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Color name
RGB 112 47 95

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 47 95 it is the complementary color RGB 143 208 160. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 47 95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 47 95 shade: RGB 117 47 90, RGB 134 65 109, RGB 151 83 128, RGB 168 101 147 and RGB 185 119 166

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 47 95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 47 95 shade: RGB 112 47 95, RGB 95 29 76, RGB 78 11 57, RGB 61 0 38 and RGB 44 0 19

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 47 95 shade: RGB 111 46 94, RGB 111 46 77, RGB 111 46 59 and RGB 111 46 46

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 47 95 shade: RGB 111 46 94, RGB 110 46 111, RGB 93 46 111, RGB 75 46 111 and RGB 58 46 111

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 47 95 shade matches the following richer shades: RGB 111 46 94, RGB 124 33 100, RGB 137 21 106 and RGB 149 8 112

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 47 95 shade: RGB 111 46 94, RGB 98 59 88, RGB 85 72 82, RGB 73 85 76 and RGB 60 97 70

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 47 95 shade: RGB 93 46 111, RGB 110 46 111, RGB 111 46 95, RGB 111 46 77 and RGB 111 46 60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 47 95 shade: RGB 53 22 45, RGB 82 34 69, RGB 111 46 94, RGB 140 58 119 and RGB 169 70 143

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 47 95 shade: RGB 112 47 95, RGB 111 75 46 and RGB 46 111 101

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 47 95 shade: RGB 112 47 95, RGB 95 111 46 and RGB 46 95 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 47 95 shade: RGB 112 47 95, RGB 111 75 46, RGB 46 111 62 and RGB 46 82 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 47 95 shade: RGB 112 47 95, RGB 111 95 46, RGB 46 111 62 and RGB 46 62 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

Complementary color

CMYK 31 / 0 / 23 / 18

HEX #8FD0A0

RGB 143 208 160

HSL 135.69, 0.41%, 0.69%

LAB 78.16, -30.47, 17.39

 

CMYK 0 / 60 / 23 / 54

HEX #752F5A

RGB 117 47 90

HSL 323.14, 0.43%, 0.32%

LAB 30.77, 36.01, -10.79

 

CMYK 0 / 51 / 19 / 47

HEX #86416D

RGB 134 65 109

HSL 321.74, 0.35%, 0.39%

LAB 37.76, 35.34, -12.02

 

CMYK 0 / 45 / 15 / 41

HEX #975380

RGB 151 83 128

HSL 320.29, 0.29%, 0.46%

LAB 44.69, 34.55, -12.97

 

CMYK 0 / 40 / 13 / 34

HEX #A86593

RGB 168 101 147

HSL 318.81, 0.28%, 0.53%

LAB 51.54, 33.74, -13.75

 

CMYK 0 / 36 / 10 / 27

HEX #B977A6

RGB 185 119 166

HSL 317.27, 0.32%, 0.6%

LAB 58.28, 32.95, -14.42

 

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

CMYK 0 / 69 / 20 / 63

HEX #5F1D4C

RGB 95 29 76

HSL 317.27, 0.53%, 0.24%

LAB 23.11, 35.49, -13.58

 

CMYK 0 / 86 / 27 / 69

HEX #4E0B39

RGB 78 11 57

HSL 318.81, 0.75%, 0.17%

LAB 16.28, 34.79, -11.25

 

CMYK 0 / 100 / 38 / 76

HEX #3D0026

RGB 61 0 38

HSL 322.62, 1%, 0.12%

LAB 10.05, 31.81, -7.26

 

CMYK 0 / 100 / 57 / 83

HEX #2C0013

RGB 44 0 19

HSL 334.09, 1%, 0.09%

LAB 5.26, 23.35, -0.48

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 0 / 59 / 31 / 56

HEX #6F2E4D

RGB 111 46 77

HSL 331.38, 0.41%, 0.31%

LAB 29.08, 32.5, -4.93

 

CMYK 0 / 59 / 47 / 56

HEX #6F2E3B

RGB 111 46 59

HSL 348, 0.41%, 0.31%

LAB 28.51, 30.17, 6.14

 

CMYK 0 / 59 / 59 / 56

HEX #6F2E2E

RGB 111 46 46

HSL 0, 0.41%, 0.31%

LAB 28.2, 28.86, 14.29

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 1 / 59 / 0 / 56

HEX #6E2E6F

RGB 110 46 111

HSL 299.08, 0.41%, 0.31%

LAB 30.44, 38.03, -24.89

 

CMYK 16 / 59 / 0 / 56

HEX #5D2E6F

RGB 93 46 111

HSL 283.38, 0.41%, 0.31%

LAB 27.92, 33.04, -29.03

 

CMYK 32 / 59 / 0 / 56

HEX #4B2E6F

RGB 75 46 111

HSL 266.77, 0.41%, 0.31%

LAB 25.56, 27.92, -32.94

 

CMYK 48 / 59 / 0 / 56

HEX #3A2E6F

RGB 58 46 111

HSL 251.08, 0.41%, 0.31%

LAB 23.68, 23.44, -36.06

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 0 / 73 / 19 / 51

HEX #7C2164

RGB 124 33 100

HSL 315.82, 0.58%, 0.31%

LAB 30.14, 45.93, -18.12

 

CMYK 0 / 85 / 23 / 46

HEX #89156A

RGB 137 21 106

HSL 316.03, 0.73%, 0.31%

LAB 31.57, 53.81, -19.58

 

CMYK 0 / 95 / 25 / 42

HEX #950870

RGB 149 8 112

HSL 315.74, 0.9%, 0.31%

LAB 33.42, 59.6, -20.35

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 0 / 40 / 10 / 62

HEX #623B58

RGB 98 59 88

HSL 315.38, 0.25%, 0.31%

LAB 30.47, 22.08, -10.21

 

CMYK 0 / 15 / 4 / 67

HEX #554852

RGB 85 72 82

HSL 313.85, 0.08%, 0.31%

LAB 32.2, 7.51, -3.91

 

CMYK 14 / 0 / 11 / 67

HEX #49554C

RGB 73 85 76

HSL 135, 0.08%, 0.31%

LAB 34.87, -6.74, 3.66

 

CMYK 38 / 0 / 28 / 62

HEX #3C6146

RGB 60 97 70

HSL 136.22, 0.24%, 0.31%

LAB 37.76, -19.72, 11.31

 

CMYK 16 / 59 / 0 / 56

HEX #5D2E6F

RGB 93 46 111

HSL 283.38, 0.41%, 0.31%

LAB 27.92, 33.04, -29.03

 

CMYK 1 / 59 / 0 / 56

HEX #6E2E6F

RGB 110 46 111

HSL 299.08, 0.41%, 0.31%

LAB 30.44, 38.03, -24.89

 

CMYK 0 / 59 / 14 / 56

HEX #6F2E5F

RGB 111 46 95

HSL 314.77, 0.41%, 0.31%

LAB 29.81, 35.37, -15.58

 

CMYK 0 / 59 / 31 / 56

HEX #6F2E4D

RGB 111 46 77

HSL 331.38, 0.41%, 0.31%

LAB 29.08, 32.5, -4.93

 

CMYK 0 / 59 / 46 / 56

HEX #6F2E3C

RGB 111 46 60

HSL 347.08, 0.41%, 0.31%

LAB 28.54, 30.29, 5.52

 

CMYK 0 / 58 / 15 / 79

HEX #35162D

RGB 53 22 45

HSL 315.48, 0.41%, 0.15%

LAB 12.74, 19.25, -8.48

 

CMYK 0 / 59 / 16 / 68

HEX #522245

RGB 82 34 69

HSL 316.25, 0.41%, 0.23%

LAB 21.46, 27.44, -11.56

 

CMYK 0 / 59 / 15 / 56

HEX #6F2E5E

RGB 111 46 94

HSL 315.69, 0.41%, 0.31%

LAB 29.77, 35.2, -15

 

CMYK 0 / 59 / 15 / 45

HEX #8C3A77

RGB 140 58 119

HSL 315.37, 0.41%, 0.39%

LAB 37.72, 42.53, -18.24

 

CMYK 0 / 59 / 15 / 34

HEX #A9468F

RGB 169 70 143

HSL 315.76, 0.41%, 0.47%

LAB 45.36, 49.4, -20.79

 

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

CMYK 0 / 32 / 59 / 56

HEX #6F4B2E

RGB 111 75 46

HSL 26.77, 0.41%, 0.31%

LAB 35.22, 11.79, 23.28

 

CMYK 59 / 0 / 9 / 56

HEX #2E6F65

RGB 46 111 101

HSL 170.77, 0.41%, 0.31%

LAB 42.6, -23.33, -0.67

 

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

CMYK 14 / 0 / 59 / 56

HEX #5F6F2E

RGB 95 111 46

HSL 74.77, 0.41%, 0.31%

LAB 44.23, -16.72, 33.63

 

CMYK 59 / 14 / 0 / 56

HEX #2E5F6F

RGB 46 95 111

HSL 194.77, 0.41%, 0.31%

LAB 37.69, -11.48, -14.12

 

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

CMYK 0 / 32 / 59 / 56

HEX #6F4B2E

RGB 111 75 46

HSL 26.77, 0.41%, 0.31%

LAB 35.22, 11.79, 23.28

 

CMYK 59 / 0 / 44 / 56

HEX #2E6F3E

RGB 46 111 62

HSL 134.77, 0.41%, 0.31%

LAB 41.69, -32.48, 21.19

 

CMYK 59 / 26 / 0 / 56

HEX #2E526F

RGB 46 82 111

HSL 206.77, 0.41%, 0.31%

LAB 33.48, -3.58, -20.59

 

CMYK 0 / 58 / 15 / 56

HEX #702F5F

RGB 112 47 95

HSL 315.69, 0.41%, 0.31%

LAB 30.17, 35.18, -15.02

 

CMYK 0 / 14 / 59 / 56

HEX #6F5F2E

RGB 111 95 46

HSL 45.23, 0.41%, 0.31%

LAB 40.83, -0.28, 30.05

 

CMYK 59 / 0 / 44 / 56

HEX #2E6F3E

RGB 46 111 62

HSL 134.77, 0.41%, 0.31%

LAB 41.69, -32.48, 21.19

 

CMYK 59 / 44 / 0 / 56

HEX #2E3E6F

RGB 46 62 111

HSL 225.23, 0.41%, 0.31%

LAB 27.22, 9.61, -30.43

 

Description

Color code: RGB 112 47 95 | qconv.com Color code: RGB 112 47 95 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 47 green and 95 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 47 95 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 15 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 15% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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