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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 138 69 it is the complementary color RGB 142 117 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 138 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 138 69 shade: RGB 118 138 64, RGB 135 156 83, RGB 152 174 102, RGB 169 192 121 and RGB 186 210 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 138 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 138 69 shade: RGB 113 138 69, RGB 96 120 50, RGB 79 102 31, RGB 62 84 12 and RGB 45 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 138 69 shade: RGB 114 139 70, RGB 132 139 70, RGB 139 126 70, RGB 139 108 70 and RGB 139 89 70

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 138 69 shade: RGB 114 139 70, RGB 95 139 70, RGB 76 139 70, RGB 70 139 81 and RGB 70 139 100

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 138 69 shade matches the following richer shades: RGB 114 139 70, RGB 118 155 53, RGB 123 172 36, RGB 128 189 19 and RGB 132 206 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 138 69 shade: RGB 114 139 70, RGB 109 122 86, RGB 104 105 103, RGB 100 88 120 and RGB 95 71 137

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 138 69 shade: RGB 139 126 70, RGB 133 139 70, RGB 114 139 70, RGB 96 139 70 and RGB 78 139 70

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 138 69 shade: RGB 69 84 42, RGB 91 111 56, RGB 114 139 70, RGB 136 166 83 and RGB 155 181 109

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 138 69 shade: RGB 113 138 69, RGB 70 139 108 and RGB 135 70 139

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 138 69 shade: RGB 113 138 69, RGB 70 114 139 and RGB 139 70 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 138 69 shade: RGB 113 138 69, RGB 70 139 108, RGB 94 70 139 and RGB 139 70 101

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 138 69 shade: RGB 113 138 69, RGB 70 139 128, RGB 94 70 139 and RGB 139 70 80

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

Complementary color

CMYK 24 / 37 / 0 / 27

HEX #8E75BA

RGB 142 117 186

HSL 261.74, 0.33%, 0.59%

LAB 54.05, 24.22, -32.82

 

CMYK 14 / 0 / 54 / 46

HEX #768A40

RGB 118 138 64

HSL 76.22, 0.37%, 0.4%

LAB 54.45, -19.29, 36.82

 

CMYK 13 / 0 / 47 / 39

HEX #879C53

RGB 135 156 83

HSL 77.26, 0.31%, 0.47%

LAB 61.27, -19.48, 35.62

 

CMYK 13 / 0 / 41 / 32

HEX #98AE66

RGB 152 174 102

HSL 78.33, 0.31%, 0.54%

LAB 67.95, -19.61, 34.41

 

CMYK 12 / 0 / 37 / 25

HEX #A9C079

RGB 169 192 121

HSL 79.44, 0.36%, 0.61%

LAB 74.52, -19.69, 33.23

 

CMYK 11 / 0 / 33 / 18

HEX #BAD28C

RGB 186 210 140

HSL 80.57, 0.44%, 0.69%

LAB 80.97, -19.74, 32.1

 

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

CMYK 20 / 0 / 58 / 53

HEX #607832

RGB 96 120 50

HSL 80.57, 0.41%, 0.33%

LAB 47.17, -20.65, 35

 

CMYK 23 / 0 / 70 / 60

HEX #4F661F

RGB 79 102 31

HSL 79.44, 0.53%, 0.26%

LAB 40.02, -20.33, 35.93

 

CMYK 26 / 0 / 86 / 67

HEX #3E540C

RGB 62 84 12

HSL 78.33, 0.75%, 0.19%

LAB 32.68, -19.74, 36

 

CMYK 32 / 0 / 100 / 74

HEX #2D4200

RGB 45 66 0

HSL 79.09, 1%, 0.13%

LAB 25.12, -18.69, 33.3

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 5 / 0 / 50 / 45

HEX #848B46

RGB 132 139 70

HSL 66.09, 0.33%, 0.41%

LAB 55.9, -13.25, 35.75

 

CMYK 0 / 9 / 50 / 45

HEX #8B7E46

RGB 139 126 70

HSL 48.7, 0.33%, 0.41%

LAB 52.79, -3.05, 32.11

 

CMYK 0 / 22 / 50 / 45

HEX #8B6C46

RGB 139 108 70

HSL 33.04, 0.33%, 0.41%

LAB 47.82, 7.25, 25.9

 

CMYK 0 / 36 / 50 / 45

HEX #8B5946

RGB 139 89 70

HSL 16.52, 0.33%, 0.41%

LAB 42.88, 18.36, 19.49

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 32 / 0 / 50 / 45

HEX #5F8B46

RGB 95 139 70

HSL 98.26, 0.33%, 0.41%

LAB 53.32, -28.25, 32.01

 

CMYK 45 / 0 / 50 / 45

HEX #4C8B46

RGB 76 139 70

HSL 114.78, 0.33%, 0.41%

LAB 52.34, -34.85, 30.57

 

CMYK 50 / 0 / 42 / 45

HEX #468B51

RGB 70 139 81

HSL 129.57, 0.33%, 0.41%

LAB 52.24, -34.94, 24.47

 

CMYK 50 / 0 / 28 / 45

HEX #468B64

RGB 70 139 100

HSL 146.09, 0.33%, 0.41%

LAB 52.61, -31.29, 14.29

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 24 / 0 / 66 / 39

HEX #769B35

RGB 118 155 53

HSL 81.76, 0.49%, 0.41%

LAB 59.48, -28.77, 47.65

 

CMYK 28 / 0 / 79 / 33

HEX #7BAC24

RGB 123 172 36

HSL 81.62, 0.65%, 0.41%

LAB 64.84, -35.79, 59.34

 

CMYK 32 / 0 / 90 / 26

HEX #80BD13

RGB 128 189 19

HSL 81.53, 0.82%, 0.41%

LAB 70.2, -41.98, 68.11

 

CMYK 36 / 0 / 99 / 19

HEX #84CE02

RGB 132 206 2

HSL 81.76, 0.98%, 0.41%

LAB 75.48, -47.95, 74.46

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 11 / 0 / 30 / 52

HEX #6D7A56

RGB 109 122 86

HSL 81.67, 0.17%, 0.41%

LAB 49.3, -11.61, 18.16

 

CMYK 1 / 0 / 2 / 59

HEX #686967

RGB 104 105 103

HSL 90, 0.01%, 0.41%

LAB 44.27, -0.8, 0.98

 

CMYK 17 / 27 / 0 / 53

HEX #645878

RGB 100 88 120

HSL 262.5, 0.15%, 0.41%

LAB 39.66, 11.88, -16.31

 

CMYK 31 / 48 / 0 / 46

HEX #5F4789

RGB 95 71 137

HSL 261.82, 0.32%, 0.41%

LAB 35.49, 25.27, -33.28

 

CMYK 0 / 9 / 50 / 45

HEX #8B7E46

RGB 139 126 70

HSL 48.7, 0.33%, 0.41%

LAB 52.79, -3.05, 32.11

 

CMYK 4 / 0 / 50 / 45

HEX #858B46

RGB 133 139 70

HSL 65.22, 0.33%, 0.41%

LAB 55.98, -12.82, 35.86

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 31 / 0 / 50 / 45

HEX #608B46

RGB 96 139 70

HSL 97.39, 0.33%, 0.41%

LAB 53.38, -27.87, 32.1

 

CMYK 44 / 0 / 50 / 45

HEX #4E8B46

RGB 78 139 70

HSL 113.04, 0.33%, 0.41%

LAB 52.43, -34.2, 30.71

 

CMYK 18 / 0 / 50 / 67

HEX #45542A

RGB 69 84 42

HSL 81.43, 0.33%, 0.25%

LAB 33.51, -13.83, 22.55

 

CMYK 18 / 0 / 50 / 56

HEX #5B6F38

RGB 91 111 56

HSL 81.82, 0.33%, 0.33%

LAB 44.06, -17.35, 28.06

 

CMYK 18 / 0 / 50 / 45

HEX #728B46

RGB 114 139 70

HSL 81.74, 0.33%, 0.41%

LAB 54.54, -20.8, 33.78

 

CMYK 18 / 0 / 50 / 35

HEX #88A653

RGB 136 166 83

HSL 81.69, 0.33%, 0.49%

LAB 64.27, -24.13, 39.3

 

CMYK 14 / 0 / 40 / 29

HEX #9BB56D

RGB 155 181 109

HSL 81.67, 0.33%, 0.57%

LAB 70.26, -21.09, 33.77

 

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

CMYK 50 / 0 / 22 / 45

HEX #468B6C

RGB 70 139 108

HSL 153.04, 0.33%, 0.41%

LAB 52.78, -29.54, 9.96

 

CMYK 3 / 50 / 0 / 45

HEX #87468B

RGB 135 70 139

HSL 296.52, 0.33%, 0.41%

LAB 40.24, 38.43, -26.7

 

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

CMYK 50 / 18 / 0 / 45

HEX #46728B

RGB 70 114 139

HSL 201.74, 0.33%, 0.41%

LAB 45.91, -7.89, -18.39

 

CMYK 0 / 50 / 18 / 45

HEX #8B4672

RGB 139 70 114

HSL 321.74, 0.33%, 0.41%

LAB 39.72, 35.18, -12.09

 

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

CMYK 50 / 0 / 22 / 45

HEX #468B6C

RGB 70 139 108

HSL 153.04, 0.33%, 0.41%

LAB 52.78, -29.54, 9.96

 

CMYK 32 / 50 / 0 / 45

HEX #5E468B

RGB 94 70 139

HSL 260.87, 0.33%, 0.41%

LAB 35.25, 26.15, -34.89

 

CMYK 0 / 50 / 27 / 45

HEX #8B4665

RGB 139 70 101

HSL 333.04, 0.33%, 0.41%

LAB 39.26, 33.14, -4.7

 

CMYK 18 / 0 / 50 / 46

HEX #718A45

RGB 113 138 69

HSL 81.74, 0.33%, 0.41%

LAB 54.15, -20.81, 33.81

 

CMYK 50 / 0 / 8 / 45

HEX #468B80

RGB 70 139 128

HSL 170.43, 0.33%, 0.41%

LAB 53.3, -24.65, -0.84

 

CMYK 32 / 50 / 0 / 45

HEX #5E468B

RGB 94 70 139

HSL 260.87, 0.33%, 0.41%

LAB 35.25, 26.15, -34.89

 

CMYK 0 / 50 / 42 / 45

HEX #8B4650

RGB 139 70 80

HSL 351.3, 0.33%, 0.41%

LAB 38.64, 30.34, 7.55

 

Description

Color code: RGB 113 138 69 | qconv.com Color code: RGB 113 138 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 138 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 138 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 50 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 50% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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