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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 254 247 it is the complementary color RGB 143 1 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 254 247. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 254 247 shade: RGB 117 254 242, RGB 134 255 255, RGB 151 255 255, RGB 168 255 255 and RGB 185 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 254 247. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 95 236 228, RGB 78 218 209, RGB 61 200 190 and RGB 44 182 171

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 112 254 209, RGB 112 254 171, RGB 112 254 132 and RGB 131 254 112

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 112 223 254, RGB 112 185 254, RGB 112 146 254 and RGB 112 112 254

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 254 247 shade matches the following richer shades: RGB 112 254 247

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 124 242 236, RGB 136 231 226, RGB 147 219 216 and RGB 159 208 205

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 254 247 shade: RGB 112 254 171, RGB 112 254 209, RGB 112 254 247, RGB 112 223 254 and RGB 112 185 254

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 254 247 shade: RGB 30 253 242, RGB 71 254 245, RGB 112 254 247, RGB 153 254 249 and RGB 195 254 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 134 112 254 and RGB 254 190 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 247 112 254 and RGB 254 247 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 134 112 254, RGB 254 112 119 and RGB 233 254 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 254 247 shade: RGB 112 254 247, RGB 176 112 254, RGB 254 112 119 and RGB 190 254 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

Complementary color

CMYK 0 / 99 / 94 / 44

HEX #8F0108

RGB 143 1 8

HSL 357.04, 0.99%, 0.28%

LAB 29.1, 52.04, 39.25

 

CMYK 54 / 0 / 5 / 0

HEX #75FEF2

RGB 117 254 242

HSL 174.74, 0.99%, 0.73%

LAB 92.17, -40.18, -5.65

 

CMYK 47 / 0 / 0 / 0

HEX #86FFFF

RGB 134 255 255

HSL 180, 1%, 0.76%

LAB 93.37, -33.98, -10.54

 

CMYK 41 / 0 / 0 / 0

HEX #97FFFF

RGB 151 255 255

HSL 180, 1%, 0.8%

LAB 94.02, -30.19, -9.5

 

CMYK 34 / 0 / 0 / 0

HEX #A8FFFF

RGB 168 255 255

HSL 180, 1%, 0.83%

LAB 94.77, -25.99, -8.31

 

CMYK 27 / 0 / 0 / 0

HEX #B9FFFF

RGB 185 255 255

HSL 180, 1%, 0.86%

LAB 95.6, -21.45, -6.98

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 60 / 0 / 3 / 7

HEX #5FECE4

RGB 95 236 228

HSL 176.6, 0.79%, 0.65%

LAB 86.02, -39.59, -7.51

 

CMYK 64 / 0 / 4 / 15

HEX #4EDAD1

RGB 78 218 209

HSL 176.14, 0.65%, 0.58%

LAB 79.82, -39.2, -6.67

 

CMYK 70 / 0 / 5 / 22

HEX #3DC8BE

RGB 61 200 190

HSL 175.68, 0.56%, 0.51%

LAB 73.56, -38.65, -5.75

 

CMYK 76 / 0 / 6 / 29

HEX #2CB6AB

RGB 44 182 171

HSL 175.22, 0.61%, 0.44%

LAB 67.23, -37.87, -4.74

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 56 / 0 / 18 / 0

HEX #70FED1

RGB 112 254 209

HSL 160.99, 0.99%, 0.72%

LAB 91.2, -48.91, 10

 

CMYK 56 / 0 / 33 / 0

HEX #70FEAB

RGB 112 254 171

HSL 144.93, 0.99%, 0.72%

LAB 90.45, -56.61, 28.37

 

CMYK 56 / 0 / 48 / 0

HEX #70FE84

RGB 112 254 132

HSL 128.45, 0.99%, 0.72%

LAB 89.86, -62.9, 46.75

 

CMYK 48 / 0 / 56 / 0

HEX #83FE70

RGB 131 254 112

HSL 111.97, 0.99%, 0.72%

LAB 90.27, -60.63, 56.56

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 56 / 12 / 0 / 0

HEX #70DFFE

RGB 112 223 254

HSL 193.1, 0.99%, 0.72%

LAB 83.64, -23.29, -24.74

 

CMYK 56 / 27 / 0 / 0

HEX #70B9FE

RGB 112 185 254

HSL 209.15, 0.99%, 0.72%

LAB 73.09, -3.4, -41

 

CMYK 56 / 43 / 0 / 0

HEX #7092FE

RGB 112 146 254

HSL 225.63, 0.99%, 0.72%

LAB 62.64, 18.9, -57.48

 

CMYK 56 / 56 / 0 / 0

HEX #7070FE

RGB 112 112 254

HSL 240, 0.99%, 0.72%

LAB 54.23, 39.11, -71

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 49 / 0 / 2 / 5

HEX #7CF2EC

RGB 124 242 236

HSL 176.95, 0.82%, 0.72%

LAB 88.85, -34.76, -7.41

 

CMYK 41 / 0 / 2 / 9

HEX #88E7E2

RGB 136 231 226

HSL 176.84, 0.66%, 0.72%

LAB 85.94, -29.29, -6.41

 

CMYK 33 / 0 / 1 / 14

HEX #93DBD8

RGB 147 219 216

HSL 177.5, 0.5%, 0.72%

LAB 82.82, -22.97, -5.68

 

CMYK 24 / 0 / 1 / 18

HEX #9FD0CD

RGB 159 208 205

HSL 176.33, 0.34%, 0.72%

LAB 80.12, -16.48, -3.72

 

CMYK 56 / 0 / 33 / 0

HEX #70FEAB

RGB 112 254 171

HSL 144.93, 0.99%, 0.72%

LAB 90.45, -56.61, 28.37

 

CMYK 56 / 0 / 18 / 0

HEX #70FED1

RGB 112 254 209

HSL 160.99, 0.99%, 0.72%

LAB 91.2, -48.91, 10

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 56 / 12 / 0 / 0

HEX #70DFFE

RGB 112 223 254

HSL 193.1, 0.99%, 0.72%

LAB 83.64, -23.29, -24.74

 

CMYK 56 / 27 / 0 / 0

HEX #70B9FE

RGB 112 185 254

HSL 209.15, 0.99%, 0.72%

LAB 73.09, -3.4, -41

 

CMYK 88 / 0 / 4 / 1

HEX #1EFDF2

RGB 30 253 242

HSL 177.04, 0.98%, 0.55%

LAB 90.29, -50.04, -8.6

 

CMYK 72 / 0 / 4 / 0

HEX #47FEF5

RGB 71 254 245

HSL 177.05, 0.99%, 0.64%

LAB 91.15, -46.41, -8.83

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 40 / 0 / 2 / 0

HEX #99FEF9

RGB 153 254 249

HSL 177.03, 0.98%, 0.8%

LAB 93.67, -30.65, -6.92

 

CMYK 23 / 0 / 1 / 0

HEX #C3FEFB

RGB 195 254 251

HSL 176.95, 0.97%, 0.88%

LAB 95.77, -18.98, -4.61

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 47 / 56 / 0 / 0

HEX #8670FE

RGB 134 112 254

HSL 249.3, 0.99%, 0.72%

LAB 55.9, 43.33, -68.21

 

CMYK 0 / 25 / 56 / 0

HEX #FEBE70

RGB 254 190 112

HSL 32.96, 0.99%, 0.72%

LAB 81.33, 14.6, 47.92

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 3 / 56 / 0 / 0

HEX #F770FE

RGB 247 112 254

HSL 297.04, 0.99%, 0.72%

LAB 68.4, 69.93, -47.54

 

CMYK 0 / 3 / 56 / 0

HEX #FEF770

RGB 254 247 112

HSL 57.04, 0.99%, 0.72%

LAB 95.48, -14.29, 64.42

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 47 / 56 / 0 / 0

HEX #8670FE

RGB 134 112 254

HSL 249.3, 0.99%, 0.72%

LAB 55.9, 43.33, -68.21

 

CMYK 0 / 56 / 53 / 0

HEX #FE7077

RGB 254 112 119

HSL 357.04, 0.99%, 0.72%

LAB 64.96, 54.67, 23.33

 

CMYK 8 / 0 / 56 / 0

HEX #E9FE70

RGB 233 254 112

HSL 68.87, 0.99%, 0.72%

LAB 95.74, -25.9, 64.29

 

CMYK 56 / 0 / 3 / 0

HEX #70FEF7

RGB 112 254 247

HSL 177.04, 0.99%, 0.72%

LAB 92.15, -39.86, -8.28

 

CMYK 31 / 56 / 0 / 0

HEX #B070FE

RGB 176 112 254

HSL 267.04, 0.99%, 0.72%

LAB 59.87, 52.58, -61.62

 

CMYK 0 / 56 / 53 / 0

HEX #FE7077

RGB 254 112 119

HSL 357.04, 0.99%, 0.72%

LAB 64.96, 54.67, 23.33

 

CMYK 25 / 0 / 56 / 0

HEX #BEFE70

RGB 190 254 112

HSL 87.04, 0.99%, 0.72%

LAB 93.01, -41.92, 60.46

 

Description

Color code: RGB 112 254 247 | qconv.com Color code: RGB 112 254 247 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 254 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 254 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, none magenta, 3 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 0% 3% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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