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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 49 24 it is the complementary color RGB 143 206 231. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 49 24. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 49 24 shade: RGB 117 49 19, RGB 134 67 38, RGB 151 85 57, RGB 168 103 76 and RGB 185 121 95

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 49 24. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 49 24 shade: RGB 112 49 24, RGB 95 31 5, RGB 78 13 0, RGB 61 0 0 and RGB 44 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 49 24 shade: RGB 113 49 24, RGB 113 25 24 and RGB 113 24 24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 49 24 shade: RGB 113 49 24, RGB 113 73 24, RGB 113 97 24, RGB 105 113 24 and RGB 81 113 24

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 49 24 shade matches the following richer shades: RGB 113 49 24, RGB 124 44 12 and RGB 135 39 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 49 24 shade: RGB 113 49 24, RGB 102 54 35, RGB 91 59 46, RGB 80 63 57 and RGB 69 68 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 49 24 shade: RGB 113 24 46, RGB 113 25 24, RGB 113 49 24, RGB 113 73 24 and RGB 113 97 24

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 49 24 shade: RGB 45 19 9, RGB 79 34 16, RGB 113 49 24, RGB 147 64 31 and RGB 181 79 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 49 24 shade: RGB 112 49 24, RGB 70 113 24 and RGB 24 34 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 49 24 shade: RGB 112 49 24, RGB 24 113 49 and RGB 49 24 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 49 24 shade: RGB 112 49 24, RGB 70 113 24, RGB 24 88 113 and RGB 67 24 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 49 24 shade: RGB 112 49 24, RGB 43 113 24, RGB 24 88 113 and RGB 94 24 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

Complementary color

CMYK 38 / 11 / 0 / 9

HEX #8FCEE7

RGB 143 206 231

HSL 197.05, 0.65%, 0.73%

LAB 79.47, -13.84, -18.71

 

CMYK 0 / 58 / 84 / 54

HEX #753113

RGB 117 49 19

HSL 18.37, 0.72%, 0.27%

LAB 29.48, 28.03, 32.37

 

CMYK 0 / 50 / 72 / 47

HEX #864326

RGB 134 67 38

HSL 18.13, 0.56%, 0.34%

LAB 36.41, 26.24, 30.15

 

CMYK 0 / 44 / 62 / 41

HEX #975539

RGB 151 85 57

HSL 17.87, 0.45%, 0.41%

LAB 43.32, 24.64, 28.03

 

CMYK 0 / 39 / 55 / 34

HEX #A8674C

RGB 168 103 76

HSL 17.61, 0.38%, 0.48%

LAB 50.15, 23.26, 26.16

 

CMYK 0 / 35 / 49 / 27

HEX #B9795F

RGB 185 121 95

HSL 17.33, 0.39%, 0.55%

LAB 56.89, 22.06, 24.51

 

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

CMYK 0 / 67 / 95 / 63

HEX #5F1F05

RGB 95 31 5

HSL 17.33, 0.9%, 0.2%

LAB 21.67, 27.9, 29.8

 

CMYK 0 / 83 / 100 / 69

HEX #4E0D00

RGB 78 13 0

HSL 10, 1%, 0.15%

LAB 14.99, 29.28, 23.06

 

CMYK 0 / 100 / 100 / 76

HEX #3D0000

RGB 61 0 0

HSL 0, 1%, 0.12%

LAB 8.93, 28.84, 14.1

 

CMYK 0 / 100 / 100 / 83

HEX #2C0000

RGB 44 0 0

HSL 0, 1%, 0.09%

LAB 4.84, 21.14, 7.64

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 78 / 79 / 56

HEX #711918

RGB 113 25 24

HSL 0.67, 0.65%, 0.27%

LAB 24.55, 37.97, 24.17

 

CMYK 0 / 79 / 79 / 56

HEX #711818

RGB 113 24 24

HSL 0, 0.65%, 0.27%

LAB 24.42, 38.34, 24.02

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 35 / 79 / 56

HEX #714918

RGB 113 73 24

HSL 33.03, 0.65%, 0.27%

LAB 34.68, 12.41, 34.78

 

CMYK 0 / 14 / 79 / 56

HEX #716118

RGB 113 97 24

HSL 49.21, 0.65%, 0.27%

LAB 41.42, -1.99, 41.31

 

CMYK 7 / 0 / 79 / 56

HEX #697118

RGB 105 113 24

HSL 65.39, 0.65%, 0.27%

LAB 45.47, -14.85, 44.85

 

CMYK 28 / 0 / 79 / 56

HEX #517118

RGB 81 113 24

HSL 81.57, 0.65%, 0.27%

LAB 43.69, -25.55, 42.54

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 65 / 90 / 51

HEX #7C2C0C

RGB 124 44 12

HSL 17.14, 0.82%, 0.27%

LAB 29.7, 33.27, 36.37

 

CMYK 0 / 71 / 99 / 47

HEX #872701

RGB 135 39 1

HSL 17.01, 0.99%, 0.27%

LAB 30.89, 39.49, 42.7

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 47 / 66 / 60

HEX #663623

RGB 102 54 35

HSL 17.01, 0.49%, 0.27%

LAB 28.34, 19.48, 21.21

 

CMYK 0 / 35 / 49 / 64

HEX #5B3B2E

RGB 91 59 46

HSL 17.33, 0.33%, 0.27%

LAB 28.25, 12.4, 13.8

 

CMYK 0 / 21 / 29 / 69

HEX #503F39

RGB 80 63 57

HSL 15.65, 0.17%, 0.27%

LAB 28.26, 6.33, 6.48

 

CMYK 0 / 1 / 1 / 73

HEX #454444

RGB 69 68 68

HSL 0, 0.01%, 0.27%

LAB 28.95, 0.42, 0.14

 

CMYK 0 / 79 / 59 / 56

HEX #71182E

RGB 113 24 46

HSL 345.17, 0.65%, 0.27%

LAB 24.83, 39.69, 9.83

 

CMYK 0 / 78 / 79 / 56

HEX #711918

RGB 113 25 24

HSL 0.67, 0.65%, 0.27%

LAB 24.55, 37.97, 24.17

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 35 / 79 / 56

HEX #714918

RGB 113 73 24

HSL 33.03, 0.65%, 0.27%

LAB 34.68, 12.41, 34.78

 

CMYK 0 / 14 / 79 / 56

HEX #716118

RGB 113 97 24

HSL 49.21, 0.65%, 0.27%

LAB 41.42, -1.99, 41.31

 

CMYK 0 / 58 / 80 / 82

HEX #2D1309

RGB 45 19 9

HSL 16.67, 0.67%, 0.11%

LAB 9.35, 12.26, 10.57

 

CMYK 0 / 57 / 80 / 69

HEX #4F2210

RGB 79 34 16

HSL 17.14, 0.66%, 0.19%

LAB 19.41, 19.69, 21.53

 

CMYK 0 / 57 / 79 / 56

HEX #713118

RGB 113 49 24

HSL 16.85, 0.65%, 0.27%

LAB 28.83, 26.54, 28.8

 

CMYK 0 / 56 / 79 / 42

HEX #93401F

RGB 147 64 31

HSL 17.07, 0.65%, 0.35%

LAB 37.79, 32.93, 36.07

 

CMYK 0 / 56 / 79 / 29

HEX #B54F26

RGB 181 79 38

HSL 17.2, 0.65%, 0.43%

LAB 46.39, 39.03, 42.98

 

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

CMYK 38 / 0 / 79 / 56

HEX #467118

RGB 70 113 24

HSL 88.99, 0.65%, 0.27%

LAB 43.03, -30.01, 41.68

 

CMYK 79 / 70 / 0 / 56

HEX #182271

RGB 24 34 113

HSL 233.26, 0.65%, 0.27%

LAB 18.06, 26.09, -46.61

 

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

CMYK 79 / 0 / 57 / 56

HEX #187131

RGB 24 113 49

HSL 136.85, 0.65%, 0.27%

LAB 41.57, -40.23, 28.1

 

CMYK 57 / 79 / 0 / 56

HEX #311871

RGB 49 24 113

HSL 256.85, 0.65%, 0.27%

LAB 17.91, 35.69, -46.77

 

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

CMYK 38 / 0 / 79 / 56

HEX #467118

RGB 70 113 24

HSL 88.99, 0.65%, 0.27%

LAB 43.03, -30.01, 41.68

 

CMYK 79 / 22 / 0 / 56

HEX #185871

RGB 24 88 113

HSL 196.85, 0.65%, 0.27%

LAB 34.73, -10.63, -19.96

 

CMYK 41 / 79 / 0 / 56

HEX #431871

RGB 67 24 113

HSL 268.99, 0.65%, 0.27%

LAB 20.2, 38.79, -42.94

 

CMYK 0 / 56 / 79 / 56

HEX #703118

RGB 112 49 24

HSL 17.05, 0.65%, 0.27%

LAB 28.66, 26.11, 28.56

 

CMYK 62 / 0 / 79 / 56

HEX #2B7118

RGB 43 113 24

HSL 107.19, 0.65%, 0.27%

LAB 41.83, -39.02, 40.09

 

CMYK 79 / 22 / 0 / 56

HEX #185871

RGB 24 88 113

HSL 196.85, 0.65%, 0.27%

LAB 34.73, -10.63, -19.96

 

CMYK 17 / 79 / 0 / 56

HEX #5E1871

RGB 94 24 113

HSL 287.19, 0.65%, 0.27%

LAB 24.4, 44.27, -35.93

 

Description

Color code: RGB 112 49 24 | qconv.com Color code: RGB 112 49 24 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 49 green and 24 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 49 24 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 79 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 79% 56% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

23% - Club Siempre
Link: http://s339867907.mialojamiento.es

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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