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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 114 96 54 it is the complementary color RGB 141 159 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 114 96 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 114 96 54 shade: RGB 119 96 49, RGB 136 114 68, RGB 153 132 87, RGB 170 150 106 and RGB 187 168 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 114 96 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 114 96 54 shade: RGB 114 96 54, RGB 97 78 35, RGB 80 60 16, RGB 63 42 0 and RGB 46 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 114 96 54 shade: RGB 114 96 53, RGB 114 79 53, RGB 114 63 53 and RGB 114 53 53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 114 96 54 shade: RGB 114 96 53, RGB 114 112 53, RGB 99 114 53, RGB 83 114 53 and RGB 67 114 53

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 114 96 54 shade matches the following richer shades: RGB 114 96 53, RGB 128 101 40, RGB 141 107 26 and RGB 155 112 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 114 96 54 shade: RGB 114 96 53, RGB 100 90 67, RGB 87 85 81, RGB 73 79 94 and RGB 59 74 108

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 114 96 54 shade: RGB 114 63 53, RGB 114 80 53, RGB 114 96 53, RGB 114 112 53 and RGB 100 114 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 114 96 54 shade: RGB 58 49 27, RGB 86 72 40, RGB 114 96 53, RGB 142 119 67 and RGB 170 143 80

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 114 96 54 shade: RGB 114 96 54, RGB 59 114 53 and RGB 72 53 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 114 96 54 shade: RGB 114 96 54, RGB 53 114 96 and RGB 96 53 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 114 96 54 shade: RGB 114 96 54, RGB 59 114 53, RGB 53 72 114 and RGB 108 53 114

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 114 96 54 shade: RGB 114 96 54, RGB 53 114 65, RGB 53 72 114 and RGB 114 53 102

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

Complementary color

CMYK 30 / 21 / 0 / 21

HEX #8D9FC9

RGB 141 159 201

HSL 222, 0.36%, 0.67%

LAB 65.5, 3.4, -23.61

 

CMYK 0 / 19 / 59 / 53

HEX #776031

RGB 119 96 49

HSL 40.29, 0.42%, 0.33%

LAB 42.01, 3.15, 30.02

 

CMYK 0 / 16 / 50 / 47

HEX #887244

RGB 136 114 68

HSL 40.59, 0.33%, 0.4%

LAB 49.11, 2.23, 28.58

 

CMYK 0 / 14 / 43 / 40

HEX #998457

RGB 153 132 87

HSL 40.91, 0.28%, 0.47%

LAB 56.05, 1.5, 27.22

 

CMYK 0 / 12 / 38 / 33

HEX #AA966A

RGB 170 150 106

HSL 41.25, 0.27%, 0.54%

LAB 62.84, 0.91, 25.95

 

CMYK 0 / 10 / 33 / 27

HEX #BBA87D

RGB 187 168 125

HSL 41.61, 0.31%, 0.61%

LAB 69.51, 0.42, 24.76

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 0 / 20 / 64 / 62

HEX #614E23

RGB 97 78 35

HSL 41.61, 0.47%, 0.26%

LAB 34.21, 2.29, 27.99

 

CMYK 0 / 25 / 80 / 69

HEX #503C10

RGB 80 60 16

HSL 41.25, 0.67%, 0.19%

LAB 26.66, 3.68, 29.22

 

CMYK 0 / 33 / 100 / 75

HEX #3F2A00

RGB 63 42 0

HSL 40, 1%, 0.12%

LAB 18.85, 5.61, 27.19

 

CMYK 0 / 48 / 100 / 82

HEX #2E1800

RGB 46 24 0

HSL 31.3, 1%, 0.09%

LAB 10.81, 8.56, 16.32

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 31 / 54 / 55

HEX #724F35

RGB 114 79 53

HSL 25.57, 0.37%, 0.33%

LAB 36.79, 11.43, 21.16

 

CMYK 0 / 45 / 54 / 55

HEX #723F35

RGB 114 63 53

HSL 9.84, 0.37%, 0.33%

LAB 32.68, 21.07, 15.81

 

CMYK 0 / 54 / 54 / 55

HEX #723535

RGB 114 53 53

HSL 0, 0.37%, 0.33%

LAB 30.35, 26.87, 12.7

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 2 / 54 / 55

HEX #727035

RGB 114 112 53

HSL 58.03, 0.37%, 0.33%

LAB 46.21, -8.06, 32.7

 

CMYK 13 / 0 / 54 / 55

HEX #637235

RGB 99 114 53

HSL 74.75, 0.37%, 0.33%

LAB 45.56, -15.87, 31.62

 

CMYK 27 / 0 / 54 / 55

HEX #537235

RGB 83 114 53

HSL 90.49, 0.37%, 0.33%

LAB 44.42, -22.61, 29.99

 

CMYK 41 / 0 / 54 / 55

HEX #437235

RGB 67 114 53

HSL 106.23, 0.37%, 0.33%

LAB 43.49, -28.72, 28.64

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 21 / 69 / 50

HEX #806528

RGB 128 101 40

HSL 41.59, 0.52%, 0.33%

LAB 44.3, 3.74, 37.57

 

CMYK 0 / 24 / 82 / 45

HEX #8D6B1A

RGB 141 107 26

HSL 42.26, 0.69%, 0.33%

LAB 47.3, 5.66, 47.12

 

CMYK 0 / 28 / 92 / 39

HEX #9B700D

RGB 155 112 13

HSL 41.83, 0.85%, 0.33%

LAB 50.2, 8.97, 54.09

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 10 / 33 / 61

HEX #645A43

RGB 100 90 67

HSL 41.82, 0.2%, 0.33%

LAB 38.6, 0.11, 14.79

 

CMYK 0 / 2 / 7 / 66

HEX #575551

RGB 87 85 81

HSL 40, 0.04%, 0.33%

LAB 36.21, -0.01, 2.61

 

CMYK 22 / 16 / 0 / 63

HEX #494F5E

RGB 73 79 94

HSL 222.86, 0.13%, 0.33%

LAB 33.6, 1.28, -9.57

 

CMYK 45 / 31 / 0 / 58

HEX #3B4A6C

RGB 59 74 108

HSL 221.63, 0.29%, 0.33%

LAB 31.6, 4, -21.58

 

CMYK 0 / 45 / 54 / 55

HEX #723F35

RGB 114 63 53

HSL 9.84, 0.37%, 0.33%

LAB 32.68, 21.07, 15.81

 

CMYK 0 / 30 / 54 / 55

HEX #725035

RGB 114 80 53

HSL 26.56, 0.37%, 0.33%

LAB 37.06, 10.82, 21.5

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 2 / 54 / 55

HEX #727035

RGB 114 112 53

HSL 58.03, 0.37%, 0.33%

LAB 46.21, -8.06, 32.7

 

CMYK 12 / 0 / 54 / 55

HEX #647235

RGB 100 114 53

HSL 73.77, 0.37%, 0.33%

LAB 45.64, -15.43, 31.73

 

CMYK 0 / 16 / 53 / 77

HEX #3A311B

RGB 58 49 27

HSL 42.58, 0.36%, 0.17%

LAB 20.73, 0.4, 15.5

 

CMYK 0 / 16 / 53 / 66

HEX #564828

RGB 86 72 40

HSL 41.74, 0.37%, 0.25%

LAB 31.27, 1.12, 21.3

 

CMYK 0 / 16 / 54 / 55

HEX #726035

RGB 114 96 53

HSL 42.3, 0.37%, 0.33%

LAB 41.53, 1.2, 27.09

 

CMYK 0 / 16 / 53 / 44

HEX #8E7743

RGB 142 119 67

HSL 41.6, 0.36%, 0.41%

LAB 51.09, 1.95, 31.72

 

CMYK 0 / 16 / 53 / 33

HEX #AA8F50

RGB 170 143 80

HSL 42, 0.36%, 0.49%

LAB 60.58, 2.01, 37.02

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 48 / 0 / 54 / 55

HEX #3B7235

RGB 59 114 53

HSL 114.1, 0.37%, 0.33%

LAB 43.1, -31.44, 28.07

 

CMYK 37 / 54 / 0 / 55

HEX #483572

RGB 72 53 114

HSL 258.69, 0.37%, 0.33%

LAB 27.13, 23.52, -32.37

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 54 / 0 / 16 / 55

HEX #357260

RGB 53 114 96

HSL 162.3, 0.37%, 0.33%

LAB 43.71, -24.53, 3.98

 

CMYK 16 / 54 / 0 / 55

HEX #603572

RGB 96 53 114

HSL 282.3, 0.37%, 0.33%

LAB 30.03, 30.62, -27.58

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 48 / 0 / 54 / 55

HEX #3B7235

RGB 59 114 53

HSL 114.1, 0.37%, 0.33%

LAB 43.1, -31.44, 28.07

 

CMYK 54 / 37 / 0 / 55

HEX #354872

RGB 53 72 114

HSL 221.31, 0.37%, 0.33%

LAB 30.89, 5.67, -26.49

 

CMYK 5 / 54 / 0 / 55

HEX #6C3572

RGB 108 53 114

HSL 294.1, 0.37%, 0.33%

LAB 31.69, 34.31, -24.85

 

CMYK 0 / 16 / 53 / 55

HEX #726036

RGB 114 96 54

HSL 42, 0.36%, 0.33%

LAB 41.55, 1.3, 26.54

 

CMYK 54 / 0 / 43 / 55

HEX #357241

RGB 53 114 65

HSL 131.8, 0.37%, 0.33%

LAB 43.02, -31.34, 21.27

 

CMYK 54 / 37 / 0 / 55

HEX #354872

RGB 53 72 114

HSL 221.31, 0.37%, 0.33%

LAB 30.89, 5.67, -26.49

 

CMYK 0 / 54 / 11 / 55

HEX #723566

RGB 114 53 102

HSL 311.8, 0.37%, 0.33%

LAB 31.99, 33.88, -16.68

 

Description

Color code: RGB 114 96 54 | qconv.com Color code: RGB 114 96 54 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 114 red, 96 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
114 96 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 53 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 53% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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