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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 205 94 it is the complementary color RGB 140 50 161. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 205 94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 205 94 shade: RGB 120 205 89, RGB 137 223 108, RGB 154 241 127, RGB 171 255 146 and RGB 188 255 165

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 205 94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 205 94 shade: RGB 115 205 94, RGB 98 187 75, RGB 81 169 56, RGB 64 151 37 and RGB 47 133 18

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 205 94 shade: RGB 116 205 95, RGB 145 205 95, RGB 175 205 95, RGB 205 205 95 and RGB 205 176 95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 205 94 shade: RGB 116 205 95, RGB 95 205 103, RGB 95 205 133, RGB 95 205 163 and RGB 95 205 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 205 94 shade matches the following richer shades: RGB 116 205 95, RGB 105 222 78 and RGB 94 239 61

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 205 94 shade: RGB 116 205 95, RGB 126 188 111, RGB 137 172 128, RGB 147 155 145 and RGB 158 138 162

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 205 94 shade: RGB 176 205 95, RGB 146 205 95, RGB 117 205 95, RGB 95 205 102 and RGB 95 205 131

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 205 94 shade: RGB 73 167 51, RGB 88 196 63, RGB 116 205 95, RGB 143 215 126 and RGB 170 225 158

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 205 94 shade: RGB 115 205 94, RGB 95 205 205 and RGB 205 95 161

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 205 94 shade: RGB 115 205 94, RGB 95 117 205 and RGB 205 95 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 205 94 shade: RGB 115 205 94, RGB 95 205 205, RGB 183 95 205 and RGB 205 95 95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 205 94 shade: RGB 115 205 94, RGB 95 172 205, RGB 183 95 205 and RGB 205 128 95

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

Complementary color

CMYK 13 / 69 / 0 / 37

HEX #8C32A1

RGB 140 50 161

HSL 288.65, 0.53%, 0.41%

LAB 38.6, 53.83, -42.55

 

CMYK 41 / 0 / 57 / 20

HEX #78CD59

RGB 120 205 89

HSL 103.97, 0.54%, 0.58%

LAB 75.06, -46.93, 49.02

 

CMYK 39 / 0 / 52 / 13

HEX #89DF6C

RGB 137 223 108

HSL 104.87, 0.64%, 0.65%

LAB 81.39, -46.93, 47.89

 

CMYK 36 / 0 / 47 / 5

HEX #9AF17F

RGB 154 241 127

HSL 105.79, 0.8%, 0.72%

LAB 87.64, -46.85, 46.72

 

CMYK 33 / 0 / 43 / 0

HEX #ABFF92

RGB 171 255 146

HSL 106.24, 1%, 0.79%

LAB 92.69, -45.01, 44.12

 

CMYK 26 / 0 / 35 / 0

HEX #BCFFA5

RGB 188 255 165

HSL 104.67, 1%, 0.82%

LAB 93.85, -36.88, 36.5

 

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

CMYK 48 / 0 / 60 / 27

HEX #62BB4B

RGB 98 187 75

HSL 107.68, 0.45%, 0.51%

LAB 68.49, -47.83, 47.58

 

CMYK 52 / 0 / 67 / 34

HEX #51A938

RGB 81 169 56

HSL 106.73, 0.5%, 0.44%

LAB 62.01, -47.54, 48.53

 

CMYK 58 / 0 / 75 / 41

HEX #409725

RGB 64 151 37

HSL 105.79, 0.61%, 0.37%

LAB 55.44, -46.95, 49.03

 

CMYK 65 / 0 / 86 / 48

HEX #2F8512

RGB 47 133 18

HSL 104.87, 0.76%, 0.3%

LAB 48.79, -45.85, 48.57

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 29 / 0 / 54 / 20

HEX #91CD5F

RGB 145 205 95

HSL 92.73, 0.52%, 0.59%

LAB 76.38, -37.86, 48.1

 

CMYK 15 / 0 / 54 / 20

HEX #AFCD5F

RGB 175 205 95

HSL 76.36, 0.52%, 0.59%

LAB 78.23, -26.61, 50.74

 

CMYK 0 / 0 / 54 / 20

HEX #CDCD5F

RGB 205 205 95

HSL 60, 0.52%, 0.59%

LAB 80.44, -14.58, 53.87

 

CMYK 0 / 14 / 54 / 20

HEX #CDB05F

RGB 205 176 95

HSL 44.18, 0.52%, 0.59%

LAB 72.8, 0.4, 44.92

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 54 / 0 / 50 / 20

HEX #5FCD67

RGB 95 205 103

HSL 124.36, 0.52%, 0.59%

LAB 74.24, -52.35, 41.16

 

CMYK 54 / 0 / 35 / 20

HEX #5FCD85

RGB 95 205 133

HSL 140.73, 0.52%, 0.59%

LAB 74.69, -47.54, 26.52

 

CMYK 54 / 0 / 20 / 20

HEX #5FCDA3

RGB 95 205 163

HSL 157.09, 0.52%, 0.59%

LAB 75.29, -41.49, 11.45

 

CMYK 54 / 0 / 6 / 20

HEX #5FCDC1

RGB 95 205 193

HSL 173.45, 0.52%, 0.59%

LAB 76.04, -34.35, -3.62

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 53 / 0 / 65 / 13

HEX #69DE4E

RGB 105 222 78

HSL 108.75, 0.69%, 0.59%

LAB 79.5, -59.07, 58.63

 

CMYK 61 / 0 / 74 / 6

HEX #5EEF3D

RGB 94 239 61

HSL 108.88, 0.85%, 0.59%

LAB 84.2, -69.05, 69.6

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 33 / 0 / 41 / 26

HEX #7EBC6F

RGB 126 188 111

HSL 108.31, 0.36%, 0.59%

LAB 70.56, -34.74, 32.77

 

CMYK 20 / 0 / 26 / 33

HEX #89AC80

RGB 137 172 128

HSL 107.73, 0.21%, 0.59%

LAB 66.81, -20.47, 18.83

 

CMYK 5 / 0 / 6 / 39

HEX #939B91

RGB 147 155 145

HSL 108, 0.05%, 0.59%

LAB 63.09, -4.8, 4.24

 

CMYK 2 / 15 / 0 / 36

HEX #9E8AA2

RGB 158 138 162

HSL 290, 0.11%, 0.59%

LAB 59.94, 12.01, -9.92

 

CMYK 14 / 0 / 54 / 20

HEX #B0CD5F

RGB 176 205 95

HSL 75.82, 0.52%, 0.59%

LAB 78.3, -26.22, 50.84

 

CMYK 29 / 0 / 54 / 20

HEX #92CD5F

RGB 146 205 95

HSL 92.18, 0.52%, 0.59%

LAB 76.44, -37.5, 48.18

 

CMYK 43 / 0 / 54 / 20

HEX #75CD5F

RGB 117 205 95

HSL 108, 0.52%, 0.59%

LAB 75, -47.19, 46.12

 

CMYK 54 / 0 / 50 / 20

HEX #5FCD66

RGB 95 205 102

HSL 123.82, 0.52%, 0.59%

LAB 74.22, -52.49, 41.63

 

CMYK 54 / 0 / 36 / 20

HEX #5FCD83

RGB 95 205 131

HSL 139.64, 0.52%, 0.59%

LAB 74.66, -47.9, 27.52

 

CMYK 56 / 0 / 69 / 35

HEX #49A733

RGB 73 167 51

HSL 108.62, 0.53%, 0.43%

LAB 61.04, -49.45, 49.48

 

CMYK 55 / 0 / 68 / 23

HEX #58C43F

RGB 88 196 63

HSL 108.72, 0.53%, 0.51%

LAB 70.81, -55.28, 55.16

 

CMYK 43 / 0 / 54 / 20

HEX #74CD5F

RGB 116 205 95

HSL 108.55, 0.52%, 0.59%

LAB 74.95, -47.49, 46.06

 

CMYK 33 / 0 / 41 / 16

HEX #8FD77E

RGB 143 215 126

HSL 108.54, 0.53%, 0.67%

LAB 79.58, -39.21, 36.92

 

CMYK 24 / 0 / 30 / 12

HEX #AAE19E

RGB 170 225 158

HSL 109.25, 0.53%, 0.75%

LAB 84.41, -30.07, 27.25

 

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

CMYK 54 / 0 / 0 / 20

HEX #5FCDCD

RGB 95 205 205

HSL 180, 0.52%, 0.59%

LAB 76.38, -31.23, -9.58

 

CMYK 0 / 54 / 21 / 20

HEX #CD5FA1

RGB 205 95 161

HSL 324, 0.52%, 0.59%

LAB 55.82, 51.18, -15

 

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

CMYK 54 / 43 / 0 / 20

HEX #5F75CD

RGB 95 117 205

HSL 228, 0.52%, 0.59%

LAB 51.34, 17.2, -48.2

 

CMYK 0 / 54 / 43 / 20

HEX #CD5F75

RGB 205 95 117

HSL 348, 0.52%, 0.59%

LAB 54.5, 45.69, 8.91

 

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

CMYK 54 / 0 / 0 / 20

HEX #5FCDCD

RGB 95 205 205

HSL 180, 0.52%, 0.59%

LAB 76.38, -31.23, -9.58

 

CMYK 11 / 54 / 0 / 20

HEX #B75FCD

RGB 183 95 205

HSL 288, 0.52%, 0.59%

LAB 54.72, 52.32, -42.32

 

CMYK 0 / 54 / 54 / 20

HEX #CD5F5F

RGB 205 95 95

HSL 0, 0.52%, 0.59%

LAB 54.02, 43.61, 21.19

 

CMYK 44 / 0 / 54 / 20

HEX #73CD5E

RGB 115 205 94

HSL 108.65, 0.53%, 0.59%

LAB 74.9, -47.92, 46.45

 

CMYK 54 / 16 / 0 / 20

HEX #5FACCD

RGB 95 172 205

HSL 198, 0.52%, 0.59%

LAB 66.78, -14.54, -24.07

 

CMYK 11 / 54 / 0 / 20

HEX #B75FCD

RGB 183 95 205

HSL 288, 0.52%, 0.59%

LAB 54.72, 52.32, -42.32

 

CMYK 0 / 38 / 54 / 20

HEX #CD805F

RGB 205 128 95

HSL 18, 0.52%, 0.59%

LAB 61, 26.37, 30.32

 

Description

Color code: RGB 115 205 94 | qconv.com Color code: RGB 115 205 94 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 205 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 205 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 54 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 54% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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