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Color name
RGB 116 94 52

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 116 94 52 it is the complementary color RGB 139 161 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 116 94 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 116 94 52 shade: RGB 121 94 47, RGB 138 112 66, RGB 155 130 85, RGB 172 148 104 and RGB 189 166 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 116 94 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 99 76 33, RGB 82 58 14, RGB 65 40 0 and RGB 48 22 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 116 76 52, RGB 116 59 52 and RGB 116 52 52

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 116 111 52, RGB 103 116 52, RGB 86 116 52 and RGB 69 116 52

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 116 94 52 shade matches the following richer shades: RGB 116 94 52, RGB 129 98 38, RGB 143 102 24 and RGB 156 106 11

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 102 89 65, RGB 88 85 79, RGB 75 81 93 and RGB 61 77 106

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 116 94 52 shade: RGB 116 59 52, RGB 116 76 52, RGB 116 93 52, RGB 116 110 52 and RGB 104 116 52

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 116 94 52 shade: RGB 59 47 26, RGB 87 71 39, RGB 116 94 52, RGB 144 117 64 and RGB 173 140 77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 61 116 52 and RGB 68 52 116

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 52 116 93 and RGB 93 52 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 61 116 52, RGB 52 74 116 and RGB 106 52 116

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 116 94 52 shade: RGB 116 94 52, RGB 52 116 61, RGB 52 74 116 and RGB 116 52 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

Complementary color

CMYK 32 / 21 / 0 / 20

HEX #8BA1CB

RGB 139 161 203

HSL 219.38, 0.38%, 0.67%

LAB 65.97, 2.2, -24

 

CMYK 0 / 22 / 61 / 53

HEX #795E2F

RGB 121 94 47

HSL 38.11, 0.44%, 0.33%

LAB 41.65, 5.1, 30.74

 

CMYK 0 / 19 / 52 / 46

HEX #8A7042

RGB 138 112 66

HSL 38.33, 0.35%, 0.4%

LAB 48.74, 4.08, 29.28

 

CMYK 0 / 16 / 45 / 39

HEX #9B8255

RGB 155 130 85

HSL 38.57, 0.29%, 0.47%

LAB 55.67, 3.27, 27.88

 

CMYK 0 / 14 / 40 / 33

HEX #AC9468

RGB 172 148 104

HSL 38.82, 0.29%, 0.54%

LAB 62.47, 2.6, 26.58

 

CMYK 0 / 12 / 35 / 26

HEX #BDA67B

RGB 189 166 123

HSL 39.09, 0.33%, 0.61%

LAB 69.13, 2.05, 25.37

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 23 / 67 / 61

HEX #634C21

RGB 99 76 33

HSL 39.09, 0.5%, 0.26%

LAB 33.84, 4.34, 28.72

 

CMYK 0 / 29 / 83 / 68

HEX #523A0E

RGB 82 58 14

HSL 38.82, 0.71%, 0.19%

LAB 26.31, 5.88, 29.91

 

CMYK 0 / 38 / 100 / 75

HEX #412800

RGB 65 40 0

HSL 36.92, 1%, 0.13%

LAB 18.55, 8.03, 26.9

 

CMYK 0 / 54 / 100 / 81

HEX #301600

RGB 48 22 0

HSL 27.5, 1%, 0.09%

LAB 10.57, 11.04, 16.05

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 34 / 55 / 55

HEX #744C34

RGB 116 76 52

HSL 22.5, 0.38%, 0.33%

LAB 36.23, 14.06, 21.1

 

CMYK 0 / 49 / 55 / 55

HEX #743B34

RGB 116 59 52

HSL 6.56, 0.38%, 0.33%

LAB 32.01, 24.18, 15.62

 

CMYK 0 / 55 / 55 / 55

HEX #743434

RGB 116 52 52

HSL 0, 0.38%, 0.33%

LAB 30.44, 28.14, 13.53

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 4 / 55 / 55

HEX #746F34

RGB 116 111 52

HSL 55.31, 0.38%, 0.33%

LAB 46.08, -6.68, 33.13

 

CMYK 11 / 0 / 55 / 55

HEX #677434

RGB 103 116 52

HSL 72.19, 0.38%, 0.33%

LAB 46.47, -15.3, 33.3

 

CMYK 26 / 0 / 55 / 55

HEX #567434

RGB 86 116 52

HSL 88.13, 0.38%, 0.33%

LAB 45.24, -22.54, 31.55

 

CMYK 41 / 0 / 55 / 55

HEX #457434

RGB 69 116 52

HSL 104.06, 0.38%, 0.33%

LAB 44.24, -29.09, 30.1

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 24 / 71 / 49

HEX #816226

RGB 129 98 38

HSL 39.56, 0.54%, 0.33%

LAB 43.57, 5.84, 37.8

 

CMYK 0 / 29 / 83 / 44

HEX #8F6618

RGB 143 102 24

HSL 39.33, 0.71%, 0.33%

LAB 46.19, 9.42, 46.94

 

CMYK 0 / 32 / 93 / 39

HEX #9C6A0B

RGB 156 106 11

HSL 39.31, 0.87%, 0.33%

LAB 48.76, 12.83, 53.49

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 13 / 36 / 60

HEX #665941

RGB 102 89 65

HSL 38.92, 0.22%, 0.33%

LAB 38.47, 1.32, 15.85

 

CMYK 0 / 3 / 10 / 65

HEX #58554F

RGB 88 85 79

HSL 40, 0.05%, 0.33%

LAB 36.25, 0.01, 3.93

 

CMYK 19 / 13 / 0 / 64

HEX #4B515D

RGB 75 81 93

HSL 220, 0.11%, 0.33%

LAB 34.34, 0.5, -7.81

 

CMYK 42 / 27 / 0 / 58

HEX #3D4D6A

RGB 61 77 106

HSL 218.67, 0.27%, 0.33%

LAB 32.57, 2.01, -18.8

 

CMYK 0 / 49 / 55 / 55

HEX #743B34

RGB 116 59 52

HSL 6.56, 0.38%, 0.33%

LAB 32.01, 24.18, 15.62

 

CMYK 0 / 34 / 55 / 55

HEX #744C34

RGB 116 76 52

HSL 22.5, 0.38%, 0.33%

LAB 36.23, 14.06, 21.1

 

CMYK 0 / 20 / 55 / 55

HEX #745D34

RGB 116 93 52

HSL 38.44, 0.38%, 0.33%

LAB 40.88, 3.81, 26.9

 

CMYK 0 / 5 / 55 / 55

HEX #746E34

RGB 116 110 52

HSL 54.38, 0.38%, 0.33%

LAB 45.79, -6.11, 32.78

 

CMYK 10 / 0 / 55 / 55

HEX #687434

RGB 104 116 52

HSL 71.25, 0.38%, 0.33%

LAB 46.55, -14.86, 33.42

 

CMYK 0 / 20 / 56 / 77

HEX #3B2F1A

RGB 59 47 26

HSL 38.18, 0.39%, 0.17%

LAB 20.19, 2.13, 15.49

 

CMYK 0 / 18 / 55 / 66

HEX #574727

RGB 87 71 39

HSL 40, 0.38%, 0.25%

LAB 31.07, 2.12, 21.67

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 0 / 19 / 56 / 44

HEX #907540

RGB 144 117 64

HSL 39.75, 0.38%, 0.41%

LAB 50.71, 3.71, 32.92

 

CMYK 0 / 19 / 55 / 32

HEX #AD8C4D

RGB 173 140 77

HSL 39.38, 0.38%, 0.49%

LAB 60.05, 4.71, 38.01

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 41 / 55 / 0 / 55

HEX #443474

RGB 68 52 116

HSL 255, 0.38%, 0.33%

LAB 26.58, 23.67, -34.54

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 55 / 0 / 20 / 55

HEX #34745D

RGB 52 116 93

HSL 158.44, 0.38%, 0.33%

LAB 44.25, -26.54, 6.54

 

CMYK 20 / 55 / 0 / 55

HEX #5D3474

RGB 93 52 116

HSL 278.44, 0.38%, 0.33%

LAB 29.52, 30.78, -29.67

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 47 / 0 / 55 / 55

HEX #3D7434

RGB 61 116 52

HSL 111.56, 0.38%, 0.33%

LAB 43.84, -31.84, 29.54

 

CMYK 55 / 36 / 0 / 55

HEX #344A74

RGB 52 74 116

HSL 219.38, 0.38%, 0.33%

LAB 31.55, 4.79, -26.72

 

CMYK 9 / 55 / 0 / 55

HEX #6A3474

RGB 106 52 116

HSL 290.63, 0.38%, 0.33%

LAB 31.3, 34.67, -26.74

 

CMYK 0 / 19 / 55 / 55

HEX #745E34

RGB 116 94 52

HSL 39.38, 0.38%, 0.33%

LAB 41.16, 3.22, 27.25

 

CMYK 55 / 0 / 47 / 55

HEX #34743D

RGB 52 116 61

HSL 128.44, 0.38%, 0.33%

LAB 43.59, -33.23, 24.25

 

CMYK 55 / 36 / 0 / 55

HEX #344A74

RGB 52 74 116

HSL 219.38, 0.38%, 0.33%

LAB 31.55, 4.79, -26.72

 

CMYK 0 / 55 / 9 / 55

HEX #74346A

RGB 116 52 106

HSL 309.38, 0.38%, 0.33%

LAB 32.28, 35.8, -18.77

 

Description

Color code: RGB 116 94 52 | qconv.com Color code: RGB 116 94 52 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 116 red, 94 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
116 94 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 19 magenta, 55 yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 19% 55% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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