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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 103 69 it is the complementary color RGB 136 152 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 103 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 103 69 shade: RGB 124 103 64, RGB 141 121 83, RGB 158 139 102, RGB 175 157 121 and RGB 192 175 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 103 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 103 69 shade: RGB 119 103 69, RGB 102 85 50, RGB 85 67 31, RGB 68 49 12 and RGB 51 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 103 69 shade: RGB 119 103 68, RGB 119 89 68, RGB 119 76 68 and RGB 119 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 103 69 shade: RGB 119 103 68, RGB 119 117 68, RGB 108 119 68, RGB 94 119 68 and RGB 81 119 68

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 103 69 shade matches the following richer shades: RGB 119 103 68, RGB 135 109 53, RGB 150 114 38, RGB 165 120 23 and RGB 180 125 7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 103 69 shade: RGB 119 103 68, RGB 104 98 84, RGB 89 92 99, RGB 74 87 114 and RGB 58 81 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 103 69 shade: RGB 119 75 68, RGB 119 89 68, RGB 119 102 68, RGB 119 116 68 and RGB 109 119 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 103 69 shade: RGB 67 58 38, RGB 93 80 53, RGB 119 103 68, RGB 146 126 83 and RGB 167 147 103

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 103 69 shade: RGB 119 103 69, RGB 75 119 68 and RGB 82 68 119

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 103 69 shade: RGB 119 103 69, RGB 68 119 102 and RGB 102 68 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 103 69 shade: RGB 119 103 69, RGB 75 119 68, RGB 68 85 119 and RGB 113 68 119

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 103 69 shade: RGB 119 103 69, RGB 68 119 77, RGB 68 85 119 and RGB 119 68 111

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

Complementary color

CMYK 27 / 18 / 0 / 27

HEX #8898BA

RGB 136 152 186

HSL 220.8, 0.27%, 0.63%

LAB 62.71, 2.1, -19.51

 

CMYK 0 / 17 / 48 / 51

HEX #7C6740

RGB 124 103 64

HSL 39, 0.32%, 0.37%

LAB 44.74, 2.8, 25.07

 

CMYK 0 / 14 / 41 / 45

HEX #8D7953

RGB 141 121 83

HSL 39.31, 0.26%, 0.44%

LAB 51.79, 2.09, 23.7

 

CMYK 0 / 12 / 35 / 38

HEX #9E8B66

RGB 158 139 102

HSL 39.64, 0.22%, 0.51%

LAB 58.69, 1.52, 22.44

 

CMYK 0 / 10 / 31 / 31

HEX #AF9D79

RGB 175 157 121

HSL 40, 0.25%, 0.58%

LAB 65.44, 1.04, 21.27

 

CMYK 0 / 9 / 27 / 25

HEX #C0AF8C

RGB 192 175 140

HSL 40.38, 0.29%, 0.65%

LAB 72.07, 0.64, 20.19

 

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

CMYK 0 / 17 / 51 / 60

HEX #665532

RGB 102 85 50

HSL 40.38, 0.34%, 0.3%

LAB 37.03, 1.87, 22.94

 

CMYK 0 / 21 / 64 / 67

HEX #55431F

RGB 85 67 31

HSL 40, 0.47%, 0.23%

LAB 29.52, 2.87, 24.46

 

CMYK 0 / 28 / 82 / 73

HEX #44310C

RGB 68 49 12

HSL 39.64, 0.7%, 0.16%

LAB 21.77, 4.31, 25.7

 

CMYK 0 / 39 / 100 / 80

HEX #331F00

RGB 51 31 0

HSL 36.47, 1%, 0.1%

LAB 13.73, 6.47, 20.43

 

CMYK 0 / 13 / 43 / 53

HEX #776744

RGB 119 103 68

HSL 41.18, 0.27%, 0.37%

LAB 44.29, 1.02, 22.08

 

CMYK 0 / 25 / 43 / 53

HEX #775944

RGB 119 89 68

HSL 24.71, 0.27%, 0.37%

LAB 40.38, 9.35, 16.94

 

CMYK 0 / 36 / 43 / 53

HEX #774C44

RGB 119 76 68

HSL 9.41, 0.27%, 0.37%

LAB 36.94, 17.18, 12.28

 

CMYK 0 / 43 / 43 / 53

HEX #774444

RGB 119 68 68

HSL 0, 0.27%, 0.37%

LAB 34.95, 21.95, 9.52

 

CMYK 0 / 13 / 43 / 53

HEX #776744

RGB 119 103 68

HSL 41.18, 0.27%, 0.37%

LAB 44.29, 1.02, 22.08

 

CMYK 0 / 2 / 43 / 53

HEX #777544

RGB 119 117 68

HSL 57.65, 0.27%, 0.37%

LAB 48.34, -7.04, 27.26

 

CMYK 9 / 0 / 43 / 53

HEX #6C7744

RGB 108 119 68

HSL 72.94, 0.27%, 0.37%

LAB 48.01, -12.94, 26.65

 

CMYK 21 / 0 / 43 / 53

HEX #5E7744

RGB 94 119 68

HSL 89.41, 0.27%, 0.37%

LAB 46.96, -18.78, 25.11

 

CMYK 32 / 0 / 43 / 53

HEX #517744

RGB 81 119 68

HSL 104.71, 0.27%, 0.37%

LAB 46.12, -23.87, 23.86

 

CMYK 0 / 13 / 43 / 53

HEX #776744

RGB 119 103 68

HSL 41.18, 0.27%, 0.37%

LAB 44.29, 1.02, 22.08

 

CMYK 0 / 19 / 61 / 47

HEX #876D35

RGB 135 109 53

HSL 40.98, 0.44%, 0.37%

LAB 47.42, 3.29, 34.65

 

CMYK 0 / 24 / 75 / 41

HEX #967226

RGB 150 114 38

HSL 40.71, 0.6%, 0.37%

LAB 50.29, 6.36, 45.46

 

CMYK 0 / 27 / 86 / 35

HEX #A57817

RGB 165 120 23

HSL 40.99, 0.76%, 0.37%

LAB 53.49, 9.28, 54.56

 

CMYK 0 / 31 / 96 / 29

HEX #B47D07

RGB 180 125 7

HSL 40.92, 0.93%, 0.37%

LAB 56.47, 13, 61.2

 

CMYK 0 / 13 / 43 / 53

HEX #776744

RGB 119 103 68

HSL 41.18, 0.27%, 0.37%

LAB 44.29, 1.02, 22.08

 

CMYK 0 / 6 / 19 / 59

HEX #686254

RGB 104 98 84

HSL 42, 0.11%, 0.37%

LAB 41.72, -0.22, 8.83

 

CMYK 10 / 7 / 0 / 61

HEX #595C63

RGB 89 92 99

HSL 222, 0.05%, 0.37%

LAB 39.03, 0.38, -4.42

 

CMYK 35 / 24 / 0 / 55

HEX #4A5772

RGB 74 87 114

HSL 220.5, 0.21%, 0.37%

LAB 36.91, 2.11, -17.03

 

CMYK 55 / 37 / 0 / 49

HEX #3A5181

RGB 58 81 129

HSL 220.56, 0.38%, 0.37%

LAB 34.74, 6.19, -29.75

 

CMYK 0 / 37 / 43 / 53

HEX #774B44

RGB 119 75 68

HSL 8.24, 0.27%, 0.37%

LAB 36.69, 17.78, 11.93

 

CMYK 0 / 25 / 43 / 53

HEX #775944

RGB 119 89 68

HSL 24.71, 0.27%, 0.37%

LAB 40.38, 9.35, 16.94

 

CMYK 0 / 14 / 43 / 53

HEX #776644

RGB 119 102 68

HSL 40, 0.27%, 0.37%

LAB 44.01, 1.6, 21.71

 

CMYK 0 / 3 / 43 / 53

HEX #777444

RGB 119 116 68

HSL 56.47, 0.27%, 0.37%

LAB 48.05, -6.48, 26.89

 

CMYK 8 / 0 / 43 / 53

HEX #6D7744

RGB 109 119 68

HSL 71.76, 0.27%, 0.37%

LAB 48.09, -12.51, 26.77

 

CMYK 0 / 13 / 43 / 74

HEX #433A26

RGB 67 58 38

HSL 41.38, 0.28%, 0.21%

LAB 24.83, 0.48, 13.89

 

CMYK 0 / 14 / 43 / 64

HEX #5D5035

RGB 93 80 53

HSL 40.5, 0.27%, 0.29%

LAB 34.64, 1.06, 17.91

 

CMYK 0 / 13 / 43 / 53

HEX #776744

RGB 119 103 68

HSL 41.18, 0.27%, 0.37%

LAB 44.29, 1.02, 22.08

 

CMYK 0 / 14 / 43 / 43

HEX #927E53

RGB 146 126 83

HSL 40.95, 0.28%, 0.45%

LAB 53.66, 1.41, 26.22

 

CMYK 0 / 12 / 38 / 35

HEX #A79367

RGB 167 147 103

HSL 41.25, 0.27%, 0.53%

LAB 61.71, 0.95, 26.04

 

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

CMYK 37 / 0 / 43 / 53

HEX #4B7744

RGB 75 119 68

HSL 111.76, 0.27%, 0.37%

LAB 45.78, -26.06, 23.35

 

CMYK 31 / 43 / 0 / 53

HEX #524477

RGB 82 68 119

HSL 256.47, 0.27%, 0.37%

LAB 32.39, 18.27, -27.11

 

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

CMYK 43 / 0 / 14 / 53

HEX #447766

RGB 68 119 102

HSL 160, 0.27%, 0.37%

LAB 46.15, -21.47, 4.01

 

CMYK 14 / 43 / 0 / 53

HEX #664477

RGB 102 68 119

HSL 280, 0.27%, 0.37%

LAB 34.58, 24.72, -23.52

 

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

CMYK 37 / 0 / 43 / 53

HEX #4B7744

RGB 75 119 68

HSL 111.76, 0.27%, 0.37%

LAB 45.78, -26.06, 23.35

 

CMYK 43 / 29 / 0 / 53

HEX #445577

RGB 68 85 119

HSL 220, 0.27%, 0.37%

LAB 36.1, 3.03, -21.41

 

CMYK 5 / 43 / 0 / 53

HEX #714477

RGB 113 68 119

HSL 292.94, 0.27%, 0.37%

LAB 35.94, 28.39, -21.31

 

CMYK 0 / 13 / 42 / 53

HEX #776745

RGB 119 103 69

HSL 40.8, 0.27%, 0.37%

LAB 44.31, 1.14, 21.53

 

CMYK 43 / 0 / 35 / 53

HEX #44774D

RGB 68 119 77

HSL 130.59, 0.27%, 0.37%

LAB 45.58, -26.88, 17.89

 

CMYK 43 / 29 / 0 / 53

HEX #445577

RGB 68 85 119

HSL 220, 0.27%, 0.37%

LAB 36.1, 3.03, -21.41

 

CMYK 0 / 43 / 7 / 53

HEX #77446F

RGB 119 68 111

HSL 309.41, 0.27%, 0.37%

LAB 36.37, 28.82, -15.58

 

Description

Color code: RGB 119 103 69 | qconv.com Color code: RGB 119 103 69 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 103 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 103 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 42 yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 42% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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