2

RGB 113 145 162

HSL 200.82, 0.21%, 0.54%

LAB 58.39, -7, -12.6

 

CMYK 0 / 30 / 23 / 36

HEX #A2717D

RGB 162 113 125

HSL 345.31, 0.21%, 0.54%

LAB 52.92, 21.17, 1.19

 

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

CMYK 26 / 30 / 0 / 36

HEX #7871A2

RGB 120 113 162

HSL 248.57, 0.21%, 0.54%

LAB 49.99, 13.8, -25.37

 

CMYK 0 / 26 / 30 / 36

HEX #A27871

RGB 162 120 113

HSL 8.57, 0.21%, 0.54%

LAB 54.35, 15.39, 10.26

 

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

CMYK 30 / 10 / 0 / 36

HEX #7191A2

RGB 113 145 162

HSL 200.82, 0.21%, 0.54%

LAB 58.39, -7, -12.6

 

CMYK 0 / 30 / 5 / 36

HEX #A2719A

RGB 162 113 154

HSL 309.8, 0.21%, 0.54%

LAB 53.84, 26.17, -14.44

 

CMYK 0 / 20 / 30 / 36

HEX #A28271

RGB 162 130 113

HSL 20.82, 0.21%, 0.54%

LAB 56.92, 9.7, 13.85

 

CMYK 30 / 0 / 25 / 37

HEX #70A178

RGB 112 161 120

HSL 129.8, 0.21%, 0.54%

LAB 61.9, -25.04, 16.23

 

CMYK 30 / 20 / 0 / 36

HEX #7182A2

RGB 113 130 162

HSL 219.18, 0.21%, 0.54%

LAB 54.12, 1.54, -19.08

 

CMYK 0 / 30 / 5 / 36

HEX #A2719A

RGB 162 113 154

HSL 309.8, 0.21%, 0.54%

LAB 53.84, 26.17, -14.44

 

CMYK 0 / 10 / 30 / 36

HEX #A29171

RGB 162 145 113

HSL 39.18, 0.21%, 0.54%

LAB 60.89, 1.29, 19.32

 

Description

Color code: RGB 112 161 120 | qconv.com Color code: RGB 112 161 120 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 161 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 161 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 25 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 25% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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