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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 110 90 it is the complementary color RGB 137 145 165. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 110 90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 110 90 shade: RGB 123 110 85, RGB 140 128 104, RGB 157 146 123, RGB 174 164 142 and RGB 191 182 161

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 110 90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 101 92 71, RGB 84 74 52, RGB 67 56 33 and RGB 50 38 14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 118 103 90, RGB 118 95 90 and RGB 118 90 90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 118 117 90, RGB 111 118 90, RGB 103 118 90 and RGB 96 118 90

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 110 90 shade matches the following richer shades: RGB 118 110 90, RGB 135 117 74, RGB 151 124 57, RGB 168 132 40 and RGB 185 139 23

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 101 103 107, RGB 84 95 124, RGB 67 88 141 and RGB 50 81 158

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 110 90 shade: RGB 118 95 90, RGB 118 102 90, RGB 118 109 90, RGB 118 117 90 and RGB 111 118 90

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 110 90 shade: RGB 71 66 55, RGB 94 88 73, RGB 118 110 90, RGB 141 132 108 and RGB 160 151 131

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 93 118 90 and RGB 99 90 118

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 90 118 109 and RGB 109 90 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 93 118 90, RGB 90 99 118 and RGB 115 90 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 110 90 shade: RGB 118 110 90, RGB 90 118 96, RGB 90 99 118 and RGB 118 90 112

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

Complementary color

CMYK 17 / 12 / 0 / 35

HEX #8991A5

RGB 137 145 165

HSL 222.86, 0.13%, 0.59%

LAB 60.15, 1.41, -11.5

 

CMYK 0 / 11 / 31 / 52

HEX #7B6E55

RGB 123 110 85

HSL 39.47, 0.18%, 0.41%

LAB 47, 0.94, 15.82

 

CMYK 0 / 9 / 26 / 45

HEX #8C8068

RGB 140 128 104

HSL 40, 0.15%, 0.48%

LAB 54.04, 0.53, 14.7

 

CMYK 0 / 7 / 22 / 38

HEX #9D927B

RGB 157 146 123

HSL 40.59, 0.15%, 0.55%

LAB 60.92, 0.19, 13.67

 

CMYK 0 / 6 / 18 / 32

HEX #AEA48E

RGB 174 164 142

HSL 41.25, 0.16%, 0.62%

LAB 67.65, -0.11, 12.72

 

CMYK 0 / 5 / 16 / 25

HEX #BFB6A1

RGB 191 182 161

HSL 42, 0.19%, 0.69%

LAB 74.26, -0.36, 11.83

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 0 / 9 / 30 / 60

HEX #655C47

RGB 101 92 71

HSL 42, 0.17%, 0.34%

LAB 39.37, -0.05, 13.42

 

CMYK 0 / 12 / 38 / 67

HEX #544A34

RGB 84 74 52

HSL 41.25, 0.24%, 0.27%

LAB 31.88, 0.44, 14.69

 

CMYK 0 / 16 / 51 / 74

HEX #433821

RGB 67 56 33

HSL 40.59, 0.34%, 0.2%

LAB 24.1, 1.12, 16.15

 

CMYK 0 / 24 / 72 / 80

HEX #32260E

RGB 50 38 14

HSL 40, 0.56%, 0.13%

LAB 15.98, 2.17, 17.4

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 0 / 13 / 24 / 54

HEX #76675A

RGB 118 103 90

HSL 27.86, 0.13%, 0.41%

LAB 44.65, 3.7, 9.52

 

CMYK 0 / 19 / 24 / 54

HEX #765F5A

RGB 118 95 90

HSL 10.71, 0.13%, 0.41%

LAB 42.42, 8.47, 6.37

 

CMYK 0 / 24 / 24 / 54

HEX #765A5A

RGB 118 90 90

HSL 0, 0.13%, 0.41%

LAB 41.06, 11.49, 4.43

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 0 / 1 / 24 / 54

HEX #76755A

RGB 118 117 90

HSL 57.86, 0.13%, 0.41%

LAB 48.65, -4.46, 15.08

 

CMYK 6 / 0 / 24 / 54

HEX #6F765A

RGB 111 118 90

HSL 75, 0.13%, 0.41%

LAB 48.35, -7.91, 14.58

 

CMYK 13 / 0 / 24 / 54

HEX #67765A

RGB 103 118 90

HSL 92.14, 0.13%, 0.41%

LAB 47.72, -11.14, 13.61

 

CMYK 19 / 0 / 24 / 54

HEX #60765A

RGB 96 118 90

HSL 107.14, 0.13%, 0.41%

LAB 47.21, -13.88, 12.82

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 0 / 13 / 45 / 47

HEX #87754A

RGB 135 117 74

HSL 42.3, 0.29%, 0.41%

LAB 49.94, 0.71, 26.26

 

CMYK 0 / 18 / 62 / 41

HEX #977C39

RGB 151 124 57

HSL 42.77, 0.45%, 0.41%

LAB 53.27, 2.31, 39.73

 

CMYK 0 / 21 / 76 / 34

HEX #A88428

RGB 168 132 40

HSL 43.13, 0.62%, 0.41%

LAB 57.06, 4.53, 51.92

 

CMYK 0 / 25 / 88 / 27

HEX #B98B17

RGB 185 139 23

HSL 42.96, 0.78%, 0.41%

LAB 60.64, 7.78, 61.35

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 6 / 4 / 0 / 58

HEX #65676B

RGB 101 103 107

HSL 220, 0.03%, 0.41%

LAB 43.55, 0.08, -2.52

 

CMYK 32 / 23 / 0 / 51

HEX #545F7C

RGB 84 95 124

HSL 223.5, 0.19%, 0.41%

LAB 40.45, 3.16, -17.66

 

CMYK 52 / 38 / 0 / 45

HEX #43588D

RGB 67 88 141

HSL 222.97, 0.36%, 0.41%

LAB 38.01, 7.95, -31.88

 

CMYK 68 / 49 / 0 / 38

HEX #32519E

RGB 50 81 158

HSL 222.78, 0.52%, 0.41%

LAB 36.05, 15.04, -45.34

 

CMYK 0 / 19 / 24 / 54

HEX #765F5A

RGB 118 95 90

HSL 10.71, 0.13%, 0.41%

LAB 42.42, 8.47, 6.37

 

CMYK 0 / 14 / 24 / 54

HEX #76665A

RGB 118 102 90

HSL 25.71, 0.13%, 0.41%

LAB 44.37, 4.29, 9.13

 

CMYK 0 / 8 / 24 / 54

HEX #766D5A

RGB 118 109 90

HSL 40.71, 0.13%, 0.41%

LAB 46.35, 0.17, 11.9

 

CMYK 0 / 1 / 24 / 54

HEX #76755A

RGB 118 117 90

HSL 57.86, 0.13%, 0.41%

LAB 48.65, -4.46, 15.08

 

CMYK 6 / 0 / 24 / 54

HEX #6F765A

RGB 111 118 90

HSL 75, 0.13%, 0.41%

LAB 48.35, -7.91, 14.58

 

CMYK 0 / 7 / 23 / 72

HEX #474237

RGB 71 66 55

HSL 41.25, 0.13%, 0.25%

LAB 28.15, -0.03, 7.47

 

CMYK 0 / 6 / 22 / 63

HEX #5E5849

RGB 94 88 73

HSL 42.86, 0.13%, 0.33%

LAB 37.55, -0.37, 9.58

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 0 / 6 / 23 / 45

HEX #8D846C

RGB 141 132 108

HSL 43.64, 0.13%, 0.49%

LAB 55.33, -0.72, 14.2

 

CMYK 0 / 6 / 18 / 37

HEX #A09783

RGB 160 151 131

HSL 41.38, 0.13%, 0.57%

LAB 62.71, -0.14, 11.73

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 21 / 0 / 24 / 54

HEX #5D765A

RGB 93 118 90

HSL 113.57, 0.13%, 0.41%

LAB 47, -15.03, 12.5

 

CMYK 16 / 24 / 0 / 54

HEX #635A76

RGB 99 90 118

HSL 259.29, 0.13%, 0.41%

LAB 40.04, 9.8, -14.51

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 24 / 0 / 8 / 54

HEX #5A766D

RGB 90 118 109

HSL 160.71, 0.13%, 0.41%

LAB 47.28, -12.17, 1.64

 

CMYK 8 / 24 / 0 / 54

HEX #6D5A76

RGB 109 90 118

HSL 280.71, 0.13%, 0.41%

LAB 41.01, 13.41, -12.94

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 21 / 0 / 24 / 54

HEX #5D765A

RGB 93 118 90

HSL 113.57, 0.13%, 0.41%

LAB 47, -15.03, 12.5

 

CMYK 24 / 16 / 0 / 54

HEX #5A6376

RGB 90 99 118

HSL 220.71, 0.13%, 0.41%

LAB 41.85, 1.1, -11.83

 

CMYK 3 / 24 / 0 / 54

HEX #735A76

RGB 115 90 118

HSL 293.57, 0.13%, 0.41%

LAB 41.63, 15.61, -11.94

 

CMYK 0 / 7 / 24 / 54

HEX #766E5A

RGB 118 110 90

HSL 42.86, 0.13%, 0.41%

LAB 46.63, -0.42, 12.3

 

CMYK 24 / 0 / 19 / 54

HEX #5A7660

RGB 90 118 96

HSL 132.86, 0.13%, 0.41%

LAB 46.94, -14.97, 8.85

 

CMYK 24 / 16 / 0 / 54

HEX #5A6376

RGB 90 99 118

HSL 220.71, 0.13%, 0.41%

LAB 41.85, 1.1, -11.83

 

CMYK 0 / 24 / 5 / 54

HEX #765A70

RGB 118 90 112

HSL 312.86, 0.13%, 0.41%

LAB 41.74, 15.5, -8.07

 

Description

Color code: RGB 118 110 90 | qconv.com Color code: RGB 118 110 90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 110 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 110 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 24 yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 24% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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