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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 79 200 it is the complementary color RGB 139 176 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 79 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 79 200 shade: RGB 121 79 195, RGB 138 97 214, RGB 155 115 233, RGB 172 133 252 and RGB 189 151 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 79 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 79 200 shade: RGB 116 79 200, RGB 99 61 181, RGB 82 43 162, RGB 65 25 143 and RGB 48 7 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 79 200 shade: RGB 117 80 199, RGB 149 80 199, RGB 181 80 199, RGB 199 80 186 and RGB 199 80 154

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 79 200 shade: RGB 117 80 199, RGB 84 80 199 and RGB 80 80 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 79 200 shade matches the following richer shades: RGB 117 80 199, RGB 109 62 218 and RGB 102 43 237

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 79 200 shade: RGB 117 80 199, RGB 124 99 181, RGB 131 117 162, RGB 138 136 144 and RGB 145 154 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 79 200 shade: RGB 80 108 199, RGB 84 80 199, RGB 116 80 199, RGB 148 80 199 and RGB 180 80 199

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 79 200 shade: RGB 79 47 150, RGB 95 57 181, RGB 117 80 199, RGB 141 111 209 and RGB 166 143 219

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 79 200 shade: RGB 116 79 200, RGB 199 80 140 and RGB 92 199 80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 79 200 shade: RGB 116 79 200, RGB 199 116 80 and RGB 80 199 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 79 200 shade: RGB 116 79 200, RGB 199 80 140, RGB 164 199 80 and RGB 80 199 140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 79 200 shade: RGB 116 79 200, RGB 199 80 104, RGB 164 199 80 and RGB 80 199 176

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

Complementary color

CMYK 21 / 0 / 69 / 31

HEX #8BB037

RGB 139 176 55

HSL 78.35, 0.52%, 0.45%

LAB 67.14, -30.23, 55.25

 

CMYK 38 / 59 / 0 / 24

HEX #794FC3

RGB 121 79 195

HSL 261.72, 0.49%, 0.54%

LAB 43.65, 42.9, -54.65

 

CMYK 36 / 55 / 0 / 16

HEX #8A61D6

RGB 138 97 214

HSL 261.03, 0.59%, 0.61%

LAB 50.46, 41.78, -54.53

 

CMYK 33 / 51 / 0 / 9

HEX #9B73E9

RGB 155 115 233

HSL 260.34, 0.73%, 0.68%

LAB 57.19, 40.72, -54.38

 

CMYK 32 / 47 / 0 / 1

HEX #AC85FC

RGB 172 133 252

HSL 259.66, 0.95%, 0.75%

LAB 63.81, 39.72, -54.25

 

CMYK 26 / 41 / 0 / 0

HEX #BD97FF

RGB 189 151 255

HSL 261.92, 1%, 0.8%

LAB 69.59, 34.97, -46.65

 

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

CMYK 45 / 66 / 0 / 29

HEX #633DB5

RGB 99 61 181

HSL 259, 0.5%, 0.47%

LAB 36.61, 44.38, -57.96

 

CMYK 49 / 73 / 0 / 36

HEX #522BA2

RGB 82 43 162

HSL 259.66, 0.58%, 0.4%

LAB 29.74, 45.51, -57.87

 

CMYK 55 / 83 / 0 / 44

HEX #41198F

RGB 65 25 143

HSL 260.34, 0.7%, 0.33%

LAB 23.01, 46.19, -57.34

 

CMYK 61 / 94 / 0 / 51

HEX #30077C

RGB 48 7 124

HSL 261.03, 0.89%, 0.26%

LAB 16.68, 45.65, -55.89

 

CMYK 41 / 60 / 0 / 22

HEX #7550C7

RGB 117 80 199

HSL 258.66, 0.52%, 0.55%

LAB 43.72, 42.52, -56.88

 

CMYK 25 / 60 / 0 / 22

HEX #9550C7

RGB 149 80 199

HSL 274.79, 0.52%, 0.55%

LAB 47.3, 49.93, -50.93

 

CMYK 9 / 60 / 0 / 22

HEX #B550C7

RGB 181 80 199

HSL 290.92, 0.52%, 0.55%

LAB 51.48, 57.82, -44.03

 

CMYK 0 / 60 / 7 / 22

HEX #C750BA

RGB 199 80 186

HSL 306.55, 0.52%, 0.55%

LAB 53.41, 60.17, -33.31

 

CMYK 0 / 60 / 23 / 22

HEX #C7509A

RGB 199 80 154

HSL 322.69, 0.52%, 0.55%

LAB 52.08, 55.32, -16.66

 

CMYK 41 / 60 / 0 / 22

HEX #7550C7

RGB 117 80 199

HSL 258.66, 0.52%, 0.55%

LAB 43.72, 42.52, -56.88

 

CMYK 58 / 60 / 0 / 22

HEX #5450C7

RGB 84 80 199

HSL 242.02, 0.52%, 0.55%

LAB 40.81, 35.92, -61.73

 

CMYK 60 / 60 / 0 / 22

HEX #5050C7

RGB 80 80 199

HSL 240, 0.52%, 0.55%

LAB 40.52, 35.23, -62.22

 

CMYK 41 / 60 / 0 / 22

HEX #7550C7

RGB 117 80 199

HSL 258.66, 0.52%, 0.55%

LAB 43.72, 42.52, -56.88

 

CMYK 50 / 72 / 0 / 15

HEX #6D3EDA

RGB 109 62 218

HSL 258.08, 0.68%, 0.55%

LAB 40.83, 55.79, -72.56

 

CMYK 57 / 82 / 0 / 7

HEX #662BED

RGB 102 43 237

HSL 258.25, 0.84%, 0.55%

LAB 39.01, 68.13, -86.4

 

CMYK 41 / 60 / 0 / 22

HEX #7550C7

RGB 117 80 199

HSL 258.66, 0.52%, 0.55%

LAB 43.72, 42.52, -56.88

 

CMYK 31 / 45 / 0 / 29

HEX #7C63B5

RGB 124 99 181

HSL 258.29, 0.36%, 0.55%

LAB 47.68, 28.33, -40.05

 

CMYK 19 / 28 / 0 / 36

HEX #8375A2

RGB 131 117 162

HSL 258.67, 0.19%, 0.55%

LAB 52.01, 14.96, -22.18

 

CMYK 4 / 6 / 0 / 44

HEX #8A8890

RGB 138 136 144

HSL 255, 0.03%, 0.55%

LAB 57.1, 2.34, -4.01

 

CMYK 6 / 0 / 19 / 40

HEX #919A7D

RGB 145 154 125

HSL 78.62, 0.13%, 0.55%

LAB 62.18, -8.56, 14.16

 

CMYK 60 / 46 / 0 / 22

HEX #506CC7

RGB 80 108 199

HSL 225.88, 0.52%, 0.55%

LAB 47.69, 17.71, -50.64

 

CMYK 58 / 60 / 0 / 22

HEX #5450C7

RGB 84 80 199

HSL 242.02, 0.52%, 0.55%

LAB 40.81, 35.92, -61.73

 

CMYK 42 / 60 / 0 / 22

HEX #7450C7

RGB 116 80 199

HSL 258.15, 0.52%, 0.55%

LAB 43.62, 42.3, -57.05

 

CMYK 26 / 60 / 0 / 22

HEX #9450C7

RGB 148 80 199

HSL 274.29, 0.52%, 0.55%

LAB 47.18, 49.69, -51.13

 

CMYK 10 / 60 / 0 / 22

HEX #B450C7

RGB 180 80 199

HSL 290.42, 0.52%, 0.55%

LAB 51.34, 57.57, -44.25

 

CMYK 47 / 69 / 0 / 41

HEX #4F2F96

RGB 79 47 150

HSL 258.64, 0.52%, 0.39%

LAB 29.15, 39.41, -51.54

 

CMYK 48 / 69 / 0 / 29

HEX #5F39B5

RGB 95 57 181

HSL 258.39, 0.52%, 0.47%

LAB 35.39, 45.79, -59.96

 

CMYK 41 / 60 / 0 / 22

HEX #7550C7

RGB 117 80 199

HSL 258.66, 0.52%, 0.55%

LAB 43.72, 42.52, -56.88

 

CMYK 33 / 47 / 0 / 18

HEX #8D6FD1

RGB 141 111 209

HSL 258.37, 0.52%, 0.63%

LAB 53.64, 33.23, -46.6

 

CMYK 24 / 35 / 0 / 14

HEX #A68FDB

RGB 166 143 219

HSL 258.16, 0.51%, 0.71%

LAB 64.05, 24.37, -35.69

 

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

CMYK 0 / 60 / 30 / 22

HEX #C7508C

RGB 199 80 140

HSL 329.75, 0.52%, 0.55%

LAB 51.58, 53.46, -9.11

 

CMYK 54 / 0 / 60 / 22

HEX #5CC750

RGB 92 199 80

HSL 113.95, 0.52%, 0.55%

LAB 72.03, -53.68, 49.31

 

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

CMYK 0 / 42 / 60 / 22

HEX #C77450

RGB 199 116 80

HSL 18.15, 0.52%, 0.55%

LAB 57.28, 29.22, 33.74

 

CMYK 60 / 0 / 42 / 22

HEX #50C774

RGB 80 199 116

HSL 138.15, 0.52%, 0.55%

LAB 72.1, -51.54, 31.83

 

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

CMYK 0 / 60 / 30 / 22

HEX #C7508C

RGB 199 80 140

HSL 329.75, 0.52%, 0.55%

LAB 51.58, 53.46, -9.11

 

CMYK 18 / 0 / 60 / 22

HEX #A4C750

RGB 164 199 80

HSL 77.65, 0.52%, 0.55%

LAB 75.65, -29.36, 54.38

 

CMYK 60 / 0 / 30 / 22

HEX #50C78C

RGB 80 199 140

HSL 150.25, 0.52%, 0.55%

LAB 72.53, -47.05, 19.81

 

CMYK 42 / 61 / 0 / 22

HEX #744FC8

RGB 116 79 200

HSL 258.35, 0.52%, 0.55%

LAB 43.47, 43.14, -57.87

 

CMYK 0 / 60 / 48 / 22

HEX #C75068

RGB 199 80 104

HSL 347.9, 0.52%, 0.55%

LAB 50.55, 49.47, 10.95

 

CMYK 18 / 0 / 60 / 22

HEX #A4C750

RGB 164 199 80

HSL 77.65, 0.52%, 0.55%

LAB 75.65, -29.36, 54.38

 

CMYK 60 / 0 / 12 / 22

HEX #50C7B0

RGB 80 199 176

HSL 168.4, 0.52%, 0.55%

LAB 73.34, -38.83, 1.58

 

Description

Color code: RGB 116 79 200 | qconv.com Color code: RGB 116 79 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 79 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 79 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 61 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 61% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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