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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 132 45 it is the complementary color RGB 141 123 210. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 132 45. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 132 45 shade: RGB 119 132 40, RGB 136 150 59, RGB 153 168 78, RGB 170 186 97 and RGB 187 204 116

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 132 45. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 97 114 26, RGB 80 96 7, RGB 63 78 0 and RGB 46 60 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 132 127 45, RGB 132 103 45, RGB 132 80 45 and RGB 132 56 45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 91 132 45, RGB 67 132 45, RGB 45 132 46 and RGB 45 132 70

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 132 45 shade matches the following richer shades: RGB 114 132 45, RGB 123 147 31, RGB 131 161 16 and RGB 140 176 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 106 118 59, RGB 97 104 74, RGB 89 89 88 and RGB 81 75 103

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 132 45 shade: RGB 132 103 45, RGB 132 127 45, RGB 115 132 45, RGB 92 132 45 and RGB 68 132 45

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 132 45 shade: RGB 61 71 24, RGB 88 102 34, RGB 114 132 45, RGB 141 163 56 and RGB 166 191 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 45 132 80 and RGB 115 45 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 45 115 132 and RGB 132 45 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 45 132 80, RGB 63 45 132 and RGB 132 45 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 132 45 shade: RGB 114 132 45, RGB 45 132 106, RGB 63 45 132 and RGB 132 45 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

Complementary color

CMYK 33 / 41 / 0 / 18

HEX #8D7BD2

RGB 141 123 210

HSL 252.41, 0.49%, 0.65%

LAB 56.57, 26.51, -42.53

 

CMYK 10 / 0 / 70 / 48

HEX #778428

RGB 119 132 40

HSL 68.48, 0.53%, 0.34%

LAB 52.48, -17.73, 45.87

 

CMYK 9 / 0 / 61 / 41

HEX #88963B

RGB 136 150 59

HSL 69.23, 0.44%, 0.41%

LAB 59.31, -18.31, 45.15

 

CMYK 9 / 0 / 54 / 34

HEX #99A84E

RGB 153 168 78

HSL 70, 0.37%, 0.48%

LAB 66, -18.74, 44.12

 

CMYK 9 / 0 / 48 / 27

HEX #AABA61

RGB 170 186 97

HSL 70.79, 0.39%, 0.55%

LAB 72.58, -19.06, 42.98

 

CMYK 8 / 0 / 43 / 20

HEX #BBCC74

RGB 187 204 116

HSL 71.59, 0.46%, 0.63%

LAB 79.05, -19.3, 41.81

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 15 / 0 / 77 / 55

HEX #61721A

RGB 97 114 26

HSL 71.59, 0.63%, 0.27%

LAB 45.15, -18.94, 43.6

 

CMYK 17 / 0 / 93 / 62

HEX #506007

RGB 80 96 7

HSL 70.79, 0.86%, 0.2%

LAB 38, -18.01, 42.62

 

CMYK 19 / 0 / 100 / 69

HEX #3F4E00

RGB 63 78 0

HSL 71.54, 1%, 0.15%

LAB 30.65, -16.61, 38.5

 

CMYK 23 / 0 / 100 / 76

HEX #2E3C00

RGB 46 60 0

HSL 74, 1%, 0.12%

LAB 23.04, -14.92, 31.27

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 0 / 4 / 66 / 48

HEX #847F2D

RGB 132 127 45

HSL 56.55, 0.49%, 0.35%

LAB 52.15, -8.86, 43.7

 

CMYK 0 / 22 / 66 / 48

HEX #84672D

RGB 132 103 45

HSL 40, 0.49%, 0.35%

LAB 45.35, 4.78, 36.35

 

CMYK 0 / 39 / 66 / 48

HEX #84502D

RGB 132 80 45

HSL 24.14, 0.49%, 0.35%

LAB 39.3, 18.33, 29.44

 

CMYK 0 / 58 / 66 / 48

HEX #84382D

RGB 132 56 45

HSL 7.59, 0.49%, 0.35%

LAB 33.82, 31.85, 22.85

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 31 / 0 / 66 / 48

HEX #5B842D

RGB 91 132 45

HSL 88.28, 0.49%, 0.35%

LAB 50.59, -29.15, 41.12

 

CMYK 49 / 0 / 66 / 48

HEX #43842D

RGB 67 132 45

HSL 104.83, 0.49%, 0.35%

LAB 49.36, -37.76, 39.42

 

CMYK 66 / 0 / 65 / 48

HEX #2D842E

RGB 45 132 46

HSL 120.69, 0.49%, 0.35%

LAB 48.58, -43.7, 37.88

 

CMYK 66 / 0 / 47 / 48

HEX #2D8446

RGB 45 132 70

HSL 137.24, 0.49%, 0.35%

LAB 48.89, -40.24, 25.99

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 16 / 0 / 79 / 42

HEX #7B931F

RGB 123 147 31

HSL 72.41, 0.65%, 0.35%

LAB 57.25, -24.14, 53.9

 

CMYK 19 / 0 / 90 / 37

HEX #83A110

RGB 131 161 16

HSL 72.41, 0.82%, 0.35%

LAB 61.96, -28.11, 61.95

 

CMYK 20 / 0 / 99 / 31

HEX #8CB002

RGB 140 176 2

HSL 72.41, 0.98%, 0.35%

LAB 67, -31.72, 68.11

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 10 / 0 / 50 / 54

HEX #6A763B

RGB 106 118 59

HSL 72.2, 0.33%, 0.35%

LAB 47.41, -14.33, 30.79

 

CMYK 7 / 0 / 29 / 59

HEX #61684A

RGB 97 104 74

HSL 74, 0.17%, 0.35%

LAB 42.67, -8.36, 16.04

 

CMYK 0 / 0 / 1 / 65

HEX #595958

RGB 89 89 88

HSL 60, 0.01%, 0.35%

LAB 37.79, -0.21, 0.57

 

CMYK 21 / 27 / 0 / 60

HEX #514B67

RGB 81 75 103

HSL 252.86, 0.16%, 0.35%

LAB 33.48, 9.07, -15.37

 

CMYK 0 / 22 / 66 / 48

HEX #84672D

RGB 132 103 45

HSL 40, 0.49%, 0.35%

LAB 45.35, 4.78, 36.35

 

CMYK 0 / 4 / 66 / 48

HEX #847F2D

RGB 132 127 45

HSL 56.55, 0.49%, 0.35%

LAB 52.15, -8.86, 43.7

 

CMYK 13 / 0 / 66 / 48

HEX #73842D

RGB 115 132 45

HSL 71.72, 0.49%, 0.35%

LAB 52.22, -19.14, 43.35

 

CMYK 30 / 0 / 66 / 48

HEX #5C842D

RGB 92 132 45

HSL 87.59, 0.49%, 0.35%

LAB 50.65, -28.75, 41.2

 

CMYK 48 / 0 / 66 / 48

HEX #44842D

RGB 68 132 45

HSL 104.14, 0.49%, 0.35%

LAB 49.4, -37.43, 39.48

 

CMYK 14 / 0 / 66 / 72

HEX #3D4718

RGB 61 71 24

HSL 72.77, 0.49%, 0.19%

LAB 28.29, -12.14, 26.28

 

CMYK 14 / 0 / 67 / 60

HEX #586622

RGB 88 102 34

HSL 72.35, 0.5%, 0.27%

LAB 40.72, -16.06, 35.49

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 13 / 0 / 66 / 36

HEX #8DA338

RGB 141 163 56

HSL 72.34, 0.49%, 0.43%

LAB 63.46, -23.02, 51.06

 

CMYK 13 / 0 / 64 / 25

HEX #A6BF45

RGB 166 191 69

HSL 72.3, 0.49%, 0.51%

LAB 73.41, -25.56, 56.69

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 66 / 0 / 39 / 48

HEX #2D8450

RGB 45 132 80

HSL 144.14, 0.49%, 0.35%

LAB 49.06, -38.38, 20.67

 

CMYK 13 / 66 / 0 / 48

HEX #732D84

RGB 115 45 132

HSL 288.28, 0.49%, 0.35%

LAB 32.23, 44.15, -35.22

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 66 / 13 / 0 / 48

HEX #2D7384

RGB 45 115 132

HSL 191.72, 0.49%, 0.35%

LAB 44.92, -16.17, -15.82

 

CMYK 0 / 66 / 13 / 48

HEX #842D73

RGB 132 45 115

HSL 311.72, 0.49%, 0.35%

LAB 34.02, 45.57, -21.56

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 66 / 0 / 39 / 48

HEX #2D8450

RGB 45 132 80

HSL 144.14, 0.49%, 0.35%

LAB 49.06, -38.38, 20.67

 

CMYK 52 / 66 / 0 / 48

HEX #3F2D84

RGB 63 45 132

HSL 252.41, 0.49%, 0.35%

LAB 25.56, 31.96, -46.3

 

CMYK 0 / 66 / 27 / 48

HEX #842D61

RGB 132 45 97

HSL 324.14, 0.49%, 0.35%

LAB 33.23, 42.81, -11.32

 

CMYK 14 / 0 / 66 / 48

HEX #72842D

RGB 114 132 45

HSL 72.41, 0.49%, 0.35%

LAB 52.14, -19.58, 43.24

 

CMYK 66 / 0 / 20 / 48

HEX #2D846A

RGB 45 132 106

HSL 162.07, 0.49%, 0.35%

LAB 49.62, -32.46, 6.51

 

CMYK 52 / 66 / 0 / 48

HEX #3F2D84

RGB 63 45 132

HSL 252.41, 0.49%, 0.35%

LAB 25.56, 31.96, -46.3

 

CMYK 0 / 66 / 46 / 48

HEX #842D47

RGB 132 45 71

HSL 342.07, 0.49%, 0.35%

LAB 32.34, 39.59, 4.2

 

Description

Color code: RGB 114 132 45 | qconv.com Color code: RGB 114 132 45 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 132 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 132 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, none magenta, 66 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 0% 66% 48% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

48% - Herbarium - Zioła, z...
Link: http://herbarium.republika.pl

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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