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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 163 98 it is the complementary color RGB 137 92 157. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 163 98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 163 98 shade: RGB 123 163 93, RGB 140 181 112, RGB 157 199 131, RGB 174 217 150 and RGB 191 235 169

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 163 98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 163 98 shade: RGB 118 163 98, RGB 101 145 79, RGB 84 127 60, RGB 67 109 41 and RGB 50 91 22

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 163 98 shade: RGB 117 162 97, RGB 135 162 97, RGB 152 162 97, RGB 162 154 97 and RGB 162 137 97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 163 98 shade: RGB 117 162 97, RGB 100 162 97, RGB 97 162 112, RGB 97 162 130 and RGB 97 162 147

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 163 98 shade matches the following richer shades: RGB 117 162 97, RGB 109 182 77, RGB 101 202 57, RGB 94 223 36 and RGB 86 243 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 163 98 shade: RGB 117 162 97, RGB 125 142 117, RGB 133 122 137, RGB 140 101 158 and RGB 148 81 178

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 163 98 shade: RGB 152 162 97, RGB 135 162 97, RGB 118 162 97, RGB 100 162 97 and RGB 97 162 111

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 163 98 shade: RGB 79 111 65, RGB 98 137 80, RGB 117 162 97, RGB 140 177 123 and RGB 162 193 149

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 163 98 shade: RGB 118 163 98, RGB 97 162 154 and RGB 162 97 144

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 163 98 shade: RGB 118 163 98, RGB 97 118 162 and RGB 162 97 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 163 98 shade: RGB 118 163 98, RGB 97 162 154, RGB 141 97 162 and RGB 162 97 105

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 163 98 shade: RGB 118 163 98, RGB 97 150 162, RGB 141 97 162 and RGB 162 109 97

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

Complementary color

CMYK 13 / 41 / 0 / 38

HEX #895C9D

RGB 137 92 157

HSL 281.54, 0.26%, 0.49%

LAB 46.19, 30.48, -28.21

 

CMYK 25 / 0 / 43 / 36

HEX #7BA35D

RGB 123 163 93

HSL 94.29, 0.28%, 0.5%

LAB 62.67, -26.44, 32

 

CMYK 23 / 0 / 38 / 29

HEX #8CB570

RGB 140 181 112

HSL 95.65, 0.32%, 0.57%

LAB 69.32, -26.34, 30.8

 

CMYK 21 / 0 / 34 / 22

HEX #9DC783

RGB 157 199 131

HSL 97.06, 0.38%, 0.65%

LAB 75.86, -26.22, 29.65

 

CMYK 20 / 0 / 31 / 15

HEX #AED996

RGB 174 217 150

HSL 98.51, 0.47%, 0.72%

LAB 82.29, -26.1, 28.55

 

CMYK 19 / 0 / 28 / 8

HEX #BFEBA9

RGB 191 235 169

HSL 100, 0.62%, 0.79%

LAB 88.62, -25.98, 27.51

 

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

CMYK 30 / 0 / 46 / 43

HEX #65914F

RGB 101 145 79

HSL 100, 0.29%, 0.44%

LAB 55.67, -27.73, 30.25

 

CMYK 34 / 0 / 53 / 50

HEX #547F3C

RGB 84 127 60

HSL 98.51, 0.36%, 0.37%

LAB 48.75, -27.83, 31.53

 

CMYK 39 / 0 / 62 / 57

HEX #436D29

RGB 67 109 41

HSL 97.06, 0.45%, 0.29%

LAB 41.67, -27.81, 32.74

 

CMYK 45 / 0 / 76 / 64

HEX #325B16

RGB 50 91 22

HSL 95.65, 0.61%, 0.22%

LAB 34.43, -27.56, 33.57

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 17 / 0 / 40 / 36

HEX #87A261

RGB 135 162 97

HSL 84.92, 0.26%, 0.51%

LAB 63.22, -20.82, 30.75

 

CMYK 6 / 0 / 40 / 36

HEX #98A261

RGB 152 162 97

HSL 69.23, 0.26%, 0.51%

LAB 64.47, -14.04, 32.59

 

CMYK 0 / 5 / 40 / 36

HEX #A29A61

RGB 162 154 97

HSL 52.62, 0.26%, 0.51%

LAB 63.06, -5.66, 30.96

 

CMYK 0 / 15 / 40 / 36

HEX #A28961

RGB 162 137 97

HSL 36.92, 0.26%, 0.51%

LAB 58.45, 3.69, 24.97

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 38 / 0 / 40 / 36

HEX #64A261

RGB 100 162 97

HSL 117.23, 0.26%, 0.51%

LAB 61.14, -33.48, 27.66

 

CMYK 40 / 0 / 31 / 36

HEX #61A270

RGB 97 162 112

HSL 133.85, 0.26%, 0.51%

LAB 61.27, -31.86, 19.64

 

CMYK 40 / 0 / 20 / 36

HEX #61A282

RGB 97 162 130

HSL 150.46, 0.26%, 0.51%

LAB 61.65, -28.26, 10.19

 

CMYK 40 / 0 / 9 / 36

HEX #61A293

RGB 97 162 147

HSL 166.15, 0.26%, 0.51%

LAB 62.07, -24.42, 1.26

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 40 / 0 / 58 / 29

HEX #6DB64D

RGB 109 182 77

HSL 101.71, 0.42%, 0.51%

LAB 67.46, -42.07, 45.6

 

CMYK 50 / 0 / 72 / 21

HEX #65CA39

RGB 101 202 57

HSL 101.79, 0.58%, 0.51%

LAB 73.09, -54.42, 59.95

 

CMYK 58 / 0 / 84 / 13

HEX #5EDF24

RGB 94 223 36

HSL 101.39, 0.75%, 0.51%

LAB 79.2, -65, 71.88

 

CMYK 65 / 0 / 93 / 5

HEX #56F310

RGB 86 243 16

HSL 101.5, 0.9%, 0.51%

LAB 85.06, -73.88, 80.09

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 12 / 0 / 18 / 44

HEX #7D8E75

RGB 125 142 117

HSL 100.8, 0.1%, 0.51%

LAB 57.07, -11.04, 11.29

 

CMYK 3 / 11 / 0 / 46

HEX #857A89

RGB 133 122 137

HSL 284, 0.06%, 0.51%

LAB 52.63, 7.15, -6.62

 

CMYK 11 / 36 / 0 / 38

HEX #8C659E

RGB 140 101 158

HSL 281.05, 0.23%, 0.51%

LAB 48.7, 26.43, -24.87

 

CMYK 17 / 54 / 0 / 30

HEX #9451B2

RGB 148 81 178

HSL 281.44, 0.39%, 0.51%

LAB 46.17, 44.46, -40.53

 

CMYK 6 / 0 / 40 / 36

HEX #98A261

RGB 152 162 97

HSL 69.23, 0.26%, 0.51%

LAB 64.47, -14.04, 32.59

 

CMYK 17 / 0 / 40 / 36

HEX #87A261

RGB 135 162 97

HSL 84.92, 0.26%, 0.51%

LAB 63.22, -20.82, 30.75

 

CMYK 27 / 0 / 40 / 36

HEX #76A261

RGB 118 162 97

HSL 100.62, 0.26%, 0.51%

LAB 62.13, -27.24, 29.13

 

CMYK 38 / 0 / 40 / 36

HEX #64A261

RGB 100 162 97

HSL 117.23, 0.26%, 0.51%

LAB 61.14, -33.48, 27.66

 

CMYK 40 / 0 / 31 / 36

HEX #61A26F

RGB 97 162 111

HSL 132.92, 0.26%, 0.51%

LAB 61.25, -32.04, 20.17

 

CMYK 29 / 0 / 41 / 56

HEX #4F6F41

RGB 79 111 65

HSL 101.74, 0.26%, 0.35%

LAB 43.38, -20.98, 21.99

 

CMYK 28 / 0 / 42 / 46

HEX #628950

RGB 98 137 80

HSL 101.05, 0.26%, 0.43%

LAB 53.02, -24.75, 26.3

 

CMYK 28 / 0 / 40 / 36

HEX #75A261

RGB 117 162 97

HSL 101.54, 0.26%, 0.51%

LAB 62.07, -27.6, 29.04

 

CMYK 21 / 0 / 31 / 31

HEX #8CB17B

RGB 140 177 123

HSL 101.11, 0.26%, 0.59%

LAB 68.35, -22.72, 23.66

 

CMYK 16 / 0 / 23 / 24

HEX #A2C195

RGB 162 193 149

HSL 102.27, 0.26%, 0.67%

LAB 74.82, -18.67, 18.78

 

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

CMYK 40 / 0 / 5 / 36

HEX #61A29A

RGB 97 162 154

HSL 172.62, 0.26%, 0.51%

LAB 62.27, -22.72, -2.39

 

CMYK 0 / 40 / 11 / 36

HEX #A26190

RGB 162 97 144

HSL 316.62, 0.26%, 0.51%

LAB 49.79, 33.36, -14.7

 

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

CMYK 40 / 27 / 0 / 36

HEX #6176A2

RGB 97 118 162

HSL 220.62, 0.26%, 0.51%

LAB 49.63, 3.89, -26.08

 

CMYK 0 / 40 / 27 / 36

HEX #A26176

RGB 162 97 118

HSL 340.62, 0.26%, 0.51%

LAB 48.93, 29.17, -0.48

 

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

CMYK 40 / 0 / 5 / 36

HEX #61A29A

RGB 97 162 154

HSL 172.62, 0.26%, 0.51%

LAB 62.27, -22.72, -2.39

 

CMYK 13 / 40 / 0 / 36

HEX #8D61A2

RGB 141 97 162

HSL 280.62, 0.26%, 0.51%

LAB 48.03, 29.97, -28.25

 

CMYK 0 / 40 / 35 / 36

HEX #A26169

RGB 162 97 105

HSL 352.62, 0.26%, 0.51%

LAB 48.57, 27.37, 6.8

 

CMYK 28 / 0 / 40 / 36

HEX #76A362

RGB 118 163 98

HSL 101.54, 0.26%, 0.51%

LAB 62.45, -27.58, 29

 

CMYK 40 / 7 / 0 / 36

HEX #6196A2

RGB 97 150 162

HSL 191.08, 0.26%, 0.51%

LAB 58.94, -14.37, -11.86

 

CMYK 13 / 40 / 0 / 36

HEX #8D61A2

RGB 141 97 162

HSL 280.62, 0.26%, 0.51%

LAB 48.03, 29.97, -28.25

 

CMYK 0 / 33 / 40 / 36

HEX #A26D61

RGB 162 109 97

HSL 11.08, 0.26%, 0.51%

LAB 51.25, 19.57, 15.28

 

Description

Color code: RGB 118 163 98 | qconv.com Color code: RGB 118 163 98 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 163 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 163 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 40 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 40% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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