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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 115 91 88 it is the complementary color RGB 140 164 167. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 115 91 88. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 115 91 88 shade: RGB 120 91 83, RGB 137 109 102, RGB 154 127 121, RGB 171 145 140 and RGB 188 163 159

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 115 91 88. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 98 73 69, RGB 81 55 50, RGB 64 37 31 and RGB 47 19 12

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 115 91 88 shade: RGB 115 91 88 and RGB 115 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 115 98 88, RGB 115 105 88, RGB 115 113 88 and RGB 110 115 88

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 115 91 88 shade matches the following richer shades: RGB 115 91 88, RGB 131 78 72, RGB 148 66 55, RGB 164 53 39 and RGB 181 40 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 98 104 105, RGB 82 117 121, RGB 65 130 138 and RGB 49 143 154

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 115 91 88 shade: RGB 115 88 100, RGB 115 88 93, RGB 115 91 88, RGB 115 98 88 and RGB 115 105 88

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 115 91 88 shade: RGB 68 54 52, RGB 91 73 70, RGB 115 91 88, RGB 138 110 106 and RGB 157 131 128

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 107 115 88 and RGB 88 96 115

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 88 115 91 and RGB 91 88 115

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 107 115 88, RGB 88 112 115 and RGB 96 88 115

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 115 91 88 shade: RGB 115 91 88, RGB 99 115 88, RGB 88 112 115 and RGB 104 88 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

Complementary color

CMYK 16 / 2 / 0 / 35

HEX #8CA4A7

RGB 140 164 167

HSL 186.67, 0.13%, 0.6%

LAB 65.68, -7.67, -4.36

 

CMYK 0 / 24 / 31 / 53

HEX #785B53

RGB 120 91 83

HSL 12.97, 0.18%, 0.4%

LAB 41.37, 10.63, 9.2

 

CMYK 0 / 20 / 26 / 46

HEX #896D66

RGB 137 109 102

HSL 12, 0.15%, 0.47%

LAB 48.53, 9.96, 8.11

 

CMYK 0 / 18 / 21 / 40

HEX #9A7F79

RGB 154 127 121

HSL 10.91, 0.14%, 0.54%

LAB 55.51, 9.39, 7.15

 

CMYK 0 / 15 / 18 / 33

HEX #AB918C

RGB 171 145 140

HSL 9.68, 0.16%, 0.61%

LAB 62.34, 8.9, 6.26

 

CMYK 0 / 13 / 15 / 26

HEX #BCA39F

RGB 188 163 159

HSL 8.28, 0.18%, 0.68%

LAB 69.03, 8.47, 5.44

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 26 / 30 / 62

HEX #624945

RGB 98 73 69

HSL 8.28, 0.17%, 0.33%

LAB 33.54, 9.99, 6.52

 

CMYK 0 / 32 / 38 / 68

HEX #513732

RGB 81 55 50

HSL 9.68, 0.24%, 0.26%

LAB 25.9, 10.85, 7.77

 

CMYK 0 / 42 / 52 / 75

HEX #40251F

RGB 64 37 31

HSL 10.91, 0.35%, 0.19%

LAB 17.97, 11.99, 9.36

 

CMYK 0 / 60 / 74 / 82

HEX #2F130C

RGB 47 19 12

HSL 12, 0.59%, 0.12%

LAB 9.77, 13.53, 9.95

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 23 / 23 / 55

HEX #735858

RGB 115 88 88

HSL 0, 0.13%, 0.4%

LAB 40.13, 11.12, 4.28

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 15 / 23 / 55

HEX #736258

RGB 115 98 88

HSL 22.22, 0.13%, 0.4%

LAB 42.89, 5.09, 8.21

 

CMYK 0 / 9 / 23 / 55

HEX #736958

RGB 115 105 88

HSL 37.78, 0.13%, 0.4%

LAB 44.88, 0.93, 11

 

CMYK 0 / 2 / 23 / 55

HEX #737158

RGB 115 113 88

HSL 55.56, 0.13%, 0.4%

LAB 47.18, -3.73, 14.19

 

CMYK 4 / 0 / 23 / 55

HEX #6E7358

RGB 110 115 88

HSL 71.11, 0.13%, 0.4%

LAB 47.34, -6.95, 14.34

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 40 / 45 / 49

HEX #834E48

RGB 131 78 72

HSL 6.1, 0.29%, 0.4%

LAB 39.14, 21.6, 13.07

 

CMYK 0 / 55 / 63 / 42

HEX #944237

RGB 148 66 55

HSL 7.1, 0.46%, 0.4%

LAB 38.67, 33.65, 23.35

 

CMYK 0 / 68 / 76 / 36

HEX #A43527

RGB 164 53 39

HSL 6.72, 0.62%, 0.4%

LAB 38.87, 44.91, 33.74

 

CMYK 0 / 78 / 88 / 29

HEX #B52816

RGB 181 40 22

HSL 6.79, 0.78%, 0.4%

LAB 40.24, 54.76, 45.03

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 7 / 1 / 0 / 59

HEX #626869

RGB 98 104 105

HSL 188.57, 0.03%, 0.4%

LAB 43.53, -2.08, -1.36

 

CMYK 32 / 3 / 0 / 53

HEX #527579

RGB 82 117 121

HSL 186.15, 0.19%, 0.4%

LAB 46.84, -11.33, -6.21

 

CMYK 53 / 6 / 0 / 46

HEX #41828A

RGB 65 130 138

HSL 186.58, 0.36%, 0.4%

LAB 50.6, -18.37, -10.7

 

CMYK 68 / 7 / 0 / 40

HEX #318F9A

RGB 49 143 154

HSL 186.29, 0.52%, 0.4%

LAB 54.69, -23.42, -13.87

 

CMYK 0 / 23 / 13 / 55

HEX #735864

RGB 115 88 100

HSL 333.33, 0.13%, 0.4%

LAB 40.48, 13.23, -2.61

 

CMYK 0 / 23 / 19 / 55

HEX #73585D

RGB 115 88 93

HSL 348.89, 0.13%, 0.4%

LAB 40.27, 11.97, 1.4

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 15 / 23 / 55

HEX #736258

RGB 115 98 88

HSL 22.22, 0.13%, 0.4%

LAB 42.89, 5.09, 8.21

 

CMYK 0 / 9 / 23 / 55

HEX #736958

RGB 115 105 88

HSL 37.78, 0.13%, 0.4%

LAB 44.88, 0.93, 11

 

CMYK 0 / 21 / 24 / 73

HEX #443634

RGB 68 54 52

HSL 7.5, 0.13%, 0.24%

LAB 24.05, 5.85, 3.6

 

CMYK 0 / 20 / 23 / 64

HEX #5B4946

RGB 91 73 70

HSL 8.57, 0.13%, 0.32%

LAB 32.77, 7.09, 4.67

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 0 / 20 / 23 / 46

HEX #8A6E6A

RGB 138 110 106

HSL 7.5, 0.13%, 0.48%

LAB 49, 10.41, 6.43

 

CMYK 0 / 17 / 18 / 38

HEX #9D8380

RGB 157 131 128

HSL 6.21, 0.13%, 0.56%

LAB 57.04, 9.42, 5.32

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 7 / 0 / 23 / 55

HEX #6B7358

RGB 107 115 88

HSL 77.78, 0.13%, 0.4%

LAB 47.09, -8.18, 13.96

 

CMYK 23 / 17 / 0 / 55

HEX #586073

RGB 88 96 115

HSL 222.22, 0.13%, 0.4%

LAB 40.7, 1.47, -11.76

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 23 / 0 / 21 / 55

HEX #58735B

RGB 88 115 91

HSL 126.67, 0.13%, 0.4%

LAB 45.76, -15.07, 10.13

 

CMYK 21 / 23 / 0 / 55

HEX #5B5873

RGB 91 88 115

HSL 246.67, 0.13%, 0.4%

LAB 38.62, 7.47, -14.89

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 7 / 0 / 23 / 55

HEX #6B7358

RGB 107 115 88

HSL 77.78, 0.13%, 0.4%

LAB 47.09, -8.18, 13.96

 

CMYK 23 / 3 / 0 / 55

HEX #587073

RGB 88 112 115

HSL 186.67, 0.13%, 0.4%

LAB 45.5, -8.04, -4.57

 

CMYK 17 / 23 / 0 / 55

HEX #605873

RGB 96 88 115

HSL 257.78, 0.13%, 0.4%

LAB 39.08, 9.24, -14.16

 

CMYK 0 / 21 / 23 / 55

HEX #735B58

RGB 115 91 88

HSL 6.67, 0.13%, 0.4%

LAB 40.95, 9.3, 5.45

 

CMYK 14 / 0 / 23 / 55

HEX #637358

RGB 99 115 88

HSL 95.56, 0.13%, 0.4%

LAB 46.47, -11.4, 13

 

CMYK 23 / 3 / 0 / 55

HEX #587073

RGB 88 112 115

HSL 186.67, 0.13%, 0.4%

LAB 45.5, -8.04, -4.57

 

CMYK 10 / 23 / 0 / 55

HEX #685873

RGB 104 88 115

HSL 275.56, 0.13%, 0.4%

LAB 39.85, 12.13, -12.91

 

Description

Color code: RGB 115 91 88 | qconv.com Color code: RGB 115 91 88 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 115 red, 91 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
115 91 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 23 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 23% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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