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Color name
RGB 115 42 43

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 42 43 it is the complementary color RGB 140 213 212. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 42 43. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 42 43 shade: RGB 120 42 38, RGB 137 60 57, RGB 154 78 76, RGB 171 96 95 and RGB 188 114 114

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 42 43. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 98 24 24, RGB 81 6 5, RGB 64 0 0 and RGB 47 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 42 43 shade: RGB 115 42 43 and RGB 115 42 42

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 115 42 63, RGB 115 42 82, RGB 115 42 102 and RGB 108 42 115

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 42 43 shade matches the following richer shades: RGB 115 42 43, RGB 128 29 31, RGB 140 17 18 and RGB 153 4 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 102 55 56, RGB 89 68 68, RGB 77 81 81 and RGB 64 93 93

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 42 43 shade: RGB 115 42 82, RGB 115 42 63, RGB 115 42 43, RGB 115 60 42 and RGB 115 80 42

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 42 43 shade: RGB 55 20 20, RGB 85 31 32, RGB 115 42 43, RGB 145 53 55 and RGB 175 64 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 102 115 42 and RGB 42 72 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 43 115 42 and RGB 42 43 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 102 115 42, RGB 42 115 114 and RGB 56 42 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 42 43 shade: RGB 115 42 43, RGB 80 115 42, RGB 42 115 114 and RGB 77 42 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

Complementary color

CMYK 34 / 0 / 0 / 16

HEX #8CD5D4

RGB 140 213 212

HSL 179.18, 0.46%, 0.69%

LAB 80.69, -22.82, -6.73

 

CMYK 0 / 65 / 68 / 53

HEX #782A26

RGB 120 42 38

HSL 2.93, 0.52%, 0.31%

LAB 28.87, 33.83, 20.67

 

CMYK 0 / 56 / 58 / 46

HEX #893C39

RGB 137 60 57

HSL 2.25, 0.41%, 0.38%

LAB 35.69, 32.64, 17.92

 

CMYK 0 / 49 / 51 / 40

HEX #9A4E4C

RGB 154 78 76

HSL 1.54, 0.34%, 0.45%

LAB 42.52, 31.41, 15.76

 

CMYK 0 / 44 / 44 / 33

HEX #AB605F

RGB 171 96 95

HSL 0.79, 0.31%, 0.52%

LAB 49.31, 30.25, 13.98

 

CMYK 0 / 39 / 39 / 26

HEX #BC7272

RGB 188 114 114

HSL 0, 0.36%, 0.59%

LAB 56.03, 29.18, 12.48

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 76 / 76 / 62

HEX #621818

RGB 98 24 24

HSL 0, 0.61%, 0.24%

LAB 21.27, 33.09, 19.59

 

CMYK 0 / 93 / 94 / 68

HEX #510605

RGB 81 6 5

HSL 0.79, 0.88%, 0.17%

LAB 14.9, 32.92, 21.05

 

CMYK 0 / 100 / 100 / 75

HEX #400000

RGB 64 0 0

HSL 0, 1%, 0.13%

LAB 9.72, 29.76, 15.34

 

CMYK 0 / 100 / 100 / 82

HEX #2F0000

RGB 47 0 0

HSL 0, 1%, 0.09%

LAB 5.46, 23.03, 8.63

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 63 / 63 / 55

HEX #732A2A

RGB 115 42 42

HSL 0, 0.46%, 0.31%

LAB 28.03, 32.19, 16.82

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 63 / 45 / 55

HEX #732A3F

RGB 115 42 63

HSL 342.74, 0.46%, 0.31%

LAB 28.54, 34.19, 3.62

 

CMYK 0 / 63 / 29 / 55

HEX #732A52

RGB 115 42 82

HSL 327.12, 0.46%, 0.31%

LAB 29.18, 36.64, -8

 

CMYK 0 / 63 / 11 / 55

HEX #732A66

RGB 115 42 102

HSL 310.68, 0.46%, 0.31%

LAB 30.06, 39.82, -19.66

 

CMYK 6 / 63 / 0 / 55

HEX #6C2A73

RGB 108 42 115

HSL 294.25, 0.46%, 0.31%

LAB 29.62, 40.25, -28.75

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 77 / 76 / 50

HEX #801D1F

RGB 128 29 31

HSL 358.79, 0.63%, 0.31%

LAB 28.29, 41.85, 24.81

 

CMYK 0 / 88 / 87 / 45

HEX #8C1112

RGB 140 17 18

HSL 359.51, 0.78%, 0.31%

LAB 29.46, 48.62, 34.53

 

CMYK 0 / 97 / 96 / 40

HEX #990406

RGB 153 4 6

HSL 359.19, 0.95%, 0.31%

LAB 31.51, 54.21, 42.86

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 46 / 45 / 60

HEX #663738

RGB 102 55 56

HSL 358.72, 0.3%, 0.31%

LAB 29.01, 21.01, 8.61

 

CMYK 0 / 24 / 24 / 65

HEX #594444

RGB 89 68 68

HSL 0, 0.13%, 0.31%

LAB 31.06, 9.03, 3.47

 

CMYK 5 / 0 / 0 / 68

HEX #4D5151

RGB 77 81 81

HSL 180, 0.03%, 0.31%

LAB 34.1, -1.6, -0.56

 

CMYK 31 / 0 / 0 / 64

HEX #405D5D

RGB 64 93 93

HSL 180, 0.18%, 0.31%

LAB 37.32, -10.64, -3.45

 

CMYK 0 / 63 / 29 / 55

HEX #732A52

RGB 115 42 82

HSL 327.12, 0.46%, 0.31%

LAB 29.18, 36.64, -8

 

CMYK 0 / 63 / 45 / 55

HEX #732A3F

RGB 115 42 63

HSL 342.74, 0.46%, 0.31%

LAB 28.54, 34.19, 3.62

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 48 / 63 / 55

HEX #733C2A

RGB 115 60 42

HSL 14.79, 0.46%, 0.31%

LAB 31.91, 22.28, 21.72

 

CMYK 0 / 30 / 63 / 55

HEX #73502A

RGB 115 80 42

HSL 31.23, 0.46%, 0.31%

LAB 37.02, 10.28, 27.9

 

CMYK 0 / 64 / 64 / 78

HEX #371414

RGB 55 20 20

HSL 0, 0.47%, 0.15%

LAB 11.71, 17.49, 8.43

 

CMYK 0 / 64 / 62 / 67

HEX #551F20

RGB 85 31 32

HSL 358.89, 0.47%, 0.23%

LAB 20.11, 25.21, 12.15

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 0 / 63 / 62 / 43

HEX #913537

RGB 145 53 55

HSL 358.7, 0.46%, 0.39%

LAB 35.68, 39.02, 19.43

 

CMYK 0 / 63 / 62 / 31

HEX #AF4042

RGB 175 64 66

HSL 358.92, 0.46%, 0.47%

LAB 43.02, 45.42, 23.14

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 11 / 0 / 63 / 55

HEX #66732A

RGB 102 115 42

HSL 70.68, 0.46%, 0.31%

LAB 45.98, -16.12, 37.71

 

CMYK 63 / 37 / 0 / 55

HEX #2A4873

RGB 42 72 115

HSL 215.34, 0.46%, 0.31%

LAB 30.31, 3.43, -28.08

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 63 / 0 / 63 / 55

HEX #2B732A

RGB 43 115 42

HSL 119.18, 0.46%, 0.31%

LAB 42.68, -38.03, 33.11

 

CMYK 63 / 63 / 0 / 55

HEX #2A2B73

RGB 42 43 115

HSL 239.18, 0.46%, 0.31%

LAB 21.79, 23.36, -41.75

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 11 / 0 / 63 / 55

HEX #66732A

RGB 102 115 42

HSL 70.68, 0.46%, 0.31%

LAB 45.98, -16.12, 37.71

 

CMYK 63 / 0 / 1 / 55

HEX #2A7372

RGB 42 115 114

HSL 179.18, 0.46%, 0.31%

LAB 44.19, -22.43, -6.16

 

CMYK 51 / 63 / 0 / 55

HEX #382A73

RGB 56 42 115

HSL 251.51, 0.46%, 0.31%

LAB 22.77, 26.89, -40.09

 

CMYK 0 / 63 / 63 / 55

HEX #732A2B

RGB 115 42 43

HSL 359.18, 0.46%, 0.31%

LAB 28.05, 32.27, 16.2

 

CMYK 30 / 0 / 63 / 55

HEX #50732A

RGB 80 115 42

HSL 88.77, 0.46%, 0.31%

LAB 44.42, -25.54, 35.55

 

CMYK 63 / 0 / 1 / 55

HEX #2A7372

RGB 42 115 114

HSL 179.18, 0.46%, 0.31%

LAB 44.19, -22.43, -6.16

 

CMYK 33 / 63 / 0 / 55

HEX #4D2A73

RGB 77 42 115

HSL 268.77, 0.46%, 0.31%

LAB 25.17, 31.95, -36.1

 

Description

Color code: RGB 115 42 43 | qconv.com Color code: RGB 115 42 43 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 42 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 42 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 63 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 63% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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