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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 196 140 it is the complementary color RGB 136 59 115. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 196 140. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 196 140 shade: RGB 124 196 135, RGB 141 214 154, RGB 158 232 173, RGB 175 250 192 and RGB 192 255 211

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 196 140. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 196 140 shade: RGB 119 196 140, RGB 102 178 121, RGB 85 160 102, RGB 68 142 83 and RGB 51 124 64

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 196 140 shade: RGB 120 195 140, RGB 120 195 120, RGB 140 195 120, RGB 160 195 120 and RGB 181 195 120

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 196 140 shade: RGB 120 195 140, RGB 120 195 161, RGB 120 195 181, RGB 120 189 195 and RGB 120 169 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 196 140 shade matches the following richer shades: RGB 120 195 140, RGB 104 211 133, RGB 88 227 126 and RGB 73 242 119

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 196 140 shade: RGB 120 195 140, RGB 135 180 148, RGB 151 164 155, RGB 167 148 162 and RGB 183 133 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 196 140 shade: RGB 140 195 120, RGB 120 195 120, RGB 120 195 140, RGB 120 195 160 and RGB 120 195 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 196 140 shade: RGB 71 162 96, RGB 91 183 116, RGB 120 195 140, RGB 148 208 165 and RGB 177 221 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 196 140 shade: RGB 119 196 140, RGB 120 160 195 and RGB 195 120 130

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 196 140 shade: RGB 119 196 140, RGB 140 120 195 and RGB 195 140 120

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 196 140 shade: RGB 119 196 140, RGB 120 160 195, RGB 195 120 175 and RGB 195 155 120

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 196 140 shade: RGB 119 196 140, RGB 120 137 195, RGB 195 120 175 and RGB 195 178 120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

Complementary color

CMYK 0 / 57 / 15 / 47

HEX #883B73

RGB 136 59 115

HSL 316.36, 0.39%, 0.38%

LAB 37.11, 40.12, -16.73

 

CMYK 37 / 0 / 31 / 23

HEX #7CC487

RGB 124 196 135

HSL 129.17, 0.38%, 0.63%

LAB 73.23, -35.24, 23.7

 

CMYK 34 / 0 / 28 / 16

HEX #8DD69A

RGB 141 214 154

HSL 130.68, 0.47%, 0.7%

LAB 79.66, -34.97, 22.61

 

CMYK 32 / 0 / 25 / 9

HEX #9EE8AD

RGB 158 232 173

HSL 132.16, 0.62%, 0.76%

LAB 86.01, -34.71, 21.57

 

CMYK 30 / 0 / 23 / 2

HEX #AFFAC0

RGB 175 250 192

HSL 133.6, 0.88%, 0.83%

LAB 92.26, -34.46, 20.6

 

CMYK 25 / 0 / 17 / 0

HEX #C0FFD3

RGB 192 255 211

HSL 138.1, 1%, 0.88%

LAB 94.92, -28.18, 14.73

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

CMYK 43 / 0 / 32 / 30

HEX #66B279

RGB 102 178 121

HSL 135, 0.33%, 0.55%

LAB 66.56, -36.12, 21.97

 

CMYK 47 / 0 / 36 / 37

HEX #55A066

RGB 85 160 102

HSL 133.6, 0.31%, 0.48%

LAB 59.92, -36.35, 23.21

 

CMYK 52 / 0 / 42 / 44

HEX #448E53

RGB 68 142 83

HSL 132.16, 0.35%, 0.41%

LAB 53.17, -36.5, 24.56

 

CMYK 59 / 0 / 48 / 51

HEX #337C40

RGB 51 124 64

HSL 130.68, 0.42%, 0.34%

LAB 46.3, -36.49, 26.01

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 38 / 0 / 38 / 24

HEX #78C378

RGB 120 195 120

HSL 120, 0.38%, 0.62%

LAB 72.48, -38.51, 30.54

 

CMYK 28 / 0 / 38 / 24

HEX #8CC378

RGB 140 195 120

HSL 104, 0.38%, 0.62%

LAB 73.52, -31.9, 32.1

 

CMYK 18 / 0 / 38 / 24

HEX #A0C378

RGB 160 195 120

HSL 88, 0.38%, 0.62%

LAB 74.74, -24.7, 33.92

 

CMYK 7 / 0 / 38 / 24

HEX #B5C378

RGB 181 195 120

HSL 71.2, 0.38%, 0.62%

LAB 76.2, -16.68, 36.09

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 38 / 0 / 17 / 24

HEX #78C3A1

RGB 120 195 161

HSL 152.8, 0.38%, 0.62%

LAB 73.28, -30.97, 9.81

 

CMYK 38 / 0 / 7 / 24

HEX #78C3B5

RGB 120 195 181

HSL 168.8, 0.38%, 0.62%

LAB 73.78, -26.55, -0.32

 

CMYK 38 / 3 / 0 / 24

HEX #78BDC3

RGB 120 189 195

HSL 184.8, 0.38%, 0.62%

LAB 72.45, -20.17, -9.91

 

CMYK 38 / 13 / 0 / 24

HEX #78A9C3

RGB 120 169 195

HSL 200.8, 0.38%, 0.62%

LAB 66.76, -9.65, -18.47

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 51 / 0 / 37 / 17

HEX #68D385

RGB 104 211 133

HSL 136.26, 0.55%, 0.62%

LAB 76.82, -47.8, 29.41

 

CMYK 61 / 0 / 44 / 11

HEX #58E37E

RGB 88 227 126

HSL 136.4, 0.71%, 0.62%

LAB 81.03, -58.95, 38.35

 

CMYK 70 / 0 / 51 / 5

HEX #49F277

RGB 73 242 119

HSL 136.33, 0.87%, 0.62%

LAB 85.13, -68.09, 46.8

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 25 / 0 / 18 / 29

HEX #87B494

RGB 135 180 148

HSL 137.33, 0.23%, 0.62%

LAB 69.42, -21.6, 11.52

 

CMYK 8 / 0 / 5 / 36

HEX #97A49B

RGB 151 164 155

HSL 138.46, 0.07%, 0.62%

LAB 66.13, -6.35, 3.09

 

CMYK 0 / 11 / 3 / 35

HEX #A794A2

RGB 167 148 162

HSL 315.79, 0.1%, 0.62%

LAB 63.35, 9.58, -4.77

 

CMYK 0 / 27 / 8 / 28

HEX #B785A9

RGB 183 133 169

HSL 316.8, 0.26%, 0.62%

LAB 61.4, 25.02, -11.47

 

CMYK 28 / 0 / 38 / 24

HEX #8CC378

RGB 140 195 120

HSL 104, 0.38%, 0.62%

LAB 73.52, -31.9, 32.1

 

CMYK 38 / 0 / 38 / 24

HEX #78C378

RGB 120 195 120

HSL 120, 0.38%, 0.62%

LAB 72.48, -38.51, 30.54

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 38 / 0 / 18 / 24

HEX #78C3A0

RGB 120 195 160

HSL 152, 0.38%, 0.62%

LAB 73.26, -31.18, 10.32

 

CMYK 38 / 0 / 8 / 24

HEX #78C3B4

RGB 120 195 180

HSL 168, 0.38%, 0.62%

LAB 73.75, -26.78, 0.19

 

CMYK 56 / 0 / 41 / 36

HEX #47A260

RGB 71 162 96

HSL 136.48, 0.39%, 0.46%

LAB 59.91, -42.05, 26.35

 

CMYK 50 / 0 / 37 / 28

HEX #5BB774

RGB 91 183 116

HSL 136.3, 0.39%, 0.54%

LAB 67.54, -42.31, 25.89

 

CMYK 38 / 0 / 28 / 24

HEX #78C38C

RGB 120 195 140

HSL 136, 0.38%, 0.62%

LAB 72.84, -35.1, 20.48

 

CMYK 29 / 0 / 21 / 18

HEX #94D0A5

RGB 148 208 165

HSL 137, 0.39%, 0.7%

LAB 78.53, -27.97, 15.29

 

CMYK 20 / 0 / 14 / 13

HEX #B1DDBD

RGB 177 221 189

HSL 136.36, 0.39%, 0.78%

LAB 84.35, -20.54, 11.04

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

CMYK 38 / 18 / 0 / 24

HEX #78A0C3

RGB 120 160 195

HSL 208, 0.38%, 0.62%

LAB 64.22, -4.72, -22.33

 

CMYK 0 / 38 / 33 / 24

HEX #C37882

RGB 195 120 130

HSL 352, 0.38%, 0.62%

LAB 58.65, 30.56, 7.04

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

CMYK 28 / 38 / 0 / 24

HEX #8C78C3

RGB 140 120 195

HSL 256, 0.38%, 0.62%

LAB 55.02, 24.11, -36.46

 

CMYK 0 / 28 / 38 / 24

HEX #C38C78

RGB 195 140 120

HSL 16, 0.38%, 0.62%

LAB 63.11, 18.34, 18.97

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

CMYK 38 / 18 / 0 / 24

HEX #78A0C3

RGB 120 160 195

HSL 208, 0.38%, 0.62%

LAB 64.22, -4.72, -22.33

 

CMYK 0 / 38 / 10 / 24

HEX #C378AF

RGB 195 120 175

HSL 316, 0.38%, 0.62%

LAB 60.01, 37.34, -16.86

 

CMYK 0 / 21 / 38 / 24

HEX #C39B78

RGB 195 155 120

HSL 28, 0.38%, 0.62%

LAB 66.83, 10.1, 24.01

 

CMYK 39 / 0 / 29 / 23

HEX #77C48C

RGB 119 196 140

HSL 136.36, 0.39%, 0.62%

LAB 73.09, -35.86, 20.81

 

CMYK 38 / 30 / 0 / 24

HEX #7889C3

RGB 120 137 195

HSL 226.4, 0.38%, 0.62%

LAB 57.87, 8.41, -32.13

 

CMYK 0 / 38 / 10 / 24

HEX #C378AF

RGB 195 120 175

HSL 316, 0.38%, 0.62%

LAB 60.01, 37.34, -16.86

 

CMYK 0 / 9 / 38 / 24

HEX #C3B278

RGB 195 178 120

HSL 46.4, 0.38%, 0.62%

LAB 72.76, -2.3, 31.86

 

Description

Color code: RGB 119 196 140 | qconv.com Color code: RGB 119 196 140 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 196 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 196 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 39 cyan, none magenta, 29 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
39% 0% 29% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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