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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 228 115 it is the complementary color RGB 142 27 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 228 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 228 115 shade: RGB 118 228 110, RGB 135 246 129, RGB 152 255 148, RGB 169 255 167 and RGB 186 255 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 228 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 96 210 96, RGB 79 192 77, RGB 62 174 58 and RGB 45 156 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 142 228 113, RGB 173 228 113, RGB 204 228 113 and RGB 228 221 113

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 113 228 146, RGB 113 228 177, RGB 113 228 208 and RGB 113 217 228

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 228 115 shade matches the following richer shades: RGB 113 228 115 and RGB 100 241 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 127 214 128, RGB 140 200 141, RGB 154 187 155 and RGB 168 173 168

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 228 115 shade: RGB 172 228 113, RGB 142 228 113, RGB 113 228 115, RGB 113 228 146 and RGB 113 228 176

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 228 115 shade: RGB 44 214 47, RGB 78 221 81, RGB 113 228 115, RGB 148 234 149 and RGB 182 241 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 113 203 228 and RGB 228 113 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 115 113 228 and RGB 228 115 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 113 203 228, RGB 228 113 226 and RGB 228 138 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 228 115 shade: RGB 113 228 115, RGB 113 168 228, RGB 228 113 226 and RGB 228 172 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

Complementary color

CMYK 0 / 81 / 1 / 44

HEX #8E1B8C

RGB 142 27 140

HSL 301.04, 0.68%, 0.33%

LAB 34.86, 58.46, -35.72

 

CMYK 48 / 0 / 52 / 11

HEX #76E46E

RGB 118 228 110

HSL 115.93, 0.69%, 0.66%

LAB 82.09, -54.36, 47.61

 

CMYK 45 / 0 / 48 / 4

HEX #87F681

RGB 135 246 129

HSL 116.92, 0.87%, 0.74%

LAB 88.28, -54.34, 46.38

 

CMYK 40 / 0 / 42 / 0

HEX #98FF94

RGB 152 255 148

HSL 117.76, 1%, 0.79%

LAB 91.83, -50.55, 41.88

 

CMYK 34 / 0 / 35 / 0

HEX #A9FFA7

RGB 169 255 167

HSL 118.64, 1%, 0.83%

LAB 92.9, -42.65, 34.07

 

CMYK 27 / 0 / 27 / 0

HEX #BAFFBA

RGB 186 255 186

HSL 120, 1%, 0.86%

LAB 94.1, -34.34, 26.28

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 54 / 0 / 54 / 18

HEX #60D260

RGB 96 210 96

HSL 120, 0.56%, 0.6%

LAB 75.71, -54.96, 46.32

 

CMYK 59 / 0 / 60 / 25

HEX #4FC04D

RGB 79 192 77

HSL 118.96, 0.48%, 0.53%

LAB 69.4, -54.65, 47.54

 

CMYK 64 / 0 / 67 / 32

HEX #3EAE3A

RGB 62 174 58

HSL 117.93, 0.5%, 0.45%

LAB 63.01, -54.04, 48.59

 

CMYK 71 / 0 / 75 / 39

HEX #2D9C27

RGB 45 156 39

HSL 116.92, 0.6%, 0.38%

LAB 56.57, -52.97, 49.25

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 38 / 0 / 50 / 11

HEX #8EE471

RGB 142 228 113

HSL 104.87, 0.68%, 0.67%

LAB 83.14, -46.86, 47.71

 

CMYK 24 / 0 / 50 / 11

HEX #ADE471

RGB 173 228 113

HSL 88.7, 0.68%, 0.67%

LAB 84.77, -36.31, 50.07

 

CMYK 11 / 0 / 50 / 11

HEX #CCE471

RGB 204 228 113

HSL 72.52, 0.68%, 0.67%

LAB 86.76, -24.7, 52.92

 

CMYK 0 / 3 / 50 / 11

HEX #E4DD71

RGB 228 221 113

HSL 56.35, 0.68%, 0.67%

LAB 86.7, -11.79, 53.29

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 0 / 36 / 11

HEX #71E492

RGB 113 228 146

HSL 137.22, 0.68%, 0.67%

LAB 82.42, -50.33, 30.26

 

CMYK 50 / 0 / 22 / 11

HEX #71E4B1

RGB 113 228 177

HSL 153.39, 0.68%, 0.67%

LAB 83, -44.43, 15.02

 

CMYK 50 / 0 / 9 / 11

HEX #71E4D0

RGB 113 228 208

HSL 169.57, 0.68%, 0.67%

LAB 83.73, -37.49, -0.27

 

CMYK 50 / 5 / 0 / 11

HEX #71D9E4

RGB 113 217 228

HSL 185.74, 0.68%, 0.67%

LAB 81.15, -27.24, -14.71

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 59 / 0 / 58 / 5

HEX #64F166

RGB 100 241 102

HSL 120.85, 0.83%, 0.67%

LAB 85.29, -64.71, 54.91

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 41 / 0 / 40 / 16

HEX #7FD680

RGB 127 214 128

HSL 120.69, 0.51%, 0.67%

LAB 78.56, -43.5, 34.43

 

CMYK 30 / 0 / 30 / 22

HEX #8CC88D

RGB 140 200 141

HSL 121, 0.35%, 0.67%

LAB 75.33, -30.98, 23.52

 

CMYK 18 / 0 / 17 / 27

HEX #9ABB9B

RGB 154 187 155

HSL 121.82, 0.2%, 0.67%

LAB 72.74, -17.4, 12.57

 

CMYK 3 / 0 / 3 / 32

HEX #A8ADA8

RGB 168 173 168

HSL 120, 0.03%, 0.67%

LAB 70.2, -2.71, 1.94

 

CMYK 25 / 0 / 50 / 11

HEX #ACE471

RGB 172 228 113

HSL 89.22, 0.68%, 0.67%

LAB 84.71, -36.67, 49.98

 

CMYK 38 / 0 / 50 / 11

HEX #8EE471

RGB 142 228 113

HSL 104.87, 0.68%, 0.67%

LAB 83.14, -46.86, 47.71

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 0 / 36 / 11

HEX #71E492

RGB 113 228 146

HSL 137.22, 0.68%, 0.67%

LAB 82.42, -50.33, 30.26

 

CMYK 50 / 0 / 23 / 11

HEX #71E4B0

RGB 113 228 176

HSL 152.87, 0.68%, 0.67%

LAB 82.98, -44.64, 15.51

 

CMYK 79 / 0 / 78 / 16

HEX #2CD62F

RGB 44 214 47

HSL 121.06, 0.67%, 0.51%

LAB 75.35, -70.85, 65.01

 

CMYK 65 / 0 / 63 / 13

HEX #4EDD51

RGB 78 221 81

HSL 121.26, 0.68%, 0.59%

LAB 78.42, -64.73, 55.98

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 37 / 0 / 36 / 8

HEX #94EA95

RGB 148 234 149

HSL 120.7, 0.67%, 0.75%

LAB 85.66, -42.64, 33.31

 

CMYK 24 / 0 / 24 / 5

HEX #B6F1B7

RGB 182 241 183

HSL 121.02, 0.68%, 0.83%

LAB 89.99, -29.61, 22.12

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 11 / 0 / 11

HEX #71CBE4

RGB 113 203 228

HSL 193.04, 0.68%, 0.67%

LAB 77.18, -20.27, -20.71

 

CMYK 0 / 50 / 31 / 11

HEX #E4719D

RGB 228 113 157

HSL 337.04, 0.68%, 0.67%

LAB 62.29, 49.31, -2.69

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 50 / 0 / 11

HEX #7371E4

RGB 115 113 228

HSL 241.04, 0.68%, 0.67%

LAB 53.01, 31.14, -58.46

 

CMYK 0 / 50 / 50 / 11

HEX #E47371

RGB 228 115 113

HSL 1.04, 0.68%, 0.67%

LAB 61.61, 43.6, 21.58

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 11 / 0 / 11

HEX #71CBE4

RGB 113 203 228

HSL 193.04, 0.68%, 0.67%

LAB 77.18, -20.27, -20.71

 

CMYK 0 / 50 / 1 / 11

HEX #E471E2

RGB 228 113 226

HSL 301.04, 0.68%, 0.67%

LAB 64.8, 59.69, -37.91

 

CMYK 0 / 39 / 50 / 11

HEX #E48A71

RGB 228 138 113

HSL 13.04, 0.68%, 0.67%

LAB 66.42, 31.74, 27.99

 

CMYK 50 / 0 / 50 / 11

HEX #71E473

RGB 113 228 115

HSL 121.04, 0.68%, 0.67%

LAB 81.97, -55.07, 45.05

 

CMYK 50 / 26 / 0 / 11

HEX #71A8E4

RGB 113 168 228

HSL 211.3, 0.68%, 0.67%

LAB 67.37, -1.58, -35.78

 

CMYK 0 / 50 / 1 / 11

HEX #E471E2

RGB 228 113 226

HSL 301.04, 0.68%, 0.67%

LAB 64.8, 59.69, -37.91

 

CMYK 0 / 25 / 50 / 11

HEX #E4AC71

RGB 228 172 113

HSL 30.78, 0.68%, 0.67%

LAB 74.31, 13.62, 38.15

 

Description

Color code: RGB 113 228 115 | qconv.com Color code: RGB 113 228 115 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 228 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 228 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 50 cyan, none magenta, 50 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
50% 0% 50% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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