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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 20 246 it is the complementary color RGB 141 235 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 20 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 20 246 shade: RGB 119 20 241, RGB 136 38 255, RGB 153 56 255, RGB 170 74 255 and RGB 187 92 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 20 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 20 246 shade: RGB 114 20 246, RGB 97 2 227, RGB 80 0 208, RGB 63 0 189 and RGB 46 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 20 246 shade: RGB 113 18 246, RGB 174 18 246, RGB 236 18 246, RGB 246 18 195 and RGB 246 18 133

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 20 246 shade: RGB 113 18 246, RGB 52 18 246 and RGB 18 18 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 20 246 shade matches the following richer shades: RGB 113 18 246

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 20 246 shade: RGB 113 18 246, RGB 116 38 226, RGB 120 58 206, RGB 123 78 187 and RGB 126 97 167

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 20 246 shade: RGB 18 49 246, RGB 49 18 246, RGB 109 18 246, RGB 170 18 246 and RGB 231 18 246

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 20 246 shade: RGB 77 6 176, RGB 94 7 216, RGB 113 18 246, RGB 137 58 247 and RGB 161 98 249

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 20 246 shade: RGB 114 20 246, RGB 246 18 109 and RGB 18 246 18

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 20 246 shade: RGB 114 20 246, RGB 246 109 18 and RGB 18 246 109

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 20 246 shade: RGB 114 20 246, RGB 246 18 109, RGB 155 246 18 and RGB 18 246 155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 20 246 shade: RGB 114 20 246, RGB 246 18 41, RGB 155 246 18 and RGB 18 246 223

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

Complementary color

CMYK 40 / 0 / 96 / 8

HEX #8DEB09

RGB 141 235 9

HSL 84.96, 0.93%, 0.48%

LAB 84.53, -56.34, 81.11

 

CMYK 51 / 92 / 0 / 5

HEX #7714F1

RGB 119 20 241

HSL 266.88, 0.89%, 0.51%

LAB 39.2, 76.95, -88.3

 

CMYK 47 / 85 / 0 / 0

HEX #8826FF

RGB 136 38 255

HSL 267.1, 1%, 0.57%

LAB 44, 77.57, -88.16

 

CMYK 40 / 78 / 0 / 0

HEX #9938FF

RGB 153 56 255

HSL 269.25, 1%, 0.61%

LAB 48.03, 73.99, -81.47

 

CMYK 33 / 71 / 0 / 0

HEX #AA4AFF

RGB 170 74 255

HSL 271.82, 1%, 0.65%

LAB 52.58, 69.73, -73.97

 

CMYK 27 / 64 / 0 / 0

HEX #BB5CFF

RGB 187 92 255

HSL 274.97, 1%, 0.68%

LAB 57.5, 65.14, -65.91

 

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

CMYK 57 / 99 / 0 / 11

HEX #6102E3

RGB 97 2 227

HSL 265.33, 0.98%, 0.45%

LAB 34.25, 74.8, -88.6

 

CMYK 62 / 100 / 0 / 18

HEX #5000D0

RGB 80 0 208

HSL 263.08, 1%, 0.41%

LAB 30.06, 69.82, -84.66

 

CMYK 67 / 100 / 0 / 26

HEX #3F00BD

RGB 63 0 189

HSL 260, 1%, 0.37%

LAB 25.95, 64.55, -80.37

 

CMYK 73 / 100 / 0 / 33

HEX #2E00AA

RGB 46 0 170

HSL 256.24, 1%, 0.33%

LAB 21.88, 59.27, -75.82

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 29 / 93 / 0 / 4

HEX #AE12F6

RGB 174 18 246

HSL 281.05, 0.93%, 0.52%

LAB 47.09, 84.08, -77.87

 

CMYK 4 / 93 / 0 / 4

HEX #EC12F6

RGB 236 18 246

HSL 297.37, 0.93%, 0.52%

LAB 57, 92.83, -61.34

 

CMYK 0 / 93 / 21 / 4

HEX #F612C3

RGB 246 18 195

HSL 313.42, 0.93%, 0.52%

LAB 56.05, 87.8, -33.81

 

CMYK 0 / 93 / 46 / 4

HEX #F61285

RGB 246 18 133

HSL 329.74, 0.93%, 0.52%

LAB 53.73, 81.66, -0.84

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 79 / 93 / 0 / 4

HEX #3412F6

RGB 52 18 246

HSL 248.95, 0.93%, 0.52%

LAB 33.6, 74.76, -100.6

 

CMYK 93 / 93 / 0 / 4

HEX #1212F6

RGB 18 18 246

HSL 240, 0.93%, 0.52%

LAB 32.29, 74.11, -102.81

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 49 / 83 / 0 / 11

HEX #7426E2

RGB 116 38 226

HSL 264.89, 0.76%, 0.52%

LAB 38.88, 68.67, -80.31

 

CMYK 42 / 72 / 0 / 19

HEX #783ACE

RGB 120 58 206

HSL 265.14, 0.6%, 0.52%

LAB 40.37, 56.39, -66.35

 

CMYK 34 / 58 / 0 / 27

HEX #7B4EBB

RGB 123 78 187

HSL 264.77, 0.44%, 0.52%

LAB 43.13, 41.82, -50.81

 

CMYK 25 / 42 / 0 / 35

HEX #7E61A7

RGB 126 97 167

HSL 264.86, 0.28%, 0.52%

LAB 46.68, 26.51, -33.43

 

CMYK 93 / 80 / 0 / 4

HEX #1231F6

RGB 18 49 246

HSL 231.84, 0.93%, 0.52%

LAB 35.94, 63.14, -96.72

 

CMYK 80 / 93 / 0 / 4

HEX #3112F6

RGB 49 18 246

HSL 248.16, 0.93%, 0.52%

LAB 33.43, 74.68, -100.87

 

CMYK 56 / 93 / 0 / 4

HEX #6D12F6

RGB 109 18 246

HSL 263.95, 0.93%, 0.52%

LAB 38.44, 77.62, -92.41

 

CMYK 31 / 93 / 0 / 4

HEX #AA12F6

RGB 170 18 246

HSL 280, 0.93%, 0.52%

LAB 46.49, 83.59, -78.87

 

CMYK 6 / 93 / 0 / 4

HEX #E712F6

RGB 231 18 246

HSL 296.05, 0.93%, 0.52%

LAB 56.16, 92.06, -62.73

 

CMYK 56 / 97 / 0 / 31

HEX #4D06B0

RGB 77 6 176

HSL 265.06, 0.93%, 0.36%

LAB 26.28, 61.13, -72.03

 

CMYK 56 / 97 / 0 / 15

HEX #5E07D8

RGB 94 7 216

HSL 264.98, 0.94%, 0.44%

LAB 32.9, 71.43, -84.54

 

CMYK 54 / 93 / 0 / 4

HEX #7112F6

RGB 113 18 246

HSL 265, 0.93%, 0.52%

LAB 38.89, 77.92, -91.64

 

CMYK 45 / 77 / 0 / 3

HEX #893AF7

RGB 137 58 247

HSL 265.08, 0.92%, 0.6%

LAB 45.72, 69.11, -80.87

 

CMYK 35 / 61 / 0 / 2

HEX #A162F9

RGB 161 98 249

HSL 265.03, 0.93%, 0.68%

LAB 55.23, 55.29, -66.4

 

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

CMYK 0 / 93 / 56 / 4

HEX #F6126D

RGB 246 18 109

HSL 336.05, 0.93%, 0.52%

LAB 53.09, 79.93, 12.74

 

CMYK 93 / 0 / 93 / 4

HEX #12F612

RGB 18 246 18

HSL 120, 0.93%, 0.52%

LAB 85.04, -82.98, 79.47

 

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

CMYK 0 / 56 / 93 / 4

HEX #F66D12

RGB 246 109 18

HSL 23.95, 0.93%, 0.52%

LAB 62.15, 48.73, 67.29

 

CMYK 93 / 0 / 56 / 4

HEX #12F66D

RGB 18 246 109

HSL 143.95, 0.93%, 0.52%

LAB 85.58, -76.18, 51.8

 

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

CMYK 0 / 93 / 56 / 4

HEX #F6126D

RGB 246 18 109

HSL 336.05, 0.93%, 0.52%

LAB 53.09, 79.93, 12.74

 

CMYK 37 / 0 / 93 / 4

HEX #9BF612

RGB 155 246 18

HSL 83.95, 0.93%, 0.52%

LAB 88.41, -55.84, 83.62

 

CMYK 93 / 0 / 37 / 4

HEX #12F69B

RGB 18 246 155

HSL 156.05, 0.93%, 0.52%

LAB 86.21, -68.63, 30.46

 

CMYK 54 / 92 / 0 / 4

HEX #7214F6

RGB 114 20 246

HSL 264.96, 0.93%, 0.52%

LAB 39.12, 77.65, -91.26

 

CMYK 0 / 93 / 83 / 4

HEX #F61229

RGB 246 18 41

HSL 353.95, 0.93%, 0.52%

LAB 52.05, 77.04, 51.07

 

CMYK 37 / 0 / 93 / 4

HEX #9BF612

RGB 155 246 18

HSL 83.95, 0.93%, 0.52%

LAB 88.41, -55.84, 83.62

 

CMYK 93 / 0 / 9 / 4

HEX #12F6DF

RGB 18 246 223

HSL 173.95, 0.93%, 0.52%

LAB 87.66, -52.78, -2.59

 

Description

Color code: RGB 114 20 246 | qconv.com Color code: RGB 114 20 246 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 20 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 20 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 92 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 92% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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