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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 117 185 28 it is the complementary color RGB 138 70 227. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 117 185 28. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 117 185 28 shade: RGB 122 185 23, RGB 139 203 42, RGB 156 221 61, RGB 173 239 80 and RGB 190 255 99

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 117 185 28. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 117 185 28 shade: RGB 117 185 28, RGB 100 167 9, RGB 83 149 0, RGB 66 131 0 and RGB 49 113 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 117 185 28 shade: RGB 117 186 27, RGB 160 186 27, RGB 186 169 27, RGB 186 126 27 and RGB 186 84 27

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 117 185 28 shade: RGB 117 186 27, RGB 74 186 27, RGB 32 186 27, RGB 27 186 66 and RGB 27 186 108

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 117 185 28 shade matches the following richer shades: RGB 117 186 27 and RGB 120 203 10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 117 185 28 shade: RGB 117 186 27, RGB 115 169 45, RGB 113 151 62, RGB 110 134 79 and RGB 108 117 97

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 117 185 28 shade: RGB 186 167 27, RGB 162 186 27, RGB 120 186 27, RGB 78 186 27 and RGB 35 186 27

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 117 185 28 shade: RGB 72 114 17, RGB 95 150 22, RGB 117 186 27, RGB 140 221 33 and RGB 158 227 69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 117 185 28 shade: RGB 117 185 28, RGB 27 186 125 and RGB 186 27 183

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 117 185 28 shade: RGB 117 185 28, RGB 27 120 186 and RGB 186 27 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 117 185 28 shade: RGB 117 185 28, RGB 27 186 125, RGB 93 27 186 and RGB 186 27 88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 117 185 28 shade: RGB 117 185 28, RGB 27 186 173, RGB 93 27 186 and RGB 186 27 41

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

Complementary color

CMYK 39 / 69 / 0 / 11

HEX #8A46E3

RGB 138 70 227

HSL 265.99, 0.74%, 0.58%

LAB 46.08, 59.2, -68.99

 

CMYK 34 / 0 / 88 / 27

HEX #7AB917

RGB 122 185 23

HSL 83.33, 0.78%, 0.41%

LAB 68.68, -42.38, 65.98

 

CMYK 32 / 0 / 79 / 20

HEX #8BCB2A

RGB 139 203 42

HSL 83.85, 0.66%, 0.48%

LAB 75.06, -43.13, 67.31

 

CMYK 29 / 0 / 72 / 13

HEX #9CDD3D

RGB 156 221 61

HSL 84.38, 0.7%, 0.55%

LAB 81.36, -43.67, 67.65

 

CMYK 28 / 0 / 67 / 6

HEX #ADEF50

RGB 173 239 80

HSL 84.91, 0.83%, 0.63%

LAB 87.58, -44.06, 67.38

 

CMYK 25 / 0 / 61 / 0

HEX #BEFF63

RGB 190 255 99

HSL 85, 1%, 0.69%

LAB 93.18, -43.47, 66.14

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 40 / 0 / 95 / 35

HEX #64A709

RGB 100 167 9

HSL 85.44, 0.9%, 0.35%

LAB 61.97, -43.09, 62.28

 

CMYK 44 / 0 / 100 / 42

HEX #539500

RGB 83 149 0

HSL 86.58, 1%, 0.29%

LAB 55.41, -41.8, 58.06

 

CMYK 50 / 0 / 100 / 49

HEX #428300

RGB 66 131 0

HSL 89.77, 1%, 0.26%

LAB 48.75, -40.22, 52.53

 

CMYK 57 / 0 / 100 / 56

HEX #317100

RGB 49 113 0

HSL 93.98, 1%, 0.22%

LAB 41.94, -38.47, 46.89

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 14 / 0 / 85 / 27

HEX #A0BA1B

RGB 160 186 27

HSL 69.81, 0.75%, 0.42%

LAB 71.33, -27.67, 68.32

 

CMYK 0 / 9 / 85 / 27

HEX #BAA91B

RGB 186 169 27

HSL 53.58, 0.75%, 0.42%

LAB 68.67, -7.84, 66.96

 

CMYK 0 / 32 / 85 / 27

HEX #BA7E1B

RGB 186 126 27

HSL 37.36, 0.75%, 0.42%

LAB 57.5, 15.51, 57.7

 

CMYK 0 / 55 / 85 / 27

HEX #BA541B

RGB 186 84 27

HSL 21.51, 0.75%, 0.42%

LAB 48.08, 38.13, 49.77

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 60 / 0 / 85 / 27

HEX #4ABA1B

RGB 74 186 27

HSL 102.26, 0.75%, 0.42%

LAB 67.02, -57.58, 62.91

 

CMYK 83 / 0 / 85 / 27

HEX #20BA1B

RGB 32 186 27

HSL 118.11, 0.75%, 0.42%

LAB 66.14, -65.05, 61.8

 

CMYK 85 / 0 / 65 / 27

HEX #1BBA42

RGB 27 186 66

HSL 134.72, 0.75%, 0.42%

LAB 66.32, -62.52, 48.64

 

CMYK 85 / 0 / 42 / 27

HEX #1BBA6C

RGB 27 186 108

HSL 150.57, 0.75%, 0.42%

LAB 66.85, -56.2, 28.91

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 41 / 0 / 95 / 20

HEX #78CB0A

RGB 120 203 10

HSL 85.8, 0.91%, 0.42%

LAB 74.01, -50.78, 72.24

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 32 / 0 / 73 / 34

HEX #73A92D

RGB 115 169 45

HSL 86.13, 0.58%, 0.42%

LAB 63.52, -37, 54.91

 

CMYK 25 / 0 / 59 / 41

HEX #71973E

RGB 113 151 62

HSL 85.62, 0.42%, 0.42%

LAB 58.03, -28.05, 41.87

 

CMYK 18 / 0 / 41 / 47

HEX #6E864F

RGB 110 134 79

HSL 86.18, 0.26%, 0.42%

LAB 52.87, -18.69, 26.81

 

CMYK 8 / 0 / 17 / 54

HEX #6C7561

RGB 108 117 97

HSL 87, 0.09%, 0.42%

LAB 47.97, -7.34, 9.91

 

CMYK 0 / 10 / 85 / 27

HEX #BAA71B

RGB 186 167 27

HSL 52.83, 0.75%, 0.42%

LAB 68.14, -6.79, 66.51

 

CMYK 13 / 0 / 85 / 27

HEX #A2BA1B

RGB 162 186 27

HSL 69.06, 0.75%, 0.42%

LAB 71.47, -26.84, 68.5

 

CMYK 35 / 0 / 85 / 27

HEX #78BA1B

RGB 120 186 27

HSL 84.91, 0.75%, 0.42%

LAB 68.89, -43.41, 65.27

 

CMYK 58 / 0 / 85 / 27

HEX #4EBA1B

RGB 78 186 27

HSL 100.75, 0.75%, 0.42%

LAB 67.14, -56.57, 63.06

 

CMYK 81 / 0 / 85 / 27

HEX #23BA1B

RGB 35 186 27

HSL 116.98, 0.75%, 0.42%

LAB 66.18, -64.71, 61.84

 

CMYK 37 / 0 / 85 / 55

HEX #487211

RGB 72 114 17

HSL 85.98, 0.74%, 0.26%

LAB 43.44, -30.08, 44.42

 

CMYK 37 / 0 / 85 / 41

HEX #5F9616

RGB 95 150 22

HSL 85.78, 0.74%, 0.34%

LAB 56.39, -37.28, 55.06

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1B

RGB 117 186 27

HSL 86.04, 0.75%, 0.42%

LAB 68.74, -44.49, 65.08

 

CMYK 37 / 0 / 85 / 13

HEX #8CDD21

RGB 140 221 33

HSL 85.85, 0.74%, 0.5%

LAB 80.4, -50.62, 74.29

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 85 / 0 / 33 / 27

HEX #1BBA7D

RGB 27 186 125

HSL 156.98, 0.75%, 0.42%

LAB 67.15, -52.75, 20.3

 

CMYK 0 / 85 / 2 / 27

HEX #BA1BB7

RGB 186 27 183

HSL 301.13, 0.75%, 0.42%

LAB 45.14, 73.8, -44.75

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 85 / 35 / 0 / 27

HEX #1B78BA

RGB 27 120 186

HSL 204.91, 0.75%, 0.42%

LAB 48.52, -1.87, -41.94

 

CMYK 0 / 85 / 35 / 27

HEX #BA1B78

RGB 186 27 120

HSL 324.91, 0.75%, 0.42%

LAB 42.12, 65.64, -11.42

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 85 / 0 / 33 / 27

HEX #1BBA7D

RGB 27 186 125

HSL 156.98, 0.75%, 0.42%

LAB 67.15, -52.75, 20.3

 

CMYK 50 / 85 / 0 / 27

HEX #5D1BBA

RGB 93 27 186

HSL 264.91, 0.75%, 0.42%

LAB 31.01, 59.96, -70.11

 

CMYK 0 / 85 / 53 / 27

HEX #BA1B58

RGB 186 27 88

HSL 336.98, 0.75%, 0.42%

LAB 41.1, 62.73, 7.16

 

CMYK 37 / 0 / 85 / 27

HEX #75B91C

RGB 117 185 28

HSL 85.99, 0.74%, 0.42%

LAB 68.43, -44.03, 64.59

 

CMYK 85 / 0 / 7 / 27

HEX #1BBAAD

RGB 27 186 173

HSL 175.09, 0.75%, 0.42%

LAB 68.29, -40.62, -4.3

 

CMYK 50 / 85 / 0 / 27

HEX #5D1BBA

RGB 93 27 186

HSL 264.91, 0.75%, 0.42%

LAB 31.01, 59.96, -70.11

 

CMYK 0 / 85 / 78 / 27

HEX #BA1B29

RGB 186 27 41

HSL 354.72, 0.75%, 0.42%

LAB 40.22, 60.15, 35.3

 

Description

Color code: RGB 117 185 28 | qconv.com Color code: RGB 117 185 28 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 117 red, 185 green and 28 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
117 185 28 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 85 yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 85% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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