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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 180 166 it is the complementary color RGB 140 75 89. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 180 166. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 180 166 shade: RGB 120 180 161, RGB 137 198 180, RGB 154 216 199, RGB 171 234 218 and RGB 188 252 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 180 166. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 98 162 147, RGB 81 144 128, RGB 64 126 109 and RGB 47 108 90

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 115 180 148, RGB 115 180 131, RGB 117 180 115 and RGB 134 180 115

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 115 176 180, RGB 115 159 180, RGB 115 141 180 and RGB 115 124 180

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 180 166 shade matches the following richer shades: RGB 115 180 166, RGB 98 197 176, RGB 81 214 185, RGB 63 232 195 and RGB 46 249 205

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 133 162 156, RGB 150 145 146, RGB 167 128 136 and RGB 185 110 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 180 166 shade: RGB 115 180 131, RGB 115 180 148, RGB 115 180 166, RGB 115 176 180 and RGB 115 159 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 180 166 shade: RGB 74 138 124, RGB 89 165 149, RGB 115 180 166, RGB 142 194 183 and RGB 169 208 200

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 115 116 180 and RGB 180 140 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 166 115 180 and RGB 180 166 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 115 116 180, RGB 180 115 129 and RGB 180 178 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 180 166 shade: RGB 115 180 166, RGB 133 115 180, RGB 180 115 129 and RGB 161 180 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

Complementary color

CMYK 0 / 46 / 36 / 45

HEX #8C4B59

RGB 140 75 89

HSL 347.08, 0.3%, 0.42%

LAB 40.13, 29.07, 4.08

 

CMYK 33 / 0 / 11 / 29

HEX #78B4A1

RGB 120 180 161

HSL 161, 0.29%, 0.59%

LAB 68.9, -23.64, 3.53

 

CMYK 31 / 0 / 9 / 22

HEX #89C6B4

RGB 137 198 180

HSL 162.3, 0.35%, 0.66%

LAB 75.45, -23.45, 2.77

 

CMYK 29 / 0 / 8 / 15

HEX #9AD8C7

RGB 154 216 199

HSL 163.55, 0.44%, 0.73%

LAB 81.9, -23.26, 2.04

 

CMYK 27 / 0 / 7 / 8

HEX #ABEADA

RGB 171 234 218

HSL 164.76, 0.6%, 0.79%

LAB 88.24, -23.1, 1.36

 

CMYK 25 / 0 / 6 / 1

HEX #BCFCED

RGB 188 252 237

HSL 165.94, 0.91%, 0.86%

LAB 94.49, -22.95, 0.7

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 40 / 0 / 9 / 36

HEX #62A293

RGB 98 162 147

HSL 165.94, 0.26%, 0.51%

LAB 62.12, -24.14, 1.34

 

CMYK 44 / 0 / 11 / 44

HEX #519080

RGB 81 144 128

HSL 164.76, 0.28%, 0.44%

LAB 55.33, -24.31, 2.17

 

CMYK 49 / 0 / 13 / 51

HEX #407E6D

RGB 64 126 109

HSL 163.55, 0.33%, 0.37%

LAB 48.41, -24.46, 3.09

 

CMYK 56 / 0 / 17 / 58

HEX #2F6C5A

RGB 47 108 90

HSL 162.3, 0.39%, 0.3%

LAB 41.32, -24.54, 4.13

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 36 / 0 / 18 / 29

HEX #73B494

RGB 115 180 148

HSL 150.46, 0.3%, 0.58%

LAB 68.33, -27.92, 9.82

 

CMYK 36 / 0 / 27 / 29

HEX #73B483

RGB 115 180 131

HSL 134.77, 0.3%, 0.58%

LAB 67.97, -31.27, 18.59

 

CMYK 35 / 0 / 36 / 29

HEX #75B473

RGB 117 180 115

HSL 118.15, 0.3%, 0.58%

LAB 67.77, -33.41, 26.93

 

CMYK 26 / 0 / 36 / 29

HEX #86B473

RGB 134 180 115

HSL 102.46, 0.3%, 0.58%

LAB 68.71, -27.59, 28.35

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 36 / 2 / 0 / 29

HEX #73B0B4

RGB 115 176 180

HSL 183.69, 0.3%, 0.58%

LAB 68.01, -18.57, -8.3

 

CMYK 36 / 12 / 0 / 29

HEX #739FB4

RGB 115 159 180

HSL 199.38, 0.3%, 0.58%

LAB 63.12, -9.53, -15.63

 

CMYK 36 / 22 / 0 / 29

HEX #738DB4

RGB 115 141 180

HSL 216, 0.3%, 0.58%

LAB 58.03, 0.56, -23.4

 

CMYK 36 / 31 / 0 / 29

HEX #737CB4

RGB 115 124 180

HSL 231.69, 0.3%, 0.58%

LAB 53.34, 10.51, -30.65

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 50 / 0 / 11 / 23

HEX #62C5B0

RGB 98 197 176

HSL 167.27, 0.46%, 0.58%

LAB 73.33, -34.18, 1.63

 

CMYK 62 / 0 / 14 / 16

HEX #51D6B9

RGB 81 214 185

HSL 166.92, 0.62%, 0.58%

LAB 78.08, -43.09, 3.61

 

CMYK 73 / 0 / 16 / 9

HEX #3FE8C3

RGB 63 232 195

HSL 166.86, 0.79%, 0.58%

LAB 83.29, -50.93, 5.79

 

CMYK 82 / 0 / 18 / 2

HEX #2EF9CD

RGB 46 249 205

HSL 167, 0.94%, 0.58%

LAB 88.32, -57.04, 7.77

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 18 / 0 / 4 / 36

HEX #85A29C

RGB 133 162 156

HSL 167.59, 0.13%, 0.58%

LAB 64.34, -11.28, -0.23

 

CMYK 0 / 3 / 3 / 41

HEX #969192

RGB 150 145 146

HSL 348, 0.02%, 0.58%

LAB 60.61, 2.03, 0.12

 

CMYK 0 / 23 / 19 / 35

HEX #A78088

RGB 167 128 136

HSL 347.69, 0.18%, 0.58%

LAB 57.49, 16.3, 1.5

 

CMYK 0 / 41 / 32 / 27

HEX #B96E7E

RGB 185 110 126

HSL 347.2, 0.35%, 0.58%

LAB 55.04, 31.73, 4.03

 

CMYK 36 / 0 / 27 / 29

HEX #73B483

RGB 115 180 131

HSL 134.77, 0.3%, 0.58%

LAB 67.97, -31.27, 18.59

 

CMYK 36 / 0 / 18 / 29

HEX #73B494

RGB 115 180 148

HSL 150.46, 0.3%, 0.58%

LAB 68.33, -27.92, 9.82

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 36 / 2 / 0 / 29

HEX #73B0B4

RGB 115 176 180

HSL 183.69, 0.3%, 0.58%

LAB 68.01, -18.57, -8.3

 

CMYK 36 / 12 / 0 / 29

HEX #739FB4

RGB 115 159 180

HSL 199.38, 0.3%, 0.58%

LAB 63.12, -9.53, -15.63

 

CMYK 46 / 0 / 10 / 46

HEX #4A8A7C

RGB 74 138 124

HSL 166.88, 0.3%, 0.42%

LAB 53.05, -24.14, 1.12

 

CMYK 46 / 0 / 10 / 35

HEX #59A595

RGB 89 165 149

HSL 167.37, 0.3%, 0.5%

LAB 62.68, -27.56, 0.98

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 27 / 0 / 6 / 24

HEX #8EC2B7

RGB 142 194 183

HSL 167.31, 0.3%, 0.66%

LAB 74.67, -19.29, 0.03

 

CMYK 19 / 0 / 4 / 18

HEX #A9D0C8

RGB 169 208 200

HSL 167.69, 0.29%, 0.74%

LAB 80.58, -14.45, -0.3

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 36 / 36 / 0 / 29

HEX #7374B4

RGB 115 116 180

HSL 239.08, 0.3%, 0.58%

LAB 51.19, 15.3, -34.01

 

CMYK 0 / 22 / 36 / 29

HEX #B48C73

RGB 180 140 115

HSL 23.08, 0.3%, 0.58%

LAB 61.39, 11.68, 19.18

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 8 / 36 / 0 / 29

HEX #A673B4

RGB 166 115 180

HSL 287.08, 0.3%, 0.58%

LAB 55.75, 31.53, -26.54

 

CMYK 0 / 8 / 36 / 29

HEX #B4A673

RGB 180 166 115

HSL 47.08, 0.3%, 0.58%

LAB 68.18, -2.57, 28.27

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 36 / 36 / 0 / 29

HEX #7374B4

RGB 115 116 180

HSL 239.08, 0.3%, 0.58%

LAB 51.19, 15.3, -34.01

 

CMYK 0 / 36 / 28 / 29

HEX #B47381

RGB 180 115 129

HSL 347.08, 0.3%, 0.58%

LAB 55.63, 27.51, 3.05

 

CMYK 0 / 1 / 36 / 29

HEX #B4B273

RGB 180 178 115

HSL 58.15, 0.3%, 0.58%

LAB 71.41, -8.94, 32.49

 

CMYK 36 / 0 / 8 / 29

HEX #73B4A6

RGB 115 180 166

HSL 167.08, 0.3%, 0.58%

LAB 68.78, -23.97, 0.57

 

CMYK 26 / 36 / 0 / 29

HEX #8573B4

RGB 133 115 180

HSL 256.62, 0.3%, 0.58%

LAB 52.45, 21.19, -31.93

 

CMYK 0 / 36 / 28 / 29

HEX #B47381

RGB 180 115 129

HSL 347.08, 0.3%, 0.58%

LAB 55.63, 27.51, 3.05

 

CMYK 11 / 0 / 36 / 29

HEX #A1B473

RGB 161 180 115

HSL 77.54, 0.3%, 0.58%

LAB 70.5, -17.49, 31.02

 

Description

Color code: RGB 115 180 166 | qconv.com Color code: RGB 115 180 166 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 180 green and 166 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 180 166 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 8 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 8% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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