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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 104 0 it is the complementary color RGB 141 151 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 104 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 104 0 shade: RGB 119 104 0, RGB 136 122 14, RGB 153 140 33, RGB 170 158 52 and RGB 187 176 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 104 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 104 0 shade: RGB 114 104 0, RGB 97 86 0, RGB 80 68 0, RGB 63 50 0 and RGB 46 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 104 0 shade: RGB 112 102 0, RGB 112 72 0, RGB 112 41 0, RGB 112 11 0 and RGB 112 0 0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 104 0 shade: RGB 112 102 0, RGB 91 112 0, RGB 61 112 0, RGB 31 112 0 and RGB 1 112 0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 104 0 shade matches the following richer shades: RGB 112 102 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 104 0 shade: RGB 112 102 0, RGB 103 94 9, RGB 94 87 18, RGB 84 79 27 and RGB 75 72 36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 104 0 shade: RGB 112 41 0, RGB 112 71 0, RGB 112 100 0, RGB 93 112 0 and RGB 63 112 0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 104 0 shade: RGB 29 27 0, RGB 70 64 0, RGB 112 102 0, RGB 153 140 0 and RGB 194 177 0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 104 0 shade: RGB 114 104 0, RGB 0 112 11 and RGB 56 0 112

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 104 0 shade: RGB 114 104 0, RGB 0 112 100 and RGB 100 0 112

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 104 0 shade: RGB 114 104 0, RGB 0 112 11, RGB 0 11 112 and RGB 112 0 100

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 104 0 shade: RGB 114 104 0, RGB 0 112 44, RGB 0 11 112 and RGB 112 0 67

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

Complementary color

CMYK 45 / 41 / 0 / 0

HEX #8D97FF

RGB 141 151 255

HSL 234.74, 1%, 0.78%

LAB 65.76, 22.59, -52.95

 

CMYK 0 / 13 / 100 / 53

HEX #776800

RGB 119 104 0

HSL 52.44, 1%, 0.23%

LAB 43.98, -3.86, 50.59

 

CMYK 0 / 10 / 90 / 47

HEX #887A0E

RGB 136 122 14

HSL 53.11, 0.81%, 0.29%

LAB 50.9, -5.6, 53.55

 

CMYK 0 / 8 / 78 / 40

HEX #998C21

RGB 153 140 33

HSL 53.5, 0.65%, 0.36%

LAB 57.69, -7.01, 54.56

 

CMYK 0 / 7 / 69 / 33

HEX #AA9E34

RGB 170 158 52

HSL 53.9, 0.53%, 0.44%

LAB 64.36, -8.14, 54.39

 

CMYK 0 / 6 / 62 / 27

HEX #BBB047

RGB 187 176 71

HSL 54.31, 0.46%, 0.51%

LAB 70.92, -9.06, 53.64

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 0 / 11 / 100 / 62

HEX #615600

RGB 97 86 0

HSL 53.2, 1%, 0.19%

LAB 36.36, -4.24, 44.1

 

CMYK 0 / 15 / 100 / 69

HEX #504400

RGB 80 68 0

HSL 51, 1%, 0.16%

LAB 29, -2.06, 37.94

 

CMYK 0 / 21 / 100 / 75

HEX #3F3200

RGB 63 50 0

HSL 47.62, 1%, 0.12%

LAB 21.35, 0.3, 30

 

CMYK 0 / 30 / 100 / 82

HEX #2E2000

RGB 46 32 0

HSL 41.74, 1%, 0.09%

LAB 13.31, 2.93, 19.74

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 0 / 36 / 100 / 56

HEX #704800

RGB 112 72 0

HSL 38.57, 1%, 0.22%

LAB 34.15, 11.74, 43.42

 

CMYK 0 / 63 / 100 / 56

HEX #702900

RGB 112 41 0

HSL 21.96, 1%, 0.22%

LAB 26.82, 29.64, 37.99

 

CMYK 0 / 90 / 100 / 56

HEX #700B00

RGB 112 11 0

HSL 5.89, 1%, 0.22%

LAB 22.6, 41.21, 33.92

 

CMYK 0 / 100 / 100 / 56

HEX #700000

RGB 112 0 0

HSL 0, 1%, 0.22%

LAB 21.74, 43.67, 33.02

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 19 / 0 / 100 / 56

HEX #5B7000

RGB 91 112 0

HSL 71.25, 1%, 0.22%

LAB 43.96, -21.57, 49.47

 

CMYK 46 / 0 / 100 / 56

HEX #3D7000

RGB 61 112 0

HSL 87.32, 1%, 0.22%

LAB 42.12, -34.01, 47.26

 

CMYK 72 / 0 / 100 / 56

HEX #1F7000

RGB 31 112 0

HSL 103.39, 1%, 0.22%

LAB 41.02, -42.81, 45.92

 

CMYK 99 / 0 / 100 / 56

HEX #017000

RGB 1 112 0

HSL 119.46, 1%, 0.22%

LAB 40.56, -46.89, 45.36

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 0 / 9 / 91 / 60

HEX #675E09

RGB 103 94 9

HSL 54.26, 0.84%, 0.22%

LAB 39.43, -5.69, 44.09

 

CMYK 0 / 7 / 81 / 63

HEX #5E5712

RGB 94 87 18

HSL 54.47, 0.68%, 0.22%

LAB 36.44, -5.71, 38.3

 

CMYK 0 / 6 / 68 / 67

HEX #544F1B

RGB 84 79 27

HSL 54.74, 0.51%, 0.22%

LAB 33.04, -5.35, 30.54

 

CMYK 0 / 4 / 52 / 71

HEX #4B4824

RGB 75 72 36

HSL 55.38, 0.35%, 0.22%

LAB 30.05, -4.68, 21.92

 

CMYK 0 / 63 / 100 / 56

HEX #702900

RGB 112 41 0

HSL 21.96, 1%, 0.22%

LAB 26.82, 29.64, 37.99

 

CMYK 0 / 37 / 100 / 56

HEX #704700

RGB 112 71 0

HSL 38.04, 1%, 0.22%

LAB 33.88, 12.34, 43.25

 

CMYK 0 / 11 / 100 / 56

HEX #706400

RGB 112 100 0

HSL 53.57, 1%, 0.22%

LAB 42.09, -4.98, 48.91

 

CMYK 17 / 0 / 100 / 56

HEX #5D7000

RGB 93 112 0

HSL 70.18, 1%, 0.22%

LAB 44.11, -20.66, 49.64

 

CMYK 44 / 0 / 100 / 56

HEX #3F7000

RGB 63 112 0

HSL 86.25, 1%, 0.22%

LAB 42.22, -33.27, 47.38

 

CMYK 0 / 7 / 100 / 89

HEX #1D1B00

RGB 29 27 0

HSL 55.86, 1%, 0.06%

LAB 9.36, -3.59, 13.93

 

CMYK 0 / 9 / 100 / 73

HEX #464000

RGB 70 64 0

HSL 54.86, 1%, 0.14%

LAB 26.65, -4.84, 35.51

 

CMYK 0 / 9 / 100 / 56

HEX #706600

RGB 112 102 0

HSL 54.64, 1%, 0.22%

LAB 42.68, -6.13, 49.34

 

CMYK 0 / 8 / 100 / 40

HEX #998C00

RGB 153 140 0

HSL 54.9, 1%, 0.3%

LAB 57.59, -7.81, 61.86

 

CMYK 0 / 9 / 100 / 24

HEX #C2B100

RGB 194 177 0

HSL 54.74, 1%, 0.38%

LAB 71.5, -8.89, 73.57

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 50 / 100 / 0 / 56

HEX #380070

RGB 56 0 112

HSL 270, 1%, 0.22%

LAB 15.54, 45.66, -49.99

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 100 / 0 / 11 / 56

HEX #007064

RGB 0 112 100

HSL 173.57, 1%, 0.22%

LAB 42.01, -30.07, -1.03

 

CMYK 11 / 100 / 0 / 56

HEX #640070

RGB 100 0 112

HSL 293.57, 1%, 0.22%

LAB 23.27, 51.5, -37.05

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 100 / 0 / 90 / 56

HEX #00700B

RGB 0 112 11

HSL 125.89, 1%, 0.22%

LAB 40.59, -46.47, 42.7

 

CMYK 100 / 90 / 0 / 56

HEX #000B70

RGB 0 11 112

HSL 234.11, 1%, 0.22%

LAB 12.02, 38.02, -55.99

 

CMYK 0 / 100 / 11 / 56

HEX #700064

RGB 112 0 100

HSL 306.43, 1%, 0.22%

LAB 24.84, 51.7, -26.59

 

CMYK 0 / 9 / 100 / 55

HEX #726800

RGB 114 104 0

HSL 54.74, 1%, 0.22%

LAB 43.47, -6.3, 49.99

 

CMYK 100 / 0 / 61 / 56

HEX #00702C

RGB 0 112 44

HSL 143.57, 1%, 0.22%

LAB 40.85, -43.24, 29.77

 

CMYK 100 / 90 / 0 / 56

HEX #000B70

RGB 0 11 112

HSL 234.11, 1%, 0.22%

LAB 12.02, 38.02, -55.99

 

CMYK 0 / 100 / 40 / 56

HEX #700043

RGB 112 0 67

HSL 324.11, 1%, 0.22%

LAB 23.17, 47.47, -7.05

 

Description

Color code: RGB 114 104 0 | qconv.com Color code: RGB 114 104 0 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 104 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 104 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 100 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 100% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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