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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 127 101 it is the complementary color RGB 137 128 154. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 127 101. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 127 101 shade: RGB 123 127 96, RGB 140 145 115, RGB 157 163 134, RGB 174 181 153 and RGB 191 199 172

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 127 101. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 127 101 shade: RGB 118 127 101, RGB 101 109 82, RGB 84 91 63, RGB 67 73 44 and RGB 50 55 25

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 127 101 shade: RGB 118 127 102, RGB 125 127 102, RGB 127 122 102, RGB 127 115 102 and RGB 127 108 102

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 127 101 shade: RGB 118 127 102, RGB 111 127 102, RGB 105 127 102, RGB 102 127 106 and RGB 102 127 112

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 127 101 shade matches the following richer shades: RGB 118 127 102, RGB 124 145 83, RGB 130 164 64, RGB 135 183 46 and RGB 141 201 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 127 101 shade: RGB 118 127 102, RGB 112 108 120, RGB 107 90 139, RGB 101 71 157 and RGB 95 53 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 127 101 shade: RGB 127 122 102, RGB 125 127 102, RGB 118 127 102, RGB 112 127 102 and RGB 105 127 102

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 127 101 shade: RGB 75 81 65, RGB 97 104 83, RGB 118 127 102, RGB 139 148 122 and RGB 159 166 145

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 127 101 shade: RGB 118 127 101, RGB 102 127 115 and RGB 125 102 127

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 127 101 shade: RGB 118 127 101, RGB 102 118 127 and RGB 127 102 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 127 101 shade: RGB 118 127 101, RGB 102 127 115, RGB 110 102 127 and RGB 127 102 113

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 127 101 shade: RGB 118 127 101, RGB 102 127 123, RGB 110 102 127 and RGB 127 102 106

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

Complementary color

CMYK 11 / 17 / 0 / 40

HEX #89809A

RGB 137 128 154

HSL 260.77, 0.11%, 0.55%

LAB 55.16, 8.71, -12.68

 

CMYK 3 / 0 / 24 / 50

HEX #7B7F60

RGB 123 127 96

HSL 67.74, 0.14%, 0.44%

LAB 52.1, -7.1, 16.4

 

CMYK 3 / 0 / 21 / 43

HEX #8C9173

RGB 140 145 115

HSL 70, 0.12%, 0.51%

LAB 59.03, -7.24, 15.34

 

CMYK 4 / 0 / 18 / 36

HEX #9DA386

RGB 157 163 134

HSL 72.41, 0.14%, 0.58%

LAB 65.81, -7.35, 14.37

 

CMYK 4 / 0 / 15 / 29

HEX #AEB599

RGB 174 181 153

HSL 75, 0.16%, 0.65%

LAB 72.46, -7.44, 13.45

 

CMYK 4 / 0 / 14 / 22

HEX #BFC7AC

RGB 191 199 172

HSL 77.78, 0.19%, 0.73%

LAB 78.98, -7.53, 12.59

 

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

CMYK 7 / 0 / 25 / 57

HEX #656D52

RGB 101 109 82

HSL 77.78, 0.14%, 0.37%

LAB 44.68, -8.24, 14.1

 

CMYK 8 / 0 / 31 / 64

HEX #545B3F

RGB 84 91 63

HSL 75, 0.18%, 0.3%

LAB 37.35, -8.16, 15.27

 

CMYK 8 / 0 / 40 / 71

HEX #43492C

RGB 67 73 44

HSL 72.41, 0.25%, 0.23%

LAB 29.76, -8.03, 16.57

 

CMYK 9 / 0 / 55 / 78

HEX #323719

RGB 50 55 25

HSL 70, 0.38%, 0.16%

LAB 21.87, -7.79, 17.99

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 2 / 0 / 20 / 50

HEX #7D7F66

RGB 125 127 102

HSL 64.8, 0.11%, 0.45%

LAB 52.4, -5.33, 13.37

 

CMYK 0 / 4 / 20 / 50

HEX #7F7A66

RGB 127 122 102

HSL 48, 0.11%, 0.45%

LAB 51.14, -1.68, 11.65

 

CMYK 0 / 9 / 20 / 50

HEX #7F7366

RGB 127 115 102

HSL 31.2, 0.11%, 0.45%

LAB 49.17, 2.35, 8.88

 

CMYK 0 / 15 / 20 / 50

HEX #7F6C66

RGB 127 108 102

HSL 14.4, 0.11%, 0.45%

LAB 47.23, 6.45, 6.13

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 13 / 0 / 20 / 50

HEX #6F7F66

RGB 111 127 102

HSL 98.4, 0.11%, 0.45%

LAB 51.29, -10.86, 11.66

 

CMYK 17 / 0 / 20 / 50

HEX #697F66

RGB 105 127 102

HSL 112.8, 0.11%, 0.45%

LAB 50.85, -13.16, 10.99

 

CMYK 20 / 0 / 17 / 50

HEX #667F6A

RGB 102 127 106

HSL 129.6, 0.11%, 0.45%

LAB 50.74, -13.5, 8.47

 

CMYK 20 / 0 / 12 / 50

HEX #667F70

RGB 102 127 112

HSL 144, 0.11%, 0.45%

LAB 50.89, -12.28, 5.18

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 14 / 0 / 43 / 43

HEX #7C9153

RGB 124 145 83

HSL 80.32, 0.27%, 0.45%

LAB 57.23, -18.26, 30.41

 

CMYK 21 / 0 / 61 / 36

HEX #82A440

RGB 130 164 64

HSL 80.4, 0.44%, 0.45%

LAB 63.07, -27.4, 46.91

 

CMYK 26 / 0 / 75 / 28

HEX #87B72E

RGB 135 183 46

HSL 81.02, 0.6%, 0.45%

LAB 68.91, -35.61, 60.22

 

CMYK 30 / 0 / 87 / 21

HEX #8DC91B

RGB 141 201 27

HSL 80.69, 0.76%, 0.45%

LAB 74.52, -42.08, 70.53

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 7 / 10 / 0 / 53

HEX #706C78

RGB 112 108 120

HSL 260, 0.05%, 0.45%

LAB 46.35, 4.05, -6.11

 

CMYK 23 / 35 / 0 / 45

HEX #6B5A8B

RGB 107 90 139

HSL 260.82, 0.21%, 0.45%

LAB 41.69, 17.75, -24.68

 

CMYK 36 / 55 / 0 / 38

HEX #65479D

RGB 101 71 157

HSL 260.93, 0.38%, 0.45%

LAB 37.31, 32.4, -42.49

 

CMYK 46 / 70 / 0 / 31

HEX #5F35B0

RGB 95 53 176

HSL 260.49, 0.54%, 0.45%

LAB 34.22, 46.52, -58.9

 

CMYK 0 / 4 / 20 / 50

HEX #7F7A66

RGB 127 122 102

HSL 48, 0.11%, 0.45%

LAB 51.14, -1.68, 11.65

 

CMYK 2 / 0 / 20 / 50

HEX #7D7F66

RGB 125 127 102

HSL 64.8, 0.11%, 0.45%

LAB 52.4, -5.33, 13.37

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 12 / 0 / 20 / 50

HEX #707F66

RGB 112 127 102

HSL 96, 0.11%, 0.45%

LAB 51.36, -10.48, 11.78

 

CMYK 17 / 0 / 20 / 50

HEX #697F66

RGB 105 127 102

HSL 112.8, 0.11%, 0.45%

LAB 50.85, -13.16, 10.99

 

CMYK 7 / 0 / 20 / 68

HEX #4B5141

RGB 75 81 65

HSL 82.5, 0.11%, 0.29%

LAB 33.48, -5.74, 8.62

 

CMYK 7 / 0 / 20 / 59

HEX #616853

RGB 97 104 83

HSL 80, 0.11%, 0.37%

LAB 42.86, -6.84, 10.95

 

CMYK 7 / 0 / 20 / 50

HEX #767F66

RGB 118 127 102

HSL 81.6, 0.11%, 0.45%

LAB 51.83, -8.13, 12.49

 

CMYK 6 / 0 / 18 / 42

HEX #8B947A

RGB 139 148 122

HSL 80.77, 0.11%, 0.53%

LAB 59.96, -8.11, 12.67

 

CMYK 4 / 0 / 13 / 35

HEX #9FA691

RGB 159 166 145

HSL 80, 0.11%, 0.61%

LAB 67.04, -6.36, 10.03

 

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

CMYK 20 / 0 / 9 / 50

HEX #667F73

RGB 102 127 115

HSL 151.2, 0.11%, 0.45%

LAB 50.97, -11.64, 3.54

 

CMYK 2 / 20 / 0 / 50

HEX #7D667F

RGB 125 102 127

HSL 295.2, 0.11%, 0.45%

LAB 46.17, 13.95, -10.44

 

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

CMYK 20 / 7 / 0 / 50

HEX #66767F

RGB 102 118 127

HSL 201.6, 0.11%, 0.45%

LAB 48.65, -3.82, -6.93

 

CMYK 0 / 20 / 7 / 50

HEX #7F6676

RGB 127 102 118

HSL 321.6, 0.11%, 0.45%

LAB 46.07, 12.9, -5.16

 

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

CMYK 20 / 0 / 9 / 50

HEX #667F73

RGB 102 127 115

HSL 151.2, 0.11%, 0.45%

LAB 50.97, -11.64, 3.54

 

CMYK 13 / 20 / 0 / 50

HEX #6E667F

RGB 110 102 127

HSL 259.2, 0.11%, 0.45%

LAB 44.73, 8.51, -12.75

 

CMYK 0 / 20 / 11 / 50

HEX #7F6671

RGB 127 102 113

HSL 333.6, 0.11%, 0.45%

LAB 45.92, 11.95, -2.38

 

CMYK 7 / 0 / 20 / 50

HEX #767F65

RGB 118 127 101

HSL 80.77, 0.11%, 0.45%

LAB 51.8, -8.3, 13.04

 

CMYK 20 / 0 / 3 / 50

HEX #667F7B

RGB 102 127 123

HSL 170.4, 0.11%, 0.45%

LAB 51.19, -9.88, -0.82

 

CMYK 13 / 20 / 0 / 50

HEX #6E667F

RGB 110 102 127

HSL 259.2, 0.11%, 0.45%

LAB 44.73, 8.51, -12.75

 

CMYK 0 / 20 / 17 / 50

HEX #7F666A

RGB 127 102 106

HSL 350.4, 0.11%, 0.45%

LAB 45.71, 10.69, 1.54

 

Description

Color code: RGB 118 127 101 | qconv.com Color code: RGB 118 127 101 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 127 green and 101 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 127 101 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 20 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 20% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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