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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 112 15 it is the complementary color RGB 139 143 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 112 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 112 15 shade: RGB 121 112 10, RGB 138 130 29, RGB 155 148 48, RGB 172 166 67 and RGB 189 184 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 112 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 112 15 shade: RGB 116 112 15, RGB 99 94 0, RGB 82 76 0, RGB 65 58 0 and RGB 48 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 112 15 shade: RGB 117 113 15, RGB 117 85 15, RGB 117 58 15, RGB 117 30 15 and RGB 117 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 112 15 shade: RGB 117 113 15, RGB 93 117 15, RGB 66 117 15, RGB 38 117 15 and RGB 15 117 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 112 15 shade matches the following richer shades: RGB 117 113 15 and RGB 128 123 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 112 15 shade: RGB 117 113 15, RGB 106 103 25, RGB 95 93 36, RGB 85 83 47 and RGB 74 73 58

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 112 15 shade: RGB 117 57 15, RGB 117 85 15, RGB 117 112 15, RGB 95 117 15 and RGB 68 117 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 112 15 shade: RGB 44 42 5, RGB 80 78 10, RGB 117 113 15, RGB 153 148 19 and RGB 190 183 24

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 112 15 shade: RGB 116 112 15, RGB 15 117 30 and RGB 71 15 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 112 15 shade: RGB 116 112 15, RGB 15 117 112 and RGB 112 15 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 112 15 shade: RGB 116 112 15, RGB 15 117 30, RGB 15 20 117 and RGB 117 15 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 112 15 shade: RGB 116 112 15, RGB 15 117 61, RGB 15 20 117 and RGB 117 15 71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

Complementary color

CMYK 42 / 40 / 0 / 6

HEX #8B8FF0

RGB 139 143 240

HSL 237.62, 0.77%, 0.74%

LAB 62.86, 22.49, -49.33

 

CMYK 0 / 7 / 92 / 53

HEX #79700A

RGB 121 112 10

HSL 55.14, 0.85%, 0.26%

LAB 46.55, -7.22, 50.33

 

CMYK 0 / 6 / 79 / 46

HEX #8A821D

RGB 138 130 29

HSL 55.6, 0.65%, 0.33%

LAB 53.45, -8.61, 51.53

 

CMYK 0 / 5 / 69 / 39

HEX #9B9430

RGB 155 148 48

HSL 56.07, 0.53%, 0.4%

LAB 60.21, -9.69, 51.39

 

CMYK 0 / 3 / 61 / 33

HEX #ACA643

RGB 172 166 67

HSL 56.57, 0.44%, 0.47%

LAB 66.86, -10.55, 50.64

 

CMYK 0 / 3 / 54 / 26

HEX #BDB856

RGB 189 184 86

HSL 57.09, 0.44%, 0.54%

LAB 73.4, -11.24, 49.61

 

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

CMYK 0 / 5 / 100 / 61

HEX #635E00

RGB 99 94 0

HSL 56.97, 1%, 0.19%

LAB 39, -7.92, 46.09

 

CMYK 0 / 7 / 100 / 68

HEX #524C00

RGB 82 76 0

HSL 55.61, 1%, 0.16%

LAB 31.72, -5.91, 40.06

 

CMYK 0 / 11 / 100 / 75

HEX #413A00

RGB 65 58 0

HSL 53.54, 1%, 0.13%

LAB 24.16, -3.76, 32.98

 

CMYK 0 / 17 / 100 / 81

HEX #302800

RGB 48 40 0

HSL 50, 1%, 0.09%

LAB 16.24, -1.42, 23.56

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 0 / 27 / 87 / 54

HEX #75550F

RGB 117 85 15

HSL 41.18, 0.77%, 0.26%

LAB 38.4, 6.73, 42.1

 

CMYK 0 / 50 / 87 / 54

HEX #753A0F

RGB 117 58 15

HSL 25.29, 0.77%, 0.26%

LAB 31.45, 22.84, 36.07

 

CMYK 0 / 74 / 87 / 54

HEX #751E0F

RGB 117 30 15

HSL 8.82, 0.77%, 0.26%

LAB 26, 37.07, 31.2

 

CMYK 0 / 87 / 87 / 54

HEX #750F0F

RGB 117 15 15

HSL 0, 0.77%, 0.26%

LAB 24.19, 42.12, 29.48

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 21 / 0 / 87 / 54

HEX #5D750F

RGB 93 117 15

HSL 74.12, 0.77%, 0.26%

LAB 45.75, -22.78, 47.53

 

CMYK 44 / 0 / 87 / 54

HEX #42750F

RGB 66 117 15

HSL 90, 0.77%, 0.26%

LAB 44.11, -33.81, 45.47

 

CMYK 68 / 0 / 87 / 54

HEX #26750F

RGB 38 117 15

HSL 106.47, 0.77%, 0.26%

LAB 43.02, -42.37, 44.07

 

CMYK 87 / 0 / 84 / 54

HEX #0F7513

RGB 15 117 19

HSL 122.35, 0.77%, 0.26%

LAB 42.57, -46.15, 42.31

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 0 / 4 / 97 / 50

HEX #807B04

RGB 128 123 4

HSL 57.58, 0.94%, 0.26%

LAB 50.41, -10.13, 54.82

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 0 / 3 / 76 / 58

HEX #6A6719

RGB 106 103 25

HSL 57.78, 0.62%, 0.26%

LAB 42.51, -8.78, 41.72

 

CMYK 0 / 2 / 62 / 63

HEX #5F5D24

RGB 95 93 36

HSL 57.97, 0.45%, 0.26%

LAB 38.53, -7.56, 32.28

 

CMYK 0 / 2 / 45 / 67

HEX #55532F

RGB 85 83 47

HSL 56.84, 0.29%, 0.26%

LAB 34.65, -5.26, 21.35

 

CMYK 0 / 1 / 22 / 71

HEX #4A493A

RGB 74 73 58

HSL 56.25, 0.12%, 0.26%

LAB 30.7, -2.55, 9.15

 

CMYK 0 / 51 / 87 / 54

HEX #75390F

RGB 117 57 15

HSL 24.71, 0.77%, 0.26%

LAB 31.21, 23.42, 35.87

 

CMYK 0 / 27 / 87 / 54

HEX #75550F

RGB 117 85 15

HSL 41.18, 0.77%, 0.26%

LAB 38.4, 6.73, 42.1

 

CMYK 0 / 4 / 87 / 54

HEX #75700F

RGB 117 112 15

HSL 57.06, 0.77%, 0.26%

LAB 46.18, -9, 48.68

 

CMYK 19 / 0 / 87 / 54

HEX #5F750F

RGB 95 117 15

HSL 72.94, 0.77%, 0.26%

LAB 45.89, -21.89, 47.71

 

CMYK 42 / 0 / 87 / 54

HEX #44750F

RGB 68 117 15

HSL 88.82, 0.77%, 0.26%

LAB 44.21, -33.07, 45.59

 

CMYK 0 / 5 / 89 / 83

HEX #2C2A05

RGB 44 42 5

HSL 56.92, 0.8%, 0.1%

LAB 16.52, -4.59, 21.77

 

CMYK 0 / 2 / 88 / 69

HEX #504E0A

RGB 80 78 10

HSL 58.29, 0.78%, 0.18%

LAB 32.2, -7.73, 36.8

 

CMYK 0 / 3 / 87 / 54

HEX #75710F

RGB 117 113 15

HSL 57.65, 0.77%, 0.26%

LAB 46.48, -9.55, 48.93

 

CMYK 0 / 3 / 88 / 40

HEX #999413

RGB 153 148 19

HSL 57.76, 0.78%, 0.34%

LAB 59.89, -11.76, 60.37

 

CMYK 0 / 4 / 87 / 25

HEX #BEB718

RGB 190 183 24

HSL 57.47, 0.78%, 0.42%

LAB 72.81, -13.4, 71.12

 

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

CMYK 87 / 0 / 74 / 54

HEX #0F751E

RGB 15 117 30

HSL 128.82, 0.77%, 0.26%

LAB 42.64, -45.26, 38.35

 

CMYK 39 / 87 / 0 / 54

HEX #470F75

RGB 71 15 117

HSL 272.94, 0.77%, 0.26%

LAB 19.91, 44.1, -45.97

 

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

CMYK 87 / 0 / 4 / 54

HEX #0F7570

RGB 15 117 112

HSL 177.06, 0.77%, 0.26%

LAB 44.22, -27.69, -4.97

 

CMYK 4 / 87 / 0 / 54

HEX #700F75

RGB 112 15 117

HSL 297.06, 0.77%, 0.26%

LAB 26.94, 51.48, -34.25

 

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

CMYK 87 / 0 / 74 / 54

HEX #0F751E

RGB 15 117 30

HSL 128.82, 0.77%, 0.26%

LAB 42.64, -45.26, 38.35

 

CMYK 87 / 83 / 0 / 54

HEX #0F1475

RGB 15 20 117

HSL 237.06, 0.77%, 0.26%

LAB 14.88, 35.72, -54.46

 

CMYK 0 / 87 / 13 / 54

HEX #750F66

RGB 117 15 102

HSL 308.82, 0.77%, 0.26%

LAB 26.97, 50.08, -24.47

 

CMYK 0 / 3 / 87 / 55

HEX #74700F

RGB 116 112 15

HSL 57.62, 0.77%, 0.26%

LAB 46.09, -9.47, 48.57

 

CMYK 87 / 0 / 48 / 54

HEX #0F753D

RGB 15 117 61

HSL 147.06, 0.77%, 0.26%

LAB 43, -40.82, 23.31

 

CMYK 87 / 83 / 0 / 54

HEX #0F1475

RGB 15 20 117

HSL 237.06, 0.77%, 0.26%

LAB 14.88, 35.72, -54.46

 

CMYK 0 / 87 / 39 / 54

HEX #750F47

RGB 117 15 71

HSL 327.06, 0.77%, 0.26%

LAB 25.5, 45.98, -6.17

 

Description

Color code: RGB 116 112 15 | qconv.com Color code: RGB 116 112 15 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 112 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 112 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 87 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 87% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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