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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 140 198 it is the complementary color RGB 138 115 57. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 140 198. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 140 198 shade: RGB 122 140 193, RGB 139 158 212, RGB 156 176 231, RGB 173 194 250 and RGB 190 212 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 140 198. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 100 122 179, RGB 83 104 160, RGB 66 86 141 and RGB 49 68 122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 117 118 198, RGB 138 117 198, RGB 160 117 198 and RGB 182 117 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 117 118 198 and RGB 117 117 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 140 198 shade matches the following richer shades: RGB 117 140 198, RGB 101 133 214, RGB 86 126 230 and RGB 70 120 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 133 147 183, RGB 148 154 167, RGB 164 160 151 and RGB 180 167 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 140 198 shade: RGB 117 185 198, RGB 117 163 198, RGB 117 141 198, RGB 117 120 198 and RGB 136 117 198

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 140 198 shade: RGB 67 95 165, RGB 88 116 186, RGB 117 140 198, RGB 146 164 210 and RGB 175 189 222

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 190 117 198 and RGB 174 198 117

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 198 117 141 and RGB 141 198 117

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 190 117 198, RGB 198 174 117 and RGB 125 198 117

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 140 198 shade: RGB 117 140 198, RGB 198 117 182, RGB 198 174 117 and RGB 117 198 133

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

Complementary color

CMYK 0 / 17 / 59 / 46

HEX #8A7339

RGB 138 115 57

HSL 42.96, 0.42%, 0.38%

LAB 49.45, 1.53, 34.99

 

CMYK 37 / 27 / 0 / 24

HEX #7A8CC1

RGB 122 140 193

HSL 224.79, 0.36%, 0.62%

LAB 58.74, 6.66, -29.64

 

CMYK 34 / 25 / 0 / 17

HEX #8B9ED4

RGB 139 158 212

HSL 224.38, 0.46%, 0.69%

LAB 65.51, 6.21, -29.7

 

CMYK 32 / 24 / 0 / 9

HEX #9CB0E7

RGB 156 176 231

HSL 224, 0.61%, 0.76%

LAB 72.15, 5.82, -29.8

 

CMYK 31 / 22 / 0 / 2

HEX #ADC2FA

RGB 173 194 250

HSL 223.64, 0.89%, 0.83%

LAB 78.68, 5.46, -29.93

 

CMYK 25 / 17 / 0 / 0

HEX #BED4FF

RGB 190 212 255

HSL 219.69, 1%, 0.87%

LAB 84.61, 1.87, -23.42

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 44 / 32 / 0 / 30

HEX #647AB3

RGB 100 122 179

HSL 223.29, 0.34%, 0.55%

LAB 51.7, 7.3, -32.7

 

CMYK 48 / 35 / 0 / 37

HEX #5368A0

RGB 83 104 160

HSL 223.64, 0.32%, 0.48%

LAB 44.63, 8.04, -32.77

 

CMYK 53 / 39 / 0 / 45

HEX #42568D

RGB 66 86 141

HSL 224, 0.36%, 0.41%

LAB 37.37, 8.99, -32.91

 

CMYK 60 / 44 / 0 / 52

HEX #31447A

RGB 49 68 122

HSL 224.38, 0.43%, 0.34%

LAB 29.89, 10.23, -33.12

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 41 / 40 / 0 / 22

HEX #7576C6

RGB 117 118 198

HSL 239.26, 0.42%, 0.62%

LAB 52.75, 19.74, -41.88

 

CMYK 30 / 41 / 0 / 22

HEX #8A75C6

RGB 138 117 198

HSL 255.56, 0.42%, 0.62%

LAB 54.24, 26.06, -39.41

 

CMYK 19 / 41 / 0 / 22

HEX #A075C6

RGB 160 117 198

HSL 271.85, 0.42%, 0.62%

LAB 56.36, 32.47, -35.93

 

CMYK 8 / 41 / 0 / 22

HEX #B675C6

RGB 182 117 198

HSL 288.15, 0.42%, 0.62%

LAB 58.74, 39.1, -32.05

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 41 / 40 / 0 / 22

HEX #7576C6

RGB 117 118 198

HSL 239.26, 0.42%, 0.62%

LAB 52.75, 19.74, -41.88

 

CMYK 41 / 41 / 0 / 22

HEX #7575C6

RGB 117 117 198

HSL 240, 0.42%, 0.62%

LAB 52.49, 20.34, -42.29

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 53 / 38 / 0 / 16

HEX #6585D6

RGB 101 133 214

HSL 223.01, 0.58%, 0.62%

LAB 56.48, 11.7, -45.11

 

CMYK 63 / 45 / 0 / 10

HEX #567EE6

RGB 86 126 230

HSL 223.33, 0.74%, 0.62%

LAB 54.67, 18.2, -57.01

 

CMYK 71 / 51 / 0 / 4

HEX #4678F5

RGB 70 120 245

HSL 222.86, 0.9%, 0.62%

LAB 53.31, 24.69, -67.61

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 27 / 20 / 0 / 28

HEX #8593B7

RGB 133 147 183

HSL 223.2, 0.26%, 0.62%

LAB 61.02, 3.27, -20.41

 

CMYK 11 / 8 / 0 / 35

HEX #949AA7

RGB 148 154 167

HSL 221.05, 0.1%, 0.62%

LAB 63.51, 0.53, -7.53

 

CMYK 0 / 2 / 8 / 36

HEX #A4A097

RGB 164 160 151

HSL 41.54, 0.07%, 0.62%

LAB 65.96, -0.19, 5.19

 

CMYK 0 / 7 / 24 / 29

HEX #B4A788

RGB 180 167 136

HSL 42.27, 0.23%, 0.62%

LAB 68.84, -0.31, 17.76

 

CMYK 41 / 7 / 0 / 22

HEX #75B9C6

RGB 117 185 198

HSL 189.63, 0.42%, 0.62%

LAB 71.25, -18.13, -13.35

 

CMYK 41 / 18 / 0 / 22

HEX #75A3C6

RGB 117 163 198

HSL 205.93, 0.42%, 0.62%

LAB 65.01, -6.37, -22.82

 

CMYK 41 / 29 / 0 / 22

HEX #758DC6

RGB 117 141 198

HSL 222.22, 0.42%, 0.62%

LAB 58.89, 6.1, -32.25

 

CMYK 41 / 39 / 0 / 22

HEX #7578C6

RGB 117 120 198

HSL 237.78, 0.42%, 0.62%

LAB 53.27, 18.54, -41.06

 

CMYK 31 / 41 / 0 / 22

HEX #8875C6

RGB 136 117 198

HSL 254.07, 0.42%, 0.62%

LAB 54.06, 25.5, -39.7

 

CMYK 59 / 42 / 0 / 35

HEX #435FA5

RGB 67 95 165

HSL 222.86, 0.42%, 0.45%

LAB 41.37, 11.65, -40.96

 

CMYK 53 / 38 / 0 / 27

HEX #5874BA

RGB 88 116 186

HSL 222.86, 0.42%, 0.54%

LAB 49.63, 10.15, -40.05

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 30 / 22 / 0 / 18

HEX #92A4D2

RGB 146 164 210

HSL 223.13, 0.42%, 0.7%

LAB 67.51, 4.33, -25.48

 

CMYK 21 / 15 / 0 / 13

HEX #AFBDDE

RGB 175 189 222

HSL 222.13, 0.42%, 0.78%

LAB 76.55, 2.17, -18.1

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 4 / 41 / 0 / 22

HEX #BE75C6

RGB 190 117 198

HSL 294.07, 0.42%, 0.62%

LAB 59.66, 41.54, -30.54

 

CMYK 12 / 0 / 41 / 22

HEX #AEC675

RGB 174 198 117

HSL 77.78, 0.42%, 0.62%

LAB 76.48, -21.26, 37.87

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 0 / 41 / 29 / 22

HEX #C6758D

RGB 198 117 141

HSL 342.22, 0.42%, 0.62%

LAB 58.65, 34.75, 0.73

 

CMYK 29 / 0 / 41 / 22

HEX #8DC675

RGB 141 198 117

HSL 102.22, 0.42%, 0.62%

LAB 74.4, -33.38, 34.8

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 4 / 41 / 0 / 22

HEX #BE75C6

RGB 190 117 198

HSL 294.07, 0.42%, 0.62%

LAB 59.66, 41.54, -30.54

 

CMYK 0 / 12 / 41 / 22

HEX #C6AE75

RGB 198 174 117

HSL 42.22, 0.42%, 0.62%

LAB 71.93, 0.7, 32.43

 

CMYK 37 / 0 / 41 / 22

HEX #7DC675

RGB 125 198 117

HSL 114.07, 0.42%, 0.62%

LAB 73.57, -38.73, 33.55

 

CMYK 41 / 29 / 0 / 22

HEX #758CC6

RGB 117 140 198

HSL 222.96, 0.42%, 0.62%

LAB 58.62, 6.68, -32.68

 

CMYK 0 / 41 / 8 / 22

HEX #C675B6

RGB 198 117 182

HSL 311.85, 0.42%, 0.62%

LAB 59.98, 41.13, -20.86

 

CMYK 0 / 12 / 41 / 22

HEX #C6AE75

RGB 198 174 117

HSL 42.22, 0.42%, 0.62%

LAB 71.93, 0.7, 32.43

 

CMYK 41 / 0 / 33 / 22

HEX #75C685

RGB 117 198 133

HSL 131.85, 0.42%, 0.62%

LAB 73.46, -38.61, 25.01

 

Description

Color code: RGB 117 140 198 | qconv.com Color code: RGB 117 140 198 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 140 green and 198 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 140 198 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 41 cyan, 29 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
41% 29% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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