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Color name
RGB 116 142 72

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 142 72 it is the complementary color RGB 139 113 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 142 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 142 72 shade: RGB 121 142 67, RGB 138 160 86, RGB 155 178 105, RGB 172 196 124 and RGB 189 214 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 142 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 142 72 shade: RGB 116 142 72, RGB 99 124 53, RGB 82 106 34, RGB 65 88 15 and RGB 48 70 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 142 72 shade: RGB 116 142 71, RGB 135 142 71, RGB 142 130 71, RGB 142 111 71 and RGB 142 92 71

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 142 72 shade: RGB 116 142 71, RGB 97 142 71, RGB 78 142 71, RGB 71 142 84 and RGB 71 142 103

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 142 72 shade matches the following richer shades: RGB 116 142 71, RGB 120 159 54, RGB 125 177 37, RGB 129 194 19 and RGB 133 211 2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 142 72 shade: RGB 116 142 71, RGB 111 125 89, RGB 107 107 106, RGB 102 90 123 and RGB 98 73 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 142 72 shade: RGB 142 130 71, RGB 135 142 71, RGB 116 142 71, RGB 97 142 71 and RGB 78 142 71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 142 72 shade: RGB 71 87 44, RGB 93 115 57, RGB 116 142 71, RGB 138 169 85 and RGB 157 183 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 142 72 shade: RGB 116 142 72, RGB 71 142 111 and RGB 140 71 142

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 142 72 shade: RGB 116 142 72, RGB 71 116 142 and RGB 142 71 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 142 72 shade: RGB 116 142 72, RGB 71 142 111, RGB 97 71 142 and RGB 142 71 102

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 142 72 shade: RGB 116 142 72, RGB 71 142 133, RGB 97 71 142 and RGB 142 71 81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

Complementary color

CMYK 24 / 38 / 0 / 28

HEX #8B71B7

RGB 139 113 183

HSL 262.29, 0.33%, 0.58%

LAB 52.64, 24.92, -33.31

 

CMYK 15 / 0 / 53 / 44

HEX #798E43

RGB 121 142 67

HSL 76.8, 0.36%, 0.41%

LAB 55.9, -19.79, 37.08

 

CMYK 14 / 0 / 46 / 37

HEX #8AA056

RGB 138 160 86

HSL 77.84, 0.3%, 0.48%

LAB 62.69, -19.97, 35.88

 

CMYK 13 / 0 / 41 / 30

HEX #9BB269

RGB 155 178 105

HSL 78.9, 0.32%, 0.55%

LAB 69.35, -20.09, 34.68

 

CMYK 12 / 0 / 37 / 23

HEX #ACC47C

RGB 172 196 124

HSL 80, 0.38%, 0.63%

LAB 75.89, -20.16, 33.5

 

CMYK 12 / 0 / 33 / 16

HEX #BDD68F

RGB 189 214 143

HSL 81.13, 0.46%, 0.7%

LAB 82.32, -20.2, 32.38

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 20 / 0 / 57 / 51

HEX #637C35

RGB 99 124 53

HSL 81.13, 0.4%, 0.35%

LAB 48.67, -21.15, 35.27

 

CMYK 23 / 0 / 68 / 58

HEX #526A22

RGB 82 106 34

HSL 80, 0.51%, 0.27%

LAB 41.56, -20.86, 36.25

 

CMYK 26 / 0 / 83 / 65

HEX #41580F

RGB 65 88 15

HSL 78.9, 0.71%, 0.2%

LAB 34.27, -20.32, 36.49

 

CMYK 31 / 0 / 100 / 73

HEX #304600

RGB 48 70 0

HSL 78.86, 1%, 0.14%

LAB 26.76, -19.41, 34.88

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 5 / 0 / 50 / 44

HEX #878E47

RGB 135 142 71

HSL 65.92, 0.33%, 0.42%

LAB 57.03, -13.46, 36.65

 

CMYK 0 / 8 / 50 / 44

HEX #8E8247

RGB 142 130 71

HSL 49.86, 0.33%, 0.42%

LAB 54.21, -3.87, 33.38

 

CMYK 0 / 22 / 50 / 44

HEX #8E6F47

RGB 142 111 71

HSL 33.8, 0.33%, 0.42%

LAB 48.98, 6.94, 26.87

 

CMYK 0 / 35 / 50 / 44

HEX #8E5C47

RGB 142 92 71

HSL 17.75, 0.33%, 0.42%

LAB 44.03, 18.01, 20.49

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 32 / 0 / 50 / 44

HEX #618E47

RGB 97 142 71

HSL 98.03, 0.33%, 0.42%

LAB 54.39, -28.82, 32.83

 

CMYK 45 / 0 / 50 / 44

HEX #4E8E47

RGB 78 142 71

HSL 114.08, 0.33%, 0.42%

LAB 53.41, -35.41, 31.4

 

CMYK 50 / 0 / 41 / 44

HEX #478E54

RGB 71 142 84

HSL 130.99, 0.33%, 0.42%

LAB 53.3, -35.47, 24.21

 

CMYK 50 / 0 / 27 / 44

HEX #478E67

RGB 71 142 103

HSL 147.04, 0.33%, 0.42%

LAB 53.67, -31.79, 14.06

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 25 / 0 / 66 / 38

HEX #789F36

RGB 120 159 54

HSL 82.29, 0.49%, 0.42%

LAB 60.83, -29.81, 48.69

 

CMYK 29 / 0 / 79 / 31

HEX #7DB125

RGB 125 177 37

HSL 82.29, 0.65%, 0.42%

LAB 66.47, -37.22, 60.59

 

CMYK 34 / 0 / 90 / 24

HEX #81C213

RGB 129 194 19

HSL 82.29, 0.82%, 0.42%

LAB 71.76, -43.75, 69.42

 

CMYK 37 / 0 / 99 / 17

HEX #85D302

RGB 133 211 2

HSL 82.39, 0.98%, 0.42%

LAB 77.03, -49.64, 75.68

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 11 / 0 / 29 / 51

HEX #6F7D59

RGB 111 125 89

HSL 83.33, 0.17%, 0.42%

LAB 50.41, -11.97, 17.97

 

CMYK 0 / 0 / 1 / 58

HEX #6B6B6A

RGB 107 107 106

HSL 60, 0%, 0.42%

LAB 45.2, -0.2, 0.55

 

CMYK 17 / 27 / 0 / 52

HEX #665A7B

RGB 102 90 123

HSL 261.82, 0.15%, 0.42%

LAB 40.52, 12.07, -16.81

 

CMYK 30 / 48 / 0 / 45

HEX #62498D

RGB 98 73 141

HSL 262.06, 0.32%, 0.42%

LAB 36.53, 26, -34.07

 

CMYK 0 / 8 / 50 / 44

HEX #8E8247

RGB 142 130 71

HSL 49.86, 0.33%, 0.42%

LAB 54.21, -3.87, 33.38

 

CMYK 5 / 0 / 50 / 44

HEX #878E47

RGB 135 142 71

HSL 65.92, 0.33%, 0.42%

LAB 57.03, -13.46, 36.65

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 32 / 0 / 50 / 44

HEX #618E47

RGB 97 142 71

HSL 98.03, 0.33%, 0.42%

LAB 54.39, -28.82, 32.83

 

CMYK 45 / 0 / 50 / 44

HEX #4E8E47

RGB 78 142 71

HSL 114.08, 0.33%, 0.42%

LAB 53.41, -35.41, 31.4

 

CMYK 18 / 0 / 49 / 66

HEX #47572C

RGB 71 87 44

HSL 82.33, 0.33%, 0.26%

LAB 34.68, -14.37, 22.88

 

CMYK 19 / 0 / 50 / 55

HEX #5D7339

RGB 93 115 57

HSL 82.76, 0.34%, 0.34%

LAB 45.47, -18.52, 29.28

 

CMYK 18 / 0 / 50 / 44

HEX #748E47

RGB 116 142 71

HSL 81.97, 0.33%, 0.42%

LAB 55.6, -21.41, 34.58

 

CMYK 18 / 0 / 50 / 34

HEX #8AA955

RGB 138 169 85

HSL 82.14, 0.33%, 0.5%

LAB 65.31, -24.6, 39.59

 

CMYK 14 / 0 / 38 / 28

HEX #9DB771

RGB 157 183 113

HSL 82.29, 0.33%, 0.58%

LAB 71.03, -20.81, 32.7

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 50 / 0 / 22 / 44

HEX #478E6F

RGB 71 142 111

HSL 153.8, 0.33%, 0.42%

LAB 53.85, -30.03, 9.75

 

CMYK 1 / 50 / 0 / 44

HEX #8C478E

RGB 140 71 142

HSL 298.31, 0.33%, 0.42%

LAB 41.27, 40.01, -26.86

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 50 / 18 / 0 / 44

HEX #47748E

RGB 71 116 142

HSL 201.97, 0.33%, 0.42%

LAB 46.69, -7.88, -18.97

 

CMYK 0 / 50 / 18 / 44

HEX #8E4774

RGB 142 71 116

HSL 321.97, 0.33%, 0.42%

LAB 40.44, 35.99, -12.2

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 50 / 0 / 22 / 44

HEX #478E6F

RGB 71 142 111

HSL 153.8, 0.33%, 0.42%

LAB 53.85, -30.03, 9.75

 

CMYK 32 / 50 / 0 / 44

HEX #61478E

RGB 97 71 142

HSL 261.97, 0.33%, 0.42%

LAB 35.99, 27.21, -35.54

 

CMYK 0 / 50 / 28 / 44

HEX #8E4766

RGB 142 71 102

HSL 333.8, 0.33%, 0.42%

LAB 39.94, 33.83, -4.26

 

CMYK 18 / 0 / 49 / 44

HEX #748E48

RGB 116 142 72

HSL 82.29, 0.33%, 0.42%

LAB 55.61, -21.3, 34.08

 

CMYK 50 / 0 / 6 / 44

HEX #478E85

RGB 71 142 133

HSL 172.39, 0.33%, 0.42%

LAB 54.43, -24.61, -2.08

 

CMYK 32 / 50 / 0 / 44

HEX #61478E

RGB 97 71 142

HSL 261.97, 0.33%, 0.42%

LAB 35.99, 27.21, -35.54

 

CMYK 0 / 50 / 43 / 44

HEX #8E4751

RGB 142 71 81

HSL 351.55, 0.33%, 0.42%

LAB 39.33, 31.08, 7.97

 

Description

Color code: RGB 116 142 72 | qconv.com Color code: RGB 116 142 72 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 142 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 142 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 49 yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 49% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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