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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 118 183 52 it is the complementary color RGB 137 72 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 118 183 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 118 183 52 shade: RGB 123 183 47, RGB 140 201 66, RGB 157 219 85, RGB 174 237 104 and RGB 191 255 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 118 183 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 118 183 52 shade: RGB 118 183 52, RGB 101 165 33, RGB 84 147 14, RGB 67 129 0 and RGB 50 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 118 183 52 shade: RGB 117 182 51, RGB 153 182 51, RGB 182 177 51, RGB 182 141 51 and RGB 182 106 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 118 183 52 shade: RGB 117 182 51, RGB 82 182 51, RGB 51 182 56, RGB 51 182 91 and RGB 51 182 127

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 118 183 52 shade matches the following richer shades: RGB 117 182 51, RGB 117 201 32 and RGB 118 220 13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 118 183 52 shade: RGB 117 182 51, RGB 117 164 70, RGB 117 145 89, RGB 117 126 108 and RGB 117 107 127

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 118 183 52 shade: RGB 182 176 51, RGB 154 182 51, RGB 119 182 51, RGB 84 182 51 and RGB 51 182 53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 118 183 52 shade: RGB 76 118 33, RGB 97 150 42, RGB 117 182 51, RGB 138 203 72 and RGB 158 212 104

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 118 183 52 shade: RGB 118 183 52, RGB 51 182 141 and RGB 182 51 172

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 118 183 52 shade: RGB 118 183 52, RGB 51 119 182 and RGB 182 51 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 118 183 52 shade: RGB 118 183 52, RGB 51 182 141, RGB 115 51 182 and RGB 182 51 93

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 118 183 52 shade: RGB 118 183 52, RGB 51 182 180, RGB 115 51 182 and RGB 182 51 53

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

Complementary color

CMYK 33 / 65 / 0 / 20

HEX #8948CB

RGB 137 72 203

HSL 269.77, 0.56%, 0.54%

LAB 44.61, 52.18, -57.64

 

CMYK 33 / 0 / 74 / 28

HEX #7BB72F

RGB 123 183 47

HSL 86.47, 0.59%, 0.45%

LAB 68.23, -40.09, 58.99

 

CMYK 30 / 0 / 67 / 21

HEX #8CC942

RGB 140 201 66

HSL 87.11, 0.56%, 0.52%

LAB 74.66, -40.48, 58.73

 

CMYK 28 / 0 / 61 / 14

HEX #9DDB55

RGB 157 219 85

HSL 87.76, 0.65%, 0.6%

LAB 81.01, -40.73, 58.04

 

CMYK 27 / 0 / 56 / 7

HEX #AEED68

RGB 174 237 104

HSL 88.42, 0.79%, 0.67%

LAB 87.27, -40.88, 57.13

 

CMYK 25 / 0 / 52 / 0

HEX #BFFF7B

RGB 191 255 123

HSL 89.09, 1%, 0.74%

LAB 93.46, -40.95, 56.1

 

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

CMYK 39 / 0 / 80 / 35

HEX #65A521

RGB 101 165 33

HSL 89.09, 0.67%, 0.39%

LAB 61.47, -41.07, 56.7

 

CMYK 43 / 0 / 90 / 42

HEX #54930E

RGB 84 147 14

HSL 88.42, 0.83%, 0.32%

LAB 54.85, -40.27, 55.3

 

CMYK 48 / 0 / 100 / 49

HEX #438100

RGB 67 129 0

HSL 88.84, 1%, 0.25%

LAB 48.13, -39.07, 52.06

 

CMYK 55 / 0 / 100 / 56

HEX #326F00

RGB 50 111 0

HSL 92.97, 1%, 0.22%

LAB 41.29, -37.36, 46.39

 

CMYK 36 / 0 / 72 / 29

HEX #75B633

RGB 117 182 51

HSL 89.77, 0.56%, 0.46%

LAB 67.63, -41.58, 56.86

 

CMYK 16 / 0 / 72 / 29

HEX #99B633

RGB 153 182 51

HSL 73.28, 0.56%, 0.46%

LAB 69.8, -27.66, 59.74

 

CMYK 0 / 3 / 72 / 29

HEX #B6B133

RGB 182 177 51

HSL 57.71, 0.56%, 0.46%

LAB 70.61, -12.88, 61.29

 

CMYK 0 / 23 / 72 / 29

HEX #B68D33

RGB 182 141 51

HSL 41.22, 0.56%, 0.46%

LAB 60.99, 6.36, 51.77

 

CMYK 0 / 42 / 72 / 29

HEX #B66A33

RGB 182 106 51

HSL 25.19, 0.56%, 0.46%

LAB 52.39, 25.76, 42.8

 

CMYK 36 / 0 / 72 / 29

HEX #75B633

RGB 117 182 51

HSL 89.77, 0.56%, 0.46%

LAB 67.63, -41.58, 56.86

 

CMYK 55 / 0 / 72 / 29

HEX #52B633

RGB 82 182 51

HSL 105.8, 0.56%, 0.46%

LAB 66.13, -52.66, 54.85

 

CMYK 72 / 0 / 69 / 29

HEX #33B638

RGB 51 182 56

HSL 122.29, 0.56%, 0.46%

LAB 65.31, -59.13, 51.81

 

CMYK 72 / 0 / 50 / 29

HEX #33B65B

RGB 51 182 91

HSL 138.32, 0.56%, 0.46%

LAB 65.68, -54.78, 36.22

 

CMYK 72 / 0 / 30 / 29

HEX #33B67F

RGB 51 182 127

HSL 154.81, 0.56%, 0.46%

LAB 66.28, -48.03, 18.09

 

CMYK 36 / 0 / 72 / 29

HEX #75B633

RGB 117 182 51

HSL 89.77, 0.56%, 0.46%

LAB 67.63, -41.58, 56.86

 

CMYK 42 / 0 / 84 / 21

HEX #75C920

RGB 117 201 32

HSL 89.82, 0.73%, 0.46%

LAB 73.32, -50.42, 67.94

 

CMYK 46 / 0 / 94 / 14

HEX #76DC0D

RGB 118 220 13

HSL 89.57, 0.89%, 0.46%

LAB 79.08, -57.92, 75.97

 

CMYK 36 / 0 / 72 / 29

HEX #75B633

RGB 117 182 51

HSL 89.77, 0.56%, 0.46%

LAB 67.63, -41.58, 56.86

 

CMYK 29 / 0 / 57 / 36

HEX #75A446

RGB 117 164 70

HSL 90, 0.4%, 0.46%

LAB 62.32, -31.9, 43.05

 

CMYK 19 / 0 / 39 / 43

HEX #759159

RGB 117 145 89

HSL 90, 0.24%, 0.46%

LAB 56.83, -20.24, 26.56

 

CMYK 7 / 0 / 14 / 51

HEX #757E6C

RGB 117 126 108

HSL 90, 0.08%, 0.46%

LAB 51.59, -6.89, 8.67

 

CMYK 8 / 16 / 0 / 50

HEX #756B7F

RGB 117 107 127

HSL 270, 0.09%, 0.46%

LAB 46.75, 8.02, -9.64

 

CMYK 0 / 3 / 72 / 29

HEX #B6B033

RGB 182 176 51

HSL 57.25, 0.56%, 0.46%

LAB 70.34, -12.36, 61.02

 

CMYK 15 / 0 / 72 / 29

HEX #9AB633

RGB 154 182 51

HSL 72.82, 0.56%, 0.46%

LAB 69.87, -27.25, 59.83

 

CMYK 35 / 0 / 72 / 29

HEX #77B633

RGB 119 182 51

HSL 88.85, 0.56%, 0.46%

LAB 67.74, -40.86, 57

 

CMYK 54 / 0 / 72 / 29

HEX #54B633

RGB 84 182 51

HSL 104.89, 0.56%, 0.46%

LAB 66.2, -52.12, 54.94

 

CMYK 72 / 0 / 71 / 29

HEX #33B635

RGB 51 182 53

HSL 120.92, 0.56%, 0.46%

LAB 65.29, -59.4, 52.96

 

CMYK 36 / 0 / 72 / 54

HEX #4C7621

RGB 76 118 33

HSL 89.65, 0.56%, 0.3%

LAB 45.09, -29.37, 40.28

 

CMYK 35 / 0 / 72 / 41

HEX #61962A

RGB 97 150 42

HSL 89.44, 0.56%, 0.38%

LAB 56.61, -35.43, 48.79

 

CMYK 36 / 0 / 72 / 29

HEX #75B633

RGB 117 182 51

HSL 89.77, 0.56%, 0.46%

LAB 67.63, -41.58, 56.86

 

CMYK 32 / 0 / 65 / 20

HEX #8ACB48

RGB 138 203 72

HSL 89.77, 0.56%, 0.54%

LAB 75.19, -41.62, 56.84

 

CMYK 25 / 0 / 51 / 17

HEX #9ED468

RGB 158 212 104

HSL 90, 0.56%, 0.62%

LAB 79.25, -35.4, 47.45

 

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

CMYK 72 / 0 / 23 / 29

HEX #33B68D

RGB 51 182 141

HSL 161.22, 0.56%, 0.46%

LAB 66.58, -44.83, 10.87

 

CMYK 0 / 72 / 5 / 29

HEX #B633AC

RGB 182 51 172

HSL 304.58, 0.56%, 0.46%

LAB 46.03, 65.01, -36.9

 

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

CMYK 72 / 35 / 0 / 29

HEX #3377B6

RGB 51 119 182

HSL 208.85, 0.56%, 0.46%

LAB 48.6, -0.08, -39.47

 

CMYK 0 / 72 / 35 / 29

HEX #B63377

RGB 182 51 119

HSL 328.85, 0.56%, 0.46%

LAB 43.72, 57.76, -8.47

 

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

CMYK 72 / 0 / 23 / 29

HEX #33B68D

RGB 51 182 141

HSL 161.22, 0.56%, 0.46%

LAB 66.58, -44.83, 10.87

 

CMYK 37 / 72 / 0 / 29

HEX #7333B6

RGB 115 51 182

HSL 269.31, 0.56%, 0.46%

LAB 36.72, 52.77, -58.28

 

CMYK 0 / 72 / 49 / 29

HEX #B6335D

RGB 182 51 93

HSL 340.76, 0.56%, 0.46%

LAB 42.92, 55.12, 6.49

 

CMYK 36 / 0 / 72 / 28

HEX #76B734

RGB 118 183 52

HSL 89.77, 0.56%, 0.46%

LAB 68, -41.59, 56.87

 

CMYK 72 / 0 / 1 / 29

HEX #33B6B4

RGB 51 182 180

HSL 179.08, 0.56%, 0.46%

LAB 67.62, -34.47, -9.12

 

CMYK 37 / 72 / 0 / 29

HEX #7333B6

RGB 115 51 182

HSL 269.31, 0.56%, 0.46%

LAB 36.72, 52.77, -58.28

 

CMYK 0 / 72 / 71 / 29

HEX #B63335

RGB 182 51 53

HSL 359.08, 0.56%, 0.46%

LAB 42.11, 52.37, 30.12

 

Description

Color code: RGB 118 183 52 | qconv.com Color code: RGB 118 183 52 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 118 red, 183 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
118 183 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 72 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 72% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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