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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 100 79 it is the complementary color RGB 141 155 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 100 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 100 79 shade: RGB 119 100 74, RGB 136 118 93, RGB 153 136 112, RGB 170 154 131 and RGB 187 172 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 100 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 97 82 60, RGB 80 64 41, RGB 63 46 22 and RGB 46 28 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 114 90 79, RGB 114 81 79 and RGB 114 79 79

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 114 109 79, RGB 109 114 79, RGB 100 114 79 and RGB 90 114 79

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 100 79 shade matches the following richer shades: RGB 114 100 79, RGB 130 103 63, RGB 145 106 48, RGB 161 109 32 and RGB 177 112 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 98 97 95, RGB 82 94 110, RGB 67 90 126 and RGB 51 87 142

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 100 79 shade: RGB 114 81 79, RGB 114 91 79, RGB 114 100 79, RGB 114 109 79 and RGB 109 114 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 100 79 shade: RGB 65 57 45, RGB 89 79 62, RGB 114 100 79, RGB 138 121 96 and RGB 159 142 117

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 86 114 79 and RGB 86 79 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 79 114 100 and RGB 100 79 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 86 114 79, RGB 79 93 114 and RGB 107 79 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 100 79 shade: RGB 114 100 79, RGB 79 114 82, RGB 79 93 114 and RGB 114 79 110

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

Complementary color

CMYK 20 / 12 / 0 / 31

HEX #8D9BB0

RGB 141 155 176

HSL 216, 0.18%, 0.62%

LAB 63.54, -0.38, -12.59

 

CMYK 0 / 16 / 38 / 53

HEX #77644A

RGB 119 100 74

HSL 34.67, 0.23%, 0.38%

LAB 43.55, 3.55, 17.59

 

CMYK 0 / 13 / 32 / 47

HEX #88765D

RGB 136 118 93

HSL 34.88, 0.19%, 0.45%

LAB 50.67, 2.98, 16.36

 

CMYK 0 / 11 / 27 / 40

HEX #998870

RGB 153 136 112

HSL 35.12, 0.17%, 0.52%

LAB 57.61, 2.51, 15.25

 

CMYK 0 / 9 / 23 / 33

HEX #AA9A83

RGB 170 154 131

HSL 35.38, 0.19%, 0.59%

LAB 64.4, 2.12, 14.22

 

CMYK 0 / 8 / 20 / 27

HEX #BBAC96

RGB 187 172 150

HSL 35.68, 0.21%, 0.66%

LAB 71.06, 1.78, 13.27

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 15 / 38 / 62

HEX #61523C

RGB 97 82 60

HSL 35.68, 0.24%, 0.31%

LAB 35.8, 2.62, 15.23

 

CMYK 0 / 20 / 49 / 69

HEX #504029

RGB 80 64 41

HSL 35.38, 0.32%, 0.24%

LAB 28.2, 3.36, 16.66

 

CMYK 0 / 27 / 65 / 75

HEX #3F2E16

RGB 63 46 22

HSL 35.12, 0.48%, 0.17%

LAB 20.32, 4.44, 18.3

 

CMYK 0 / 39 / 93 / 82

HEX #2E1C03

RGB 46 28 3

HSL 34.88, 0.88%, 0.1%

LAB 12.08, 6, 16.85

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 21 / 31 / 55

HEX #725A4F

RGB 114 90 79

HSL 18.86, 0.18%, 0.38%

LAB 40.34, 8.06, 10.09

 

CMYK 0 / 29 / 31 / 55

HEX #72514F

RGB 114 81 79

HSL 3.43, 0.18%, 0.38%

LAB 37.89, 13.52, 6.65

 

CMYK 0 / 31 / 31 / 55

HEX #724F4F

RGB 114 79 79

HSL 0, 0.18%, 0.38%

LAB 37.36, 14.74, 5.9

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 4 / 31 / 55

HEX #726D4F

RGB 114 109 79

HSL 51.43, 0.18%, 0.38%

LAB 45.74, -3.21, 17.5

 

CMYK 4 / 0 / 31 / 55

HEX #6D724F

RGB 109 114 79

HSL 68.57, 0.18%, 0.38%

LAB 46.78, -8.21, 18.81

 

CMYK 12 / 0 / 31 / 55

HEX #64724F

RGB 100 114 79

HSL 84, 0.18%, 0.38%

LAB 46.05, -11.96, 17.72

 

CMYK 21 / 0 / 31 / 55

HEX #5A724F

RGB 90 114 79

HSL 101.14, 0.18%, 0.38%

LAB 45.32, -15.98, 16.6

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 21 / 52 / 49

HEX #82673F

RGB 130 103 63

HSL 35.82, 0.35%, 0.38%

LAB 45.37, 5.41, 26.56

 

CMYK 0 / 27 / 67 / 43

HEX #916A30

RGB 145 106 48

HSL 35.88, 0.5%, 0.38%

LAB 47.68, 9.24, 37.82

 

CMYK 0 / 32 / 80 / 37

HEX #A16D20

RGB 161 109 32

HSL 35.81, 0.67%, 0.38%

LAB 50.24, 13.99, 48.37

 

CMYK 0 / 37 / 91 / 31

HEX #B17010

RGB 177 112 16

HSL 35.78, 0.83%, 0.38%

LAB 52.92, 19.05, 56.64

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 1 / 3 / 62

HEX #62615F

RGB 98 97 95

HSL 40, 0.02%, 0.38%

LAB 41.17, -0.01, 1.27

 

CMYK 25 / 15 / 0 / 57

HEX #525E6E

RGB 82 94 110

HSL 214.29, 0.15%, 0.38%

LAB 39.45, -0.67, -10.62

 

CMYK 47 / 29 / 0 / 51

HEX #435A7E

RGB 67 90 126

HSL 216.61, 0.31%, 0.38%

LAB 37.86, 1.78, -22.97

 

CMYK 64 / 39 / 0 / 44

HEX #33578E

RGB 51 87 142

HSL 216.26, 0.47%, 0.38%

LAB 36.88, 5.37, -34.34

 

CMYK 0 / 29 / 31 / 55

HEX #72514F

RGB 114 81 79

HSL 3.43, 0.18%, 0.38%

LAB 37.89, 13.52, 6.65

 

CMYK 0 / 20 / 31 / 55

HEX #725B4F

RGB 114 91 79

HSL 20.57, 0.18%, 0.38%

LAB 40.61, 7.45, 10.47

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 4 / 31 / 55

HEX #726D4F

RGB 114 109 79

HSL 51.43, 0.18%, 0.38%

LAB 45.74, -3.21, 17.5

 

CMYK 4 / 0 / 31 / 55

HEX #6D724F

RGB 109 114 79

HSL 68.57, 0.18%, 0.38%

LAB 46.78, -8.21, 18.81

 

CMYK 0 / 12 / 31 / 75

HEX #41392D

RGB 65 57 45

HSL 36, 0.18%, 0.22%

LAB 24.45, 1.25, 8.77

 

CMYK 0 / 11 / 30 / 65

HEX #594F3E

RGB 89 79 62

HSL 37.78, 0.18%, 0.3%

LAB 34.12, 1.13, 11.57

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 0 / 12 / 30 / 46

HEX #8A7960

RGB 138 121 96

HSL 35.71, 0.18%, 0.46%

LAB 51.75, 2.52, 16.13

 

CMYK 0 / 11 / 26 / 38

HEX #9F8E75

RGB 159 142 117

HSL 35.71, 0.18%, 0.54%

LAB 59.89, 2.31, 15.66

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 25 / 0 / 31 / 55

HEX #56724F

RGB 86 114 79

HSL 108, 0.18%, 0.38%

LAB 45.05, -17.53, 16.19

 

CMYK 25 / 31 / 0 / 55

HEX #564F72

RGB 86 79 114

HSL 252, 0.18%, 0.38%

LAB 35.57, 11.15, -19.01

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 31 / 0 / 12 / 55

HEX #4F7264

RGB 79 114 100

HSL 156, 0.18%, 0.38%

LAB 45.11, -15.78, 3.76

 

CMYK 12 / 31 / 0 / 55

HEX #644F72

RGB 100 79 114

HSL 276, 0.18%, 0.38%

LAB 36.96, 16.04, -16.75

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 25 / 0 / 31 / 55

HEX #56724F

RGB 86 114 79

HSL 108, 0.18%, 0.38%

LAB 45.05, -17.53, 16.19

 

CMYK 31 / 18 / 0 / 55

HEX #4F5D72

RGB 79 93 114

HSL 216, 0.18%, 0.38%

LAB 39.08, 0, -13.67

 

CMYK 6 / 31 / 0 / 55

HEX #6B4F72

RGB 107 79 114

HSL 288, 0.18%, 0.38%

LAB 37.72, 18.55, -15.51

 

CMYK 0 / 12 / 31 / 55

HEX #72644F

RGB 114 100 79

HSL 36, 0.18%, 0.38%

LAB 43.15, 2.06, 13.98

 

CMYK 31 / 0 / 28 / 55

HEX #4F7252

RGB 79 114 82

HSL 125.14, 0.18%, 0.38%

LAB 44.67, -19.59, 13.84

 

CMYK 31 / 18 / 0 / 55

HEX #4F5D72

RGB 79 93 114

HSL 216, 0.18%, 0.38%

LAB 39.08, 0, -13.67

 

CMYK 0 / 31 / 4 / 55

HEX #724F6E

RGB 114 79 110

HSL 306.86, 0.18%, 0.38%

LAB 38.37, 20.27, -11.97

 

Description

Color code: RGB 114 100 79 | qconv.com Color code: RGB 114 100 79 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 100 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 100 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 31 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 31% 55% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - BlueCelery.com: Home
Link: http://bluecelery.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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