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Color name
RGB 115 174 92

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 174 92 it is the complementary color RGB 140 81 163. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 174 92. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 174 92 shade: RGB 120 174 87, RGB 137 192 106, RGB 154 210 125, RGB 171 228 144 and RGB 188 246 163

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 174 92. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 174 92 shade: RGB 115 174 92, RGB 98 156 73, RGB 81 138 54, RGB 64 120 35 and RGB 47 102 16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 174 92 shade: RGB 114 174 90, RGB 136 174 90, RGB 159 174 90, RGB 174 166 90 and RGB 174 144 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 174 92 shade: RGB 114 174 90, RGB 91 174 90, RGB 90 174 112, RGB 90 174 134 and RGB 90 174 157

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 174 92 shade matches the following richer shades: RGB 114 174 90, RGB 105 194 71, RGB 96 213 51, RGB 88 233 31 and RGB 79 253 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 174 92 shade: RGB 114 174 90, RGB 123 154 110, RGB 131 134 130, RGB 140 114 150 and RGB 149 94 170

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 174 92 shade: RGB 158 174 90, RGB 136 174 90, RGB 114 174 90, RGB 92 174 90 and RGB 90 174 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 174 92 shade: RGB 77 122 60, RGB 95 150 73, RGB 114 174 90, RGB 138 187 118 and RGB 161 201 146

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 174 92 shade: RGB 115 174 92, RGB 90 174 167 and RGB 174 90 147

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 174 92 shade: RGB 115 174 92, RGB 90 114 174 and RGB 174 90 114

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 174 92 shade: RGB 115 174 92, RGB 90 174 167, RGB 150 90 174 and RGB 174 90 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 174 92 shade: RGB 115 174 92, RGB 90 156 174, RGB 150 90 174 and RGB 174 109 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

Complementary color

CMYK 14 / 50 / 0 / 36

HEX #8C51A3

RGB 140 81 163

HSL 283.17, 0.34%, 0.48%

LAB 44.38, 38.94, -34.57

 

CMYK 31 / 0 / 50 / 32

HEX #78AE57

RGB 120 174 87

HSL 97.24, 0.35%, 0.51%

LAB 65.71, -33.56, 38.83

 

CMYK 29 / 0 / 45 / 25

HEX #89C06A

RGB 137 192 106

HSL 98.37, 0.41%, 0.58%

LAB 72.27, -33.47, 37.62

 

CMYK 27 / 0 / 40 / 18

HEX #9AD27D

RGB 154 210 125

HSL 99.53, 0.49%, 0.66%

LAB 78.72, -33.35, 36.43

 

CMYK 25 / 0 / 37 / 11

HEX #ABE490

RGB 171 228 144

HSL 100.71, 0.61%, 0.73%

LAB 85.08, -33.2, 35.28

 

CMYK 24 / 0 / 34 / 4

HEX #BCF6A3

RGB 188 246 163

HSL 101.93, 0.82%, 0.8%

LAB 91.35, -33.05, 34.18

 

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

CMYK 37 / 0 / 53 / 39

HEX #629C49

RGB 98 156 73

HSL 101.93, 0.36%, 0.45%

LAB 58.84, -34.77, 37.23

 

CMYK 41 / 0 / 61 / 46

HEX #518A36

RGB 81 138 54

HSL 100.71, 0.44%, 0.38%

LAB 52.05, -34.75, 38.4

 

CMYK 47 / 0 / 71 / 53

HEX #407823

RGB 64 120 35

HSL 99.53, 0.55%, 0.3%

LAB 45.14, -34.52, 39.29

 

CMYK 54 / 0 / 84 / 60

HEX #2F6610

RGB 47 102 16

HSL 98.37, 0.73%, 0.23%

LAB 38.1, -33.92, 39.38

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 22 / 0 / 48 / 32

HEX #88AE5A

RGB 136 174 90

HSL 87.14, 0.34%, 0.52%

LAB 66.71, -27.26, 38.76

 

CMYK 9 / 0 / 48 / 32

HEX #9FAE5A

RGB 159 174 90

HSL 70.71, 0.34%, 0.52%

LAB 68.3, -18.16, 41.07

 

CMYK 0 / 5 / 48 / 32

HEX #AEA65A

RGB 174 166 90

HSL 54.29, 0.34%, 0.52%

LAB 67.28, -7.78, 40.12

 

CMYK 0 / 17 / 48 / 32

HEX #AE905A

RGB 174 144 90

HSL 38.57, 0.34%, 0.52%

LAB 61.38, 4.13, 32.81

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 48 / 0 / 48 / 32

HEX #5BAE5A

RGB 91 174 90

HSL 119.29, 0.34%, 0.52%

LAB 64.35, -42.65, 35.32

 

CMYK 48 / 0 / 36 / 32

HEX #5AAE70

RGB 90 174 112

HSL 135.71, 0.34%, 0.52%

LAB 64.66, -39.38, 24.17

 

CMYK 48 / 0 / 23 / 32

HEX #5AAE86

RGB 90 174 134

HSL 151.43, 0.34%, 0.52%

LAB 65.09, -35.04, 12.78

 

CMYK 48 / 0 / 10 / 32

HEX #5AAE9D

RGB 90 174 157

HSL 167.86, 0.34%, 0.52%

LAB 65.66, -29.74, 0.86

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 46 / 0 / 63 / 24

HEX #69C247

RGB 105 194 71

HSL 103.41, 0.5%, 0.52%

LAB 70.9, -48.94, 52.13

 

CMYK 55 / 0 / 76 / 16

HEX #60D533

RGB 96 213 51

HSL 103.33, 0.66%, 0.52%

LAB 76.26, -60.24, 65.07

 

CMYK 62 / 0 / 87 / 9

HEX #58E91F

RGB 88 233 31

HSL 103.07, 0.82%, 0.52%

LAB 82.08, -69.9, 75.39

 

CMYK 69 / 0 / 96 / 1

HEX #4FFD0B

RGB 79 253 11

HSL 103.14, 0.98%, 0.52%

LAB 87.94, -78.35, 82.84

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 20 / 0 / 29 / 40

HEX #7B9A6E

RGB 123 154 110

HSL 102.27, 0.18%, 0.52%

LAB 60.29, -19.36, 19.67

 

CMYK 2 / 0 / 3 / 47

HEX #838682

RGB 131 134 130

HSL 105, 0.02%, 0.52%

LAB 55.57, -1.9, 1.76

 

CMYK 7 / 24 / 0 / 41

HEX #8C7296

RGB 140 114 150

HSL 283.33, 0.15%, 0.52%

LAB 51.62, 17.07, -15.68

 

CMYK 12 / 45 / 0 / 33

HEX #955EAA

RGB 149 94 170

HSL 283.42, 0.31%, 0.52%

LAB 48.63, 35.91, -31.95

 

CMYK 9 / 0 / 48 / 32

HEX #9EAE5A

RGB 158 174 90

HSL 71.43, 0.34%, 0.52%

LAB 68.23, -18.57, 40.96

 

CMYK 22 / 0 / 48 / 32

HEX #88AE5A

RGB 136 174 90

HSL 87.14, 0.34%, 0.52%

LAB 66.71, -27.26, 38.76

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 47 / 0 / 48 / 32

HEX #5CAE5A

RGB 92 174 90

HSL 118.57, 0.34%, 0.52%

LAB 64.39, -42.36, 35.38

 

CMYK 48 / 0 / 36 / 32

HEX #5AAE6F

RGB 90 174 111

HSL 135, 0.34%, 0.52%

LAB 64.64, -39.56, 24.68

 

CMYK 37 / 0 / 51 / 52

HEX #4D7A3C

RGB 77 122 60

HSL 103.55, 0.34%, 0.36%

LAB 46.74, -27.99, 28.99

 

CMYK 37 / 0 / 51 / 41

HEX #5F9649

RGB 95 150 73

HSL 102.86, 0.35%, 0.44%

LAB 56.81, -33.07, 34.73

 

CMYK 34 / 0 / 48 / 32

HEX #72AE5A

RGB 114 174 90

HSL 102.86, 0.34%, 0.52%

LAB 65.43, -35.29, 36.89

 

CMYK 26 / 0 / 37 / 27

HEX #8ABB76

RGB 138 187 118

HSL 102.61, 0.34%, 0.6%

LAB 71.04, -29.1, 29.88

 

CMYK 20 / 0 / 27 / 21

HEX #A1C992

RGB 161 201 146

HSL 103.64, 0.34%, 0.68%

LAB 76.94, -23.49, 23.27

 

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

CMYK 48 / 0 / 4 / 32

HEX #5AAEA7

RGB 90 174 167

HSL 175, 0.34%, 0.52%

LAB 65.93, -27.22, -4.3

 

CMYK 0 / 48 / 16 / 32

HEX #AE5A93

RGB 174 90 147

HSL 319.29, 0.34%, 0.52%

LAB 50, 41.66, -16.02

 

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

CMYK 48 / 34 / 0 / 32

HEX #5A72AE

RGB 90 114 174

HSL 222.86, 0.34%, 0.52%

LAB 48.59, 8.05, -34.72

 

CMYK 0 / 48 / 34 / 32

HEX #AE5A72

RGB 174 90 114

HSL 342.86, 0.34%, 0.52%

LAB 48.92, 36.87, 2.1

 

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

CMYK 48 / 0 / 4 / 32

HEX #5AAEA7

RGB 90 174 167

HSL 175, 0.34%, 0.52%

LAB 65.93, -27.22, -4.3

 

CMYK 14 / 48 / 0 / 32

HEX #965AAE

RGB 150 90 174

HSL 282.86, 0.34%, 0.52%

LAB 48.07, 39.3, -35.16

 

CMYK 0 / 48 / 44 / 32

HEX #AE5A61

RGB 174 90 97

HSL 355, 0.34%, 0.52%

LAB 48.48, 34.86, 11.69

 

CMYK 34 / 0 / 47 / 32

HEX #73AE5C

RGB 115 174 92

HSL 103.17, 0.34%, 0.52%

LAB 65.51, -34.69, 35.99

 

CMYK 48 / 10 / 0 / 32

HEX #5A9CAE

RGB 90 156 174

HSL 192.86, 0.34%, 0.52%

LAB 60.79, -16.07, -15.91

 

CMYK 14 / 48 / 0 / 32

HEX #965AAE

RGB 150 90 174

HSL 282.86, 0.34%, 0.52%

LAB 48.07, 39.3, -35.16

 

CMYK 0 / 37 / 48 / 32

HEX #AE6D5A

RGB 174 109 90

HSL 13.57, 0.34%, 0.52%

LAB 52.59, 23.72, 21.43

 

Description

Color code: RGB 115 174 92 | qconv.com Color code: RGB 115 174 92 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 174 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 174 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, none magenta, 47 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 0% 47% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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