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Color name
RGB 112 90 56

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 90 56 it is the complementary color RGB 143 165 199. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 90 56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 90 56 shade: RGB 117 90 51, RGB 134 108 70, RGB 151 126 89, RGB 168 144 108 and RGB 185 162 127

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 90 56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 90 56 shade: RGB 112 90 56, RGB 95 72 37, RGB 78 54 18, RGB 61 36 0 and RGB 44 18 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 90 56 shade: RGB 111 90 56, RGB 111 75 56, RGB 111 60 56 and RGB 111 56 56

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 90 56 shade: RGB 111 90 56, RGB 111 105 56, RGB 103 111 56, RGB 88 111 56 and RGB 73 111 56

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 90 56 shade matches the following richer shades: RGB 111 90 56, RGB 125 93 42, RGB 139 95 29, RGB 152 98 15 and RGB 166 101 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 90 56 shade: RGB 111 90 56, RGB 98 87 69, RGB 84 84 83, RGB 71 81 97 and RGB 57 78 110

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 90 56 shade: RGB 111 60 56, RGB 111 74 56, RGB 111 89 56, RGB 111 104 56 and RGB 104 111 56

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 90 56 shade: RGB 57 45 28, RGB 84 68 42, RGB 111 90 56, RGB 139 112 70 and RGB 166 134 84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 90 56 shade: RGB 112 90 56, RGB 67 111 56 and RGB 67 56 111

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 90 56 shade: RGB 112 90 56, RGB 56 111 89 and RGB 89 56 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 90 56 shade: RGB 112 90 56, RGB 67 111 56, RGB 56 78 111 and RGB 100 56 111

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 90 56 shade: RGB 112 90 56, RGB 56 111 61, RGB 56 78 111 and RGB 111 56 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

Complementary color

CMYK 28 / 17 / 0 / 22

HEX #8FA5C7

RGB 143 165 199

HSL 216.43, 0.33%, 0.67%

LAB 67.18, 0.15, -19.91

 

CMYK 0 / 23 / 56 / 54

HEX #755A33

RGB 117 90 51

HSL 35.45, 0.39%, 0.33%

LAB 40.14, 5.98, 26.59

 

CMYK 0 / 19 / 48 / 47

HEX #866C46

RGB 134 108 70

HSL 35.63, 0.31%, 0.4%

LAB 47.28, 5.02, 25.1

 

CMYK 0 / 17 / 41 / 41

HEX #977E59

RGB 151 126 89

HSL 35.81, 0.26%, 0.47%

LAB 54.26, 4.26, 23.73

 

CMYK 0 / 14 / 36 / 34

HEX #A8906C

RGB 168 144 108

HSL 36, 0.26%, 0.54%

LAB 61.09, 3.65, 22.48

 

CMYK 0 / 12 / 31 / 27

HEX #B9A27F

RGB 185 162 127

HSL 36.21, 0.29%, 0.61%

LAB 67.79, 3.13, 21.32

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 0 / 24 / 61 / 63

HEX #5F4825

RGB 95 72 37

HSL 36.21, 0.44%, 0.26%

LAB 32.26, 5.2, 24.52

 

CMYK 0 / 31 / 77 / 69

HEX #4E3612

RGB 78 54 18

HSL 36, 0.63%, 0.19%

LAB 24.64, 6.62, 26.05

 

CMYK 0 / 41 / 100 / 76

HEX #3D2400

RGB 61 36 0

HSL 35.41, 1%, 0.12%

LAB 16.77, 8.55, 24.61

 

CMYK 0 / 59 / 100 / 83

HEX #2C1200

RGB 44 18 0

HSL 24.55, 1%, 0.09%

LAB 8.72, 11.62, 13.31

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 0 / 32 / 50 / 56

HEX #6F4B38

RGB 111 75 56

HSL 20.73, 0.33%, 0.33%

LAB 35.39, 12.81, 17.45

 

CMYK 0 / 46 / 50 / 56

HEX #6F3C38

RGB 111 60 56

HSL 4.36, 0.33%, 0.33%

LAB 31.57, 21.88, 12.34

 

CMYK 0 / 50 / 50 / 56

HEX #6F3838

RGB 111 56 56

HSL 0, 0.33%, 0.33%

LAB 30.62, 24.23, 11.05

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 0 / 5 / 50 / 56

HEX #6F6938

RGB 111 105 56

HSL 53.45, 0.33%, 0.33%

LAB 43.9, -5.13, 28.24

 

CMYK 7 / 0 / 50 / 56

HEX #676F38

RGB 103 111 56

HSL 68.73, 0.33%, 0.33%

LAB 44.99, -12.13, 29.42

 

CMYK 21 / 0 / 50 / 56

HEX #586F38

RGB 88 111 56

HSL 85.09, 0.33%, 0.33%

LAB 43.84, -18.62, 27.74

 

CMYK 34 / 0 / 50 / 56

HEX #496F38

RGB 73 111 56

HSL 101.45, 0.33%, 0.33%

LAB 42.87, -24.63, 26.32

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 0 / 26 / 66 / 51

HEX #7D5D2A

RGB 125 93 42

HSL 36.87, 0.5%, 0.33%

LAB 41.78, 7.18, 33.68

 

CMYK 0 / 32 / 79 / 45

HEX #8B5F1D

RGB 139 95 29

HSL 36, 0.65%, 0.33%

LAB 43.89, 11.82, 42.65

 

CMYK 0 / 36 / 90 / 40

HEX #98620F

RGB 152 98 15

HSL 36.35, 0.82%, 0.33%

LAB 46.24, 15.65, 50.34

 

CMYK 0 / 39 / 99 / 35

HEX #A66501

RGB 166 101 1

HSL 36.36, 0.99%, 0.33%

LAB 48.78, 20.06, 56.28

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 0 / 11 / 30 / 62

HEX #625745

RGB 98 87 69

HSL 37.24, 0.17%, 0.33%

LAB 37.56, 1.34, 12.11

 

CMYK 0 / 0 / 1 / 67

HEX #545453

RGB 84 84 83

HSL 60, 0.01%, 0.33%

LAB 35.69, -0.21, 0.58

 

CMYK 27 / 16 / 0 / 62

HEX #475161

RGB 71 81 97

HSL 216.92, 0.15%, 0.33%

LAB 34.16, 0.11, -10.62

 

CMYK 48 / 29 / 0 / 57

HEX #394E6E

RGB 57 78 110

HSL 216.23, 0.32%, 0.33%

LAB 32.8, 1.48, -20.98

 

CMYK 0 / 46 / 50 / 56

HEX #6F3C38

RGB 111 60 56

HSL 4.36, 0.33%, 0.33%

LAB 31.57, 21.88, 12.34

 

CMYK 0 / 33 / 50 / 56

HEX #6F4A38

RGB 111 74 56

HSL 19.64, 0.33%, 0.33%

LAB 35.13, 13.42, 17.1

 

CMYK 0 / 20 / 50 / 56

HEX #6F5938

RGB 111 89 56

HSL 36, 0.33%, 0.33%

LAB 39.26, 4.31, 22.45

 

CMYK 0 / 6 / 50 / 56

HEX #6F6838

RGB 111 104 56

HSL 52.36, 0.33%, 0.33%

LAB 43.6, -4.56, 27.88

 

CMYK 6 / 0 / 50 / 56

HEX #686F38

RGB 104 111 56

HSL 67.64, 0.33%, 0.33%

LAB 45.08, -11.69, 29.54

 

CMYK 0 / 21 / 51 / 78

HEX #392D1C

RGB 57 45 28

HSL 35.17, 0.34%, 0.17%

LAB 19.35, 2.69, 13.05

 

CMYK 0 / 19 / 50 / 67

HEX #54442A

RGB 84 68 42

HSL 37.14, 0.33%, 0.25%

LAB 29.88, 2.89, 18.29

 

CMYK 0 / 19 / 50 / 56

HEX #6F5A38

RGB 111 90 56

HSL 37.09, 0.33%, 0.33%

LAB 39.54, 3.7, 22.81

 

CMYK 0 / 19 / 50 / 45

HEX #8B7046

RGB 139 112 70

HSL 36.52, 0.33%, 0.41%

LAB 48.91, 4.93, 27.28

 

CMYK 0 / 19 / 49 / 35

HEX #A68654

RGB 166 134 84

HSL 36.59, 0.33%, 0.49%

LAB 57.84, 5.66, 31.42

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 40 / 0 / 50 / 56

HEX #436F38

RGB 67 111 56

HSL 108, 0.33%, 0.33%

LAB 42.53, -26.85, 25.83

 

CMYK 40 / 50 / 0 / 56

HEX #43386F

RGB 67 56 111

HSL 252, 0.33%, 0.33%

LAB 27.21, 19.24, -30.35

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 50 / 0 / 20 / 56

HEX #386F59

RGB 56 111 89

HSL 156, 0.33%, 0.33%

LAB 42.66, -23.95, 6.69

 

CMYK 20 / 50 / 0 / 56

HEX #59386F

RGB 89 56 111

HSL 276, 0.33%, 0.33%

LAB 29.66, 25.92, -26.31

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 40 / 0 / 50 / 56

HEX #436F38

RGB 67 111 56

HSL 108, 0.33%, 0.33%

LAB 42.53, -26.85, 25.83

 

CMYK 50 / 30 / 0 / 56

HEX #384E6F

RGB 56 78 111

HSL 216, 0.33%, 0.33%

LAB 32.78, 1.53, -21.64

 

CMYK 10 / 50 / 0 / 56

HEX #64386F

RGB 100 56 111

HSL 288, 0.33%, 0.33%

LAB 31.08, 29.43, -23.99

 

CMYK 0 / 20 / 50 / 56

HEX #705A38

RGB 112 90 56

HSL 36.43, 0.33%, 0.33%

LAB 39.65, 4.17, 22.97

 

CMYK 50 / 0 / 45 / 56

HEX #386F3D

RGB 56 111 61

HSL 125.45, 0.33%, 0.33%

LAB 42.07, -29.76, 22.33

 

CMYK 50 / 30 / 0 / 56

HEX #384E6F

RGB 56 78 111

HSL 216, 0.33%, 0.33%

LAB 32.78, 1.53, -21.64

 

CMYK 0 / 50 / 5 / 56

HEX #6F386A

RGB 111 56 106

HSL 305.45, 0.33%, 0.33%

LAB 32.37, 31.98, -18.69

 

Description

Color code: RGB 112 90 56 | qconv.com Color code: RGB 112 90 56 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 90 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 90 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 50 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 50% 56% C M Y K

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Provide designers and agencies with accurate color values.

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