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Color name
RGB 114 86 224

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 86 224 it is the complementary color RGB 141 169 31. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 86 224. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 86 224 shade: RGB 119 86 219, RGB 136 104 238, RGB 153 122 255, RGB 170 140 255 and RGB 187 158 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 86 224. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 97 68 205, RGB 80 50 186, RGB 63 32 167 and RGB 46 14 148

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 151 86 224, RGB 188 86 224, RGB 224 86 222 and RGB 224 86 185

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 86 224 shade: RGB 114 86 224 and RGB 86 86 224

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 86 224 shade matches the following richer shades: RGB 114 86 224 and RGB 105 70 240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 124 103 208, RGB 133 119 191, RGB 143 135 175 and RGB 153 151 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 86 224 shade: RGB 86 132 224, RGB 86 96 224, RGB 114 86 224, RGB 150 86 224 and RGB 187 86 224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 86 224 shade: RGB 67 35 193, RGB 85 52 217, RGB 114 86 224, RGB 143 121 230 and RGB 172 156 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 224 86 169 and RGB 114 224 86

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 224 114 86 and RGB 86 224 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 224 86 169, RGB 196 224 86 and RGB 86 224 141

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 86 224 shade: RGB 114 86 224, RGB 224 86 128, RGB 196 224 86 and RGB 86 224 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

Complementary color

CMYK 17 / 0 / 82 / 34

HEX #8DA91F

RGB 141 169 31

HSL 72.17, 0.69%, 0.39%

LAB 65.07, -27.3, 61.43

 

CMYK 46 / 61 / 0 / 14

HEX #7756DB

RGB 119 86 219

HSL 254.89, 0.65%, 0.6%

LAB 46.57, 45.11, -63.74

 

CMYK 43 / 56 / 0 / 7

HEX #8868EE

RGB 136 104 238

HSL 254.33, 0.8%, 0.67%

LAB 53.28, 43.81, -63.53

 

CMYK 40 / 52 / 0 / 0

HEX #997AFF

RGB 153 122 255

HSL 253.98, 1%, 0.74%

LAB 59.81, 42.05, -62.39

 

CMYK 33 / 45 / 0 / 0

HEX #AA8CFF

RGB 170 140 255

HSL 255.65, 1%, 0.77%

LAB 65.37, 36.05, -53.42

 

CMYK 27 / 38 / 0 / 0

HEX #BB9EFF

RGB 187 158 255

HSL 257.94, 1%, 0.81%

LAB 71.04, 30.54, -44.4

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 53 / 67 / 0 / 20

HEX #6144CD

RGB 97 68 205

HSL 252.7, 0.58%, 0.54%

LAB 39.72, 47.04, -66.93

 

CMYK 57 / 73 / 0 / 27

HEX #5032BA

RGB 80 50 186

HSL 253.24, 0.58%, 0.46%

LAB 32.99, 48.5, -66.91

 

CMYK 62 / 81 / 0 / 35

HEX #3F20A7

RGB 63 32 167

HSL 253.78, 0.68%, 0.39%

LAB 26.39, 49.66, -66.48

 

CMYK 69 / 91 / 0 / 42

HEX #2E0E94

RGB 46 14 148

HSL 254.33, 0.83%, 0.32%

LAB 20.18, 49.88, -65.19

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 33 / 62 / 0 / 12

HEX #9756E0

RGB 151 86 224

HSL 268.26, 0.69%, 0.61%

LAB 50.24, 53.2, -60.49

 

CMYK 16 / 62 / 0 / 12

HEX #BC56E0

RGB 188 86 224

HSL 284.35, 0.69%, 0.61%

LAB 54.79, 61.65, -52.94

 

CMYK 0 / 62 / 1 / 12

HEX #E056DE

RGB 224 86 222

HSL 300.87, 0.69%, 0.61%

LAB 59.69, 69.86, -43.73

 

CMYK 0 / 62 / 17 / 12

HEX #E056B9

RGB 224 86 185

HSL 316.96, 0.69%, 0.61%

LAB 58.04, 64.17, -25.25

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 62 / 62 / 0 / 12

HEX #5656E0

RGB 86 86 224

HSL 240, 0.69%, 0.61%

LAB 44.26, 40.71, -70.47

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 56 / 71 / 0 / 6

HEX #6946F0

RGB 105 70 240

HSL 252.35, 0.85%, 0.61%

LAB 43.76, 57.3, -80.26

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 40 / 50 / 0 / 18

HEX #7C67D0

RGB 124 103 208

HSL 252, 0.53%, 0.61%

LAB 50.14, 33.31, -51.69

 

CMYK 30 / 38 / 0 / 25

HEX #8577BF

RGB 133 119 191

HSL 251.67, 0.36%, 0.61%

LAB 53.97, 21.64, -35.87

 

CMYK 18 / 23 / 0 / 31

HEX #8F87AF

RGB 143 135 175

HSL 252, 0.2%, 0.61%

LAB 58.29, 11.42, -19.97

 

CMYK 4 / 5 / 0 / 38

HEX #99979F

RGB 153 151 159

HSL 255, 0.04%, 0.61%

LAB 62.85, 2.29, -3.94

 

CMYK 62 / 41 / 0 / 12

HEX #5684E0

RGB 86 132 224

HSL 220, 0.69%, 0.61%

LAB 55.95, 12.53, -51.62

 

CMYK 62 / 57 / 0 / 12

HEX #5660E0

RGB 86 96 224

HSL 235.65, 0.69%, 0.61%

LAB 46.61, 34.65, -66.63

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 33 / 62 / 0 / 12

HEX #9656E0

RGB 150 86 224

HSL 267.83, 0.69%, 0.61%

LAB 50.12, 52.98, -60.68

 

CMYK 17 / 62 / 0 / 12

HEX #BB56E0

RGB 187 86 224

HSL 283.91, 0.69%, 0.61%

LAB 54.66, 61.42, -53.15

 

CMYK 65 / 82 / 0 / 24

HEX #4323C1

RGB 67 35 193

HSL 252.15, 0.69%, 0.45%

LAB 30.02, 56.17, -75.97

 

CMYK 61 / 76 / 0 / 15

HEX #5534D9

RGB 85 52 217

HSL 252, 0.68%, 0.53%

LAB 36.74, 57.12, -78.79

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 38 / 47 / 0 / 10

HEX #8F79E6

RGB 143 121 230

HSL 252.11, 0.69%, 0.69%

LAB 57.3, 33.52, -52.6

 

CMYK 27 / 34 / 0 / 7

HEX #AC9CEC

RGB 172 156 236

HSL 252, 0.68%, 0.77%

LAB 68.46, 22.85, -38.16

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 0 / 62 / 25 / 12

HEX #E056A9

RGB 224 86 169

HSL 323.91, 0.69%, 0.61%

LAB 57.43, 61.98, -16.94

 

CMYK 49 / 0 / 62 / 12

HEX #72E056

RGB 114 224 86

HSL 107.83, 0.69%, 0.61%

LAB 80.49, -56.6, 56.49

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 0 / 49 / 62 / 12

HEX #E07256

RGB 224 114 86

HSL 12.17, 0.69%, 0.61%

LAB 60.39, 40.5, 35.04

 

CMYK 62 / 0 / 49 / 12

HEX #56E072

RGB 86 224 114

HSL 132.17, 0.69%, 0.61%

LAB 79.9, -60.07, 42.78

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 0 / 62 / 25 / 12

HEX #E056A9

RGB 224 86 169

HSL 323.91, 0.69%, 0.61%

LAB 57.43, 61.98, -16.94

 

CMYK 13 / 0 / 62 / 12

HEX #C4E056

RGB 196 224 86

HSL 72.17, 0.69%, 0.61%

LAB 84.85, -28.14, 62.52

 

CMYK 62 / 0 / 37 / 12

HEX #56E08D

RGB 86 224 141

HSL 143.91, 0.69%, 0.61%

LAB 80.3, -55.68, 29.84

 

CMYK 49 / 62 / 0 / 12

HEX #7256E0

RGB 114 86 224

HSL 252.17, 0.69%, 0.61%

LAB 46.47, 45.56, -66.77

 

CMYK 0 / 62 / 43 / 12

HEX #E05680

RGB 224 86 128

HSL 341.74, 0.69%, 0.61%

LAB 56.15, 57.24, 5.17

 

CMYK 13 / 0 / 62 / 12

HEX #C4E056

RGB 196 224 86

HSL 72.17, 0.69%, 0.61%

LAB 84.85, -28.14, 62.52

 

CMYK 62 / 0 / 19 / 12

HEX #56E0B6

RGB 86 224 182

HSL 161.74, 0.69%, 0.61%

LAB 81.11, -47.23, 9.58

 

Description

Color code: RGB 114 86 224 | qconv.com Color code: RGB 114 86 224 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 86 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 86 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, 62 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 62% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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