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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 132 170 it is the complementary color RGB 141 123 85. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 132 170. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 132 170 shade: RGB 119 132 165, RGB 136 150 184, RGB 153 168 203, RGB 170 186 222 and RGB 187 204 241

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 132 170. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 97 114 151, RGB 80 96 132, RGB 63 78 113 and RGB 46 60 94

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 114 117 170, RGB 126 114 170, RGB 142 114 170 and RGB 157 114 170

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 114 117 170 and RGB 114 114 170

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 132 170 shade matches the following richer shades: RGB 114 132 170, RGB 96 126 189, RGB 78 119 207, RGB 60 113 225 and RGB 42 106 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 132 139 152, RGB 151 145 134, RGB 169 152 116 and RGB 187 158 98

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 132 170 shade: RGB 114 163 170, RGB 114 148 170, RGB 114 133 170, RGB 114 118 170 and RGB 125 114 170

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 132 170 shade: RGB 76 92 126, RGB 91 111 152, RGB 114 132 170, RGB 140 155 186 and RGB 166 177 201

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 163 114 170 and RGB 155 170 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 170 114 133 and RGB 133 170 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 163 114 170, RGB 170 152 114 and RGB 122 170 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 132 170 shade: RGB 114 132 170, RGB 170 114 161, RGB 170 152 114 and RGB 114 170 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

Complementary color

CMYK 0 / 13 / 40 / 45

HEX #8D7B55

RGB 141 123 85

HSL 40.71, 0.25%, 0.44%

LAB 52.38, 1.19, 23.33

 

CMYK 28 / 20 / 0 / 35

HEX #7784A5

RGB 119 132 165

HSL 223.04, 0.2%, 0.56%

LAB 55.22, 3.02, -19.09

 

CMYK 26 / 18 / 0 / 28

HEX #8896B8

RGB 136 150 184

HSL 222.5, 0.25%, 0.63%

LAB 62.09, 2.74, -19.32

 

CMYK 25 / 17 / 0 / 20

HEX #99A8CB

RGB 153 168 203

HSL 222, 0.32%, 0.7%

LAB 68.82, 2.49, -19.58

 

CMYK 23 / 16 / 0 / 13

HEX #AABADE

RGB 170 186 222

HSL 221.54, 0.44%, 0.77%

LAB 75.41, 2.27, -19.85

 

CMYK 22 / 15 / 0 / 5

HEX #BBCCF1

RGB 187 204 241

HSL 221.11, 0.66%, 0.84%

LAB 81.89, 2.06, -20.13

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 36 / 25 / 0 / 41

HEX #617297

RGB 97 114 151

HSL 221.11, 0.22%, 0.49%

LAB 48.02, 3.16, -22.11

 

CMYK 39 / 27 / 0 / 48

HEX #506084

RGB 80 96 132

HSL 221.54, 0.25%, 0.42%

LAB 40.8, 3.61, -22.01

 

CMYK 44 / 31 / 0 / 56

HEX #3F4E71

RGB 63 78 113

HSL 222, 0.28%, 0.35%

LAB 33.35, 4.17, -21.98

 

CMYK 51 / 36 / 0 / 63

HEX #2E3C5E

RGB 46 60 94

HSL 222.5, 0.34%, 0.27%

LAB 25.63, 4.92, -22.03

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 33 / 31 / 0 / 33

HEX #7275AA

RGB 114 117 170

HSL 236.79, 0.25%, 0.56%

LAB 50.92, 11.67, -28.63

 

CMYK 26 / 33 / 0 / 33

HEX #7E72AA

RGB 126 114 170

HSL 252.86, 0.25%, 0.56%

LAB 51.12, 17.11, -28.25

 

CMYK 16 / 33 / 0 / 33

HEX #8E72AA

RGB 142 114 170

HSL 270, 0.25%, 0.56%

LAB 52.61, 22.18, -25.83

 

CMYK 8 / 33 / 0 / 33

HEX #9D72AA

RGB 157 114 170

HSL 286.07, 0.25%, 0.56%

LAB 54.14, 27.08, -23.34

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 33 / 31 / 0 / 33

HEX #7275AA

RGB 114 117 170

HSL 236.79, 0.25%, 0.56%

LAB 50.92, 11.67, -28.63

 

CMYK 33 / 33 / 0 / 33

HEX #7272AA

RGB 114 114 170

HSL 240, 0.25%, 0.56%

LAB 50.11, 13.47, -29.89

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 49 / 33 / 0 / 26

HEX #607EBD

RGB 96 126 189

HSL 220.65, 0.41%, 0.56%

LAB 53.04, 6.92, -36.37

 

CMYK 62 / 43 / 0 / 19

HEX #4E77CF

RGB 78 119 207

HSL 220.93, 0.57%, 0.56%

LAB 51.06, 13.24, -49.84

 

CMYK 73 / 50 / 0 / 12

HEX #3C71E1

RGB 60 113 225

HSL 220.73, 0.73%, 0.56%

LAB 49.75, 20.6, -62.19

 

CMYK 83 / 56 / 0 / 5

HEX #2A6AF3

RGB 42 106 243

HSL 220.9, 0.89%, 0.56%

LAB 48.6, 29.87, -74.17

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 13 / 9 / 0 / 40

HEX #848B98

RGB 132 139 152

HSL 219, 0.09%, 0.56%

LAB 57.69, 0.21, -7.79

 

CMYK 0 / 4 / 11 / 41

HEX #979186

RGB 151 145 134

HSL 38.82, 0.08%, 0.56%

LAB 60.38, 0.22, 6.62

 

CMYK 0 / 10 / 31 / 34

HEX #A99874

RGB 169 152 116

HSL 40.75, 0.24%, 0.56%

LAB 63.47, 0.68, 21.26

 

CMYK 0 / 16 / 48 / 27

HEX #BB9E62

RGB 187 158 98

HSL 40.45, 0.4%, 0.56%

LAB 66.44, 2.77, 35.21

 

CMYK 33 / 4 / 0 / 33

HEX #72A3AA

RGB 114 163 170

HSL 187.5, 0.25%, 0.56%

LAB 63.9, -14.51, -8.87

 

CMYK 33 / 13 / 0 / 33

HEX #7294AA

RGB 114 148 170

HSL 203.57, 0.25%, 0.56%

LAB 59.58, -6.34, -15.35

 

CMYK 33 / 22 / 0 / 33

HEX #7285AA

RGB 114 133 170

HSL 219.64, 0.25%, 0.56%

LAB 55.33, 2.21, -21.82

 

CMYK 33 / 31 / 0 / 33

HEX #7276AA

RGB 114 118 170

HSL 235.71, 0.25%, 0.56%

LAB 51.19, 11.07, -28.21

 

CMYK 26 / 33 / 0 / 33

HEX #7D72AA

RGB 125 114 170

HSL 251.79, 0.25%, 0.56%

LAB 51.03, 16.8, -28.39

 

CMYK 40 / 27 / 0 / 51

HEX #4C5C7E

RGB 76 92 126

HSL 220.8, 0.25%, 0.4%

LAB 39.07, 3.12, -21.06

 

CMYK 40 / 27 / 0 / 40

HEX #5B6F98

RGB 91 111 152

HSL 220.33, 0.25%, 0.48%

LAB 46.79, 3.5, -24.63

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 25 / 17 / 0 / 27

HEX #8C9BBA

RGB 140 155 186

HSL 220.43, 0.25%, 0.64%

LAB 63.81, 1.66, -17.81

 

CMYK 17 / 12 / 0 / 21

HEX #A6B1C9

RGB 166 177 201

HSL 221.14, 0.24%, 0.72%

LAB 72.07, 1.18, -13.47

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 4 / 33 / 0 / 33

HEX #A372AA

RGB 163 114 170

HSL 292.5, 0.25%, 0.56%

LAB 54.79, 29.07, -22.28

 

CMYK 9 / 0 / 33 / 33

HEX #9BAA72

RGB 155 170 114

HSL 76.07, 0.25%, 0.56%

LAB 67.23, -14.82, 27.18

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 0 / 33 / 22 / 33

HEX #AA7285

RGB 170 114 133

HSL 339.64, 0.25%, 0.56%

LAB 54.32, 24.9, -1.36

 

CMYK 22 / 0 / 33 / 33

HEX #85AA72

RGB 133 170 114

HSL 99.64, 0.25%, 0.56%

LAB 65.71, -23.17, 24.89

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 4 / 33 / 0 / 33

HEX #A372AA

RGB 163 114 170

HSL 292.5, 0.25%, 0.56%

LAB 54.79, 29.07, -22.28

 

CMYK 0 / 11 / 33 / 33

HEX #AA9872

RGB 170 152 114

HSL 40.71, 0.25%, 0.56%

LAB 63.52, 0.82, 22.45

 

CMYK 28 / 0 / 33 / 33

HEX #7AAA72

RGB 122 170 114

HSL 111.43, 0.25%, 0.56%

LAB 65.04, -27.11, 23.88

 

CMYK 33 / 22 / 0 / 33

HEX #7284AA

RGB 114 132 170

HSL 220.71, 0.25%, 0.56%

LAB 55.05, 2.79, -22.25

 

CMYK 0 / 33 / 5 / 33

HEX #AA72A1

RGB 170 114 161

HSL 309.64, 0.25%, 0.56%

LAB 55.23, 29.69, -16.32

 

CMYK 0 / 11 / 33 / 33

HEX #AA9872

RGB 170 152 114

HSL 40.71, 0.25%, 0.56%

LAB 63.52, 0.82, 22.45

 

CMYK 33 / 0 / 27 / 33

HEX #72AA7C

RGB 114 170 124

HSL 130.71, 0.25%, 0.56%

LAB 64.79, -28.07, 18.02

 

Description

Color code: RGB 114 132 170 | qconv.com Color code: RGB 114 132 170 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 132 green and 170 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 132 170 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 22 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 22% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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