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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 112 95 115 it is the complementary color RGB 143 160 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 112 95 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 112 95 115 shade: RGB 117 95 110, RGB 134 113 129, RGB 151 131 148, RGB 168 149 167 and RGB 185 167 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 112 95 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 112 95 115 shade: RGB 112 95 115, RGB 95 77 96, RGB 78 59 77, RGB 61 41 58 and RGB 44 23 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 112 95 115 shade: RGB 111 94 115, RGB 115 94 112, RGB 115 94 106, RGB 115 94 101 and RGB 115 94 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 112 95 115 shade: RGB 111 94 115, RGB 106 94 115, RGB 100 94 115, RGB 94 94 115 and RGB 94 94 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 112 95 115 shade matches the following richer shades: RGB 111 94 115, RGB 123 77 131, RGB 135 60 148, RGB 147 43 165 and RGB 159 26 182

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 112 95 115 shade: RGB 111 94 115, RGB 100 111 98, RGB 88 127 81, RGB 76 144 64 and RGB 64 161 47

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 112 95 115 shade: RGB 100 94 115, RGB 106 94 115, RGB 111 94 115, RGB 115 94 112 and RGB 115 94 106

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 112 95 115 shade: RGB 67 56 69, RGB 89 75 92, RGB 111 94 115, RGB 133 112 137 and RGB 153 134 156

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 112 95 115 shade: RGB 112 95 115, RGB 115 95 94 and RGB 94 115 103

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 112 95 115 shade: RGB 112 95 115, RGB 115 111 94 and RGB 94 115 111

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 112 95 115 shade: RGB 112 95 115, RGB 115 95 94, RGB 97 115 94 and RGB 94 113 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 112 95 115 shade: RGB 112 95 115, RGB 115 101 94, RGB 97 115 94 and RGB 94 107 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

Complementary color

CMYK 11 / 0 / 13 / 37

HEX #8FA08C

RGB 143 160 140

HSL 111, 0.1%, 0.59%

LAB 64.06, -9.91, 8.4

 

CMYK 0 / 19 / 6 / 54

HEX #755F6E

RGB 117 95 110

HSL 319.09, 0.1%, 0.42%

LAB 42.9, 11.69, -5.13

 

CMYK 0 / 16 / 4 / 47

HEX #867181

RGB 134 113 129

HSL 314.29, 0.09%, 0.48%

LAB 50.05, 11.18, -5.73

 

CMYK 0 / 13 / 2 / 41

HEX #978394

RGB 151 131 148

HSL 309, 0.09%, 0.55%

LAB 57.03, 10.73, -6.3

 

CMYK 0 / 11 / 1 / 34

HEX #A895A7

RGB 168 149 167

HSL 303.16, 0.1%, 0.62%

LAB 63.84, 10.33, -6.84

 

CMYK 1 / 10 / 0 / 27

HEX #B9A7BA

RGB 185 167 186

HSL 296.84, 0.12%, 0.69%

LAB 70.52, 9.97, -7.37

 

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

CMYK 1 / 20 / 0 / 62

HEX #5F4D60

RGB 95 77 96

HSL 296.84, 0.11%, 0.34%

LAB 35.17, 11.34, -8.25

 

CMYK 0 / 24 / 1 / 69

HEX #4E3B4D

RGB 78 59 77

HSL 303.16, 0.14%, 0.27%

LAB 27.53, 11.97, -7.74

 

CMYK 0 / 33 / 5 / 76

HEX #3D293A

RGB 61 41 58

HSL 309, 0.2%, 0.2%

LAB 19.57, 12.72, -7.18

 

CMYK 0 / 48 / 11 / 83

HEX #2C1727

RGB 44 23 39

HSL 314.29, 0.31%, 0.13%

LAB 11.24, 13.64, -6.49

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 0 / 18 / 3 / 55

HEX #735E70

RGB 115 94 112

HSL 308.57, 0.1%, 0.41%

LAB 42.49, 11.93, -6.99

 

CMYK 0 / 18 / 8 / 55

HEX #735E6A

RGB 115 94 106

HSL 325.71, 0.1%, 0.41%

LAB 42.29, 10.73, -3.62

 

CMYK 0 / 18 / 12 / 55

HEX #735E65

RGB 115 94 101

HSL 340, 0.1%, 0.41%

LAB 42.14, 9.78, -0.79

 

CMYK 0 / 18 / 17 / 55

HEX #735E5F

RGB 115 94 95

HSL 357.14, 0.1%, 0.41%

LAB 41.96, 8.68, 2.62

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 8 / 18 / 0 / 55

HEX #6A5E73

RGB 106 94 115

HSL 274.29, 0.1%, 0.41%

LAB 41.7, 9.18, -10.09

 

CMYK 13 / 18 / 0 / 55

HEX #645E73

RGB 100 94 115

HSL 257.14, 0.1%, 0.41%

LAB 41.14, 6.97, -10.99

 

CMYK 18 / 18 / 0 / 55

HEX #5E5E73

RGB 94 94 115

HSL 240, 0.1%, 0.41%

LAB 40.61, 4.81, -11.85

 

CMYK 18 / 18 / 0 / 55

HEX #5E5E73

RGB 94 94 115

HSL 240, 0.1%, 0.41%

LAB 40.61, 4.81, -11.85

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 6 / 41 / 0 / 49

HEX #7B4D83

RGB 123 77 131

HSL 291.11, 0.26%, 0.41%

LAB 39.84, 29.01, -22.55

 

CMYK 9 / 59 / 0 / 42

HEX #873C94

RGB 135 60 148

HSL 291.14, 0.42%, 0.41%

LAB 38.76, 45.41, -34.49

 

CMYK 11 / 74 / 0 / 35

HEX #932BA5

RGB 147 43 165

HSL 291.15, 0.59%, 0.41%

LAB 38.98, 58.86, -44.29

 

CMYK 13 / 86 / 0 / 29

HEX #9F1AB6

RGB 159 26 182

HSL 291.15, 0.75%, 0.41%

LAB 40.39, 69.02, -52.03

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 10 / 0 / 12 / 56

HEX #646F62

RGB 100 111 98

HSL 110.77, 0.06%, 0.41%

LAB 45.58, -6.86, 5.83

 

CMYK 31 / 0 / 36 / 50

HEX #587F51

RGB 88 127 81

HSL 110.87, 0.22%, 0.41%

LAB 49.31, -23.24, 20.78

 

CMYK 47 / 0 / 56 / 44

HEX #4C9040

RGB 76 144 64

HSL 111, 0.38%, 0.41%

LAB 53.87, -37.87, 35.54

 

CMYK 60 / 0 / 71 / 37

HEX #40A12F

RGB 64 161 47

HSL 111.05, 0.55%, 0.41%

LAB 58.77, -49.89, 48.61

 

CMYK 13 / 18 / 0 / 55

HEX #645E73

RGB 100 94 115

HSL 257.14, 0.1%, 0.41%

LAB 41.14, 6.97, -10.99

 

CMYK 8 / 18 / 0 / 55

HEX #6A5E73

RGB 106 94 115

HSL 274.29, 0.1%, 0.41%

LAB 41.7, 9.18, -10.09

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 0 / 18 / 3 / 55

HEX #735E70

RGB 115 94 112

HSL 308.57, 0.1%, 0.41%

LAB 42.49, 11.93, -6.99

 

CMYK 0 / 18 / 8 / 55

HEX #735E6A

RGB 115 94 106

HSL 325.71, 0.1%, 0.41%

LAB 42.29, 10.73, -3.62

 

CMYK 3 / 19 / 0 / 73

HEX #433845

RGB 67 56 69

HSL 290.77, 0.1%, 0.25%

LAB 25.11, 7.65, -6.21

 

CMYK 3 / 18 / 0 / 64

HEX #594B5C

RGB 89 75 92

HSL 289.41, 0.1%, 0.33%

LAB 33.83, 9.39, -7.8

 

CMYK 3 / 18 / 0 / 55

HEX #6F5E73

RGB 111 94 115

HSL 288.57, 0.1%, 0.41%

LAB 42.19, 11.04, -9.31

 

CMYK 3 / 18 / 0 / 46

HEX #857089

RGB 133 112 137

HSL 290.4, 0.1%, 0.49%

LAB 49.96, 13.02, -10.62

 

CMYK 2 / 14 / 0 / 39

HEX #99869C

RGB 153 134 156

HSL 291.82, 0.1%, 0.57%

LAB 58.25, 11.32, -9.06

 

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

CMYK 0 / 17 / 18 / 55

HEX #735F5E

RGB 115 95 94

HSL 2.86, 0.1%, 0.41%

LAB 42.21, 7.9, 3.59

 

CMYK 18 / 0 / 10 / 55

HEX #5E7367

RGB 94 115 103

HSL 145.71, 0.1%, 0.41%

LAB 46.47, -10.38, 4.07

 

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

CMYK 0 / 3 / 18 / 55

HEX #736F5E

RGB 115 111 94

HSL 48.57, 0.1%, 0.41%

LAB 46.74, -1.59, 10.03

 

CMYK 18 / 0 / 3 / 55

HEX #5E736F

RGB 94 115 111

HSL 168.57, 0.1%, 0.41%

LAB 46.7, -8.62, -0.37

 

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

CMYK 0 / 17 / 18 / 55

HEX #735F5E

RGB 115 95 94

HSL 2.86, 0.1%, 0.41%

LAB 42.21, 7.9, 3.59

 

CMYK 16 / 0 / 18 / 55

HEX #61735E

RGB 97 115 94

HSL 111.43, 0.1%, 0.41%

LAB 46.46, -11.08, 9.43

 

CMYK 18 / 2 / 0 / 55

HEX #5E7173

RGB 94 113 115

HSL 185.71, 0.1%, 0.41%

LAB 46.21, -6.55, -3.47

 

CMYK 3 / 17 / 0 / 55

HEX #705F73

RGB 112 95 115

HSL 291, 0.1%, 0.41%

LAB 42.56, 10.81, -8.74

 

CMYK 0 / 12 / 18 / 55

HEX #73655E

RGB 115 101 94

HSL 20, 0.1%, 0.41%

LAB 43.89, 4.31, 6

 

CMYK 16 / 0 / 18 / 55

HEX #61735E

RGB 97 115 94

HSL 111.43, 0.1%, 0.41%

LAB 46.46, -11.08, 9.43

 

CMYK 18 / 7 / 0 / 55

HEX #5E6B73

RGB 94 107 115

HSL 202.86, 0.1%, 0.41%

LAB 44.42, -3.04, -6.12

 

Description

Color code: RGB 112 95 115 | qconv.com Color code: RGB 112 95 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 112 red, 95 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
112 95 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 17 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 17% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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