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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 130 164 it is the complementary color RGB 140 125 91. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 130 164. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 130 164 shade: RGB 120 130 159, RGB 137 148 178, RGB 154 166 197, RGB 171 184 216 and RGB 188 202 235

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 130 164. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 130 164 shade: RGB 115 130 164, RGB 98 112 145, RGB 81 94 126, RGB 64 76 107 and RGB 47 58 88

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 130 164 shade: RGB 116 130 164, RGB 116 117 164, RGB 127 116 164, RGB 140 116 164 and RGB 153 116 164

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 130 164 shade: RGB 116 130 164, RGB 116 117 164 and RGB 116 116 164

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 130 164 shade matches the following richer shades: RGB 116 130 164, RGB 97 123 182, RGB 79 116 201, RGB 60 109 220 and RGB 41 102 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 130 164 shade: RGB 116 130 164, RGB 134 138 145, RGB 153 145 127, RGB 171 152 108 and RGB 190 159 90

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 130 164 shade: RGB 116 157 164, RGB 116 144 164, RGB 116 131 164, RGB 116 118 164 and RGB 126 116 164

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 130 164 shade: RGB 78 90 119, RGB 94 109 144, RGB 116 130 164, RGB 141 153 180 and RGB 166 175 196

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 130 164 shade: RGB 115 130 164, RGB 158 116 164 and RGB 150 164 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 130 164 shade: RGB 115 130 164, RGB 164 116 131 and RGB 131 164 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 130 164 shade: RGB 115 130 164, RGB 158 116 164, RGB 164 149 116 and RGB 121 164 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 130 164 shade: RGB 115 130 164, RGB 164 116 155, RGB 164 149 116 and RGB 116 164 124

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

Complementary color

CMYK 0 / 11 / 35 / 45

HEX #8C7D5B

RGB 140 125 91

HSL 41.63, 0.21%, 0.45%

LAB 52.95, 0.39, 20.66

 

CMYK 25 / 18 / 0 / 38

HEX #78829F

RGB 120 130 159

HSL 224.62, 0.17%, 0.55%

LAB 54.51, 2.99, -16.69

 

CMYK 23 / 17 / 0 / 30

HEX #8994B2

RGB 137 148 178

HSL 223.9, 0.21%, 0.62%

LAB 61.41, 2.74, -16.97

 

CMYK 22 / 16 / 0 / 23

HEX #9AA6C5

RGB 154 166 197

HSL 223.26, 0.27%, 0.69%

LAB 68.15, 2.51, -17.27

 

CMYK 21 / 15 / 0 / 15

HEX #ABB8D8

RGB 171 184 216

HSL 222.67, 0.37%, 0.76%

LAB 74.76, 2.29, -17.57

 

CMYK 20 / 14 / 0 / 8

HEX #BCCAEB

RGB 188 202 235

HSL 222.13, 0.54%, 0.83%

LAB 81.25, 2.09, -17.89

 

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

CMYK 32 / 23 / 0 / 43

HEX #627091

RGB 98 112 145

HSL 222.13, 0.19%, 0.48%

LAB 47.27, 3.01, -19.71

 

CMYK 36 / 25 / 0 / 51

HEX #515E7E

RGB 81 94 126

HSL 222.67, 0.22%, 0.41%

LAB 40.02, 3.4, -19.56

 

CMYK 40 / 29 / 0 / 58

HEX #404C6B

RGB 64 76 107

HSL 223.26, 0.25%, 0.34%

LAB 32.53, 3.88, -19.48

 

CMYK 47 / 34 / 0 / 65

HEX #2F3A58

RGB 47 58 88

HSL 223.9, 0.3%, 0.26%

LAB 24.75, 4.52, -19.48

 

CMYK 29 / 21 / 0 / 36

HEX #7482A4

RGB 116 130 164

HSL 222.5, 0.21%, 0.55%

LAB 54.41, 2.99, -19.77

 

CMYK 29 / 29 / 0 / 36

HEX #7475A4

RGB 116 117 164

HSL 238.75, 0.21%, 0.55%

LAB 50.82, 10.67, -25.28

 

CMYK 23 / 29 / 0 / 36

HEX #7F74A4

RGB 127 116 164

HSL 253.75, 0.21%, 0.55%

LAB 51.48, 14.74, -24.2

 

CMYK 15 / 29 / 0 / 36

HEX #8C74A4

RGB 140 116 164

HSL 270, 0.21%, 0.55%

LAB 52.67, 18.98, -22.26

 

CMYK 7 / 29 / 0 / 36

HEX #9974A4

RGB 153 116 164

HSL 286.25, 0.21%, 0.55%

LAB 53.97, 23.34, -20.16

 

CMYK 29 / 21 / 0 / 36

HEX #7482A4

RGB 116 130 164

HSL 222.5, 0.21%, 0.55%

LAB 54.41, 2.99, -19.77

 

CMYK 29 / 29 / 0 / 36

HEX #7475A4

RGB 116 117 164

HSL 238.75, 0.21%, 0.55%

LAB 50.82, 10.67, -25.28

 

CMYK 29 / 29 / 0 / 36

HEX #7474A4

RGB 116 116 164

HSL 240, 0.21%, 0.55%

LAB 50.55, 11.27, -25.7

 

CMYK 29 / 21 / 0 / 36

HEX #7482A4

RGB 116 130 164

HSL 222.5, 0.21%, 0.55%

LAB 54.41, 2.99, -19.77

 

CMYK 47 / 32 / 0 / 29

HEX #617BB6

RGB 97 123 182

HSL 221.65, 0.37%, 0.55%

LAB 51.93, 6.83, -34.08

 

CMYK 61 / 42 / 0 / 21

HEX #4F74C9

RGB 79 116 201

HSL 221.8, 0.53%, 0.55%

LAB 49.94, 13.22, -48.2

 

CMYK 73 / 50 / 0 / 14

HEX #3C6DDC

RGB 60 109 220

HSL 221.63, 0.7%, 0.55%

LAB 48.34, 21.29, -61.63

 

CMYK 83 / 57 / 0 / 7

HEX #2966EE

RGB 41 102 238

HSL 221.42, 0.85%, 0.55%

LAB 47.17, 30.47, -73.71

 

CMYK 29 / 21 / 0 / 36

HEX #7482A4

RGB 116 130 164

HSL 222.5, 0.21%, 0.55%

LAB 54.41, 2.99, -19.77

 

CMYK 8 / 5 / 0 / 43

HEX #868A91

RGB 134 138 145

HSL 218.18, 0.05%, 0.55%

LAB 57.36, -0.03, -4.25

 

CMYK 0 / 5 / 17 / 40

HEX #99917F

RGB 153 145 127

HSL 41.54, 0.11%, 0.55%

LAB 60.39, -0.19, 10.62

 

CMYK 0 / 11 / 37 / 33

HEX #AB986C

RGB 171 152 108

HSL 41.9, 0.27%, 0.55%

LAB 63.51, 0.47, 25.74

 

CMYK 0 / 16 / 53 / 25

HEX #BE9F5A

RGB 190 159 90

HSL 41.4, 0.43%, 0.55%

LAB 66.89, 2.74, 39.97

 

CMYK 29 / 4 / 0 / 36

HEX #749DA4

RGB 116 157 164

HSL 188.75, 0.21%, 0.55%

LAB 62.09, -12.18, -8.17

 

CMYK 29 / 12 / 0 / 36

HEX #7490A4

RGB 116 144 164

HSL 205, 0.21%, 0.55%

LAB 58.36, -5.02, -13.77

 

CMYK 29 / 20 / 0 / 36

HEX #7483A4

RGB 116 131 164

HSL 221.25, 0.21%, 0.55%

LAB 54.68, 2.41, -19.35

 

CMYK 29 / 28 / 0 / 36

HEX #7476A4

RGB 116 118 164

HSL 237.5, 0.21%, 0.55%

LAB 51.09, 10.08, -24.86

 

CMYK 23 / 29 / 0 / 36

HEX #7E74A4

RGB 126 116 164

HSL 252.5, 0.21%, 0.55%

LAB 51.39, 14.42, -24.34

 

CMYK 34 / 24 / 0 / 53

HEX #4E5A77

RGB 78 90 119

HSL 222.44, 0.21%, 0.39%

LAB 38.31, 2.94, -17.92

 

CMYK 35 / 24 / 0 / 44

HEX #5E6D90

RGB 94 109 144

HSL 222, 0.21%, 0.47%

LAB 46.08, 3.31, -20.97

 

CMYK 29 / 21 / 0 / 36

HEX #7482A4

RGB 116 130 164

HSL 222.5, 0.21%, 0.55%

LAB 54.41, 2.99, -19.77

 

CMYK 22 / 15 / 0 / 29

HEX #8D99B4

RGB 141 153 180

HSL 221.54, 0.21%, 0.63%

LAB 63.13, 1.67, -15.46

 

CMYK 15 / 11 / 0 / 23

HEX #A6AFC4

RGB 166 175 196

HSL 222, 0.2%, 0.71%

LAB 71.39, 1.19, -11.75

 

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

CMYK 4 / 29 / 0 / 36

HEX #9E74A4

RGB 158 116 164

HSL 292.5, 0.21%, 0.55%

LAB 54.49, 25.03, -19.31

 

CMYK 9 / 0 / 29 / 36

HEX #96A474

RGB 150 164 116

HSL 77.5, 0.21%, 0.55%

LAB 65.2, -13.36, 23.33

 

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

CMYK 0 / 29 / 20 / 36

HEX #A47483

RGB 164 116 131

HSL 341.25, 0.21%, 0.55%

LAB 54.05, 21.18, -0.66

 

CMYK 20 / 0 / 29 / 36

HEX #83A474

RGB 131 164 116

HSL 101.25, 0.21%, 0.55%

LAB 63.87, -20.56, 21.3

 

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

CMYK 4 / 29 / 0 / 36

HEX #9E74A4

RGB 158 116 164

HSL 292.5, 0.21%, 0.55%

LAB 54.49, 25.03, -19.31

 

CMYK 0 / 9 / 29 / 36

HEX #A49574

RGB 164 149 116

HSL 41.25, 0.21%, 0.55%

LAB 62.21, 0.31, 19.48

 

CMYK 26 / 0 / 29 / 36

HEX #79A474

RGB 121 164 116

HSL 113.75, 0.21%, 0.55%

LAB 63.24, -24.16, 20.35

 

CMYK 30 / 21 / 0 / 36

HEX #7382A4

RGB 115 130 164

HSL 221.63, 0.21%, 0.55%

LAB 54.33, 2.68, -19.89

 

CMYK 0 / 29 / 5 / 36

HEX #A4749B

RGB 164 116 155

HSL 311.25, 0.21%, 0.55%

LAB 54.81, 25.36, -13.53

 

CMYK 0 / 9 / 29 / 36

HEX #A49574

RGB 164 149 116

HSL 41.25, 0.21%, 0.55%

LAB 62.21, 0.31, 19.48

 

CMYK 29 / 0 / 24 / 36

HEX #74A47C

RGB 116 164 124

HSL 130, 0.21%, 0.55%

LAB 63.11, -24.45, 15.72

 

Description

Color code: RGB 115 130 164 | qconv.com Color code: RGB 115 130 164 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 130 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 130 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 21 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 21% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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