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Color name
RGB 113 144 198

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 144 198 it is the complementary color RGB 142 111 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 144 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 144 198 shade: RGB 118 144 193, RGB 135 162 212, RGB 152 180 231, RGB 169 198 250 and RGB 186 216 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 144 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 144 198 shade: RGB 113 144 198, RGB 96 126 179, RGB 79 108 160, RGB 62 90 141 and RGB 45 72 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 144 198 shade: RGB 112 143 198, RGB 112 120 198, RGB 127 112 198, RGB 150 112 198 and RGB 173 112 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 144 198 shade: RGB 112 143 198, RGB 112 120 198 and RGB 112 112 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 144 198 shade matches the following richer shades: RGB 112 143 198, RGB 96 139 214, RGB 80 135 230 and RGB 64 130 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 144 198 shade: RGB 112 143 198, RGB 128 148 182, RGB 144 152 166, RGB 161 157 150 and RGB 177 161 133

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 144 198 shade: RGB 112 189 198, RGB 112 166 198, RGB 112 144 198, RGB 112 121 198 and RGB 127 112 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 144 198 shade: RGB 65 100 163, RGB 83 120 186, RGB 112 143 198, RGB 142 167 210 and RGB 171 190 221

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 144 198 shade: RGB 113 144 198, RGB 184 112 198 and RGB 178 198 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 144 198 shade: RGB 113 144 198, RGB 198 112 144 and RGB 144 198 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 144 198 shade: RGB 113 144 198, RGB 184 112 198, RGB 198 166 112 and RGB 127 198 112

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 144 198 shade: RGB 113 144 198, RGB 198 112 186, RGB 198 166 112 and RGB 112 198 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

Complementary color

CMYK 0 / 22 / 60 / 44

HEX #8E6F39

RGB 142 111 57

HSL 38.12, 0.43%, 0.39%

LAB 48.78, 5.65, 34.31

 

CMYK 39 / 25 / 0 / 24

HEX #7690C1

RGB 118 144 193

HSL 219.2, 0.38%, 0.61%

LAB 59.57, 3.24, -28.37

 

CMYK 36 / 24 / 0 / 17

HEX #87A2D4

RGB 135 162 212

HSL 218.96, 0.47%, 0.68%

LAB 66.32, 2.84, -28.47

 

CMYK 34 / 22 / 0 / 9

HEX #98B4E7

RGB 152 180 231

HSL 218.73, 0.62%, 0.75%

LAB 72.95, 2.49, -28.6

 

CMYK 32 / 21 / 0 / 2

HEX #A9C6FA

RGB 169 198 250

HSL 218.52, 0.89%, 0.82%

LAB 79.46, 2.18, -28.76

 

CMYK 27 / 15 / 0 / 0

HEX #BAD8FF

RGB 186 216 255

HSL 213.91, 1%, 0.86%

LAB 85.39, -1.4, -22.27

 

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

CMYK 46 / 30 / 0 / 30

HEX #607EB3

RGB 96 126 179

HSL 218.31, 0.35%, 0.54%

LAB 52.58, 3.87, -31.35

 

CMYK 51 / 33 / 0 / 37

HEX #4F6CA0

RGB 79 108 160

HSL 218.52, 0.34%, 0.47%

LAB 45.53, 4.57, -31.37

 

CMYK 56 / 36 / 0 / 45

HEX #3E5A8D

RGB 62 90 141

HSL 218.73, 0.39%, 0.4%

LAB 38.3, 5.47, -31.44

 

CMYK 63 / 41 / 0 / 52

HEX #2D487A

RGB 45 72 122

HSL 218.96, 0.46%, 0.33%

LAB 30.87, 6.67, -31.57

 

CMYK 43 / 28 / 0 / 22

HEX #708FC6

RGB 112 143 198

HSL 218.37, 0.43%, 0.61%

LAB 59.13, 3.62, -31.9

 

CMYK 43 / 39 / 0 / 22

HEX #7078C6

RGB 112 120 198

HSL 234.42, 0.43%, 0.61%

LAB 52.9, 17.24, -41.66

 

CMYK 36 / 43 / 0 / 22

HEX #7F70C6

RGB 127 112 198

HSL 250.47, 0.43%, 0.61%

LAB 52.04, 25.98, -42.95

 

CMYK 24 / 43 / 0 / 22

HEX #9670C6

RGB 150 112 198

HSL 266.51, 0.43%, 0.61%

LAB 54.19, 32.39, -39.42

 

CMYK 13 / 43 / 0 / 22

HEX #AD70C6

RGB 173 112 198

HSL 282.56, 0.43%, 0.61%

LAB 56.63, 39.13, -35.4

 

CMYK 43 / 28 / 0 / 22

HEX #708FC6

RGB 112 143 198

HSL 218.37, 0.43%, 0.61%

LAB 59.13, 3.62, -31.9

 

CMYK 43 / 39 / 0 / 22

HEX #7078C6

RGB 112 120 198

HSL 234.42, 0.43%, 0.61%

LAB 52.9, 17.24, -41.66

 

CMYK 43 / 43 / 0 / 22

HEX #7070C6

RGB 112 112 198

HSL 240, 0.43%, 0.61%

LAB 50.82, 22.08, -44.96

 

CMYK 43 / 28 / 0 / 22

HEX #708FC6

RGB 112 143 198

HSL 218.37, 0.43%, 0.61%

LAB 59.13, 3.62, -31.9

 

CMYK 55 / 35 / 0 / 16

HEX #608BD6

RGB 96 139 214

HSL 218.14, 0.59%, 0.61%

LAB 57.85, 7.05, -42.96

 

CMYK 65 / 41 / 0 / 10

HEX #5087E6

RGB 80 135 230

HSL 218, 0.75%, 0.61%

LAB 56.83, 11.72, -53.58

 

CMYK 74 / 47 / 0 / 4

HEX #4082F6

RGB 64 130 246

HSL 218.24, 0.91%, 0.61%

LAB 55.8, 18.13, -64.16

 

CMYK 43 / 28 / 0 / 22

HEX #708FC6

RGB 112 143 198

HSL 218.37, 0.43%, 0.61%

LAB 59.13, 3.62, -31.9

 

CMYK 30 / 19 / 0 / 29

HEX #8094B6

RGB 128 148 182

HSL 217.78, 0.27%, 0.61%

LAB 60.91, 0.93, -20.04

 

CMYK 13 / 8 / 0 / 35

HEX #9098A6

RGB 144 152 166

HSL 218.18, 0.11%, 0.61%

LAB 62.62, 0.06, -8.3

 

CMYK 0 / 2 / 7 / 37

HEX #A19D96

RGB 161 157 150

HSL 38.18, 0.06%, 0.61%

LAB 64.88, 0.16, 4.16

 

CMYK 0 / 9 / 25 / 31

HEX #B1A185

RGB 177 161 133

HSL 38.18, 0.22%, 0.61%

LAB 66.92, 1.33, 16.72

 

CMYK 43 / 5 / 0 / 22

HEX #70BDC6

RGB 112 189 198

HSL 186.28, 0.43%, 0.61%

LAB 72.17, -21.43, -12

 

CMYK 43 / 16 / 0 / 22

HEX #70A6C6

RGB 112 166 198

HSL 202.33, 0.43%, 0.61%

LAB 65.59, -9.32, -21.95

 

CMYK 43 / 27 / 0 / 22

HEX #7090C6

RGB 112 144 198

HSL 217.67, 0.43%, 0.61%

LAB 59.41, 3.04, -31.47

 

CMYK 43 / 39 / 0 / 22

HEX #7079C6

RGB 112 121 198

HSL 233.72, 0.43%, 0.61%

LAB 53.16, 16.64, -41.25

 

CMYK 36 / 43 / 0 / 22

HEX #7F70C6

RGB 127 112 198

HSL 250.47, 0.43%, 0.61%

LAB 52.04, 25.98, -42.95

 

CMYK 60 / 39 / 0 / 36

HEX #4164A3

RGB 65 100 163

HSL 218.57, 0.43%, 0.45%

LAB 42.59, 7.37, -37.84

 

CMYK 55 / 35 / 0 / 27

HEX #5378BA

RGB 83 120 186

HSL 218.45, 0.43%, 0.53%

LAB 50.47, 6.58, -38.74

 

CMYK 43 / 28 / 0 / 22

HEX #708FC6

RGB 112 143 198

HSL 218.37, 0.43%, 0.61%

LAB 59.13, 3.62, -31.9

 

CMYK 32 / 20 / 0 / 18

HEX #8EA7D2

RGB 142 167 210

HSL 217.94, 0.43%, 0.69%

LAB 68.05, 1.5, -24.68

 

CMYK 23 / 14 / 0 / 13

HEX #ABBEDD

RGB 171 190 221

HSL 217.2, 0.42%, 0.77%

LAB 76.5, 0.18, -17.66

 

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

CMYK 7 / 43 / 0 / 22

HEX #B870C6

RGB 184 112 198

HSL 290.23, 0.43%, 0.61%

LAB 57.9, 42.4, -33.33

 

CMYK 10 / 0 / 43 / 22

HEX #B2C670

RGB 178 198 112

HSL 73.95, 0.43%, 0.61%

LAB 76.69, -20.28, 40.72

 

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

CMYK 0 / 43 / 27 / 22

HEX #C67090

RGB 198 112 144

HSL 337.67, 0.43%, 0.61%

LAB 57.66, 37.83, -2.45

 

CMYK 27 / 0 / 43 / 22

HEX #90C670

RGB 144 198 112

HSL 97.67, 0.43%, 0.61%

LAB 74.5, -33.01, 37.5

 

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

CMYK 7 / 43 / 0 / 22

HEX #B870C6

RGB 184 112 198

HSL 290.23, 0.43%, 0.61%

LAB 57.9, 42.4, -33.33

 

CMYK 0 / 16 / 43 / 22

HEX #C6A670

RGB 198 166 112

HSL 37.67, 0.43%, 0.61%

LAB 69.79, 4.45, 32.29

 

CMYK 36 / 0 / 43 / 22

HEX #7FC670

RGB 127 198 112

HSL 109.53, 0.43%, 0.61%

LAB 73.59, -38.8, 36.15

 

CMYK 43 / 27 / 0 / 22

HEX #7190C6

RGB 113 144 198

HSL 218.12, 0.43%, 0.61%

LAB 59.47, 3.3, -31.38

 

CMYK 0 / 43 / 6 / 22

HEX #C670BA

RGB 198 112 186

HSL 308.37, 0.43%, 0.61%

LAB 59.1, 44.45, -24.5

 

CMYK 0 / 16 / 43 / 22

HEX #C6A670

RGB 198 166 112

HSL 37.67, 0.43%, 0.61%

LAB 69.79, 4.45, 32.29

 

CMYK 43 / 0 / 37 / 22

HEX #70C67C

RGB 112 198 124

HSL 128.37, 0.43%, 0.61%

LAB 73.08, -41.6, 29.19

 

Description

Color code: RGB 113 144 198 | qconv.com Color code: RGB 113 144 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 144 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 144 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 27 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 27% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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