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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 104 85 it is the complementary color RGB 138 151 170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 104 85. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 104 85 shade: RGB 122 104 80, RGB 139 122 99, RGB 156 140 118, RGB 173 158 137 and RGB 190 176 156

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 104 85. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 104 85 shade: RGB 117 104 85, RGB 100 86 66, RGB 83 68 47, RGB 66 50 28 and RGB 49 32 9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 104 85 shade: RGB 118 105 85, RGB 118 96 85, RGB 118 87 85 and RGB 118 85 85

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 104 85 shade: RGB 118 105 85, RGB 118 113 85, RGB 113 118 85, RGB 105 118 85 and RGB 96 118 85

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 104 85 shade matches the following richer shades: RGB 118 105 85, RGB 134 108 69, RGB 151 111 52, RGB 167 114 36 and RGB 184 117 19

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 104 85 shade: RGB 118 105 85, RGB 101 101 102, RGB 85 98 118, RGB 68 95 135 and RGB 52 92 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 104 85 shade: RGB 118 87 85, RGB 118 96 85, RGB 118 104 85, RGB 118 113 85 and RGB 114 118 85

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 104 85 shade: RGB 70 62 51, RGB 94 83 68, RGB 118 105 85, RGB 142 126 103 and RGB 161 146 125

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 104 85 shade: RGB 117 104 85, RGB 92 118 85 and RGB 91 85 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 104 85 shade: RGB 117 104 85, RGB 85 118 104 and RGB 104 85 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 104 85 shade: RGB 117 104 85, RGB 92 118 85, RGB 85 99 118 and RGB 111 85 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 104 85 shade: RGB 117 104 85, RGB 85 118 88, RGB 85 99 118 and RGB 118 85 115

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

Complementary color

CMYK 19 / 11 / 0 / 33

HEX #8A97AA

RGB 138 151 170

HSL 215.63, 0.16%, 0.6%

LAB 62.03, -0.5, -11.5

 

CMYK 0 / 15 / 34 / 52

HEX #7A6850

RGB 122 104 80

HSL 34.29, 0.21%, 0.4%

LAB 45.11, 3.31, 16.18

 

CMYK 0 / 12 / 29 / 45

HEX #8B7A63

RGB 139 122 99

HSL 34.5, 0.17%, 0.47%

LAB 52.18, 2.8, 15.01

 

CMYK 0 / 10 / 24 / 39

HEX #9C8C76

RGB 156 140 118

HSL 34.74, 0.16%, 0.54%

LAB 59.1, 2.37, 13.95

 

CMYK 0 / 9 / 21 / 32

HEX #AD9E89

RGB 173 158 137

HSL 35, 0.18%, 0.61%

LAB 65.86, 2, 12.96

 

CMYK 0 / 7 / 18 / 25

HEX #BEB09C

RGB 190 176 156

HSL 35.29, 0.21%, 0.68%

LAB 72.49, 1.69, 12.05

 

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

CMYK 0 / 14 / 34 / 61

HEX #645642

RGB 100 86 66

HSL 35.29, 0.2%, 0.33%

LAB 37.41, 2.39, 13.78

 

CMYK 0 / 18 / 43 / 67

HEX #53442F

RGB 83 68 47

HSL 35, 0.28%, 0.25%

LAB 29.86, 3.04, 15.13

 

CMYK 0 / 24 / 58 / 74

HEX #42321C

RGB 66 50 28

HSL 34.74, 0.4%, 0.18%

LAB 22.03, 3.95, 16.69

 

CMYK 0 / 35 / 82 / 81

HEX #312009

RGB 49 32 9

HSL 34.5, 0.69%, 0.11%

LAB 13.86, 5.36, 16.87

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 0 / 19 / 28 / 54

HEX #766055

RGB 118 96 85

HSL 20, 0.16%, 0.4%

LAB 42.57, 7.08, 9.63

 

CMYK 0 / 26 / 28 / 54

HEX #765755

RGB 118 87 85

HSL 3.64, 0.16%, 0.4%

LAB 40.12, 12.5, 6.16

 

CMYK 0 / 28 / 28 / 54

HEX #765555

RGB 118 85 85

HSL 0, 0.16%, 0.4%

LAB 39.59, 13.71, 5.4

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 0 / 4 / 28 / 54

HEX #767155

RGB 118 113 85

HSL 50.91, 0.16%, 0.4%

LAB 47.39, -2.93, 16.28

 

CMYK 4 / 0 / 28 / 54

HEX #717655

RGB 113 118 85

HSL 69.09, 0.16%, 0.4%

LAB 48.42, -7.88, 17.6

 

CMYK 11 / 0 / 28 / 54

HEX #697655

RGB 105 118 85

HSL 83.64, 0.16%, 0.4%

LAB 47.77, -11.18, 16.62

 

CMYK 19 / 0 / 28 / 54

HEX #607655

RGB 96 118 85

HSL 100, 0.16%, 0.4%

LAB 47.1, -14.77, 15.6

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 0 / 19 / 49 / 47

HEX #866C45

RGB 134 108 69

HSL 36, 0.32%, 0.4%

LAB 47.27, 4.91, 25.65

 

CMYK 0 / 26 / 66 / 41

HEX #976F34

RGB 151 111 52

HSL 35.76, 0.49%, 0.4%

LAB 49.73, 9.36, 38.27

 

CMYK 0 / 32 / 78 / 35

HEX #A77224

RGB 167 114 36

HSL 35.73, 0.65%, 0.4%

LAB 52.26, 14.03, 48.91

 

CMYK 0 / 36 / 90 / 28

HEX #B87513

RGB 184 117 19

HSL 35.64, 0.81%, 0.4%

LAB 55.03, 19.43, 57.89

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 1 / 1 / 0 / 60

HEX #656566

RGB 101 101 102

HSL 240, 0%, 0.4%

LAB 42.81, 0.21, -0.57

 

CMYK 28 / 17 / 0 / 54

HEX #556276

RGB 85 98 118

HSL 216.36, 0.16%, 0.4%

LAB 41.18, 0.02, -12.89

 

CMYK 50 / 30 / 0 / 47

HEX #445F87

RGB 68 95 135

HSL 215.82, 0.33%, 0.4%

LAB 39.85, 1.8, -25.36

 

CMYK 66 / 39 / 0 / 41

HEX #345C97

RGB 52 92 151

HSL 215.76, 0.49%, 0.4%

LAB 38.93, 5.62, -36.52

 

CMYK 0 / 26 / 28 / 54

HEX #765755

RGB 118 87 85

HSL 3.64, 0.16%, 0.4%

LAB 40.12, 12.5, 6.16

 

CMYK 0 / 19 / 28 / 54

HEX #766055

RGB 118 96 85

HSL 20, 0.16%, 0.4%

LAB 42.57, 7.08, 9.63

 

CMYK 0 / 12 / 28 / 54

HEX #766855

RGB 118 104 85

HSL 34.55, 0.16%, 0.4%

LAB 44.81, 2.32, 12.75

 

CMYK 0 / 4 / 28 / 54

HEX #767155

RGB 118 113 85

HSL 50.91, 0.16%, 0.4%

LAB 47.39, -2.93, 16.28

 

CMYK 3 / 0 / 28 / 54

HEX #727655

RGB 114 118 85

HSL 67.27, 0.16%, 0.4%

LAB 48.5, -7.47, 17.72

 

CMYK 0 / 11 / 27 / 73

HEX #463E33

RGB 70 62 51

HSL 34.74, 0.16%, 0.24%

LAB 26.7, 1.37, 8.03

 

CMYK 0 / 12 / 28 / 63

HEX #5E5344

RGB 94 83 68

HSL 34.62, 0.16%, 0.32%

LAB 35.95, 1.86, 10.45

 

CMYK 0 / 11 / 28 / 54

HEX #766955

RGB 118 105 85

HSL 36.36, 0.16%, 0.4%

LAB 45.1, 1.73, 13.14

 

CMYK 0 / 11 / 27 / 44

HEX #8E7E67

RGB 142 126 103

HSL 35.38, 0.16%, 0.48%

LAB 53.66, 2.34, 14.77

 

CMYK 0 / 9 / 22 / 37

HEX #A1927D

RGB 161 146 125

HSL 35, 0.16%, 0.56%

LAB 61.32, 2.08, 13.16

 

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

CMYK 22 / 0 / 28 / 54

HEX #5C7655

RGB 92 118 85

HSL 107.27, 0.16%, 0.4%

LAB 46.83, -16.32, 15.17

 

CMYK 23 / 28 / 0 / 54

HEX #5B5576

RGB 91 85 118

HSL 250.91, 0.16%, 0.4%

LAB 37.89, 10.12, -17.86

 

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

CMYK 28 / 0 / 12 / 54

HEX #557668

RGB 85 118 104

HSL 154.55, 0.16%, 0.4%

LAB 46.83, -15.03, 3.91

 

CMYK 12 / 28 / 0 / 54

HEX #685576

RGB 104 85 118

HSL 274.55, 0.16%, 0.4%

LAB 39.15, 14.68, -15.82

 

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

CMYK 22 / 0 / 28 / 54

HEX #5C7655

RGB 92 118 85

HSL 107.27, 0.16%, 0.4%

LAB 46.83, -16.32, 15.17

 

CMYK 28 / 16 / 0 / 54

HEX #556376

RGB 85 99 118

HSL 214.55, 0.16%, 0.4%

LAB 41.47, -0.59, -12.44

 

CMYK 6 / 28 / 0 / 54

HEX #6F5576

RGB 111 85 118

HSL 287.27, 0.16%, 0.4%

LAB 39.89, 17.2, -14.63

 

CMYK 0 / 11 / 27 / 54

HEX #756855

RGB 117 104 85

HSL 35.63, 0.16%, 0.4%

LAB 44.71, 1.89, 12.59

 

CMYK 28 / 0 / 25 / 54

HEX #557658

RGB 85 118 88

HSL 125.45, 0.16%, 0.4%

LAB 46.44, -18.38, 12.81

 

CMYK 28 / 16 / 0 / 54

HEX #556376

RGB 85 99 118

HSL 214.55, 0.16%, 0.4%

LAB 41.47, -0.59, -12.44

 

CMYK 0 / 28 / 3 / 54

HEX #765573

RGB 118 85 115

HSL 305.45, 0.16%, 0.4%

LAB 40.55, 19.13, -11.71

 

Description

Color code: RGB 117 104 85 | qconv.com Color code: RGB 117 104 85 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 104 green and 85 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 104 85 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 27 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 27% 54% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Welcome to Sabre Hos...
Link: https://reservations.synxis.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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