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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 129 74 it is the complementary color RGB 138 126 181. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 129 74. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 129 74 shade: RGB 122 129 69, RGB 139 147 88, RGB 156 165 107, RGB 173 183 126 and RGB 190 201 145

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 129 74. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 100 111 55, RGB 83 93 36, RGB 66 75 17 and RGB 49 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 129 126 74, RGB 129 111 74, RGB 129 96 74 and RGB 129 82 74

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 102 129 74, RGB 87 129 74, RGB 74 129 75 and RGB 74 129 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 129 74 shade matches the following richer shades: RGB 117 129 74, RGB 126 146 57, RGB 136 162 41, RGB 145 179 24 and RGB 154 195 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 108 113 90, RGB 98 96 107, RGB 89 80 123 and RGB 80 63 140

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 129 74 shade: RGB 129 112 74, RGB 129 126 74, RGB 117 129 74, RGB 102 129 74 and RGB 88 129 74

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 129 74 shade: RGB 69 77 44, RGB 93 103 59, RGB 117 129 74, RGB 141 155 89 and RGB 160 173 113

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 74 129 97 and RGB 119 74 129

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 74 117 129 and RGB 129 74 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 74 129 97, RGB 86 74 129 and RGB 129 74 106

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 129 74 shade: RGB 117 129 74, RGB 74 129 113, RGB 86 74 129 and RGB 129 74 90

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

Complementary color

CMYK 24 / 30 / 0 / 29

HEX #8A7EB5

RGB 138 126 181

HSL 253.09, 0.27%, 0.6%

LAB 55.75, 16.49, -27.34

 

CMYK 5 / 0 / 47 / 49

HEX #7A8145

RGB 122 129 69

HSL 67, 0.3%, 0.39%

LAB 52.14, -12.26, 31.51

 

CMYK 5 / 0 / 40 / 42

HEX #8B9358

RGB 139 147 88

HSL 68.14, 0.25%, 0.46%

LAB 59.03, -12.54, 30.25

 

CMYK 5 / 0 / 35 / 35

HEX #9CA56B

RGB 156 165 107

HSL 69.31, 0.24%, 0.53%

LAB 65.78, -12.75, 29.04

 

CMYK 5 / 0 / 31 / 28

HEX #ADB77E

RGB 173 183 126

HSL 70.53, 0.28%, 0.61%

LAB 72.4, -12.91, 27.89

 

CMYK 5 / 0 / 28 / 21

HEX #BEC991

RGB 190 201 145

HSL 71.79, 0.34%, 0.68%

LAB 78.91, -13.04, 26.8

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 10 / 0 / 50 / 56

HEX #646F37

RGB 100 111 55

HSL 71.79, 0.34%, 0.33%

LAB 44.74, -13.57, 29.59

 

CMYK 11 / 0 / 61 / 64

HEX #535D24

RGB 83 93 36

HSL 70.53, 0.44%, 0.25%

LAB 37.47, -13.2, 30.81

 

CMYK 12 / 0 / 77 / 71

HEX #424B11

RGB 66 75 17

HSL 69.31, 0.63%, 0.18%

LAB 29.99, -12.59, 31.59

 

CMYK 14 / 0 / 100 / 78

HEX #313900

RGB 49 57 0

HSL 68.42, 1%, 0.11%

LAB 22.23, -11.66, 30.5

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 0 / 2 / 43 / 49

HEX #817E4A

RGB 129 126 74

HSL 56.73, 0.27%, 0.4%

LAB 51.93, -7.01, 28.67

 

CMYK 0 / 14 / 43 / 49

HEX #816F4A

RGB 129 111 74

HSL 40.36, 0.27%, 0.4%

LAB 47.66, 1.52, 23.2

 

CMYK 0 / 26 / 43 / 49

HEX #81604A

RGB 129 96 74

HSL 24, 0.27%, 0.4%

LAB 43.55, 10.33, 17.78

 

CMYK 0 / 36 / 43 / 49

HEX #81524A

RGB 129 82 74

HSL 8.73, 0.27%, 0.4%

LAB 39.91, 18.64, 12.84

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 21 / 0 / 43 / 49

HEX #66814A

RGB 102 129 74

HSL 89.45, 0.27%, 0.4%

LAB 50.71, -19.98, 26.68

 

CMYK 33 / 0 / 43 / 49

HEX #57814A

RGB 87 129 74

HSL 105.82, 0.27%, 0.4%

LAB 49.76, -25.74, 25.28

 

CMYK 43 / 0 / 42 / 49

HEX #4A814B

RGB 74 129 75

HSL 121.09, 0.27%, 0.4%

LAB 49.09, -30.1, 23.71

 

CMYK 43 / 0 / 30 / 49

HEX #4A815A

RGB 74 129 90

HSL 137.45, 0.27%, 0.4%

LAB 49.37, -27.36, 15.59

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 14 / 0 / 61 / 43

HEX #7E9239

RGB 126 146 57

HSL 73.48, 0.44%, 0.4%

LAB 57.36, -20.68, 43.7

 

CMYK 16 / 0 / 75 / 36

HEX #88A229

RGB 136 162 41

HSL 72.89, 0.6%, 0.4%

LAB 62.71, -25.54, 56

 

CMYK 19 / 0 / 87 / 30

HEX #91B318

RGB 145 179 24

HSL 73.16, 0.76%, 0.4%

LAB 68.26, -30.65, 65.97

 

CMYK 21 / 0 / 96 / 24

HEX #9AC308

RGB 154 195 8

HSL 73.16, 0.92%, 0.4%

LAB 73.49, -34.73, 72.83

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 4 / 0 / 20 / 56

HEX #6C715A

RGB 108 113 90

HSL 73.04, 0.11%, 0.4%

LAB 46.63, -6.3, 12.15

 

CMYK 8 / 10 / 0 / 58

HEX #62606B

RGB 98 96 107

HSL 250.91, 0.05%, 0.4%

LAB 41.25, 3.16, -5.95

 

CMYK 28 / 35 / 0 / 52

HEX #59507B

RGB 89 80 123

HSL 252.56, 0.21%, 0.4%

LAB 36.54, 13.94, -23.06

 

CMYK 43 / 55 / 0 / 45

HEX #503F8C

RGB 80 63 140

HSL 253.25, 0.38%, 0.4%

LAB 32.15, 27.05, -40.53

 

CMYK 0 / 13 / 43 / 49

HEX #81704A

RGB 129 112 74

HSL 41.45, 0.27%, 0.4%

LAB 47.94, 0.94, 23.57

 

CMYK 0 / 2 / 43 / 49

HEX #817E4A

RGB 129 126 74

HSL 56.73, 0.27%, 0.4%

LAB 51.93, -7.01, 28.67

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 21 / 0 / 43 / 49

HEX #66814A

RGB 102 129 74

HSL 89.45, 0.27%, 0.4%

LAB 50.71, -19.98, 26.68

 

CMYK 32 / 0 / 43 / 49

HEX #58814A

RGB 88 129 74

HSL 104.73, 0.27%, 0.4%

LAB 49.82, -25.37, 25.36

 

CMYK 10 / 0 / 43 / 70

HEX #454D2C

RGB 69 77 44

HSL 74.55, 0.27%, 0.24%

LAB 31.24, -9.5, 18.51

 

CMYK 10 / 0 / 43 / 60

HEX #5D673B

RGB 93 103 59

HSL 73.64, 0.27%, 0.32%

LAB 41.76, -11.7, 23.54

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 9 / 0 / 43 / 39

HEX #8D9B59

RGB 141 155 89

HSL 72.73, 0.27%, 0.48%

LAB 61.5, -15.82, 32.88

 

CMYK 8 / 0 / 35 / 32

HEX #A0AD71

RGB 160 173 113

HSL 73, 0.27%, 0.56%

LAB 68.43, -14.55, 29.36

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 43 / 0 / 25 / 49

HEX #4A8161

RGB 74 129 97

HSL 145.09, 0.27%, 0.4%

LAB 49.52, -25.91, 11.75

 

CMYK 8 / 43 / 0 / 49

HEX #774A81

RGB 119 74 129

HSL 289.09, 0.27%, 0.4%

LAB 38.56, 29.01, -23.36

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 43 / 9 / 0 / 49

HEX #4A7581

RGB 74 117 129

HSL 193.09, 0.27%, 0.4%

LAB 46.66, -11.51, -11.28

 

CMYK 0 / 43 / 9 / 49

HEX #814A75

RGB 129 74 117

HSL 313.09, 0.27%, 0.4%

LAB 39.33, 30, -14.68

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 43 / 0 / 25 / 49

HEX #4A8161

RGB 74 129 97

HSL 145.09, 0.27%, 0.4%

LAB 49.52, -25.91, 11.75

 

CMYK 33 / 43 / 0 / 49

HEX #564A81

RGB 86 74 129

HSL 253.09, 0.27%, 0.4%

LAB 34.93, 18.48, -29.31

 

CMYK 0 / 43 / 18 / 49

HEX #814A6A

RGB 129 74 106

HSL 325.09, 0.27%, 0.4%

LAB 38.91, 28.04, -8.49

 

CMYK 9 / 0 / 43 / 49

HEX #75814A

RGB 117 129 74

HSL 73.09, 0.27%, 0.4%

LAB 51.81, -13.8, 28.31

 

CMYK 43 / 0 / 12 / 49

HEX #4A8171

RGB 74 129 113

HSL 162.55, 0.27%, 0.4%

LAB 49.92, -22.25, 2.99

 

CMYK 33 / 43 / 0 / 49

HEX #564A81

RGB 86 74 129

HSL 253.09, 0.27%, 0.4%

LAB 34.93, 18.48, -29.31

 

CMYK 0 / 43 / 30 / 49

HEX #814A5A

RGB 129 74 90

HSL 342.55, 0.27%, 0.4%

LAB 38.38, 25.49, 0.73

 

Description

Color code: RGB 117 129 74 | qconv.com Color code: RGB 117 129 74 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 129 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 129 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 43 yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 43% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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