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Color name
RGB 114 23 50

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 23 50 it is the complementary color RGB 141 232 205. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 23 50. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 23 50 shade: RGB 119 23 45, RGB 136 41 64, RGB 153 59 83, RGB 170 77 102 and RGB 187 95 121

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 23 50. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 97 5 31, RGB 80 0 12, RGB 63 0 0 and RGB 46 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 114 23 25 and RGB 114 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 114 23 74, RGB 114 23 99, RGB 104 23 114 and RGB 80 23 114

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 23 50 shade matches the following richer shades: RGB 114 23 50, RGB 125 12 45 and RGB 136 1 41

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 103 34 54, RGB 92 45 59, RGB 80 56 63 and RGB 69 67 68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 23 50 shade: RGB 114 23 99, RGB 114 23 74, RGB 114 23 50, RGB 114 23 26 and RGB 114 44 23

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 23 50 shade: RGB 45 9 20, RGB 80 16 35, RGB 114 23 50, RGB 148 30 65 and RGB 182 37 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 114 105 23 and RGB 23 87 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 50 114 23 and RGB 23 50 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 114 105 23, RGB 23 114 87 and RGB 23 32 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 23 50 shade: RGB 114 23 50, RGB 96 114 23, RGB 23 114 87 and RGB 41 23 114

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

Complementary color

CMYK 39 / 0 / 12 / 9

HEX #8DE8CD

RGB 141 232 205

HSL 162.2, 0.66%, 0.73%

LAB 85.9, -33.29, 4.6

 

CMYK 0 / 81 / 62 / 53

HEX #77172D

RGB 119 23 45

HSL 346.25, 0.68%, 0.28%

LAB 25.93, 41.86, 12.21

 

CMYK 0 / 70 / 53 / 47

HEX #882940

RGB 136 41 64

HSL 345.47, 0.54%, 0.35%

LAB 32.24, 42.02, 8.73

 

CMYK 0 / 61 / 46 / 40

HEX #993B53

RGB 153 59 83

HSL 344.68, 0.44%, 0.42%

LAB 38.77, 41.51, 6.17

 

CMYK 0 / 55 / 40 / 33

HEX #AA4D66

RGB 170 77 102

HSL 343.87, 0.38%, 0.48%

LAB 45.38, 40.71, 4.19

 

CMYK 0 / 49 / 35 / 27

HEX #BB5F79

RGB 187 95 121

HSL 343.04, 0.4%, 0.55%

LAB 51.98, 39.81, 2.59

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 95 / 68 / 62

HEX #61051F

RGB 97 5 31

HSL 343.04, 0.9%, 0.2%

LAB 19.01, 39.29, 11.88

 

CMYK 0 / 100 / 85 / 69

HEX #50000C

RGB 80 0 12

HSL 351, 1%, 0.16%

LAB 14.01, 34.97, 16.95

 

CMYK 0 / 100 / 100 / 75

HEX #3F0000

RGB 63 0 0

HSL 0, 1%, 0.12%

LAB 9.46, 29.45, 14.93

 

CMYK 0 / 100 / 100 / 82

HEX #2E0000

RGB 46 0 0

HSL 0, 1%, 0.09%

LAB 5.25, 22.43, 8.29

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 80 / 78 / 55

HEX #721719

RGB 114 23 25

HSL 358.68, 0.66%, 0.27%

LAB 24.51, 39.08, 23.55

 

CMYK 0 / 80 / 80 / 55

HEX #721717

RGB 114 23 23

HSL 0, 0.66%, 0.27%

LAB 24.49, 38.99, 24.79

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 80 / 35 / 55

HEX #72174A

RGB 114 23 74

HSL 326.37, 0.66%, 0.27%

LAB 25.82, 43.19, -7.78

 

CMYK 0 / 80 / 13 / 55

HEX #721763

RGB 114 23 99

HSL 309.89, 0.66%, 0.27%

LAB 26.99, 46.71, -22.52

 

CMYK 9 / 80 / 0 / 55

HEX #681772

RGB 104 23 114

HSL 293.41, 0.66%, 0.27%

LAB 26.07, 47, -33.8

 

CMYK 30 / 80 / 0 / 55

HEX #501772

RGB 80 23 114

HSL 277.58, 0.66%, 0.27%

LAB 22.06, 41.98, -40.46

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 90 / 64 / 51

HEX #7D0C2D

RGB 125 12 45

HSL 342.48, 0.82%, 0.27%

LAB 26.19, 46.56, 12.79

 

CMYK 0 / 99 / 70 / 47

HEX #880129

RGB 136 1 41

HSL 342.22, 0.99%, 0.27%

LAB 27.89, 51.23, 18.18

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 67 / 48 / 60

HEX #672236

RGB 103 34 54

HSL 342.61, 0.5%, 0.27%

LAB 24.62, 32.8, 3.78

 

CMYK 0 / 51 / 36 / 64

HEX #5C2D3B

RGB 92 45 59

HSL 342.13, 0.34%, 0.27%

LAB 25.16, 23.22, 0.93

 

CMYK 0 / 30 / 21 / 69

HEX #50383F

RGB 80 56 63

HSL 342.5, 0.18%, 0.27%

LAB 26.43, 11.91, -0.11

 

CMYK 0 / 3 / 1 / 73

HEX #454344

RGB 69 67 68

HSL 330, 0.01%, 0.27%

LAB 28.63, 1.06, -0.31

 

CMYK 0 / 80 / 13 / 55

HEX #721763

RGB 114 23 99

HSL 309.89, 0.66%, 0.27%

LAB 26.99, 46.71, -22.52

 

CMYK 0 / 80 / 35 / 55

HEX #72174A

RGB 114 23 74

HSL 326.37, 0.66%, 0.27%

LAB 25.82, 43.19, -7.78

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 80 / 77 / 55

HEX #72171A

RGB 114 23 26

HSL 358.02, 0.66%, 0.27%

LAB 24.53, 39.12, 22.92

 

CMYK 0 / 61 / 80 / 55

HEX #722C17

RGB 114 44 23

HSL 13.85, 0.66%, 0.27%

LAB 27.95, 29.61, 28.49

 

CMYK 0 / 80 / 56 / 82

HEX #2D0914

RGB 45 9 20

HSL 341.67, 0.67%, 0.11%

LAB 7.26, 19.5, 1.82

 

CMYK 0 / 80 / 56 / 69

HEX #501023

RGB 80 16 35

HSL 342.19, 0.67%, 0.19%

LAB 16.49, 30.88, 4.94

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 80 / 56 / 42

HEX #941E41

RGB 148 30 65

HSL 342.2, 0.66%, 0.35%

LAB 33.15, 49.87, 9.7

 

CMYK 0 / 80 / 56 / 29

HEX #B62550

RGB 182 37 80

HSL 342.21, 0.66%, 0.43%

LAB 40.97, 58.61, 11.93

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 8 / 80 / 55

HEX #726917

RGB 114 105 23

HSL 54.07, 0.66%, 0.27%

LAB 43.86, -6.18, 44.01

 

CMYK 80 / 24 / 0 / 55

HEX #175772

RGB 23 87 114

HSL 197.8, 0.66%, 0.27%

LAB 34.42, -9.79, -21.07

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 56 / 0 / 80 / 55

HEX #327217

RGB 50 114 23

HSL 102.2, 0.66%, 0.27%

LAB 42.42, -37.48, 41.12

 

CMYK 80 / 56 / 0 / 55

HEX #173272

RGB 23 50 114

HSL 222.2, 0.66%, 0.27%

LAB 22.58, 15.01, -39.88

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 0 / 8 / 80 / 55

HEX #726917

RGB 114 105 23

HSL 54.07, 0.66%, 0.27%

LAB 43.86, -6.18, 44.01

 

CMYK 80 / 0 / 24 / 55

HEX #177257

RGB 23 114 87

HSL 162.2, 0.66%, 0.27%

LAB 42.62, -32.72, 7.69

 

CMYK 80 / 72 / 0 / 55

HEX #172072

RGB 23 32 114

HSL 234.07, 0.66%, 0.27%

LAB 17.6, 27.74, -48.01

 

CMYK 0 / 80 / 56 / 55

HEX #721732

RGB 114 23 50

HSL 342.2, 0.66%, 0.27%

LAB 25.02, 40.69, 7.38

 

CMYK 16 / 0 / 80 / 55

HEX #607217

RGB 96 114 23

HSL 71.87, 0.66%, 0.27%

LAB 45.06, -19.55, 44.56

 

CMYK 80 / 0 / 24 / 55

HEX #177257

RGB 23 114 87

HSL 162.2, 0.66%, 0.27%

LAB 42.62, -32.72, 7.69

 

CMYK 64 / 80 / 0 / 55

HEX #291772

RGB 41 23 114

HSL 251.87, 0.66%, 0.27%

LAB 16.98, 35.41, -48.97

 

Description

Color code: RGB 114 23 50 | qconv.com Color code: RGB 114 23 50 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 23 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 23 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 56 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 56% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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