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Color name
RGB 119 193 133

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 119 193 133 it is the complementary color RGB 136 62 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 119 193 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 119 193 133 shade: RGB 124 193 128, RGB 141 211 147, RGB 158 229 166, RGB 175 247 185 and RGB 192 255 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 119 193 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 119 193 133 shade: RGB 119 193 133, RGB 102 175 114, RGB 85 157 95, RGB 68 139 76 and RGB 51 121 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 119 193 133 shade: RGB 118 192 132, RGB 124 192 118, RGB 144 192 118, RGB 164 192 118 and RGB 184 192 118

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 119 193 133 shade: RGB 118 192 132, RGB 118 192 152, RGB 118 192 172, RGB 118 192 192 and RGB 118 172 192

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 119 193 133 shade matches the following richer shades: RGB 118 192 132, RGB 102 208 122, RGB 86 224 112 and RGB 70 240 102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 119 193 133 shade: RGB 118 192 132, RGB 134 176 142, RGB 150 160 152, RGB 167 144 162 and RGB 183 127 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 119 193 133 shade: RGB 144 192 118, RGB 124 192 118, RGB 118 192 132, RGB 118 192 151 and RGB 118 192 171

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 119 193 133 shade: RGB 72 156 88, RGB 90 179 107, RGB 118 192 132, RGB 147 205 158 and RGB 175 218 183

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 119 193 133 shade: RGB 119 193 133, RGB 118 164 192 and RGB 192 118 134

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 119 193 133 shade: RGB 119 193 133, RGB 132 118 192 and RGB 192 132 118

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 119 193 133 shade: RGB 119 193 133, RGB 118 164 192, RGB 192 118 178 and RGB 192 146 118

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 119 193 133 shade: RGB 119 193 133, RGB 118 142 192, RGB 192 118 178 and RGB 192 169 118

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

Complementary color

CMYK 0 / 54 / 10 / 47

HEX #883E7A

RGB 136 62 122

HSL 311.35, 0.37%, 0.39%

LAB 37.99, 39.78, -19.73

 

CMYK 36 / 0 / 34 / 24

HEX #7CC180

RGB 124 193 128

HSL 123.48, 0.36%, 0.62%

LAB 72.22, -35.05, 26.04

 

CMYK 33 / 0 / 30 / 17

HEX #8DD393

RGB 141 211 147

HSL 125.14, 0.44%, 0.69%

LAB 78.67, -34.79, 24.91

 

CMYK 31 / 0 / 28 / 10

HEX #9EE5A6

RGB 158 229 166

HSL 126.76, 0.58%, 0.76%

LAB 85.03, -34.54, 23.85

 

CMYK 29 / 0 / 25 / 3

HEX #AFF7B9

RGB 175 247 185

HSL 128.33, 0.82%, 0.83%

LAB 91.3, -34.29, 22.84

 

CMYK 25 / 0 / 20 / 0

HEX #C0FFCC

RGB 192 255 204

HSL 131.43, 1%, 0.88%

LAB 94.77, -29.42, 18.11

 

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

CMYK 42 / 0 / 35 / 31

HEX #66AF72

RGB 102 175 114

HSL 129.86, 0.31%, 0.54%

LAB 65.51, -36, 24.33

 

CMYK 46 / 0 / 39 / 38

HEX #559D5F

RGB 85 157 95

HSL 128.33, 0.3%, 0.47%

LAB 58.86, -36.22, 25.6

 

CMYK 51 / 0 / 45 / 45

HEX #448B4C

RGB 68 139 76

HSL 126.76, 0.34%, 0.41%

LAB 52.08, -36.36, 26.97

 

CMYK 58 / 0 / 53 / 53

HEX #337939

RGB 51 121 57

HSL 125.14, 0.41%, 0.34%

LAB 45.18, -36.33, 28.41

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 35 / 0 / 39 / 25

HEX #7CC076

RGB 124 192 118

HSL 115.14, 0.37%, 0.61%

LAB 71.75, -36.19, 30.67

 

CMYK 25 / 0 / 39 / 25

HEX #90C076

RGB 144 192 118

HSL 98.92, 0.37%, 0.61%

LAB 72.85, -29.36, 32.31

 

CMYK 15 / 0 / 39 / 25

HEX #A4C076

RGB 164 192 118

HSL 82.7, 0.37%, 0.61%

LAB 74.13, -21.98, 34.21

 

CMYK 4 / 0 / 39 / 25

HEX #B8C076

RGB 184 192 118

HSL 66.49, 0.37%, 0.61%

LAB 75.57, -14.22, 36.36

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 39 / 0 / 21 / 25

HEX #76C098

RGB 118 192 152

HSL 147.57, 0.37%, 0.61%

LAB 72.11, -31.98, 13

 

CMYK 39 / 0 / 10 / 25

HEX #76C0AC

RGB 118 192 172

HSL 163.78, 0.37%, 0.61%

LAB 72.58, -27.69, 2.82

 

CMYK 39 / 0 / 0 / 25

HEX #76C0C0

RGB 118 192 192

HSL 180, 0.37%, 0.61%

LAB 73.13, -22.95, -7.27

 

CMYK 39 / 10 / 0 / 25

HEX #76ACC0

RGB 118 172 192

HSL 196.22, 0.37%, 0.61%

LAB 67.4, -12.59, -15.85

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 51 / 0 / 41 / 18

HEX #66D07A

RGB 102 208 122

HSL 131.32, 0.53%, 0.61%

LAB 75.66, -48.91, 33.53

 

CMYK 62 / 0 / 50 / 12

HEX #56E070

RGB 86 224 112

HSL 131.3, 0.69%, 0.61%

LAB 79.87, -60.35, 43.71

 

CMYK 71 / 0 / 58 / 6

HEX #46F066

RGB 70 240 102

HSL 131.29, 0.85%, 0.61%

LAB 84.27, -70.14, 53.53

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 24 / 0 / 19 / 31

HEX #86B08E

RGB 134 176 142

HSL 131.43, 0.21%, 0.61%

LAB 68.07, -21.05, 12.89

 

CMYK 6 / 0 / 5 / 37

HEX #96A098

RGB 150 160 152

HSL 132, 0.05%, 0.61%

LAB 64.88, -5.12, 2.93

 

CMYK 0 / 14 / 3 / 35

HEX #A790A2

RGB 167 144 162

HSL 313.04, 0.12%, 0.61%

LAB 62.31, 11.83, -6.3

 

CMYK 0 / 31 / 6 / 28

HEX #B77FAC

RGB 183 127 172

HSL 311.79, 0.28%, 0.61%

LAB 60.09, 28.91, -15.15

 

CMYK 25 / 0 / 39 / 25

HEX #90C076

RGB 144 192 118

HSL 98.92, 0.37%, 0.61%

LAB 72.85, -29.36, 32.31

 

CMYK 35 / 0 / 39 / 25

HEX #7CC076

RGB 124 192 118

HSL 115.14, 0.37%, 0.61%

LAB 71.75, -36.19, 30.67

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 39 / 0 / 21 / 25

HEX #76C097

RGB 118 192 151

HSL 146.76, 0.37%, 0.61%

LAB 72.08, -32.18, 13.51

 

CMYK 39 / 0 / 11 / 25

HEX #76C0AB

RGB 118 192 171

HSL 162.97, 0.37%, 0.61%

LAB 72.56, -27.92, 3.33

 

CMYK 54 / 0 / 44 / 39

HEX #489C58

RGB 72 156 88

HSL 131.43, 0.37%, 0.45%

LAB 57.9, -40.63, 28.03

 

CMYK 50 / 0 / 40 / 30

HEX #5AB36B

RGB 90 179 107

HSL 131.46, 0.37%, 0.53%

LAB 66.12, -42.42, 28.76

 

CMYK 39 / 0 / 31 / 25

HEX #76C084

RGB 118 192 132

HSL 131.35, 0.37%, 0.61%

LAB 71.7, -35.77, 23.18

 

CMYK 28 / 0 / 23 / 20

HEX #93CD9E

RGB 147 205 158

HSL 131.38, 0.37%, 0.69%

LAB 77.48, -28.13, 17.53

 

CMYK 20 / 0 / 16 / 15

HEX #AFDAB7

RGB 175 218 183

HSL 131.16, 0.37%, 0.77%

LAB 83.27, -20.8, 12.66

 

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

CMYK 39 / 15 / 0 / 25

HEX #76A4C0

RGB 118 164 192

HSL 202.7, 0.37%, 0.61%

LAB 65.13, -8.27, -19.29

 

CMYK 0 / 39 / 30 / 25

HEX #C07686

RGB 192 118 134

HSL 347.03, 0.37%, 0.61%

LAB 57.93, 31.06, 3.64

 

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

CMYK 31 / 39 / 0 / 25

HEX #8476C0

RGB 132 118 192

HSL 251.35, 0.37%, 0.61%

LAB 53.67, 22.2, -36.91

 

CMYK 0 / 31 / 39 / 25

HEX #C08476

RGB 192 132 118

HSL 11.35, 0.37%, 0.61%

LAB 60.8, 21.32, 16.88

 

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

CMYK 39 / 15 / 0 / 25

HEX #76A4C0

RGB 118 164 192

HSL 202.7, 0.37%, 0.61%

LAB 65.13, -8.27, -19.29

 

CMYK 0 / 39 / 7 / 25

HEX #C076B2

RGB 192 118 178

HSL 311.35, 0.37%, 0.61%

LAB 59.32, 37.94, -19.65

 

CMYK 0 / 24 / 39 / 25

HEX #C09276

RGB 192 146 118

HSL 22.7, 0.37%, 0.61%

LAB 64.22, 13.59, 21.55

 

CMYK 38 / 0 / 31 / 24

HEX #77C185

RGB 119 193 133

HSL 131.35, 0.37%, 0.61%

LAB 72.06, -35.74, 23.15

 

CMYK 39 / 26 / 0 / 25

HEX #768EC0

RGB 118 142 192

HSL 220.54, 0.37%, 0.61%

LAB 58.98, 4.11, -28.72

 

CMYK 0 / 39 / 7 / 25

HEX #C076B2

RGB 192 118 178

HSL 311.35, 0.37%, 0.61%

LAB 59.32, 37.94, -19.65

 

CMYK 0 / 12 / 39 / 25

HEX #C0A976

RGB 192 169 118

HSL 41.35, 0.37%, 0.61%

LAB 70.1, 1.05, 29.39

 

Description

Color code: RGB 119 193 133 | qconv.com Color code: RGB 119 193 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 119 red, 193 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
119 193 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 31 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 31% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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