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Color name
RGB 119 11 131

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 11 131 it is the complementary color RGB 136 244 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 11 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 11 131 shade: RGB 124 11 126, RGB 141 29 145, RGB 158 47 164, RGB 175 65 183 and RGB 192 83 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 11 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 11 131 shade: RGB 119 11 131, RGB 102 0 112, RGB 85 0 93, RGB 68 0 74 and RGB 51 0 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 11 131 shade: RGB 119 10 132, RGB 132 10 111, RGB 132 10 78, RGB 132 10 46 and RGB 132 10 13

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 11 131 shade: RGB 119 10 132, RGB 87 10 132, RGB 54 10 132, RGB 21 10 132 and RGB 10 10 132

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 11 131 shade matches the following richer shades: RGB 119 10 132

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 11 131 shade: RGB 119 10 132, RGB 110 22 120, RGB 101 33 108, RGB 92 45 97 and RGB 82 56 85

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 11 131 shade: RGB 55 10 132, RGB 87 10 132, RGB 119 10 132, RGB 132 10 111 and RGB 132 10 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 11 131 shade: RGB 50 4 55, RGB 85 7 93, RGB 119 10 132, RGB 154 13 170 and RGB 189 16 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 11 131 shade: RGB 119 11 131, RGB 132 22 10 and RGB 10 132 71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 11 131 shade: RGB 119 11 131, RGB 132 119 10 and RGB 10 132 119

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 11 131 shade: RGB 119 11 131, RGB 132 22 10, RGB 22 132 10 and RGB 10 119 132

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 11 131 shade: RGB 119 11 131, RGB 132 59 10, RGB 22 132 10 and RGB 10 83 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

Complementary color

CMYK 44 / 0 / 49 / 4

HEX #88F47C

RGB 136 244 124

HSL 114, 0.85%, 0.72%

LAB 87.67, -53.91, 48.01

 

CMYK 2 / 91 / 0 / 51

HEX #7C0B7E

RGB 124 11 126

HSL 298.96, 0.84%, 0.27%

LAB 29.49, 56.13, -35.75

 

CMYK 3 / 80 / 0 / 43

HEX #8D1D91

RGB 141 29 145

HSL 297.93, 0.67%, 0.34%

LAB 35.17, 58.54, -38.3

 

CMYK 4 / 71 / 0 / 36

HEX #9E2FA4

RGB 158 47 164

HSL 296.92, 0.55%, 0.41%

LAB 41.19, 59.64, -40.06

 

CMYK 4 / 64 / 0 / 28

HEX #AF41B7

RGB 175 65 183

HSL 295.93, 0.48%, 0.49%

LAB 47.38, 59.95, -41.3

 

CMYK 5 / 59 / 0 / 21

HEX #C053CA

RGB 192 83 202

HSL 294.96, 0.53%, 0.56%

LAB 53.66, 59.79, -42.19

 

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

CMYK 9 / 100 / 0 / 56

HEX #660070

RGB 102 0 112

HSL 294.64, 1%, 0.22%

LAB 23.65, 51.83, -36.41

 

CMYK 9 / 100 / 0 / 64

HEX #55005D

RGB 85 0 93

HSL 294.84, 1%, 0.18%

LAB 18.89, 45.56, -31.79

 

CMYK 8 / 100 / 0 / 71

HEX #44004A

RGB 68 0 74

HSL 295.14, 1%, 0.15%

LAB 13.96, 39.07, -26.99

 

CMYK 7 / 100 / 0 / 78

HEX #330037

RGB 51 0 55

HSL 295.64, 1%, 0.11%

LAB 8.82, 32.3, -21.96

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 0 / 92 / 16 / 48

HEX #840A6F

RGB 132 10 111

HSL 310.33, 0.86%, 0.28%

LAB 30.08, 55.59, -25.18

 

CMYK 0 / 92 / 41 / 48

HEX #840A4E

RGB 132 10 78

HSL 326.56, 0.86%, 0.28%

LAB 28.57, 51.54, -5.94

 

CMYK 0 / 92 / 65 / 48

HEX #840A2E

RGB 132 10 46

HSL 342.3, 0.86%, 0.28%

LAB 27.63, 48.91, 14.29

 

CMYK 0 / 92 / 90 / 48

HEX #840A0D

RGB 132 10 13

HSL 358.52, 0.86%, 0.28%

LAB 27.16, 47.59, 34.47

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 34 / 92 / 0 / 48

HEX #570A84

RGB 87 10 132

HSL 277.87, 0.86%, 0.28%

LAB 23.37, 51.27, -49.75

 

CMYK 59 / 92 / 0 / 48

HEX #360A84

RGB 54 10 132

HSL 261.64, 0.86%, 0.28%

LAB 18.66, 47.4, -57.67

 

CMYK 84 / 92 / 0 / 48

HEX #150A84

RGB 21 10 132

HSL 245.41, 0.86%, 0.28%

LAB 15.71, 45.31, -62.66

 

CMYK 92 / 92 / 0 / 48

HEX #0A0A84

RGB 10 10 132

HSL 240, 0.86%, 0.28%

LAB 15.21, 44.99, -63.5

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 8 / 82 / 0 / 53

HEX #6E1678

RGB 110 22 120

HSL 293.88, 0.69%, 0.28%

LAB 27.42, 49.72, -35.41

 

CMYK 6 / 69 / 0 / 58

HEX #65216C

RGB 101 33 108

HSL 294.4, 0.53%, 0.28%

LAB 26.55, 41.19, -29.2

 

CMYK 5 / 54 / 0 / 62

HEX #5C2D61

RGB 92 45 97

HSL 294.23, 0.37%, 0.28%

LAB 26.78, 30.16, -21.82

 

CMYK 4 / 34 / 0 / 67

HEX #523855

RGB 82 56 85

HSL 293.79, 0.21%, 0.28%

LAB 27.51, 17.27, -12.96

 

CMYK 58 / 92 / 0 / 48

HEX #370A84

RGB 55 10 132

HSL 262.13, 0.86%, 0.28%

LAB 18.78, 47.49, -57.47

 

CMYK 34 / 92 / 0 / 48

HEX #570A84

RGB 87 10 132

HSL 277.87, 0.86%, 0.28%

LAB 23.37, 51.27, -49.75

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 0 / 92 / 16 / 48

HEX #840A6F

RGB 132 10 111

HSL 310.33, 0.86%, 0.28%

LAB 30.08, 55.59, -25.18

 

CMYK 0 / 92 / 40 / 48

HEX #840A4F

RGB 132 10 79

HSL 326.07, 0.86%, 0.28%

LAB 28.61, 51.64, -6.55

 

CMYK 9 / 93 / 0 / 78

HEX #320437

RGB 50 4 55

HSL 294.12, 0.86%, 0.12%

LAB 9.33, 29.98, -21.16

 

CMYK 9 / 92 / 0 / 64

HEX #55075D

RGB 85 7 93

HSL 294.42, 0.86%, 0.2%

LAB 19.53, 43.68, -30.76

 

CMYK 10 / 92 / 0 / 48

HEX #770A84

RGB 119 10 132

HSL 293.61, 0.86%, 0.28%

LAB 28.91, 56.4, -40.49

 

CMYK 9 / 92 / 0 / 33

HEX #9A0DAA

RGB 154 13 170

HSL 293.89, 0.86%, 0.36%

LAB 37.95, 68.41, -48.87

 

CMYK 9 / 92 / 0 / 18

HEX #BD10D0

RGB 189 16 208

HSL 294.06, 0.86%, 0.44%

LAB 46.64, 79.86, -56.88

 

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

CMYK 0 / 83 / 92 / 48

HEX #84160A

RGB 132 22 10

HSL 5.9, 0.86%, 0.28%

LAB 28.12, 44.75, 36.61

 

CMYK 92 / 0 / 46 / 48

HEX #0A8447

RGB 10 132 71

HSL 150, 0.86%, 0.28%

LAB 48.29, -44.95, 24.55

 

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

CMYK 0 / 10 / 92 / 48

HEX #84770A

RGB 132 119 10

HSL 53.61, 0.86%, 0.28%

LAB 49.64, -5.91, 53.23

 

CMYK 92 / 0 / 10 / 48

HEX #0A8477

RGB 10 132 119

HSL 173.61, 0.86%, 0.28%

LAB 49.37, -33.01, -1.52

 

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

CMYK 0 / 83 / 92 / 48

HEX #84160A

RGB 132 22 10

HSL 5.9, 0.86%, 0.28%

LAB 28.12, 44.75, 36.61

 

CMYK 83 / 0 / 92 / 48

HEX #16840A

RGB 22 132 10

HSL 114.1, 0.86%, 0.28%

LAB 47.87, -50.53, 49.36

 

CMYK 92 / 10 / 0 / 48

HEX #0A7784

RGB 10 119 132

HSL 186.39, 0.86%, 0.28%

LAB 45.53, -22.39, -14.96

 

CMYK 9 / 92 / 0 / 49

HEX #770B83

RGB 119 11 131

HSL 294, 0.85%, 0.28%

LAB 28.9, 56.06, -39.89

 

CMYK 0 / 55 / 92 / 48

HEX #843B0A

RGB 132 59 10

HSL 24.1, 0.86%, 0.28%

LAB 34.1, 28.71, 41.2

 

CMYK 83 / 0 / 92 / 48

HEX #16840A

RGB 22 132 10

HSL 114.1, 0.86%, 0.28%

LAB 47.87, -50.53, 49.36

 

CMYK 92 / 37 / 0 / 48

HEX #0A5384

RGB 10 83 132

HSL 204.1, 0.86%, 0.28%

LAB 33.81, -1.35, -33.18

 

Description

Color code: RGB 119 11 131 | qconv.com Color code: RGB 119 11 131 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 11 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 11 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 92 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 92% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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