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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 113 57 29 it is the complementary color RGB 142 198 226. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 113 57 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 113 57 29 shade: RGB 118 57 24, RGB 135 75 43, RGB 152 93 62, RGB 169 111 81 and RGB 186 129 100

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 113 57 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 96 39 10, RGB 79 21 0, RGB 62 3 0 and RGB 45 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 113 34 29 and RGB 113 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 113 80 29, RGB 113 102 29, RGB 101 113 29 and RGB 78 113 29

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 113 57 29 shade matches the following richer shades: RGB 113 57 29, RGB 125 53 17 and RGB 136 49 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 101 61 40, RGB 90 65 52, RGB 78 68 63 and RGB 67 72 75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 113 57 29 shade: RGB 113 29 46, RGB 113 34 29, RGB 113 57 29, RGB 113 79 29 and RGB 113 102 29

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 113 57 29 shade: RGB 47 24 12, RGB 80 40 20, RGB 113 57 29, RGB 146 73 37 and RGB 179 90 46

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 68 113 29 and RGB 29 34 113

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 29 113 57 and RGB 57 29 113

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 68 113 29, RGB 29 85 113 and RGB 74 29 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 113 57 29 shade: RGB 113 57 29, RGB 43 113 29, RGB 29 85 113 and RGB 99 29 113

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

Complementary color

CMYK 37 / 12 / 0 / 11

HEX #8EC6E2

RGB 142 198 226

HSL 200, 0.59%, 0.72%

LAB 77.06, -11.2, -19.68

 

CMYK 0 / 52 / 80 / 54

HEX #763918

RGB 118 57 24

HSL 21.06, 0.66%, 0.28%

LAB 31.45, 24.21, 31.77

 

CMYK 0 / 44 / 68 / 47

HEX #874B2B

RGB 135 75 43

HSL 20.87, 0.52%, 0.35%

LAB 38.48, 22.43, 29.72

 

CMYK 0 / 39 / 59 / 40

HEX #985D3E

RGB 152 93 62

HSL 20.67, 0.42%, 0.42%

LAB 45.43, 20.92, 27.79

 

CMYK 0 / 34 / 52 / 34

HEX #A96F51

RGB 169 111 81

HSL 20.45, 0.35%, 0.49%

LAB 52.28, 19.63, 26.07

 

CMYK 0 / 31 / 46 / 27

HEX #BA8164

RGB 186 129 100

HSL 20.23, 0.38%, 0.56%

LAB 59.03, 18.54, 24.54

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 59 / 90 / 62

HEX #60270A

RGB 96 39 10

HSL 20.23, 0.81%, 0.21%

LAB 23.54, 24.19, 29.77

 

CMYK 0 / 73 / 100 / 69

HEX #4F1500

RGB 79 21 0

HSL 15.95, 1%, 0.15%

LAB 16.5, 26.16, 25.01

 

CMYK 0 / 95 / 100 / 76

HEX #3E0300

RGB 62 3 0

HSL 2.9, 1%, 0.12%

LAB 9.71, 27.64, 15.26

 

CMYK 0 / 100 / 100 / 82

HEX #2D0000

RGB 45 0 0

HSL 0, 1%, 0.09%

LAB 5.04, 21.8, 7.96

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 70 / 74 / 56

HEX #71221D

RGB 113 34 29

HSL 3.57, 0.59%, 0.28%

LAB 25.99, 34.45, 22.64

 

CMYK 0 / 74 / 74 / 56

HEX #711D1D

RGB 113 29 29

HSL 0, 0.59%, 0.28%

LAB 25.19, 36.63, 21.7

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 29 / 74 / 56

HEX #71501D

RGB 113 80 29

HSL 36.43, 0.59%, 0.28%

LAB 36.62, 8.43, 34.32

 

CMYK 0 / 10 / 74 / 56

HEX #71661D

RGB 113 102 29

HSL 52.14, 0.59%, 0.28%

LAB 42.92, -4.64, 40.71

 

CMYK 11 / 0 / 74 / 56

HEX #65711D

RGB 101 113 29

HSL 68.57, 0.59%, 0.28%

LAB 45.17, -16.42, 42.57

 

CMYK 31 / 0 / 74 / 56

HEX #4E711D

RGB 78 113 29

HSL 85, 0.59%, 0.28%

LAB 43.53, -26.47, 40.4

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 58 / 86 / 51

HEX #7D3511

RGB 125 53 17

HSL 20, 0.76%, 0.28%

LAB 31.69, 29.17, 35.89

 

CMYK 0 / 64 / 96 / 47

HEX #883106

RGB 136 49 6

HSL 19.85, 0.92%, 0.28%

LAB 32.8, 35.41, 42.05

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 40 / 60 / 60

HEX #653D28

RGB 101 61 40

HSL 20.66, 0.43%, 0.28%

LAB 30.05, 15.18, 20.2

 

CMYK 0 / 28 / 42 / 65

HEX #5A4134

RGB 90 65 52

HSL 20.53, 0.27%, 0.28%

LAB 29.92, 8.9, 12.18

 

CMYK 0 / 13 / 19 / 69

HEX #4E443F

RGB 78 68 63

HSL 20, 0.11%, 0.28%

LAB 29.7, 3.29, 4.58

 

CMYK 11 / 4 / 0 / 71

HEX #43484B

RGB 67 72 75

HSL 202.5, 0.06%, 0.28%

LAB 30.24, -1.33, -2.5

 

CMYK 0 / 74 / 59 / 56

HEX #711D2E

RGB 113 29 46

HSL 347.86, 0.59%, 0.28%

LAB 25.52, 37.77, 10.77

 

CMYK 0 / 70 / 74 / 56

HEX #71221D

RGB 113 34 29

HSL 3.57, 0.59%, 0.28%

LAB 25.99, 34.45, 22.64

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 30 / 74 / 56

HEX #714F1D

RGB 113 79 29

HSL 35.71, 0.59%, 0.28%

LAB 36.35, 9.03, 34.04

 

CMYK 0 / 10 / 74 / 56

HEX #71661D

RGB 113 102 29

HSL 52.14, 0.59%, 0.28%

LAB 42.92, -4.64, 40.71

 

CMYK 0 / 49 / 74 / 82

HEX #2F180C

RGB 47 24 12

HSL 20.57, 0.59%, 0.12%

LAB 11.16, 10.12, 11.91

 

CMYK 0 / 50 / 75 / 69

HEX #502814

RGB 80 40 20

HSL 20, 0.6%, 0.2%

LAB 21.11, 16.73, 21.1

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 0 / 50 / 75 / 43

HEX #924925

RGB 146 73 37

HSL 19.82, 0.6%, 0.36%

LAB 39.6, 27.96, 34.74

 

CMYK 0 / 50 / 74 / 30

HEX #B35A2E

RGB 179 90 46

HSL 19.85, 0.59%, 0.44%

LAB 48.38, 32.91, 40.91

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 40 / 0 / 74 / 56

HEX #44711D

RGB 68 113 29

HSL 92.14, 0.59%, 0.28%

LAB 42.96, -30.43, 39.62

 

CMYK 74 / 70 / 0 / 56

HEX #1D2271

RGB 29 34 113

HSL 236.43, 0.59%, 0.28%

LAB 18.35, 26.7, -46.11

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 74 / 0 / 50 / 56

HEX #1D7139

RGB 29 113 57

HSL 140, 0.59%, 0.28%

LAB 41.79, -38.04, 24.04

 

CMYK 50 / 74 / 0 / 56

HEX #391D71

RGB 57 29 113

HSL 260, 0.59%, 0.28%

LAB 19.81, 34.34, -43.63

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 40 / 0 / 74 / 56

HEX #44711D

RGB 68 113 29

HSL 92.14, 0.59%, 0.28%

LAB 42.96, -30.43, 39.62

 

CMYK 74 / 25 / 0 / 56

HEX #1D5571

RGB 29 85 113

HSL 200, 0.59%, 0.28%

LAB 33.88, -8.08, -21.28

 

CMYK 35 / 74 / 0 / 56

HEX #4A1D71

RGB 74 29 113

HSL 272.14, 0.59%, 0.28%

LAB 22.04, 37.78, -39.9

 

CMYK 0 / 50 / 74 / 56

HEX #71391D

RGB 113 57 29

HSL 20, 0.59%, 0.28%

LAB 30.7, 22.25, 27.98

 

CMYK 62 / 0 / 74 / 56

HEX #2B711D

RGB 43 113 29

HSL 110, 0.59%, 0.28%

LAB 41.86, -38.61, 38.16

 

CMYK 74 / 25 / 0 / 56

HEX #1D5571

RGB 29 85 113

HSL 200, 0.59%, 0.28%

LAB 33.88, -8.08, -21.28

 

CMYK 12 / 74 / 0 / 56

HEX #631D71

RGB 99 29 113

HSL 290, 0.59%, 0.28%

LAB 25.93, 43.43, -33.42

 

Description

Color code: RGB 113 57 29 | qconv.com Color code: RGB 113 57 29 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 113 red, 57 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
113 57 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 74 yellow and 56 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 74% 56% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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