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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 115 212 it is the complementary color RGB 137 140 43. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 115 212. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 115 212 shade: RGB 123 115 207, RGB 140 133 226, RGB 157 151 245, RGB 174 169 255 and RGB 191 187 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 115 212. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 115 212 shade: RGB 118 115 212, RGB 101 97 193, RGB 84 79 174, RGB 67 61 155 and RGB 50 43 136

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 115 212 shade: RGB 117 114 211, RGB 143 114 211, RGB 170 114 211, RGB 196 114 211 and RGB 211 114 201

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 115 212 shade: RGB 117 114 211 and RGB 114 114 211

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 115 212 shade matches the following richer shades: RGB 117 114 211, RGB 103 99 226 and RGB 89 84 241

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 115 212 shade: RGB 117 114 211, RGB 131 129 197, RGB 145 144 182, RGB 159 159 167 and RGB 173 173 152

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 115 212 shade: RGB 114 164 211, RGB 114 138 211, RGB 116 114 211, RGB 142 114 211 and RGB 168 114 211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 115 212 shade: RGB 61 57 186, RGB 86 82 202, RGB 117 114 211, RGB 148 146 221 and RGB 179 177 231

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 115 212 shade: RGB 118 115 212, RGB 211 114 190 and RGB 151 211 114

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 115 212 shade: RGB 118 115 212, RGB 211 116 114 and RGB 114 211 116

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 115 212 shade: RGB 118 115 212, RGB 211 114 190, RGB 210 211 114 and RGB 114 211 135

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 115 212 shade: RGB 118 115 212, RGB 211 114 161, RGB 210 211 114 and RGB 114 211 164

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

Complementary color

CMYK 2 / 0 / 69 / 45

HEX #898C2B

RGB 137 140 43

HSL 61.86, 0.53%, 0.36%

LAB 56.34, -13.75, 49.01

 

CMYK 41 / 44 / 0 / 19

HEX #7B73CF

RGB 123 115 207

HSL 245.22, 0.49%, 0.63%

LAB 52.92, 25.65, -46.7

 

CMYK 38 / 41 / 0 / 11

HEX #8C85E2

RGB 140 133 226

HSL 244.52, 0.62%, 0.7%

LAB 59.75, 24.69, -46.5

 

CMYK 36 / 38 / 0 / 4

HEX #9D97F5

RGB 157 151 245

HSL 243.83, 0.82%, 0.78%

LAB 66.44, 23.84, -46.34

 

CMYK 32 / 34 / 0 / 0

HEX #AEA9FF

RGB 174 169 255

HSL 243.49, 1%, 0.83%

LAB 72.62, 20.8, -41.99

 

CMYK 25 / 27 / 0 / 0

HEX #BFBBFF

RGB 191 187 255

HSL 243.53, 1%, 0.87%

LAB 78.37, 15.65, -32.98

 

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

CMYK 48 / 50 / 0 / 24

HEX #6561C1

RGB 101 97 193

HSL 242.5, 0.44%, 0.57%

LAB 45.86, 27.07, -50.04

 

CMYK 52 / 55 / 0 / 32

HEX #544FAE

RGB 84 79 174

HSL 243.16, 0.38%, 0.5%

LAB 38.78, 28.51, -50.36

 

CMYK 57 / 61 / 0 / 39

HEX #433D9B

RGB 67 61 155

HSL 243.83, 0.44%, 0.42%

LAB 31.57, 30.2, -50.7

 

CMYK 63 / 68 / 0 / 47

HEX #322B88

RGB 50 43 136

HSL 244.52, 0.52%, 0.35%

LAB 24.27, 32.18, -50.96

 

CMYK 45 / 46 / 0 / 17

HEX #7572D3

RGB 117 114 211

HSL 241.86, 0.52%, 0.64%

LAB 52.42, 25.92, -49.8

 

CMYK 32 / 46 / 0 / 17

HEX #8F72D3

RGB 143 114 211

HSL 257.94, 0.52%, 0.64%

LAB 54.63, 32.55, -46.14

 

CMYK 19 / 46 / 0 / 17

HEX #AA72D3

RGB 170 114 211

HSL 274.64, 0.52%, 0.64%

LAB 57.35, 39.99, -41.67

 

CMYK 7 / 46 / 0 / 17

HEX #C472D3

RGB 196 114 211

HSL 290.72, 0.52%, 0.64%

LAB 60.31, 47.43, -36.82

 

CMYK 0 / 46 / 5 / 17

HEX #D372C9

RGB 211 114 201

HSL 306.19, 0.52%, 0.64%

LAB 61.74, 50, -28.81

 

CMYK 45 / 46 / 0 / 17

HEX #7572D3

RGB 117 114 211

HSL 241.86, 0.52%, 0.64%

LAB 52.42, 25.92, -49.8

 

CMYK 46 / 46 / 0 / 17

HEX #7272D3

RGB 114 114 211

HSL 240, 0.52%, 0.64%

LAB 52.19, 25.21, -50.18

 

CMYK 45 / 46 / 0 / 17

HEX #7572D3

RGB 117 114 211

HSL 241.86, 0.52%, 0.64%

LAB 52.42, 25.92, -49.8

 

CMYK 54 / 56 / 0 / 11

HEX #6763E2

RGB 103 99 226

HSL 241.89, 0.69%, 0.64%

LAB 48.63, 36.48, -64.43

 

CMYK 63 / 65 / 0 / 5

HEX #5954F1

RGB 89 84 241

HSL 241.91, 0.85%, 0.64%

LAB 45.38, 47.76, -78.22

 

CMYK 45 / 46 / 0 / 17

HEX #7572D3

RGB 117 114 211

HSL 241.86, 0.52%, 0.64%

LAB 52.42, 25.92, -49.8

 

CMYK 34 / 35 / 0 / 23

HEX #8381C5

RGB 131 129 197

HSL 241.76, 0.37%, 0.64%

LAB 56.64, 16.74, -35.12

 

CMYK 20 / 21 / 0 / 29

HEX #9190B6

RGB 145 144 182

HSL 241.58, 0.21%, 0.64%

LAB 61.08, 8.53, -19.66

 

CMYK 5 / 5 / 0 / 35

HEX #9F9FA7

RGB 159 159 167

HSL 240, 0.04%, 0.64%

LAB 65.72, 1.57, -4.16

 

CMYK 0 / 0 / 12 / 32

HEX #ADAD98

RGB 173 173 152

HSL 60, 0.11%, 0.64%

LAB 70.2, -3.72, 10.8

 

CMYK 46 / 22 / 0 / 17

HEX #72A4D3

RGB 114 164 211

HSL 209.07, 0.52%, 0.64%

LAB 65.62, -4.06, -29.11

 

CMYK 46 / 35 / 0 / 17

HEX #728AD3

RGB 114 138 211

HSL 225.15, 0.52%, 0.64%

LAB 58.47, 10.86, -40.24

 

CMYK 45 / 46 / 0 / 17

HEX #7472D3

RGB 116 114 211

HSL 241.24, 0.52%, 0.64%

LAB 52.34, 25.68, -49.93

 

CMYK 33 / 46 / 0 / 17

HEX #8E72D3

RGB 142 114 211

HSL 257.32, 0.52%, 0.64%

LAB 54.54, 32.28, -46.3

 

CMYK 20 / 46 / 0 / 17

HEX #A872D3

RGB 168 114 211

HSL 273.4, 0.52%, 0.64%

LAB 57.14, 39.43, -42.03

 

CMYK 67 / 69 / 0 / 27

HEX #3D39BA

RGB 61 57 186

HSL 241.86, 0.53%, 0.48%

LAB 32.84, 42.05, -67.21

 

CMYK 57 / 59 / 0 / 21

HEX #5652CA

RGB 86 82 202

HSL 242, 0.53%, 0.56%

LAB 41.65, 36.03, -62.09

 

CMYK 45 / 46 / 0 / 17

HEX #7572D3

RGB 117 114 211

HSL 241.86, 0.52%, 0.64%

LAB 52.42, 25.92, -49.8

 

CMYK 33 / 34 / 0 / 13

HEX #9492DD

RGB 148 146 221

HSL 241.6, 0.52%, 0.72%

LAB 63.4, 17.97, -37.92

 

CMYK 23 / 23 / 0 / 9

HEX #B3B1E7

RGB 179 177 231

HSL 242.22, 0.53%, 0.8%

LAB 74.06, 12.01, -26.73

 

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

CMYK 0 / 46 / 10 / 17

HEX #D372BE

RGB 211 114 190

HSL 312.99, 0.52%, 0.64%

LAB 61.31, 48.14, -23.25

 

CMYK 28 / 0 / 46 / 17

HEX #97D372

RGB 151 211 114

HSL 97.11, 0.52%, 0.64%

LAB 78.68, -36.28, 41.84

 

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

CMYK 0 / 45 / 46 / 17

HEX #D37472

RGB 211 116 114

HSL 1.24, 0.52%, 0.64%

LAB 59.48, 36.89, 17.73

 

CMYK 46 / 0 / 45 / 17

HEX #72D374

RGB 114 211 116

HSL 121.24, 0.52%, 0.64%

LAB 76.94, -47.8, 38.28

 

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

CMYK 0 / 46 / 10 / 17

HEX #D372BE

RGB 211 114 190

HSL 312.99, 0.52%, 0.64%

LAB 61.31, 48.14, -23.25

 

CMYK 0 / 0 / 46 / 17

HEX #D2D372

RGB 210 211 114

HSL 60.62, 0.52%, 0.64%

LAB 82.65, -13.9, 47.61

 

CMYK 46 / 0 / 36 / 17

HEX #72D387

RGB 114 211 135

HSL 132.99, 0.52%, 0.64%

LAB 77.23, -44.82, 29

 

CMYK 44 / 46 / 0 / 17

HEX #7673D4

RGB 118 115 212

HSL 241.86, 0.53%, 0.64%

LAB 52.8, 25.86, -49.75

 

CMYK 0 / 46 / 24 / 17

HEX #D372A1

RGB 211 114 161

HSL 330.93, 0.52%, 0.64%

LAB 60.3, 43.67, -8.19

 

CMYK 0 / 0 / 46 / 17

HEX #D2D372

RGB 210 211 114

HSL 60.62, 0.52%, 0.64%

LAB 82.65, -13.9, 47.61

 

CMYK 46 / 0 / 22 / 17

HEX #72D3A4

RGB 114 211 164

HSL 150.93, 0.52%, 0.64%

LAB 77.78, -39.37, 14.54

 

Description

Color code: RGB 118 115 212 | qconv.com Color code: RGB 118 115 212 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 115 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 115 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 46 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 46% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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