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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 190 90 it is the complementary color RGB 139 65 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 190 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 190 90 shade: RGB 121 190 85, RGB 138 208 104, RGB 155 226 123, RGB 172 244 142 and RGB 189 255 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 190 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 190 90 shade: RGB 116 190 90, RGB 99 172 71, RGB 82 154 52, RGB 65 136 33 and RGB 48 118 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 190 90 shade: RGB 116 189 90, RGB 143 189 90, RGB 169 189 90, RGB 189 182 90 and RGB 189 156 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 190 90 shade: RGB 116 189 90, RGB 90 189 91, RGB 90 189 118, RGB 90 189 145 and RGB 90 189 171

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 190 90 shade matches the following richer shades: RGB 116 189 90, RGB 107 208 72, RGB 98 226 53 and RGB 89 245 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 190 90 shade: RGB 116 189 90, RGB 125 171 109, RGB 134 152 128, RGB 143 133 146 and RGB 152 115 165

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 190 90 shade: RGB 169 189 90, RGB 143 189 90, RGB 117 189 90, RGB 90 189 90 and RGB 90 189 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 190 90 shade: RGB 78 141 56, RGB 94 171 68, RGB 116 189 90, RGB 141 201 120 and RGB 166 213 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 190 90 shade: RGB 116 190 90, RGB 90 189 183 and RGB 189 90 156

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 190 90 shade: RGB 116 190 90, RGB 90 117 189 and RGB 189 90 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 190 90 shade: RGB 116 190 90, RGB 90 189 183, RGB 163 90 189 and RGB 189 90 97

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 190 90 shade: RGB 116 190 90, RGB 90 166 189, RGB 163 90 189 and RGB 189 113 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

Complementary color

CMYK 16 / 61 / 0 / 35

HEX #8B41A5

RGB 139 65 165

HSL 284.4, 0.43%, 0.45%

LAB 41.19, 47.51, -40.82

 

CMYK 36 / 0 / 55 / 25

HEX #79BE55

RGB 121 190 85

HSL 99.43, 0.45%, 0.54%

LAB 70.56, -40.65, 45.62

 

CMYK 34 / 0 / 50 / 18

HEX #8AD068

RGB 138 208 104

HSL 100.38, 0.53%, 0.61%

LAB 76.99, -40.62, 44.47

 

CMYK 31 / 0 / 46 / 11

HEX #9BE27B

RGB 155 226 123

HSL 101.36, 0.64%, 0.68%

LAB 83.33, -40.52, 43.29

 

CMYK 30 / 0 / 42 / 4

HEX #ACF48E

RGB 172 244 142

HSL 102.35, 0.82%, 0.76%

LAB 89.59, -40.39, 42.13

 

CMYK 26 / 0 / 37 / 0

HEX #BDFFA1

RGB 189 255 161

HSL 102.13, 1%, 0.82%

LAB 93.85, -37.11, 38.48

 

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

CMYK 42 / 0 / 59 / 33

HEX #63AC47

RGB 99 172 71

HSL 103.37, 0.42%, 0.48%

LAB 63.85, -41.72, 44.1

 

CMYK 47 / 0 / 66 / 40

HEX #529A34

RGB 82 154 52

HSL 102.35, 0.5%, 0.4%

LAB 57.22, -41.54, 45.08

 

CMYK 52 / 0 / 76 / 47

HEX #418821

RGB 65 136 33

HSL 101.36, 0.61%, 0.33%

LAB 50.5, -41.09, 45.6

 

CMYK 59 / 0 / 88 / 54

HEX #30760E

RGB 48 118 14

HSL 100.38, 0.79%, 0.26%

LAB 43.68, -40.17, 45.05

 

CMYK 39 / 0 / 52 / 26

HEX #74BD5A

RGB 116 189 90

HSL 104.24, 0.43%, 0.55%

LAB 70.07, -41.31, 42.59

 

CMYK 24 / 0 / 52 / 26

HEX #8FBD5A

RGB 143 189 90

HSL 87.88, 0.43%, 0.55%

LAB 71.54, -31.77, 44.7

 

CMYK 11 / 0 / 52 / 26

HEX #A9BD5A

RGB 169 189 90

HSL 72.12, 0.43%, 0.55%

LAB 73.26, -21.65, 47.17

 

CMYK 0 / 4 / 52 / 26

HEX #BDB65A

RGB 189 182 90

HSL 55.76, 0.43%, 0.55%

LAB 72.9, -9.88, 47.13

 

CMYK 0 / 17 / 52 / 26

HEX #BD9C5A

RGB 189 156 90

HSL 40, 0.43%, 0.55%

LAB 66.01, 3.94, 38.88

 

CMYK 39 / 0 / 52 / 26

HEX #74BD5A

RGB 116 189 90

HSL 104.24, 0.43%, 0.55%

LAB 70.07, -41.31, 42.59

 

CMYK 52 / 0 / 52 / 26

HEX #5ABD5B

RGB 90 189 91

HSL 120.61, 0.43%, 0.55%

LAB 68.99, -48.97, 40.53

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD76

RGB 90 189 118

HSL 136.97, 0.43%, 0.55%

LAB 69.38, -44.77, 27.27

 

CMYK 52 / 0 / 23 / 26

HEX #5ABD91

RGB 90 189 145

HSL 153.33, 0.43%, 0.55%

LAB 69.9, -39.48, 13.53

 

CMYK 52 / 0 / 10 / 26

HEX #5ABDAB

RGB 90 189 171

HSL 169.09, 0.43%, 0.55%

LAB 70.53, -33.44, 0.25

 

CMYK 39 / 0 / 52 / 26

HEX #74BD5A

RGB 116 189 90

HSL 104.24, 0.43%, 0.55%

LAB 70.07, -41.31, 42.59

 

CMYK 49 / 0 / 65 / 18

HEX #6BD048

RGB 107 208 72

HSL 104.56, 0.59%, 0.55%

LAB 75.27, -53.76, 56.5

 

CMYK 57 / 0 / 77 / 11

HEX #62E235

RGB 98 226 53

HSL 104.39, 0.75%, 0.55%

LAB 80.32, -64.18, 68.39

 

CMYK 64 / 0 / 86 / 4

HEX #59F523

RGB 89 245 35

HSL 104.57, 0.91%, 0.55%

LAB 85.78, -73.38, 77.83

 

CMYK 39 / 0 / 52 / 26

HEX #74BD5A

RGB 116 189 90

HSL 104.24, 0.43%, 0.55%

LAB 70.07, -41.31, 42.59

 

CMYK 27 / 0 / 36 / 33

HEX #7DAB6D

RGB 125 171 109

HSL 104.52, 0.27%, 0.55%

LAB 65.43, -27.32, 27.11

 

CMYK 12 / 0 / 16 / 40

HEX #869880

RGB 134 152 128

HSL 105, 0.1%, 0.55%

LAB 60.86, -11.1, 10.5

 

CMYK 2 / 9 / 0 / 43

HEX #8F8592

RGB 143 133 146

HSL 286.15, 0.06%, 0.55%

LAB 56.77, 6.27, -5.6

 

CMYK 8 / 30 / 0 / 35

HEX #9873A5

RGB 152 115 165

HSL 284.4, 0.22%, 0.55%

LAB 53.66, 23.79, -21.22

 

CMYK 11 / 0 / 52 / 26

HEX #A9BD5A

RGB 169 189 90

HSL 72.12, 0.43%, 0.55%

LAB 73.26, -21.65, 47.17

 

CMYK 24 / 0 / 52 / 26

HEX #8FBD5A

RGB 143 189 90

HSL 87.88, 0.43%, 0.55%

LAB 71.54, -31.77, 44.7

 

CMYK 38 / 0 / 52 / 26

HEX #75BD5A

RGB 117 189 90

HSL 103.64, 0.43%, 0.55%

LAB 70.12, -40.98, 42.66

 

CMYK 52 / 0 / 52 / 26

HEX #5ABD5A

RGB 90 189 90

HSL 120, 0.43%, 0.55%

LAB 68.97, -49.1, 41.01

 

CMYK 52 / 0 / 38 / 26

HEX #5ABD75

RGB 90 189 117

HSL 136.36, 0.43%, 0.55%

LAB 69.36, -44.95, 27.77

 

CMYK 45 / 0 / 60 / 45

HEX #4E8D38

RGB 78 141 56

HSL 104.47, 0.43%, 0.39%

LAB 52.9, -36.88, 38.37

 

CMYK 45 / 0 / 60 / 33

HEX #5EAB44

RGB 94 171 68

HSL 104.85, 0.43%, 0.47%

LAB 63.28, -43.23, 44.79

 

CMYK 39 / 0 / 52 / 26

HEX #74BD5A

RGB 116 189 90

HSL 104.24, 0.43%, 0.55%

LAB 70.07, -41.31, 42.59

 

CMYK 30 / 0 / 40 / 21

HEX #8DC978

RGB 141 201 120

HSL 104.44, 0.43%, 0.63%

LAB 75.32, -34.36, 34.45

 

CMYK 22 / 0 / 30 / 16

HEX #A6D595

RGB 166 213 149

HSL 104.06, 0.43%, 0.71%

LAB 80.66, -27.12, 26.8

 

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

CMYK 52 / 0 / 3 / 26

HEX #5ABDB7

RGB 90 189 183

HSL 176.36, 0.43%, 0.55%

LAB 70.86, -30.38, -5.84

 

CMYK 0 / 52 / 17 / 26

HEX #BD5A9C

RGB 189 90 156

HSL 320, 0.43%, 0.55%

LAB 52.43, 47.88, -17.43

 

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

CMYK 52 / 38 / 0 / 26

HEX #5A75BD

RGB 90 117 189

HSL 223.64, 0.43%, 0.55%

LAB 50.18, 10.95, -40.9

 

CMYK 0 / 52 / 38 / 26

HEX #BD5A75

RGB 189 90 117

HSL 343.64, 0.43%, 0.55%

LAB 51.17, 42.59, 3.83

 

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

CMYK 52 / 0 / 3 / 26

HEX #5ABDB7

RGB 90 189 183

HSL 176.36, 0.43%, 0.55%

LAB 70.86, -30.38, -5.84

 

CMYK 14 / 52 / 0 / 26

HEX #A35ABD

RGB 163 90 189

HSL 284.24, 0.43%, 0.55%

LAB 50.42, 46.18, -40.08

 

CMYK 0 / 52 / 49 / 26

HEX #BD5A61

RGB 189 90 97

HSL 355.76, 0.43%, 0.55%

LAB 50.68, 40.46, 15.08

 

CMYK 39 / 0 / 53 / 25

HEX #74BE5A

RGB 116 190 90

HSL 104.4, 0.43%, 0.55%

LAB 70.37, -41.74, 42.95

 

CMYK 52 / 12 / 0 / 26

HEX #5AA6BD

RGB 90 166 189

HSL 193.94, 0.43%, 0.55%

LAB 64.26, -17.1, -19.06

 

CMYK 14 / 52 / 0 / 26

HEX #A35ABD

RGB 163 90 189

HSL 284.24, 0.43%, 0.55%

LAB 50.42, 46.18, -40.08

 

CMYK 0 / 40 / 52 / 26

HEX #BD715A

RGB 189 113 90

HSL 13.94, 0.43%, 0.55%

LAB 55.45, 27.62, 25.55

 

Description

Color code: RGB 116 190 90 | qconv.com Color code: RGB 116 190 90 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 190 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 190 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 53 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 53% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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